In 1983, six years after Emmylou Harris had first popularized it, Willie Nelson and Merle Haggard covered his song "Pancho and Lefty", reaching number one on the Billboard country music chart. Much of Van Zandt’s life was spent touring various dive bars, often living in cheap motel rooms and backwoods cabins. For much of the 1970s, he lived in a simple shack without electricity or a phone.
His influence has been cited by countless artists across multiple genres, and his music has been recorded or performed by numerous artists, including Bob Dylan, Willie Nelson, Merle Haggard, Norah Jones, Emmylou Harris, The Counting Crows, Steve Earle, Robert Earl Keen Jr., Nanci Griffith, Guy Clark, Wade Bowen, Gillian Welch, Pat Green and Natalie Maines.
He suffered from a series of drug addictions, alcoholism, and was given a psychiatric diagnosis of bipolar disorder. When he was young, the now-discredited insulin shock therapy erased much of his long-term memory.
Van Zandt died on New Years Day 1997 from cardiac arrythmia caused by health problems stemming from years of substance abuse. A revival of interest in Van Zandt occurred in the 2000s. During the decade, two books, a documentary film (Be Here to Love Me), and numerous magazine articles about the singer were written.
Born in Fort Worth into a wealthy family, Van Zandt was a third-great-grandson of Isaac Van Zandt (a prominent leader of the Republic of Texas) and a second great-nephew of Khleber Miller Van Zandt (a major in the Confederate army and one of the founders of Fort Worth). Van Zandt County in east Texas was named after his family in 1848.
Townes's parents were Harris Williams Van Zandt (1913–1966) and Dorothy Townes (1919–1983). He had two siblings, Bill and Donna (1941–2011). Harris was a corporate lawyer, and his career required the family to move several times during the 1950s and 1960s. In 1952, the family transplanted from Fort Worth to Midland, Texas, for six months before moving to Billings, Montana.
At Christmas in 1956, Townes's father gave him a guitar, which he practiced while wandering the countryside. He would later tell an interviewer that "watching Elvis Presley's October 28, 1956, performance on The Ed Sullivan Show was the starting point for me becoming a guitar player... I just thought that Elvis had all the money in the world, all the Cadillacs and all the girls, and all he did was play the guitar and sing. That made a big impression on me." In 1958 the family moved to Boulder, Colorado. Van Zandt would remember his time in Colorado fondly and would often visit it as an adult. He would later refer to Colorado in "My Proud Mountains", "Colorado Girl", and "Snowin' on Raton". Townes was a good student and active in team sports. In grade school, he received a high IQ score, and his parents began grooming him to become a lawyer or senator. Fearing that his family would move again, he willingly decided to attend the Shattuck School, in Faribault, Minnesota. He received a score of 1170 when he took the SAT in January 1962. His family soon moved to Houston, Texas.
The University of Colorado at Boulder accepted Van Zandt as a student in 1962. In the spring of his second year, his parents flew to Boulder to bring Townes back to Houston, apparently worried about his binge drinking and episodes of depression. They admitted him to the University of Texas Medical Branch in Galveston, where he was diagnosed with manic depression. He received three months of insulin shock therapy, which erased much of his long-term memory. Afterwards, his mother claimed her "biggest regret in life was that she had allowed that treatment to occur". In 1965, he was accepted into the University of Houston's pre-law program. Soon after he attempted to join the Air Force, but was rejected because of a doctor's diagnosis that labelled him "an acute manic-depressive who has made minimal adjustments to life". He quit school around 1967, having been inspired by his singer-songwriter heroes to pursue a career in playing music.
Van Zandt was addicted to heroin and alcohol throughout his adult life. At times he would become drunk on stage and forget the lyrics to his songs. At one point, his heroin habit was so intense that he offered Kevin Eggers the publishing rights to all of the songs on each of his first four albums for $20. At various points, his friends saw him shoot up not just heroin, but also cocaine, vodka, as well as a mixture of rum and Coke. On at least one occasion, he shot up heroin in the presence of his son J.T., who was only eight years old at the time.
