Twiztid's debut album, Mostasteless, was originally released independently by Psychopathic in 1997, but was pulled, then re-released a year later on Twiztid's new label; Island with a somewhat different track listing as a result of uncleared samples in a few songs in the original release.
On October 31, 2000, Twiztid released their second studio album, Freek Show. The album peaked at #51 on the Billboard 200. In 2002, Twiztid released the extended play Mirror Mirror. Mirror Mirror peaked at #5 on the Top Independent Albums chart, and #103 on the Billboard 200.
In 2003, Twiztid released its third studio album, The Green Book. The Green Book peaked at #2 on the Top Independent Charts and #52 on the Billboard 200.
On June 28, 2005, Twiztid released its fourth studio album, Man's Myth, Vol. 1 the first half of a double album concluding with Mutant, Vol. 2 , released the following month. Man's Myth focuses on the angst of growing up in a lying world, while Mutant deals with the outcome of this upbringing. Man's Myth peaked at #4 on the Top Independent Albums chart, #62 on the Top Internet Albums chart and the Billboard 200. Mutant peaked at #11 on the Top Independent Albums chart, #80 on the Billboard 200, and #215 on the Top Internet Albums chart.
On July 4, 2007, Twiztid released its sixth studio album, Independents Day. The album featured guest appearances from rappers signed to independent record labels, such as The Dayton Family, Tha Dogg Pound, Hed PE frontman Jahred Shane, Tech N9ne and Krizz Kaliko. It also notably features appearances by D12 members Proof and Bizarre. Proof's colaboration with Twiztid entitled, "How I Live" was Proof's last song before his death in April 2007. The album peaked at #4 on the Top Independent Albums chart, #9 on the Top Rap Albums chart and #57 on the Billboard 200.
On March 17, 2009, Twiztid released its seventh studio album, W.I.C.K.E.D (Wish I Could Kill Every Day). W.I.C.K.E.D is Twiztid's currently highest charting album, peaking at #11 on the Billboard 200, #4 on the Top Rap Albums chart, and #1 on the Top Independent Albums chart.
Twiztid's ninth studio album, "Heartbroken & Homicidal," was released on September 21, 2010.
On October 22nd, 2012 Twiztid released their tenth studio album Abominationz. It featured The Insane Clown Posse, and Royce Da 5'9.
On December 12th, 2012 the group announced via Twitter and Facebook that they have parted ways with Psychopathic Records.
Whatthefuck!?!?
Twiztid Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I swear to god that's all it was to it.
I just brought him here.
You have a room for him?
Uh yes 13
Hey can I leave now
Fuck you
It's alright alright it don't matter to me
If he is I've got one thing to say
This is the last Halloween for that lousy factory of his
Pretty wild shit going on in their, I I heard rumors
Like what, what'd you hear?
This year I'm gonna get me about a case and a half
Of Malatove cocktails, burn that son of a bitch right down.
Last Halloween for them.
So whatthefuck
So whatthefuck, whatthefuck yeah (Increase the deceased, will your body rest in peace?)
So whatthefuck, whatthefuck yeah (Now that your soul get's released when your body rot's)
So whatthefuck, whatthefuck yeah (In the grave will you have time to pray?)
So whatthefuck, whatthefuck yeah (Hoping that your soul will be saved)
Hey yo, fuck everybody that ain't down with us.
Superstars incorporated label us, infamous.
Niggas is ridiculous for trying to replicate our contexts.
Not equivalent to my terror, they suffer broke necks.
Bitch ass niggas is trying to imitate my real-estate.
So me and Monoxide Child we had to migrate
Like ducks in the winter
We sinners with the halos.
Left the company in the dust for lack of payroll.
Now we stable
On our feet, willing and able
To switch it from your groin to your naval
You wanna talk of fables
I turn the tables like the exorcist
Dominate your cerebellum so don't stand next to this
Multiple equation, abrasion to your mindstate
Inquisitive minds and eyes dilate
While I dominate on the underground level
I'm not the devil with no whores, pitchforks or shovels
So can you dig it I be Jamie Madrox bleach white like Mr. Clorox
Be cold like Mr. Thomas but I don't be claiming White Sox
My Louisville Slugger, my weapon for bashing brains
Leavin' competition tangled in chains like I was Pinhead
A Cenobite, livin' at night
Afraid of sunlight
Police told to shoot on sight
You think they might?
If they do I'll return fire at rapid speeds
Show them bitches a trick I got up my sleeve
Increase the deceased
So whatthefuck, whatthefuck yeah (Increase the deceased, will your body rest in peace?)
So whatthefuck, whatthefuck yeah (Now that your soul get's released when your body rot's)
So whatthefuck, whatthefuck yeah (In the grave will you have time to pray?)
