Don't you
U.M.A Lyrics

And you know, chea, and you know
Acknowledging that the listener understands the situation and is aware of the risks and benefits of the act being discussed.

Chea, get the money, get the money
Urging the listener to focus on the financial gain that can result from the act, without any emotional attachment.

Young, yeah, I see you, nigga, let's go
Addressing a young person and encouraging them to take action without hesitation.

I hear y'all talk that work shit, that's cool
Acknowledging that the listener has spoken about their experience in the act but not placing value on it yet.

That don't mean shit, I don't know you
Clarifying that simply speaking about experience does not guarantee credibility or trustworthiness.

Feelin' is in this shit, that's right I'm in this bitch
Stating that the singer is fully invested in the act and has a personal attachment to the outcome of it.

Y'all niggas acting like Young ain't never did this shit
Asserting that the singer has extensive experience in the act and is frustrated with others not recognizing it.

Nigga, five hundred grams, rock solid, no shake
Boasting about a specific quantity of product and its high quality, without any impurities.

Call them thangs Chappelles, he wants his other half baked
Using wordplay to describe the product and how it is preferred to be sold, by referencing a popular comedian's skit.

You know I like to scramble mine, Waffle House style
Describing a personal preference in the way the product is prepared and sold, similar to a popular restaurant's menu item.

Or leave 'em sunny side up and let 'em chill for a while
Describing an alternative way of preparing the product and allowing it to sit and settle before selling it.

Not only have I done it, I did it, I lived it
Emphasizing that the artist has a significant amount of real-life experience in the act and is not just speaking hypothetically.

Delivered it myself, yeah, I'm making house visits
Implying that the singer personally delivers the product to customers, demonstrating a high level of control and trust in the transaction.

I'm praying while I'm driving, it's making me religious
Describing the singer's emotional state and the high stakes involved in the act, leading them to turn to religion for comfort and guidance.

In the headlights behind me, it's making me suspicious
Revealing the singer's paranoia and fear of being caught by law enforcement or other potential threats.

And maybe I'm trippin' and maybe I'm not
Admitting that the artist's fears and suspicions may be unfounded, but they cannot completely dismiss them.

Maybe it's nothing, just hope it ain't the cops, okay
Expressing the artist's hope that the potential danger is just their imagination and not law enforcement surveillance.

I go there, get that and go back with that
Summarizing the singer's method and efficiency in the act, without any unnecessary steps or complications.

And then I flip that, then send that right back
Describing the singer's involvement in the entire process of buying and selling the product, with a focus on maximizing profit.

If it got two bags, it must be five stacks
Assuming a set price for the product based on a perceived quantity, without considering any other factors that may affect the price.

So you owe five stacks, bring that right back
Asserting the artist's authority in the transaction and demanding prompt payment for the product.

If it take too long, must be rerock
Suggesting that if the product takes too long to sell, it is likely not high quality and needs to be modified or mixed with other substances to improve its value.

Two in the shoe box, nah, these ain't Reeboks
Hinting at a secret storage location for the product, while also using wordplay to describe the size and look of the package.

I don't live there, I just cook there
Clarifying that the location of the product preparation is not the artist's personal residence but a separate space dedicated to the act.

Ain't nothing in there but fish and cookware
Suggesting that the location is not suspicious and only contains items related to the product preparation, without any illegal substances.

Can't drop our shit, work that fork though
Asserting the importance of secrecy and caution in the act, while also referencing a common tool used in the preparation of the product.

Lock up like woah, Young like fo' sho'
Emphasizing the need for diligence and security in the transaction, with a catchy phrase that demonstrates confidence and authority.

This shit right here, call that, come back
Describing the product with a code name to signal its value and quality, and also hinting at a potential return customer.

Drop this nine off and I'll be right back
Making a specific request for a transaction and implying that the artist is experienced and efficient in the act.

I don't know why these niggas tell lies
Expressing frustration and confusion at others who exaggerate or fabricate their experience in the act, without any credibility or proof.

Y'all know damn well he ain't flippin' no pies
Calling out someone for their false claims and asserting that they have no real involvement in the act.

All this bird talk make me want some Popeyes
Using wordplay to describe the artist's annoyance at hearing others talk about their fake involvement in the act, while also referencing a popular fast food chain that serves chicken.

Y'all getting no play off in my rides
Asserting the artist's authority and control in the situation and implying that those who cannot prove their credibility will not be allowed to participate.

Fake ass niggas, how dare you compare Young?
Expressing anger and disappointment at others who try to compare themselves to the artist, who is experienced and successful in the act.

Black Crown Vic, yeah that used to scare Young
Recalling a past experience of fear and intimidation that the singer has overcome, with a specific reference to a car model.

My six-two's come back like Frisbees
Using wordplay to describe the artist's success in the act, with a reference to a popular toy that comes back when thrown.

All these smoke fumes got me dizzy
Describing the singer's physical reaction to the environment and atmosphere involved in the act, which could be a sign of danger or stress.

They talk bricks see, I'm just listening
Acknowledging that others speak about their involvement in the act, while also hinting at the singer's preference to listen and observe, rather than speak.

Say I'm just listening
Clarifying the singer's positioning as an observer, rather than a participant, in the conversation about the act.

Hook might be tight but that don't sound right
Acknowledging that the artist may appreciate the musical quality of the song, but also questioning the content and implications of some of the lyrics.

I sold Snow White and he sold no white
Using wordplay to describe the product and the artist's involvement in the act, while also asserting that others who claim to be involved are actually not.

Yeah, America is me
Asserting the singer's identity and connection to the location where the act is taking place, which also has cultural and political implications.

Yeah, they know me though, let's go
Acknowledging that the listener is familiar with the singer and their involvement in the act, while also encouraging them to move forward with a sense of confidence.

I ain't bouncing for none of you, niggas, nigga
Asserting the artist's independence and refusal to work for others, with the use of a common slang term to emphasize the point.

I ain't cosigning none of you fake ass, niggas
Rejecting any association or support for those who claim to be involved in the act but are not credible or trustworthy.

Realest nigga in the BS nigga, Jezzy
Referring to the artist by their nickname or alias, and asserting their status as the most genuine and credible person in the context of the act.