Trevor Morris (born 25 May 1970) is a Canadian orchestral composer, music p… Read Full Bio ↴Trevor Morris (born 25 May 1970) is a Canadian orchestral composer, music producer, and creator of electronic music. He is probably best known for the soundtracks of the television shows "The Tudors," "The Pillars of the Earth," "The Borgias," "Vikings," and the film "Olympus Has Fallen."
Trevor was born in London, Ontario, Canada. He was helped by his grandmother onto the piano bench before he could walk, she sat him in her lap and played "Puff the magic dragon" (a melody Trevor still does variations on in his compositions). After being introduced to music by his Grandmother, Trevor's parents enrolled him in St. Mary's elementary school for the arts at age 5. Studying choir, violin and contrabass throughout, Trevor also gravitated toward the piano, which he began studying privately in tandem.
In grade 8, Trevor was approached by his school for a commissioned composition: a piece for his graduating class to sing for the coinciding visit of Pope John Paul to Ontario Canada. Unfortunately security did not allow for the class to sing live for the Pope, but they did perform Trevor's first composition at their graduation ceremonies, held at St.Mary's cathedral. Composed for 4 part choir and piano, "Sacred young people", a variation on a literal theme of the Pope's, was performed and recorded by Trevor's graduating class. It represented the first step down the path that Trevor would follow from that point on.
High school and ultimately college led Trevor toward the recording arts, gaining a degree in Recording Engineering from Canada's top school, Music Industry Arts. He graduated top of his class being awarded the prestigious "most promising engineer / producer". Graduation from College led him immediately to Toronto, home of Canada's largest community of composers, producers, engineers and musicians.
With production, recording and the recording studio becoming Trevor's focus, 10 years spent in the Toronto community saw Trevor's rise through the ranks of the largest recording studio in Toronto and various top commercial production houses. This path led Trevor back to his original true love, composition. Exposed to the enriched scene of commercial production, there isn't a top music house, ad agency or studio Trevor didn't write for.
The desire to have a longer medium in which to speak musically, steered Trevor toward Television and Film work. After a few small independent features and his first network 1 hour drama, it was evident the he had found his life's work, writing music to picture.
While still in Toronto, Trevor got accepted to the prestigious ASCAP scoring workshop in Los Angeles. Deep in work on his first dramatic television series, he flew down to LA and back home again 4 days every week for over a month in order to attend. With his exposure to the film scoring community, and the opportunity to compose and conduct the "L.A. All-Stars" orchestra, the decision to move to Los Angeles followed shortly.
The year 2000 saw not only a Millennium change, but a trans-continental change as well, Trevor Moved to Hollywood. Trevor immediately found freelance work doing music for "E! True Hollywood Story" as well as network promotional music for "Just Shoot Me" and "King of Queens". But ultimately it was his engineering roots and production background that would bring him in touch with one of his musical idols, James Newton Howard. Trevor assisted James on a few films, supporting him in orchestra preparation and pre-records.
It was shortly there after, that Trevor connected with what would his most fruitful musical friend, Hans Zimmer. Trevor spent 2 and a half years working closely was Hans as studio designer, engineer, orchestra wrangler, technical supervision, producer and co-composer for Hans. They collaborated in this capacity on such films as "Black Hawk Down", "Shark Tale", "The Last Samurai", "Pirates of the Caribbean 1 and 2" and "The Ring 1 and 2". Many trips to the scoring stages of Los Angeles, and London England would follow, allowing Trevor to compose, produce and conduct the best players in the world on Feature Film and Television work for both Hans and Trevor's own projects.
Trevor currently lives and works in west Los Angeles, and shares studio space with Hans Zimmer at his state of the art Remote Control Facility.
He won the prime time EMMY award for Outstanding Main Title Theme music for his work on "The Tudors" in 2007.
Official website: http://www.trevormorris.com
Trevor was born in London, Ontario, Canada. He was helped by his grandmother onto the piano bench before he could walk, she sat him in her lap and played "Puff the magic dragon" (a melody Trevor still does variations on in his compositions). After being introduced to music by his Grandmother, Trevor's parents enrolled him in St. Mary's elementary school for the arts at age 5. Studying choir, violin and contrabass throughout, Trevor also gravitated toward the piano, which he began studying privately in tandem.