So whatthefuck, whatthefuck yeah. (Hoping that your soul will be saved)
Tell you the truth it's like this
Everybody can suck my dick
And I could give a fuck less bitch.
You ain't shit
And I'ma be the first to tell
I got your family all hostage and they burnin in hell
True, I sold my soul, I never did shit with it
But I could give a fuck about it
So I know that I could live without it.
A constant struggle to get to the top
Increase the deceased, let it pop then watch 'em drop
Pressing the button stopping at nothing
You fuck with grown folks
Kids you better think before you say something
All up your crib, what looking for goods
Scream style muthafuckas with them masks in the hoods
It ain't good remember that
All you suckers on the Internet
Thinking it's cool but we ain't into that.
Sitting in my room alone mad depressed
Relieve the stress by sticking pencils in my chest
God bless a bag of weed
So I can get high and get back at you suckers in music
With some shit to make your ears bleed
Proceed to talk that shit, it's all wack
I'm gonna get high and pay the whole world back
Increase the deceased
So whatthefuck, whatthefuck yeah (Increase the deceased will your body rest in peace?)
So whatthefuck, whatthefuck yeah (Now that your soul is released when your body rot's)
So whatthefuck, whatthefuck yeah (In the grave will you have time to pray?)
So whatthefuck, whatthefuck yeah. (Hoping that your soul will be saved)
So whatthefuck, whatthefuck yeah
So whatthefuck, whatthefuck yeah
So whatthefuck, whatthefuck yeah
So whatthefuck, whatthefuck yeah
So whatthefuck, whatthefuck yeah
So whatthefuck, whatthefuck yeah
So whatthefuck, whatthefuck yeah
So whatthefuck
Whatthefuck bitches I. S. I. In this bitch!
Yeah...
The lyrics of Twiztid's song Whatthefuck?!? narrate a conversation between two anonymous individuals discussing their plans to burn down a factory. The two individuals are discussing the possibility of leaving as one of them has brought someone with them to stay in the hotel, and the other has a room for him numbered 13. The two individuals discuss their plans for arson and are heard saying "This is the last Halloween for that lousy factory of his. Pretty wild shit going on there. This year I'm going to get me about a case and a half of Molotov cocktails, burn that son of a bitch right down." The lyrics seem to indicate a possible revenge plot against someone or something by burning down a factory.
As the lyrics progress, Monoxide Child continues the song with a boastful rap about their success since leaving a previous label, Superstars incorporated. He raps about his anger towards competitors who tried to replicate their music while having "not equivalent terror." Monoxide Child is extremely confident in their ability to succeed, with the lyrics "left the company in the dust for lack of payroll. Now we're stable On our feet, willing and able To switch it from your groin to your naval."
In conclusion, Whatthefuck?!? by Twiztid seems to be a song that talks about revenge and justice-seeking through arson. The lyrics reflect a sense of anger and frustration with not only their competitors but also their previous label. The tone of the song is aggressive and confrontational, with the lyrics centering around ideas of dominance and power.
Line by Line Meaning
He just walked up out of the rain
A stranger has arrived, seemingly out of nowhere
I swear to god that's all it was to it.
The singer insists there is nothing suspicious or malevolent about the stranger's arrival
I just brought him here.
The singer admits to bringing the stranger to this location
You have a room for him?
The artist inquires about lodging for the stranger
Uh yes 13
The person confirms there is a room available
Hey can I leave now
The singer wants to leave the location
Fuck you
The other person responds rudely and disdainfully
It's alright alright it don't matter to me
The artist tries to play off the confrontation as inconsequential
He's probably listening.
The artist suspect the stranger is eavesdropping on their conversation
If he is I've got one thing to say
The artist takes this as an opportunity to make a provocative statement
This is the last Halloween for that lousy factory of his
The singer is making a threat against another person's business
Pretty wild shit going on in their, I I heard rumors
The artist knows of questionable activity happening at the target's factory
Like what, what'd you hear?
The other person wants more details on their plans
This year I'm gonna get me about a case and a half
The singer is stocking up on dangerous weapons
Of Malatove cocktails, burn that son of a bitch right down.
The singer plans to use firebombs to destroy their target's establishment
Last Halloween for them.
The artist reaffirms their intention to take down the other person's business
Hey yo, fuck everybody that ain't down with us.
The artist declares their loyalty only to those who support them
Superstars incorporated label us, infamous.
The singer has a negative opinion of their former record label
Niggas is ridiculous for trying to replicate our contexts.
The singer disapproves of other artists who copy their style or content
Not equivalent to my terror, they suffer broke necks.
The artist views their own work as unique and superior to others'
Bitch ass niggas is trying to imitate my real-estate.