As a result of Van Zandt's constant drinking, Harold Eggers, Kevin's brother, was hired on as his tour manager and 24-hour caretaker in 1976, a partnership that would last for the rest of the singer's life. Although the musician was many years older than he was, Eggers would later say that Van Zandt was his "first child." His battles with addiction led him to be admitted to rehab almost a dozen times throughout the 1970s and 1980s. Medical records from his time in recovery centers show that he believed his drinking had become a problem around 1973, and by 1982 he was drinking at least a pint of vodka daily. Doctors' notes reported: "He admits to hearing voices, mostly musical voices", and "Affect is blunted and mood is sad. Judgment and insight is impaired." At various points in his life, he was prescribed to take the antidepressant Zoloft and the mood stabilizer lithium. His final and longest period of sobriety during his adult life was a period of about a year in 1989 and 1990.
Van Zandt has been referred to as a cult musician and "a songwriter's songwriter." Musician Steve Earle, who met him in 1978 and considered Van Zandt a mentor, once called Van Zandt "the best songwriter in the whole world and I'll stand on Bob Dylan's coffee table in my cowboy boots and say that." The quote was printed on a sticker featured on the packing of At My Window, much to Van Zandt's displeasure. In the years following, the quote was often cited by the press, much to Van Zandt and Earle's embarrassment; in 2009, Earle told the New York Times, "Did I ever believe that Townes was better than Bob Dylan? No." But he concluded at the end of the same article that, "As a songwriter, you won't find anybody better." Earle has championed the songwriter on a number of occasions: his eldest son, Justin Townes Earle, also a musician, is named after Van Zandt. Earle wrote the song "Fort Worth Blues" as a tribute to the singer in the late 1990s, and in 2009 released an album titled Townes, which featured all covers of Van Zandt songs.
His Texas-grounded impact stretched farther than country. He has been cited as a source of inspiration by such notable artists as Bob Dylan, Neil Young, Willie Nelson, Guthrie Thomas, John Prine, Lyle Lovett, Chelsea Wolfe, Scott Avett of The Avett Brothers, Emmylou Harris, Nanci Griffith, Cowboy Junkies, Vetiver, Guy Clark, Devendra Banhart, Norah Jones, Robert Plant & Alison Krauss, The Be Good Tanyas and Jolie Holland, Rowland S. Howard, Michael Weston King, Josh Ritter, Gillian Welch, Garth Brooks, Simon Joyner, Conor Oberst of Bright Eyes, Caleb Followill of Kings of Leon, Laura Marling, Andrew Adkins and Frank Turner. Folk musician Shakey Graves has credited his fast-paced, rhythmic style of finger picked guitar playing partially to Van Zandt's influence.
In 1994, Israeli singer David Broza performed with Van Zandt during a Writers in the Round concert in Houston. When Van Zandt died, he left a shoe box full of unreleased poems and lyrics with a request that Broza set them to music. The resulting album was Night Dawn: The Unpublished Poetry of Townes Van Zandt.
In 2012, Van Zandt was inducted into the Texas Heritage Songwriters Hall of Fame.
In July 2012, Neurot Recordings released a three-way split album in tribute to Van Zandt, featuring Neurosis singer/guitarists Scott Kelly, Steve Von Till and doom/stoner metal legend Scott "Wino" Weinrich.
On June 18, 2015, Van Zandt was inducted into the second year's ceremony of the Austin City Limits Hall of Fame, along with Asleep at the Wheel, Loretta Lynn, Guy Clark and Flaco Jimenez. Gillian Welch inducted Van Zandt by telling stories about how he had come to her early gigs in Nashville and how he had bolstered her confidence in writing sad songs.
