Freddy and Manuel had met in school and played in Los Hang Ten's. Freddy and his older brother Jose originally thought of founding "Traffic Sound".
The name was chosen because of their penchant for a traffic light, placed as a souvenir in the attic of the Rizo-Patróns house, where they held their practices, after a wild night in Lima.
After a year of continued rehearsals and private shows they tried their luck at Peruvian psychedelic emporium The Tiffany with great success and recorded his first album "A Bailar Go Go" in 1968 with label MAG. It contained versions of songs by The Doors, Cream, Jimi Hendrix, Iron Butterfly and The Animals. In later albums they included their own music with a fusion of Andean and Afro-Latin sounds. They held gigs in Peru, Chile, Argentina and Brazil.
Their second album "Virgin" (1969), all original material, catapulted them to legendary status especially because it contains the absolute icon of Peruvian Psychedelia, "Meshkalina".
In 1970 they recorded another LP named "Traffic Sound", aka. III, aka. "Tibet's Suzettes", where they blend the Psychedelic spirit with an Andean folk sound, and give the necessary step to be closer than ever to progressive rock.
In 1971 Braniff International Airways organized the first South American Tour of a Peruvian band, and Traffic Sound was well received in demanding markets such as Argentina and Brazil.
After the tour they switched to bigger label Sono Radio and released four singles. At this point Willy Thorne left the band and was replaced by Zulu or (Miguel Angel Ruiz Orbegoso) on bass, with whom they recorded their last LP, "Lux". Incredibly, during a massive strike of Sono Radio workers the master tapes disappeared and were only found in 1996. This album is different to the previous, the Andean influence is more evident and some political concerns were expressed.
The band held a memorable concert at the Teatro Segura in Lima together with the Contemporary Orchestra of Peruvian jazz pianist Jaime Delgado Aparicio in 1971 and disbanded in 1972.
A popular Peruvian rock group in the late 1960s and early 1970s, Traffic Sound had a very British-influenced early progressive rock sound along the lines of Traffic and (more distantly) Jethro Tull. These similarities were evident in the band's use of flute and saxes, all played by Jean Pierre Magnet, who could also play vibes and percussion. What is surprising is that Traffic Sound, unlike other South American groups of the period that only came to light in the Northern Hemisphere in the 1990s, do not sound exotic or primitive. They simply sound like an accomplished minor-league 1970 rock band with considerable progressive, psychedelic, and soul influences informing their original material. There's a Latin feel to some of the rhythmic percussive grooves, sure, but no more, really, than you would find in a cut like Traffic's "Feelin' Alright." They disbanded in 1972 after four albums; some of their material found US release in 1997.
I'm so glad
Traffic Sound Lyrics
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I'm so glad, I'm so glad. I'm glad, I'm glad, I'm glad.
I don't know what to do, I don't know what to do, I don't know what to do.
I'm tired of weeping, I'm tired of moaning, I'm tired of crying for you.
I'm tired of weeping, I'm tired of moaning, I'm tired of groaning for you.
I don't know what to do, I don't know what to do, I don't know what to do.
The lyrics of Traffic Sound's "I'm So Glad" expresses the emotions of someone who has been through a lot of pain and heartbreak, but has finally found something that makes them feel happy and grateful. The repetition of the phrases "I'm so glad" and "I'm glad" emphasizes the singer's joy and satisfaction. The phrase "I don't know what to do" suggests that they were lost and hopeless before finding whatever it is that brought them happiness.
The lyrics also mention being tired of weeping, moaning, and crying for someone, which implies that the singer's previous state was one of mourning or longing for someone they lost. However, the repetition of being tired of these emotional states suggests that the singer has finally come to terms with the loss and has moved on to a more positive emotional state.
Overall, the lyrics of "I'm So Glad" convey the theme of finding happiness and gratitude after going through a difficult time. It suggests that even though life can be tough and painful, there is always the possibility of finding joy and contentment in the present.
Line by Line Meaning
I'm so glad, I'm so glad. I'm glad, I'm glad, I'm glad.
The singer is feeling extremely happy and repeats this sentiment multiple times.
I don't know what to do, I don't know what to do, I don't know what to do.
The singer is feeling lost and unsure of what actions to take.
I'm tired of weeping, I'm tired of moaning, I'm tired of crying for you.
The singer is exhausted from expressing emotions of sadness and despair for someone else.
I'm tired of weeping, I'm tired of moaning, I'm tired of groaning for you.
The artist is expressing similar exhaustion from expressing emotions, but uses a different word to add emphasis to their weariness.
Writer(s): James Polston
Contributed by Eva O. Suggest a correction in the comments below.
Ricky Obando
on Solos
llevala, llevala jajajaja