Trevor Morris (born 25 May 1970) is a Canadian orchestral composer, music p… Read Full Bio ↴Trevor Morris (born 25 May 1970) is a Canadian orchestral composer, music producer, and creator of electronic music. He is probably best known for the soundtracks of the television shows "The Tudors," "The Pillars of the Earth," "The Borgias," "Vikings," and the film "Olympus Has Fallen."
Trevor was born in London, Ontario, Canada. He was helped by his grandmother onto the piano bench before he could walk, she sat him in her lap and played "Puff the magic dragon" (a melody Trevor still does variations on in his compositions). After being introduced to music by his Grandmother, Trevor's parents enrolled him in St. Mary's elementary school for the arts at age 5. Studying choir, violin and contrabass throughout, Trevor also gravitated toward the piano, which he began studying privately in tandem.
In grade 8, Trevor was approached by his school for a commissioned composition: a piece for his graduating class to sing for the coinciding visit of Pope John Paul to Ontario Canada. Unfortunately security did not allow for the class to sing live for the Pope, but they did perform Trevor's first composition at their graduation ceremonies, held at St.Mary's cathedral. Composed for 4 part choir and piano, "Sacred young people", a variation on a literal theme of the Pope's, was performed and recorded by Trevor's graduating class. It represented the first step down the path that Trevor would follow from that point on.
High school and ultimately college led Trevor toward the recording arts, gaining a degree in Recording Engineering from Canada's top school, Music Industry Arts. He graduated top of his class being awarded the prestigious "most promising engineer / producer". Graduation from College led him immediately to Toronto, home of Canada's largest community of composers, producers, engineers and musicians.
With production, recording and the recording studio becoming Trevor's focus, 10 years spent in the Toronto community saw Trevor's rise through the ranks of the largest recording studio in Toronto and various top commercial production houses. This path led Trevor back to his original true love, composition. Exposed to the enriched scene of commercial production, there isn't a top music house, ad agency or studio Trevor didn't write for.
The desire to have a longer medium in which to speak musically, steered Trevor toward Television and Film work. After a few small independent features and his first network 1 hour drama, it was evident the he had found his life's work, writing music to picture.
While still in Toronto, Trevor got accepted to the prestigious ASCAP scoring workshop in Los Angeles. Deep in work on his first dramatic television series, he flew down to LA and back home again 4 days every week for over a month in order to attend. With his exposure to the film scoring community, and the opportunity to compose and conduct the "L.A. All-Stars" orchestra, the decision to move to Los Angeles followed shortly.
The year 2000 saw not only a Millennium change, but a trans-continental change as well, Trevor Moved to Hollywood. Trevor immediately found freelance work doing music for "E! True Hollywood Story" as well as network promotional music for "Just Shoot Me" and "King of Queens". But ultimately it was his engineering roots and production background that would bring him in touch with one of his musical idols, James Newton Howard. Trevor assisted James on a few films, supporting him in orchestra preparation and pre-records.
It was shortly there after, that Trevor connected with what would his most fruitful musical friend, Hans Zimmer. Trevor spent 2 and a half years working closely was Hans as studio designer, engineer, orchestra wrangler, technical supervision, producer and co-composer for Hans. They collaborated in this capacity on such films as "Black Hawk Down", "Shark Tale", "The Last Samurai", "Pirates of the Caribbean 1 and 2" and "The Ring 1 and 2". Many trips to the scoring stages of Los Angeles, and London England would follow, allowing Trevor to compose, produce and conduct the best players in the world on Feature Film and Television work for both Hans and Trevor's own projects.
Trevor currently lives and works in west Los Angeles, and shares studio space with Hans Zimmer at his state of the art Remote Control Facility.
He won the prime time EMMY award for Outstanding Main Title Theme music for his work on "The Tudors" in 2007.
Official website: http://www.trevormorris.com
Trevor was born in London, Ontario, Canada. He was helped by his grandmother onto the piano bench before he could walk, she sat him in her lap and played "Puff the magic dragon" (a melody Trevor still does variations on in his compositions). After being introduced to music by his Grandmother, Trevor's parents enrolled him in St. Mary's elementary school for the arts at age 5. Studying choir, violin and contrabass throughout, Trevor also gravitated toward the piano, which he began studying privately in tandem.
In grade 8, Trevor was approached by his school for a commissioned composition: a piece for his graduating class to sing for the coinciding visit of Pope John Paul to Ontario Canada. Unfortunately security did not allow for the class to sing live for the Pope, but they did perform Trevor's first composition at their graduation ceremonies, held at St.Mary's cathedral. Composed for 4 part choir and piano, "Sacred young people", a variation on a literal theme of the Pope's, was performed and recorded by Trevor's graduating class. It represented the first step down the path that Trevor would follow from that point on.
High school and ultimately college led Trevor toward the recording arts, gaining a degree in Recording Engineering from Canada's top school, Music Industry Arts. He graduated top of his class being awarded the prestigious "most promising engineer / producer". Graduation from College led him immediately to Toronto, home of Canada's largest community of composers, producers, engineers and musicians.
With production, recording and the recording studio becoming Trevor's focus, 10 years spent in the Toronto community saw Trevor's rise through the ranks of the largest recording studio in Toronto and various top commercial production houses. This path led Trevor back to his original true love, composition. Exposed to the enriched scene of commercial production, there isn't a top music house, ad agency or studio Trevor didn't write for.