In grade 8, Trevor was approached by his school for a commissioned composition: a piece for his graduating class to sing for the coinciding visit of Pope John Paul to Ontario Canada. Unfortunately security did not allow for the class to sing live for the Pope, but they did perform Trevor's first composition at their graduation ceremonies, held at St.Mary's cathedral. Composed for 4 part choir and piano, "Sacred young people", a variation on a literal theme of the Pope's, was performed and recorded by Trevor's graduating class. It represented the first step down the path that Trevor would follow from that point on.
High school and ultimately college led Trevor toward the recording arts, gaining a degree in Recording Engineering from Canada's top school, Music Industry Arts. He graduated top of his class being awarded the prestigious "most promising engineer / producer". Graduation from College led him immediately to Toronto, home of Canada's largest community of composers, producers, engineers and musicians.
With production, recording and the recording studio becoming Trevor's focus, 10 years spent in the Toronto community saw Trevor's rise through the ranks of the largest recording studio in Toronto and various top commercial production houses. This path led Trevor back to his original true love, composition. Exposed to the enriched scene of commercial production, there isn't a top music house, ad agency or studio Trevor didn't write for.
The desire to have a longer medium in which to speak musically, steered Trevor toward Television and Film work. After a few small independent features and his first network 1 hour drama, it was evident the he had found his life's work, writing music to picture.
While still in Toronto, Trevor got accepted to the prestigious ASCAP scoring workshop in Los Angeles. Deep in work on his first dramatic television series, he flew down to LA and back home again 4 days every week for over a month in order to attend. With his exposure to the film scoring community, and the opportunity to compose and conduct the "L.A. All-Stars" orchestra, the decision to move to Los Angeles followed shortly.
The year 2000 saw not only a Millennium change, but a trans-continental change as well, Trevor Moved to Hollywood. Trevor immediately found freelance work doing music for "E! True Hollywood Story" as well as network promotional music for "Just Shoot Me" and "King of Queens". But ultimately it was his engineering roots and production background that would bring him in touch with one of his musical idols, James Newton Howard. Trevor assisted James on a few films, supporting him in orchestra preparation and pre-records.
It was shortly there after, that Trevor connected with what would his most fruitful musical friend, Hans Zimmer. Trevor spent 2 and a half years working closely was Hans as studio designer, engineer, orchestra wrangler, technical supervision, producer and co-composer for Hans. They collaborated in this capacity on such films as "Black Hawk Down", "Shark Tale", "The Last Samurai", "Pirates of the Caribbean 1 and 2" and "The Ring 1 and 2". Many trips to the scoring stages of Los Angeles, and London England would follow, allowing Trevor to compose, produce and conduct the best players in the world on Feature Film and Television work for both Hans and Trevor's own projects.
Trevor currently lives and works in west Los Angeles, and shares studio space with Hans Zimmer at his state of the art Remote Control Facility.
He won the prime time EMMY award for Outstanding Main Title Theme music for his work on "The Tudors" in 2007.
Official website: http://www.trevormorris.com
If I Had a Heart
Trevor Morris Lyrics
We have lyrics for 'If I Had a Heart' by these artists:
1.11 - Fever Ray This will never end 'cause I want more More, give me…
Andy Burrows I forget someone had to pay for this with love And…
b-bless I did what I had to by seeing it through I…
Call Me Karizma if I had a heart I'd probably stop taking you back if…
Colm R. McGuinness This will never end ′cause I want more More, give me…
Dark Oath This will never end 'cause I want more More, give me…
Dixon This will never end 'Cause I want more More, give me more Gi…
Evangéline If i had a heart it would only beat for…
Fever RayTrevor Morris This will never end 'Cause I want more More, give me more …
Fever Ray (Vikings) This will never end 'cause I want more More, give me…
Fever Ray (Www.CdMundial.Com) This will never end Cause I want more More, give me more,…
Fever Ray - This will never end 'cause I want more More, give me…
Fever Ray/Trevor Morris This will never end 'cause I want more More, give me…
Fever RayTrevor Morris This will never end Cause I want more More, give me more …
Fever Ray\x01Trevor Morris This will never end 'cause I want more More, give me…
Joni Mitchell Holy war Genocide Suicide Hate and cruelty How can this be h…
Skar This will never end 'Cause I want more More, give me mo…
Slut If I could have been true because I knew it…
Super Sonic Temple This will never end ′Cause I want more More, give me more Gi…
The Dark Element IF I HAD A HEART I have tried And I have failed…
the dark side of the moon This will never end 'cause I want more More, give me…
Todrick Hall They don't like how we love And they don't like what…
TV Star Band & Singers If I only had wings I’d learn how to fly, And…
Vikings Main Title This will never end 'cause I want more More, give me…
X Ten Pick your 답 A or B 밸런스 게임 앞 퓨마와…
We have lyrics for these tracks by Trevor Morris:
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@ashishkaushik1790
This will never end 'cause I want more
More, give me more, give me more
This will never end 'cause I want more
More, give me more, give me more
If I had a heart, I could love you
If I had a voice, I would sing
After the night, when I wake up
I'll see what tomorrow brings
Ah, ah-ah-ah-ah
Ah, ah-ah-ah-ah
Ah, ah-ah-ah-ah
If I had a voice, I would sing
Dangling feet from window frame
Will I ever, ever reach the floor?
