There is more than one artist with the name "Transit"

1) Transit was… Read Full Bio ↴There is more than one artist with the name "Transit"

1) Transit was an American pop-punk group based out of Stoneham, MA along the lines of Taking Back Sunday, Saves The Day, Crime In Stereo, Balance & Composure, Polar Bear Club, and Hot Water Music. Transit released five full-length albums: 2008's This Will Not Define Us, 2010's Keep This To Yourself , 2011's Listen & Forgive, 2013's Young New England and 2014's Joyride. Other releases include 2011's Record Store Day limited edition 7" Promise Nothing, the two acoustic EPs Something Left Behind (2011) and Futures and Sutures (2013), 2009's Stay Home EP, 2007's Let It Out EP, a split 7" with Man Overboard, and a self-titled 4 song demo. They were signed to Rise Records. Former guitarist/back vocalist and songwriter Tim Landers left the band in 2014, before the release of Joyride, leaving the band as a four-piece. In February 2016 the band announced their break up, playing their last concerts together in April.

Transit was...
Joe Boynton – vocals
Torre Cioffi – guitar/vocals
PJ Jefferson – bass
Daniel Frazier – drums

http://www.facebook.com/transitmakesmusic

2) Transit is an 80's Hard Rock Band from Switzerland

They released 3 Albums
Dirty Pleasures - 1989
Heartcore - 1991
Catch Fire - 1994

3) Transit are four post-rocking ornithologists from Ghent, Belgium, Jeroen (guitar), Toon (bass), Koen (drums) and Nick (guitar), with a passion for nature, emotions and all kinds of music. , their first full-album “Whitewater” was released by “Zeal" in March 2008, following their two eps: Broadleaves vs. Conifers (2006) and Harmattan (2006).

4) Transit is Jan Kenneth Transeth:
Has been around since 1974 and will most probably hang out until the fifties/ sixties, depending on the turns this life long project will run into… The debut album “Decent Man On A Desperate Moon” was recorded from August 04 ..till March 06 and released May 2008 in nineteen countries. Available via Spotify, Simfy etc. If you wanna support, the record is available at iTunes or via Karmakosmetix.com. Transit used to be lead singer in a Norwegian progressive metal band called IN THE WOODS… (from Karmakosmetix.com)

5) Transit is the stage name of Daniel Bennett, a Canadian hip hop artist from Victoria, BC now living in Calgary, AB. He has released 3 albums. http://www.transithiphop.com/

6) Transit is a five person acapella band from Raleigh, North Carolina. The members are Amy Pruitt (Soprano), April McTaggart (Alto), James Wallace (Vocal Percussion), Carl Taylor (Bari/Tenor), Alex Delaney (Bass.) They have a self titled EP from 2007, featuring seven songs. http://www.transitvocalband.com/

Riverside
Transit Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Walking outside the gates of winter cemetery.
I wonder when my time will be spent beneath the dirt and leaves.
As uplifting as that sounds, I'm not about to lay down and die.
Still my heart beats to the tune of my uncertainty.
So I try to make the most of my short time here.
These run down side streets are dead ends of my insecurities.
So I try to make the most my short time here.
Our headstones won't tell the story.

They'll just engrave the ending.
(The end of you and me)
What difference will it make.
(Still my heart beats.)
What will become of us.
(Still my heart beats.)
What difference will it make.
(Still my heart beats.)
What will come of us.
Walking outside of the gates of winter cemetery.
I wonder when my time will be to sleep beneath the dirt and leaves.
As uplifting as that sounds, I'm not about to lay down and die.
Just keep your eyes on the door.
I'll have an ear to the ground.
(I'm not about to lay down and die.)
(I'm not about to settle now.)
Just keep your eyes on the door.

I'll have an ear to the ground and
We'll be gone before the dust can settle

Overall Meaning

In Transit's song "Riverside," the lyrics reflect on the finite nature of life and the uncertainty that comes with it. The singer finds themselves walking outside of a cemetery and contemplating their own mortality. They recognize that their time on earth is limited, but they are not ready to give up and "lay down and die." The beats of their heart are uncertain and anxious, but they try to make the most of their time on earth, feeling constrained by insecurities that feel like run-down side streets. The singer recognizes that their headstone will only be an engraving of their ending, but they are unsure what difference it will make.

Throughout the song, there is a sense of urgency and restlessness, with the singer determined to make the most of their time while they still have it. They do not want to settle or just give up, but instead, they are focused on keeping their eyes on the door and their ear to the ground. They want to be ready to leave at a moment's notice, not waiting until the dust can settle. Overall, the song seems to be a reflection on the fleeting nature of life, the desire to make the most of it, and the uncertainty that comes with not knowing what the future holds.

Line by Line Meaning

Walking outside the gates of winter cemetery.
The singer is taking a walk outside a cemetery in winter, contemplating mortality.

I wonder when my time will be spent beneath the dirt and leaves.
The singer is reflecting on their own mortality, wondering when they will die and be buried.

As uplifting as that sounds, I'm not about to lay down and die.
The singer acknowledges the weight of their thoughts but asserts their will to live and not give in to despair.

Still my heart beats to the tune of my uncertainty.
Despite their uncertainty about life's meaning and their own fate, the artist's heart keeps beating, carrying them forward.

So I try to make the most of my short time here.
The artist resolves to make the most of their life, despite its brevity and uncertainty.

These run down side streets are dead ends of my insecurities.
The singer sees themselves as stuck and limited by their own insecurities, unable to move forward.

Our headstones won't tell the story.
The singer reflects on the finality of death and the limitations of a tombstone to convey life's complexity and meaning.

They'll just engrave the ending.
The artist laments that a tombstone will only mark the end of one's life, not its fullness or richness.

What difference will it make.
The artist questions the value or impact of their life, wondering if it will ultimately matter.

What will become of us.
The artist is uncertain about what the future holds for them and for humanity as a whole.

I'm not about to lay down and die.
Reiterating their resolve to keep living and pushing forward despite life's challenges.

Just keep your eyes on the door.
The artist advises staying focused and moving forward in life, working towards a goal.

I'll have an ear to the ground.
The singer will stay tuned to their surroundings, aware of opportunities or challenges as they arise.

We'll be gone before the dust can settle.
The singer is suggesting taking action quickly and not delaying, knowing that life can be short and unpredictable.

Walking outside of the gates of winter cemetery.
Repeating the opening line, bringing the song full circle.

I wonder when my time will be to sleep beneath the dirt and leaves.
Reiterating the artist's earlier contemplation of death and mortality.

Just keep your eyes on the door.
Repeating earlier advice to stay focused and move forward.

I'm not about to settle now.
Asserting the singer's refusal to accept mediocrity or complacency in their own life.

Contributed by Adalyn Y. Suggest a correction in the comments below.

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