The desire to have a longer medium in which to speak musically, steered Trevor toward Television and Film work. After a few small independent features and his first network 1 hour drama, it was evident the he had found his life's work, writing music to picture.
While still in Toronto, Trevor got accepted to the prestigious ASCAP scoring workshop in Los Angeles. Deep in work on his first dramatic television series, he flew down to LA and back home again 4 days every week for over a month in order to attend. With his exposure to the film scoring community, and the opportunity to compose and conduct the "L.A. All-Stars" orchestra, the decision to move to Los Angeles followed shortly.
The year 2000 saw not only a Millennium change, but a trans-continental change as well, Trevor Moved to Hollywood. Trevor immediately found freelance work doing music for "E! True Hollywood Story" as well as network promotional music for "Just Shoot Me" and "King of Queens". But ultimately it was his engineering roots and production background that would bring him in touch with one of his musical idols, James Newton Howard. Trevor assisted James on a few films, supporting him in orchestra preparation and pre-records.
It was shortly there after, that Trevor connected with what would his most fruitful musical friend, Hans Zimmer. Trevor spent 2 and a half years working closely was Hans as studio designer, engineer, orchestra wrangler, technical supervision, producer and co-composer for Hans. They collaborated in this capacity on such films as "Black Hawk Down", "Shark Tale", "The Last Samurai", "Pirates of the Caribbean 1 and 2" and "The Ring 1 and 2". Many trips to the scoring stages of Los Angeles, and London England would follow, allowing Trevor to compose, produce and conduct the best players in the world on Feature Film and Television work for both Hans and Trevor's own projects.
Trevor currently lives and works in west Los Angeles, and shares studio space with Hans Zimmer at his state of the art Remote Control Facility.
He won the prime time EMMY award for Outstanding Main Title Theme music for his work on "The Tudors" in 2007.
Official website: http://www.trevormorris.com
Thedas Love Theme
Trevor Morris Lyrics
We have lyrics for these tracks by Trevor Morris:
The Dawn Will Come Shadows fall And hope has fled. Steel your heart The dawn wi…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Kaname85
Cullen Romance - Happy Ending
Cassandra Romance - Happy Ending
Blackwall Romance - Happy Ending
Sera Romance - Happy Ending
Iron Bull Romance - Happy Ending
Dorian Romance - Happy Ending
Josephine Romance - Happy Ending
Solace Romance - FOREVER ALONE
Who did I select for my first playthrough as a female elf? Solas. Thanks Bioware for toying with my emotions yet again!
Fook
This song is either a heartbreaking reminder of being dumped in a rainy grove or a beautiful memory of romancing the love of your Inquisitor's life.
Miss Spooky
Inquisitor lavellan signs too it surely does painful one at that
Kaname85
Cullen Romance - Happy Ending
Cassandra Romance - Happy Ending
Blackwall Romance - Happy Ending
Sera Romance - Happy Ending
Iron Bull Romance - Happy Ending
Dorian Romance - Happy Ending
Josephine Romance - Happy Ending
Solace Romance - FOREVER ALONE
Who did I select for my first playthrough as a female elf? Solas. Thanks Bioware for toying with my emotions yet again!
1JediRevan
Kaname85 Cassandra's romance is a happy ending as long as she doesn't become divine. If she does, then there is heartbreak.
Т
1JediRevan is not like that actually maybe when she became a divine she will be has so much to do and different ways with the inquisitor but they still have a time and still love each other not like solas at the end he was disapear and leave the inquisitor alone
1JediRevan
Fikri Anugrah
There is love sure, but duty stands in their way if Cassandra ascends to the Golden Throne. Divines should not have lovers, and Cass doesn't strike me as the type of woman to do these things in secret. It's likely she would reluctantly part from the Inquisitor if she is Divine.
Т
1JediRevan yeah you are right too but still it will be great if in romance realationship have a conflict in there it' s gonna be a great story, hope in the next dragon age, bioware make a line about this dragon age inquitision not just only the war story but the love part : ), and the divine ending not worst at all not like solas ending i mean still divine ending or not there still has a love in their life, i just hope the bioware really looking at this too.maybe your point and mine are different :D. and about the next story who know maybe be cassandra will changes all of order and dont forget the inquisitor him self, he has a power to order and ask people of thedas maybe they will be still together i mean married have a child and became the next inquisitor even if cassandra will be bussy with her own business once again who know. lets pray and hope the bio ware make it better :D i quite agree with you.
Benjamin E.S.
+Kaname85 My Cassandra romance ended in Heartbreak :(
Just A Box
"I've been with only one other man in my life. A mage, with whom I adventured when I was still very young. He died at the Conclave. I will not let Corypheus win. I will not let him take you from me." - Cassandra ♥️
Tito
I used to be so jealous when she mentioned that. Now I understand that I was just disappointed because if Regalyan was alive it could add some depth to Cassandra and her backstory... Damn you, lazy Bioware. You even left Cassandra's dialogue after Leliana becomes the Divine. She says "I offered to be the Right Hand again". And my Inquisitor couldn't even say: Hello? What about me?