St. John the Gambler
Townes Van Zandt Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Saying Mother, I know that you'll grieve
But I've given my soul to St John the gambler
Tomorrow comes time leave
For the hills cannot hold back my sorrow forever
And dead men lay deep 'round the door
Of the only salvation that's mine for the asking
So mother, think on me no more
Winter held high round the mountains breast
And the cold of a thousand snows
Lay heaped upon the forests leaf
But she dressed in calico
For a gambler likes his women fancy
Fancy she would be
And the fire of her longing would keep way the cold
And her dress was a sight to see
But the road was long beneath the feet
She followed her frozen breath
In search of a certain St John the gambler
Stumbling to her death
She heard his laughter right down from the mountains
And danced with her mothers tears
To a funeral drawn a calico
'neath the cross of twenty years
To a funeral drawn a calico
'neath the cross of twenty years
The lyrics to Townes Van Zandt's St. John the Gambler tell a moving and tragic tale of a young woman who has given her soul to St. John the Gambler, a character notorious for seducing women into a gambling lifestyle. The woman knows that her mother will grieve for her, but she feels compelled to follow the gambler and leave the hills where she has lived her whole life. She believes that her only salvation lies with the gambler, and that the dead men who surround her prove this is true.
As the woman journeys through the cold winter landscape, she dresses in calico, knowing that the gambler prefers his women to be fancy. Her longing for the gambler keeps her warm even as the snows pile up around her. However, she eventually stumbles and dies, hearing the gambler's laughter as she takes her last breath. She is buried in a calico dress beneath the cross of twenty years, having given her life for the lure of the gambler's world.
The lyrics of St. John the Gambler are haunting in their depiction of a tragic love story that ends with the woman's death. The imagery of the winter landscape and the woman's fancy dress create a vivid picture of her journey, while the chorus of the song echoes her final resting place. Through this tale, Van Zandt paints a powerful portrait of the dangers of giving oneself over to a life of gambling and the seductive appeal of those who lure us down dangerous paths.
Line by Line Meaning
When she had twenty years she turned to her mother
At the age of 20, she confided in her mother
Saying Mother, I know that you'll grieve
She knew her mother would be upset
But I've given my soul to St John the gambler
She'd dedicated herself to gambling
Tomorrow comes time leave
She was leaving soon
For the hills cannot hold back my sorrow forever
She couldn't stay there any longer
And dead men lay deep 'round the door
Many had fallen by the wayside
Of the only salvation that's mine for the asking
Gambling was her only hope for a better life
So mother, think on me no more
She didn't want her mother worrying about her
Winter held high round the mountains breast
It was extremely cold
And the cold of a thousand snows
It was very, very cold
Lay heaped upon the forests leaf
The snow was deep on the ground
But she dressed in calico
She still wore her fanciest clothes despite the cold
For a gambler likes his women fancy
Gamblers preferred their women to look glamorous
Fancy she would be
She was dressed to impress
And the fire of her longing would keep way the cold
Her desire to gamble kept her warm
And her dress was a sight to see
Her outfit was very impressive
But the road was long beneath the feet
The journey was difficult
She followed her frozen breath
She was struggling to breathe in the cold
In search of a certain St John the gambler
She was trying to find the famous gambler
Stumbling to her death
She died while trying to find him
She heard his laughter right down from the mountains
She thought she'd found him, but it was just the wind
And danced with her mothers tears
She was imagining dancing with her mother
To a funeral drawn a calico
She was buried in her fanciest clothes
'neath the cross of twenty years
She died at the age of 20
Lyrics © Wixen Music Publishing
Written by: Townes Van Zandt
Lyrics Licensed & Provided by LyricFind
@daviebaggins
A Haunting, amazing song. The lyrics cut through with sadness.
@bennieholcomb4908
It does now...and it is some of the best folk music I have ever heard. Glad my friends turned me onto it long ago.
@jamesbradshaw3389
I always feel there was deep sadness and hurt in Townes Van Zandt voice, what a singer, storyteller, guitar player, what a mostly brilliant artist he was, Townes Van Zandt is now resting in several heavenly peace
@Eris123451
He's known some heartbroken women that's for sure, but haven't we all ?
That's why it stings so much; that and those chord changes.
@abelalencar
Tão bonito esse disco
@idicula1979
I don't know if I like this song, but man you can just feel his soul through it.
@assafadut
It doesn't matter what song he sings, he allways touchs evry cell in your body
@jimreinhardt9165
How did I miss knowing of this guy, wow.
@HookEm12
One of the best to ever do it <3
@076don
I love this bloke