The artist feels that others are trying to take credit for their accomplishments
So me and Monoxide Child we had to migrate
The artist and his collaborator had to leave their former label and start anew
Like ducks in the winter
The singer and his collaborator fled their former label like migrating ducks avoiding the cold winter weather
We sinners with the halos.
The artist and his collaborator acknowledge their own flaws even as they try to do good
Left the company in the dust for lack of payroll.
The singer and his collaborator left their former label because of financial problems
Now we stable
The singer and his collaborator have found stability in their new situation
On our feet, willing and able
The singer and his collaborator are confident and capable in their current situation
To switch it from your groin to your naval
The artist plans to inflict pain or damage on their opponent
You wanna talk of fables
The artist dismisses their opponent's talk as unimportant or misguided
I turn the tables like the exorcist
The singer is confident in their ability to change the dynamic of a situation
Dominate your cerebellum so don't stand next to this
The singer plans to take control of their opponent's mind and actions
Multiple equation, abrasion to your mindstate
The artist plans to confuse and wear down their opponent's mental state
Inquisitive minds and eyes dilate
The artist describes the physical and mental effect that their words will have on their opponent
While I dominate on the underground level
The artist feels they have power and influence in the music industry
I'm not the devil with no whores, pitchforks or shovels
The singer distances themselves from stereotypical depictions of evil
So can you dig it I be Jamie Madrox bleach white like Mr. Clorox
The artist is confident in their own identity and image
Be cold like Mr. Thomas but I don't be claiming White Sox
The singer is tough and callous, but not loyal to any particular sports team or allegiances
My Louisville Slugger, my weapon for bashing brains
The singer takes pride in their physical prowess and their ability to inflict violence on others
Leavin' competition tangled in chains like I was Pinhead
The singer views their opponents as helpless and ensnared
A Cenobite, livin' at night
The artist compares themselves to a character from the Hellraiser franchise
Afraid of sunlight
The artist is only comfortable in the dark
Police told to shoot on sight
The singer expects to be seen as dangerous or criminal by law enforcement
You think they might?
The singer asks a rhetorical question, suggesting that the police are likely to treat them as hostile
If they do I'll return fire at rapid speeds
The artist anticipates being attacked by law enforcement and is ready to fight back with force
Show them bitches a trick I got up my sleeve
The artist has a secret or hidden advantage that they're prepared to use against their enemies
Tell you the truth it's like this
The artist is preparing to speak candidly about their perspective
Everybody can suck my dick
The singer expresses a general contempt for others
And I could give a fuck less bitch.
The artist does not care about other people's opinions
You ain't shit
The singer is dismissive of the other person's value or significance
And I'ma be the first to tell
The singer wants to make sure the other person knows how they feel
I got your family all hostage and they burnin in hell
The singer is making a violent and aggressive threat against the other person's loved ones
True, I sold my soul, I never did shit with it
The artist acknowledges making a deal or sacrifice for their success, but feels it was ultimately a hollow victory
But I could give a fuck about it
The artist no longer cares about the consequences of their actions
So I know that I could live without it.
The singer is confident in their ability to continue on without any external aid or influence
A constant struggle to get to the top
The singer describes the difficulty of achieving success in their career
Increase the deceased, let it pop then watch 'em drop
The artist seems to be advocating for violence or murder
Pressing the button stopping at nothing
The artist is willing to do whatever it takes to achieve their goals
You fuck with grown folks
The artist sees themselves as more mature and powerful than their opponents
Kids you better think before you say something
The singer is warning young people to be careful what they say or do in their presence
All up your crib, what looking for goods
The artist and his group have invaded someone's home, presumably to rob them or cause harm
Scream style muthafuckas with them masks in the hoods
The singer and his crew are wearing masks to conceal their identity while committing crimes
It ain't good remember that
The singer is warning their opponents that their current situation is not good or favorable
All you suckers on the Internet
The singer is directing their words at people who act tough or aggressive online
Thinking it's cool but we ain't into that.
The artist is not impressed by people who talk big but do not take action
Sitting in my room alone mad depressed
The artist is feeling down and isolated
Relieve the stress by sticking pencils in my chest
The singer describes their method of coping with depression
God bless a bag of weed
The singer claims that marijuana helps them feel better
So I can get high and get back at you suckers in music
The artist plans to make music that will insult or retaliate against their enemies
With some shit to make your ears bleed
The artist plans to make aggressive or provocative music
Proceed to talk that shit, it's all wack
The artist is dismissive of other people's opinions and words
I'm gonna get high and pay the whole world back
The singer plans to use marijuana as a way of getting revenge on people who they feel have wronged them
So whatthefuck
The artist is defiant and confrontational
Whatthefuck bitches I. S. I. In this bitch!
The singer is asserting their dominance and power over others.
Contributed by Ella S. Suggest a correction in the comments below.