Touré Kunda is a Senegalese band formed in 1979 and noted for their musical… Read Full Bio ↴Touré Kunda is a Senegalese band formed in 1979 and noted for their musical versatility and political activism. They have recorded in more than six languages and collaborated with well-known artists such as Carlos Santana and Talking Heads. With considerable success in Africa and Europe, they are active in social causes such as Children's rights and advocates for the homeless.

Touré Kunda was originally formed in 1979 by the brothers Amadou Touré (born 1943), Ismaila Touré (born 1950), and Sixu Tidiane Touré (born 1950). Ousmane Touré (born 1955) joined the group a few years later. They were born to Soninké parents in the Casamance region of Senegal. The name Touré Kunda translates literally from the Soninké language as "elephant family". Their parents were Daby Touré (1875-1956), and his wives Mafili (Sixu Tidiane), Masse (Amadou Seckou and Ismaila), and Dionfolo (Ousmane).

The Touré brothers developed local renown as a singing and percussion group, playing music based on traditional Senegalese rhythms known as Djabadong. In the late 1970s, the three brothers moved to Paris and began experimenting musically. The basis of their music remained traditional African rhythms, enhanced with the incorporation of reggae and other influences. Acoustic performances centered on vocals, kora, balafon, and percussion, evolved over time to include electric instruments and synthesizers. The brothers expanded the group to include several musicians from France and elsewhere.

Touré Kunda released their first album in 1980, É'mma Africa, which included their signature hit "É'mma". This album initiated the band's relationship with the Celluloid label, which was to last until about 1987. A second release soon followed, Touré Kunda (1981), and the group performed regularly around Paris to support these albums. Tragically, Amadou collapsed on stage and subsequently died in January 1983. Touré Kunda carried on, though, bringing in brother Ousmane Touré (born 1955) and paying tribute to their former bandleader with their third album, Amadou Tilo (1983).

In 1984, the group successfully toured West Africa, including Mali, Cote d'Ivoire, and home country Senegal. Upon return, they recorded their fourth album Casamance Au Clair De Lune (1984). A film from the tour was shown on French television, leading to tours of France and the UK as well as the live double album, Live Paris-Ziguinchor (1984). In December, they joined Manu Dibango and several other African performers to record "Tam-Tam Pour L'Éthiopie", a famine relief benefit. The band's reputation rapidly grew to encompass an international audience.

Touré Kunda soon followed this remarkable success with their fifth album, Natalia (1985). With producer Bill Laswell at the helm and several major performers sitting in, the band incorporated a fully modern sound including synthesizers.

The Touré brothers left Celluloid to sign with Trema Music in France. The first album with Trema, Toubab Bi (1987), was also released on Celluloid the following year as Karadindi. With Trema in the early 1990s, Touré Kunda recorded two new albums, Salam (1990) and Sili Béto (1993), and a second live set, Sounké (1991). Although these were fine and critically acclaimed albums, the label released them only in France and provided little support.

Several members of the band moved on to form Kaoma, which soon found success with their major international hit "La Lambada" (1989).

A fifth Touré brother, Hamidou, joined the group for Salam and Sounké, though he and Ousmane both left before Sili Béto. Hamidou later released a successful solo album as Séta Touré, titled simply Africa (1994) and later as L'Album (1996).

Touré Kunda, once again based on the original duo of Ismaila and Sixu Tidiane, signed with WEA and regained international exposure with the stunning Mouslaï in late 1996.

In 1999, the group initiated a flurry of high profile activities with the release of Légende, a set of newly recorded versions of songs from earlier albums, including several from the Trema years. That same year, Santana released the runaway hit album Supernatural, which includes "Africa Bamba", an outstanding cover of Touré Kunda's "Guerrilla" from Salam (1990). They followed up soon after with Terra Saabi (2000), their first set of new material in four years. Tracks include a cover of the Phil Collins hit "In The Air Tonight" called "Nobel", and a re-make of the group's own song "Cindy". In 2001, the Touré brothers somehow found time to contribute guest appearances to new releases by Macaco and Alpha Blondy. They also launched the official Web site (www.toure-kunda.com) in April 2001.

Omar and Daby Touré, cousins from the next generation, formed the group Touré Touré. Their debut album, Laddé (1999), found international success and yielded the hit "Yorro".

Séta Touré continued his solo success with Douna (2000), and Ousmane Touré contributed a guest appearance to Tania Libertad's Costa Negra (2002).

A greatest hits album, Best Of, was released in 2006. Their album, Santhiaba, came out in 2008.

Fatou Yo
Touré Kunda Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Fatou Yo si diadialano
Fatou Yo si diadialano
Fatou Yo si diadialano
Fatou Yo si diadialano

fatou faye faye fatou
fatou clémen' dio
Fatou Yo si diadialano

Fatou Yo si diadialano
Fatou Yo si diadialano
Fatou Yo si diadialano
Fatou Yo si diadialano

fatou faye faye fatou
fatou clémen' dio
Fatou Yo si diadialano

boutoumbélé boutoumbélé, boutoumbélé
boutoumbélé boutoumbélé, boutoumbélé
boutoumbélé boutoumbélé, boutoumbélé
o mamy séra o mamy cas boutoumbélé.

Fatou Yo si diadialano
Fatou Yo si diadialano

fatou faye faye fatou
fatou clémen' dio
Fatou Yo si diadialano

Djia cana canfa boulo fi foyé djowola
saudia é saudia saudia ina gambia

coco ina co son yango
(bis)

coco ina co son yango
reprise de 1, 2, 3,...

Overall Meaning

The song "Fatou Yo" by Touré Kunda features repetitive lines that express admiration and praise for a woman named Fatou. The chorus, "Fatou Yo si diadialano," can be translated to "Fatou, she is a wonderful woman." The verses also mention Fatou's name and describe her as "clémen' dio," meaning kindhearted.

The song also incorporates a call-and-response section with the repetition of "fatou faye faye fatou" and "boutoumbélé boutoumbélé." This section is meant to create a festive and communal atmosphere, with everyone joining in to celebrate and honor Fatou.

In addition to Fatou, the song also references other African countries such as Gambia, with the line "saudia é saudia saudia ina Gambia." The song's overall message seems to be one of appreciation for African culture and people, particularly the women like Fatou who embody kindness and strength.

Line by Line Meaning

Fatou Yo si diadialano
Fatou, she who is always moving and shaking

fatou faye faye fatou
Fatou, she who perseveres through the ups and downs

fatou clémen' dio
Fatou, she who carries on with grace

Fatou Yo si diadialano
Fatou, she who is always moving and shaking

fatou faye faye fatou
Fatou, she who perseveres through the ups and downs

fatou clémen' dio
Fatou, she who carries on with grace

Fatou Yo si diadialano
Fatou, she who is always moving and shaking

boutoumbélé boutoumbélé, boutoumbélé
The dance moves of Boutoumbélé, resonating with the beat

o mamy séra o mamy cas boutoumbélé.
Oh Mama, the sound of Boutoumbélé fills the air

Fatou Yo si diadialano
Fatou, she who is always moving and shaking

fatou faye faye fatou
Fatou, she who perseveres through the ups and downs