Ulrich Schnauss (born 1977 in Kiel) is a German electronic musician and pro… Read Full Bio ↴Ulrich Schnauss (born 1977 in Kiel) is a German electronic musician and producer based in London, England.
During his formative years, Schnauss came to love a wide spectrum of music, ranging from My Bloody Valentine to Tangerine Dream, from Chapterhouse to early bleep and breakbeat tracks. There was not much opportunity to see his musical heroes in Kiel, so he moved to Berlin in 1996.
By that time Ulrich was already a prolific musician in such genres as ambient and drum and bass, with a variety of pseudonyms (most notably View to the Future and Ethereal 77). These earlier works soon caught the eye of Berlin electronica label CCO (City Centre Offices), who took him up.
Soon his submissions to CCO developed into Ulrich’s first album under his own name, entitled Far away Trains Passing By. It became an electronic classic; listeners were smitten with the lush instrumentation and the emotional impact of his elegant music.
Yet nothing could prepare his growing army of supporters for the next record, A Strangely Isolated Place, which slowly came together in 2001. The album truly displayed Ulrich's youthful indie influences and established his pedigree as an outstanding electronic composer. A Strangely Isolated Place has become one of those extraordinary and rare occurrences: a record that slowly grows in stature by virtue of its overriding ability to deliver more than the usual arid and academic treatises on the state of the synthesizer.
"When you've worked with computers and keyboards for a number of years, they become not so fascinating of themselves anymore," he said. "I gained in confidence after people began to discover Faraway Trains, and it hasn't really stopped since then. This time I decided not to compromise on what I wanted to do, with what I thought people might want me to do."
The result is an oddly retro-futurist record, which owes more to MBV's Loveless or Vangelis' Blade Runner soundtrack than Ulrich's computer-centric peers.
Since the release of both albums, Ulrich has been asked to work with and remix a host of artists including Mojave 3, Longview, Johannes Schmoelling, The Zephyrs, Robin Guthrie, A Shoreline Dream, Engineers and Lunz (Rodelius).
Goodbye, Ulrich Schnauss's third album, was released in 2007.
During his formative years, Schnauss came to love a wide spectrum of music, ranging from My Bloody Valentine to Tangerine Dream, from Chapterhouse to early bleep and breakbeat tracks. There was not much opportunity to see his musical heroes in Kiel, so he moved to Berlin in 1996.
By that time Ulrich was already a prolific musician in such genres as ambient and drum and bass, with a variety of pseudonyms (most notably View to the Future and Ethereal 77). These earlier works soon caught the eye of Berlin electronica label CCO (City Centre Offices), who took him up.
Soon his submissions to CCO developed into Ulrich’s first album under his own name, entitled Far away Trains Passing By. It became an electronic classic; listeners were smitten with the lush instrumentation and the emotional impact of his elegant music.
Yet nothing could prepare his growing army of supporters for the next record, A Strangely Isolated Place, which slowly came together in 2001. The album truly displayed Ulrich's youthful indie influences and established his pedigree as an outstanding electronic composer. A Strangely Isolated Place has become one of those extraordinary and rare occurrences: a record that slowly grows in stature by virtue of its overriding ability to deliver more than the usual arid and academic treatises on the state of the synthesizer.
"When you've worked with computers and keyboards for a number of years, they become not so fascinating of themselves anymore," he said. "I gained in confidence after people began to discover Faraway Trains, and it hasn't really stopped since then. This time I decided not to compromise on what I wanted to do, with what I thought people might want me to do."
The result is an oddly retro-futurist record, which owes more to MBV's Loveless or Vangelis' Blade Runner soundtrack than Ulrich's computer-centric peers.
Since the release of both albums, Ulrich has been asked to work with and remix a host of artists including Mojave 3, Longview, Johannes Schmoelling, The Zephyrs, Robin Guthrie, A Shoreline Dream, Engineers and Lunz (Rodelius).
Goodbye, Ulrich Schnauss's third album, was released in 2007.
... Passing By
Ulrich Schnauss Lyrics
Instrumental
Lyrics Licensed & Provided by LyricFind
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Andrew Shippy
I discovered this song during the darkest days of COVID, working in healthcare 12-18 hours a day for months on end. This song gave me the hope and strength to keep going. I'd sort of dropped it off my playlist for several months.... Last week my Dad was diagnosed with stage 4 non Hodgkin's lymphoma. I have had this on loop all morning to build up enough positivity to allow myself to accept this news. If you read this, regardless of your personal belief systems - please send healing intentions to him and the family as we all help him beat yet another cancer.
KING
Hope you're doing fine now.
Kayla Tallman
My husband and I got lost to this song one night under the stars before we were married. He proposed to me with this song playing in the background some time later. I will forever hold this song in my heart.
Devin Gademan
Kayla Tallman that is beautiful.
Ian S
Thank you for your story and I wish you both the best
Unrecognized Talent
@Shin chan Priceless! 😁
Unrecognized Talent
Congrats, by the way.
S RC
Wow. Great post
playrewindff
Perfect song for driving at dawn near daybreak.. All alone with just the road and the sky stretched ahead of you. Love it.
Nome Sobrenome
In Elizabethtown maybe