More, give me more, give me more
Crushed and filled with all I found
Underneath and inside, just to come around
More, give me more, give me more
Ah, ah-ah-ah-ah
Ah, ah-ah-ah-ah
Ah, ah-ah-ah-ah
If I had a voice, I would sing
@Clowning4round
Just copy pasting this for myself to sing:
This will never end
'Cause I want more
More, give me more
Give me more
This will never end
'Cause I want more
More, give me more
Give me more
If I had a heart I could love you
If I had a voice I would sing
After the night when I wake up
I'll see what tomorrow brings
Ahhhhhhh Ahhhhhhh
Ahhhhhhh Ahhhhhhh
If I had a voice, I would sing
Dangling feet from window frame
Will I ever ever reach the floor?
More, give me more, give me more
Crushed and filled with all I found
Underneath and inside
Just to come around
More, give me more, give me more
Ahhhhhhh (Ahh) Ahhhhhhh
Ahhhhhhh (Ahhhh) Ahhhhhhh
If I had a voice, I would sing
@rawadalhayek7023
lyrics:
This will never end 'cause I want more
More, give me more, give me more
This will never end 'cause I want more
More, give me more, give me more
[Verse 2]
If I had a heart I could love you
If I had a voice I would sing
After the night when I wake up
I'll see what tomorrow brings
[Chorus]
Ah ah ah
Ah ah ah
Ah ah ah
If I had a voice I would sing
[Verse 3]
Dangling feet from window frame, will they ever
Ever reach the floor? More, give me more, give me more
Cushion filled with all I found underneath and inside
Just to come around, more, give me more, give me more
[Chorus]
Ah ah ah
Ah ah ah
Ah ah ah
If I had a voice I would sing
@Dyslogix
[Verse 1]
This will never end 'cause I want more
More, give me more, give me more
This will never end 'cause I want more
More, give me more, give me more
[Verse 2]
If I had a heart, I could love you
If I had a voice, I would sing
After the night when I wake up
I'll see what tomorrow brings
[Chorus]
Ah-ah-ah
Ah-ah-ah
Ah-ah-ah
If I had a voice, I would sing
[Verse 3]
Dangling feet from window frame
Will they ever ever reach the floor?
(More, give me more, give me more)
Cushion filled with all I found
Underneath and inside, just to come around
(More, give me more, give me more)
[Chorus]
Ah-ah-ah
Ah-ah-ah
Ah-ah-ah
If I had a voice, I would sing
@mouradfarhani
This will never end cause I want more
More, give me more, give me more
If I had a heart I could love you
If I had a voice I would sing
After the night when I wake up
I'll see what tomorrow brings
Ah ah ah ah ah ah ah
If I had a voice I would sing
Dangling feet from window frame
Will they ever ever reach the floor
More, give me more, give me more
Cushion filled with all I found
Underneath and inside just to come around
More, give me more, give me more
@ii_elbr
Netflix: skip int-
Me: NEVER.
@neh4n577
mr. nobody it’s not a netflix show, it’s from hulu
@rkgim
but its on netflix too
@sledgehammer9966
I mean seriously, what jerk would skip intro of vikings?
@dennisnygren9345
Mr.nobody 😂 so true
@raimron753
When did Netflix get vikings?
@daflotsam
One of the few theme songs I never skip when binge watching.
@Dirtbag-Hyena
Well that & the intro is cool as shit anyway .
@Driftfeng
Yes its so fucking true, i looove listening to it. Ill become way mor of a man listening to it.
@calk.4361
what is this the theme song to?