Tumi and the Volume are made up of four members. Tumi Molekane (vocals), the centerpiece of the group, is an accomplished South African poet from Johannesburg. In 2002, he met Tiago and Paulo Chibanga and Dave Bergman, who were playing backup for MCs at the Bassline, in Melville, Johannesburg. Tiago and Paulo are both members of the Mozambiquean, South African-based band 340ml. For the production of their first album, At the Bassline the group added Kyle Rose Smith, a violinist, to complete The Volume. On their second album, the self-titled studio release, Smith is featured but she left the band in early 2005 to join Freshlyground.
Tumi and the Volume was founded when then-solo emcee Tumi Molekane met The Volume, a backup band at the Bassline. The first collaborative project, which evolved into At the Bassline, began in the beginning of 2003. Yet since before the release of their first album, Tumi and the Volume have been performing across southern Africa and Europe.
Their first year together, 2002, saw them mostly tour South Africa and contribute to music festivals across the country, as well as open for bigger international groups performing in Johannesburg and Cape Town, such as Positive Black Soul, from Senegal, and Blackalicious, from the United States.
The release, and following critical acclaim of, At the Bassline, shot them onto a bigger stage, as the group performed at the Quart Festival in Norway, alongside with The Roots and Coldplay.
2005 through 2006 saw the successive releases of their second album--and first studio album--Tumi & the Volume, in first South Africa, and then Europe and North America. Through June and July of 2006, the band traveled to Canada and performed at the Montreal Jazz Festival.
In August of 2006, their first album was re-released on Apple iTunes Music Store.
Asinamali
Tumi and the Volume Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ain’t no telling 'em that they can go to prison for stuff that they be selling
'Cause it’s in they blood, second nature
So they keep chasing to get paid and run, huh?
It ain't the code of the streets, it's the code of the meek
That inherited embezzling the center for cheap
From the thieves to the presidency
And et cetera we are drenched by the stench of extra currency
Tryna, balance our music 'gainst the company's greed
'Cause a working-class hero is something to be
You hear the sound of the beat, start shuffling feet
Not me, that's the hustle sorry
T from the V, are you a puppet or king?
The latter but I gotta go get up out of those things
I can’t decide if it’s the money,
That got the people going outta control
I can't decide if it’s the money,
That put a low price-tag on ya' soul
I can't decide if it's the money,
That got the people going outta control
I can’t decide if it's the money,
It got a, and put a, got a, oh
The root of all evil, the do-it-all placebo
It's suitable to hedonists, the fruit of my people
The dietary supplement the poor gotta be broke
Provided by your government, the suits give an ego
Troops keep it exclusively for the heroes of the struggle so they hustle that, BEE 'do
It's what you need of, they'll cut you a piece of the pie or cut you if there are no supplies
I can't decide if it's just a disguise, entrepreneur drive pretending we all right
Get it at our jobs, spend what you don't got
But it can't settle the deficits you owe God
One free market rule: be heartless, rude
These sharks don't bite they chew
I could spit a whole lung for you
Write a bible, we'd even ask about how profits move
I can't decide if it's the money,
That got the people going outta control
I can't decide if it's the money,
That put a low price-tag on ya' soul
I can't decide if it's the money,
That got the people going outta control
I can't decide if it's the money,
It got a, and put a, got a, oh
I can't decide, I can't decide if it's
I can't decide if it's, money
I can't decide, I can't decide if it's
I can't decide if it's, money
I can't decide, I can't decide if it's
I can't decide if it's, money
I can't decide, I can't decide if it's
I can't decide if it's, money
I can't decide if it's the money,
That got the people going outta control
I can't decide if it's the money,
That put a low price-tag on ya' soul
I can't decide if it's the money,
That got the people going outta control
I can't decide if it's the money,
It got a, and put a, it got a, oh
The lyrics to Tumi and the Volume's song "Asinamali" express the struggle and conflict felt by many working-class individuals who try to balance their own dreams and desires against the lure and constraints of money and capitalism. The song suggests that people are drawn to pursue wealth and success, even when they are fully aware that their actions may be unethical or contribute to the oppression of others. The lyrics acknowledge that a lot of people are caught up in the "code of the meek," which prioritizes personal gain over community values, and that this mindset can even permeate to the highest levels of government and authority.
The song also critiques the economic system that perpetuates these values and behaviors, pointing out that it is designed to benefit those at the top while keeping working-class people struggling and fighting for scraps. The lyrics suggest that people are often forced to make impossible choices, such as balancing their music against the greed of record companies, or deciding whether to take jobs that don't align with their values in order to make ends meet. The chorus repeatedly questions the role and influence of money in society, and seems to suggest that it has the power to corrupt and control individuals and communities.
Overall, the lyrics to "Asinamali" use powerful imagery and raw emotion to highlight the complex relationship between people and money, and to shine a light on the ways in which capitalism can perpetuate inequality and perpetuate harmful values.
Line by Line Meaning
Now when the money's in they system
As soon as money enters the system
Ain’t no telling 'em that they can go to prison for stuff that they be selling
No one is warning them that they can go to jail for selling illegal things
'Cause it’s in they blood, second nature
This behavior is ingrained in them
So they keep chasing to get paid and run, huh?
