Here We Go
Trina Lyrics

Look
The singer is preparing to express their thoughts and feelings on a situation.

I ain't got nothin' to say to you
The singer does not have anything to say to the person they are addressing.

I cant even believe you
The singer is surprised by the actions of the person they are addressing.

You know what
The artist is shifting the conversation and is no longer interested in discussing the situation with the person they are addressing.

I'm too fly for this shit
The artist feels that they are too good for the current situation and wants to move on from it.

You playin' yourself
The singer is telling the person they are addressing that they are making a fool of themselves.

Here we go
The singer is exasperated, implying that this is a repetitive situation.

Here we go again
The artist has experienced this type of situation before with the person they are addressing.

Now you tellin' me
The artist is responding to something that the person they are addressing has said, likely in defense of their actions.

That she is just a friend
The person the artist is addressing is claiming that their interactions with someone else, likely a romantic interest, are purely platonic.

Then why she callin' you
The singer is questioning the true nature of the interactions between the person they are addressing and the other person they are referencing.

At 3 o'clock in the mornin'
The artist is emphasizing the suspicious timing of the phone call, which suggests that it was not a casual or platonic interaction.

(I cant take this no more)
The singer is expressing their frustration at the situation and implies that they may be nearing a breaking point.

No No No
The singer is asserting their decision to not continue to tolerate the situation.

Look nigga
The singer is addressing the person they were previously talking to in a more aggressive manner and using a derogatory term for emphasis.

What you think this is?
The artist is challenging the person they are addressing to explain their behavior and what they expect from the relationship.

You treat me like a random chick
The artist feels like they are not being treated as a priority in the person they are addressing's life.

You done forgot who introduced you to rocks
The singer is referencing a time when they helped the person they are addressing, potentially financially, and feel like their efforts are being disregarded now.

And poppin' all that cris an shit
The singer is highlighting the expensive lifestyle that they previously shared with the person they are addressing and feels like they are not being valued for it.

Who let you hit it from the back
The artist is referencing a sexual encounter that they had with the person they are addressing and suggests that it is inappropriate to treat them in the way that they currently are.

Anyway that you like
The artist is suggesting that they have previously acquiesced to the preferences of the person they are addressing during sexual encounters.

And any debts i can pay the price
The artist is implying that they have helped the person they are addressing financially and are willing to continue doing so in exchange for being treated better.

I thought i was a chick you would make your wife
The singer had believed that they had a future with the person they are addressing and feels disappointed that things did not turn out as they had hoped.

And now a bitch cant even stay the night (you wack)
The artist feels like the person they are addressing is not willing to put effort into the relationship and is calling them out for it.

I cant even look in ya face
The singer is disgusted with the person they are addressing.

Without wantin' to slap you
The singer is so frustrated and angry, that the sight of the person they are addressing is physically upsetting to them.

Damn i thank God i ain't get that tattoo
The singer is expressing relief that they did not do anything permanent to symbolize their relationship with the person they are addressing.

You better thank God i ain't have the strap boo
The artist is suggesting that the person they are addressing is lucky that they did not react more violently to the situation.

You ain't even worth that trick get at you
The artist does not feel like the person they are addressing is worth fighting for or investing more time and energy into.

Matter fact
The singer is shifting the conversation again, likely to wrap up the discussion.

Trick get at dude
The singer is suggesting that someone else who is interested in the person they are addressing should pursue them instead.

I'm the best
The artist feels like they are the best that the person they are addressing is ever going to get in terms of a romantic partner.

Ain't got shit to ask you
The artist is asserting that they have no interest in continuing the conversation or seeking further explanation from the person they are addressing.

And tell the trifflin' bitch
The artist is addressing the other woman who called the person they are addressing in the middle of the night.

She can have you
The singer is telling the person they are addressing that they are free to pursue a relationship with the other woman if that is what they truly want.

I ain't lookin' at you no more
The artist is done engaging with the person they are addressing and is choosing to ignore them.

I'm lookin' past you
The singer is trying to move on from the situation and focus on their future without the person they are addressing.

When ma girl came through with the news
The singer is referencing a friend who informed them about the other woman who called the person they are addressing in the middle of the night.

All i did was think about me and you
The singer could not stop thinking about how the actions of the person they are addressing impacted their relationship.

What a chick gotta do to get wit a real nigga
The artist is questioning what they need to do in order to find a partner who is more honest and committed than the person they are addressing.

That know how to stay true like man
The artist is expressing a desire for a partner who will be loyal and committed to the relationship, unlike the person they are addressing.

No more quarter to eights
The singer is referencing a time when they used to buy drugs with the person they are addressing and is implying that they are done with that lifestyle and the person associated with it.

You better hop on a bus or a cab
The singer is telling the person they are addressing that they need to leave and find their own way home, as the singer is no longer interested in being associated with them.

I shed so many tears
The artist has been emotionally impacted by the actions of the person they are addressing.

Cant believe how many years
The artist cannot believe how long they invested in the relationship with the person they are addressing, given how unreliable and untrustworthy they are being.

The baddest bitch put up witch yo dusty ass (Yeah)
The artist is establishing herself as someone with value and self-respect, while also calling out the person they are addressing as being lazy or unambitious.

Now you know that i'm the queen of Miami
The singer is asserting that they are well-respected and successful in their community.

All that loud talkin', lying
The artist is accusing the person they are addressing of being dishonest and untrustworthy.

Save that shit for ya man (haha)
The singer is suggesting that the person they are addressing should not be lying to them, but instead, saving those excuses for their other romantic partner.

Sounds like blah, blah, blah, blah, blah, blah, blah (talk too much)
The singer is dismissing the excuses and lies of the person they are addressing as meaningless and unimportant.

I'm like uh huh, OK, whats up, shut up
The singer is no longer interested in hearing the excuses of the person they are addressing and wants them to stop talking and leave.

Thats why i'm packin' up my jewels
The artist is taking positive steps toward moving on from the person they are addressing.

Grabbin' up my furs
The artist is collecting their material belongings, which is further evidence that they are leaving the person they are addressing behind.

I'll be back for all my shoes and purses
The singer is asserting their right to come back for their belongings, which suggests they are not planning on returning to the person they are addressing.

Watch me bounce
The singer is leaving and is never coming back.

In my seven forty five
The artist is leaving in a luxurious and expensive vehicle, which is further evidence that they are successful and do not need the person they are addressing.

Cause I ain't try'na hear it
The artist is done with the excuses and lies of the person they are addressing and will not be changing their mind about leaving.

Not this time
The artist has been in this situation before but is expressing their determination to end it for good this time.

Now all my ladies say
The singer is addressing other women who may have experienced a similar situation with a partner.

If you feel me say
The artist is asking other women who understand their struggle to show solidarity.

If you cant take no more say
The singer is asking women who are done with their partner's lies and infidelity to make their decision known.

No no no (no no no)
This is the response that the singer wants to hear from other women who have had enough of being mistreated.

And why shes callin' you
This is a repetition of a previous line, and the singer is still questioning the true nature of the interactions between the person they are addressing and the other woman.

At 3 o'clock in the mornin'
This is a repetition of a previous line, and the artist is emphasizing once again the suspicious timing of the phone call.

I ain't tryna hear it
This is a repetition of a previous line, and the artist is asserting their decision to not continue listening to excuses.

(Not this time)
This is a repetition of a previous line, and the singer is emphasizing that this situation is now over and there is no going back.