Thus, they relentlessly pursue money
It ain't the code of the streets, it's the code of the meek
This is not the code of the streets, but rather the code of vulnerable people
That inherited embezzling the center for cheap
Who resort to stealing and cheating from the community that is already struggling
From the thieves to the presidency
This kind of behavior is found in all levels of society, including the highest positions of power
And et cetera we are drenched by the stench of extra currency
This behavior is perpetuated by the overwhelming desire for more money
That's just how it be, we get by on a dream and only sleep 20 hours a week
This is the reality of the situation, where people work hard and sacrifice their rest to achieve their goals
Tryna, balance our music 'gainst the company's greed
Music artists strive to create music that speaks truthfully about the world while also trying to navigate the music industry's greed and exploitation
'Cause a working-class hero is something to be
Despite the obstacles, a person who works hard to achieve their dreams is an admirable and inspiring figure
You hear the sound of the beat, start shuffling feet
When people hear music, they start to move to the rhythm
Not me, that's the hustle sorry
However, the song's speaker is not interested in dancing, as they have more important issues to talk about
T from the V, are you a puppet or king?
The singer is asking whether they are an independent leader or someone manipulated and controlled by outside forces
The latter but I gotta go get up out of those things
They admit to being controlled by others but state their intent to break free from that control
I can’t decide if it’s the money,
The artist is unsure whether it is the money causing the issues
That got the people going outta control
That is causing people to act wildly and recklessly
I can't decide if it’s the money,
The singer reiterates their uncertainty about whether money is to blame
That put a low price-tag on ya' soul
It is possible that the desire for money has led people to devalue their own morals and ethics
The root of all evil, the do-it-all placebo
The song highlights how money is considered the source of all evil, and how it creates an illusion of satisfaction
It's suitable to hedonists, the fruit of my people
Money is attractive to those who desire pleasure, and it has become a coveted goal for the artist's community
The dietary supplement the poor gotta be broke
However, this desire for money is especially damaging to poor people, who end up becoming even more destitute as a result
Provided by your government, the suits give an ego
The government is complicit in this destructive cycle, and the wealthy elite only become more arrogant and entitled
Troops keep it exclusively for the heroes of the struggle so they hustle that, BEE 'do
Powerful people keep the money within their own circles, and they exploit those who are struggling to gain any wealth
It's what you need of, they'll cut you a piece of the pie or cut you if there are no supplies
People who are desperate for money will accept even the smallest amount, even if they know the risks and dangers involved
I can't decide if it's just a disguise, entrepreneur drive pretending we all right
The singer is still conflicted about whether this obsession with money is simply a facade or a truly harmful practice
Get it at our jobs, spend what you don't got
Many people work hard to earn money but then end up spending more than they actually have
But it can't settle the deficits you owe God
Despite the importance that is placed on money, it cannot pay for the spiritual debts and obligations one might have
One free market rule: be heartless, rude
The song critiques the cutthroat nature of free-market capitalism, which often prioritizes ruthlessness over compassion
These sharks don't bite they chew
The powerful elite are not violent, but they still relentlessly consume and take advantage of those in lower positions
I could spit a whole lung for you
The song's speaker is committed to speaking up and sharing their honest opinions, even if that means making sacrifices
Write a bible, we'd even ask about how profits move
The artist questions how money and profits are treated with such reverence and importance, even to the point of being considered divine
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
@TiagoCorreiaPaulo
Asinamali lyrics:
Now when the money is in their system
Aint no telling them that they can go to prison
For stuff that they be selling
Cuz it’s in their blood
Second nature, so they keep chasing
To get paid and run, huh
It aint the code of the streets, it’s the code of the meek
That inherited embezzling to sell it for cheap
From the thieves to the presidency
And etcetera, we are drench by the stench of extra currency
That’s just how it be
We get by on the dream
And only sleep 20 hours a week
Trying to balance our needs against the company’s greed
Cuz a working class hero is something to be
You hear the sound of the beat
Start shuffling feet, not me,
That’s the hustler’s siren
T from the V are you a puppet or king?
The latter, but I gotta go get Kopano those things
The root of all evil
The do it all placebo
Its suitable to eat and the fruit of my people
The dietary supplement, the poor gotta be broke
Provided by your government
The suits get it legal
Troops keep exclusively for the heroes of the struggle
So they hustle that BEE dough
Its what you in need of they’ll cut you a piece of the pie
Or cut you, if there are no supplies
I cant decide if its just a disguise
Entreprenual drive, pretending we alright
Get it at odd jobs spend what you don’t got
But it cant settle the deficit you owe God
One free-market rule
Be heartless shrewd, these sharks don’t bite they chew
I can spit a whole lung for
Write a bible, but even that’s about how profits/prophets move
@moderndayhomer
a masterpiece. this era of Hip-Hop/Rap in South Africa was just top-tier.
@mawand33
south african hip hop is progressing fast........... im proud to be part of this place
@simphiwendlovu3635
I remember this era of South African hip hop... playing this before a cypher
@MrMalimaali
I remember slaghuis in Daveton east rand🤣🤣
@simphiwendlovu3635
@Thanduxolo Mali those cyphers were something special, n when I moved to Dbn Bat centre, was the place to be
@OfentseMwaseFilmsShorts
Awesome stuff guys! I'm most def loving this! Bigups
@KevinDC5
You really have to respect the photography and cinematography of this music Vid!!! Great Camera Work!!!
@ikonoklasta
Damn, these guys just keep getting better and better. This is pure, unadulterated, inspiring Hip Hop. Nuff said!
@KgomotsoMatsunyane
Tumi & The Volume ROCKS! One of the most original acts in Mzansi.
@yellow2nd
even better live! ...this band is amazing