History
Vaginal Jesus initially released the EP "Jesus Saves...His Pennies." on their label Swasticore Records in 1990. Vaginal Jesus changed their label's name to Reich-O-Rama records and released the "Beat Rodney Down" EP in 1993. The Swasticore name was resurrected on Mudoven's Hate demo in 1996.
Vaginal Jesus then relocated to Boston.
In 1995, Mudoven formed as a side-project of guitarist Jim Crow. Crow is the only musician in the band, utilizing his guitar and drum-machine. Mudoven first released their demo in 1995 titled "Hate." Then in 1997, Mudoven signed on to the now-defunct Tri-State Terror Records label, which released the 7-inch EP "Aryan Vs. Alien." The EP cover had photos of Holocaust victims on both the cover and vinyl record. Only 1000 copies were produced, with 800 of them on black vinyl and 200 on white vinyl.
Crow still continued to play with Vaginal Jesus. They would later be featured on an MSR Productions CD compilation titled "Leaderless Resistance." Crow later expressed outrage with MSR Productions for unknown reasons.
Their last release was a compilation titled Affirmative Apartheid in 2000 on Tri-State Terror. This compiled most of their previous recordings with Swasticore and Reich-O-Rama Records. It also included the three tracks from the MSR Productions compilation in addition to many unreleased tracks.
At that point, Tri-State Terror finally went under.
Once Tri-State Terror broke up, Vaginal Jesus was left with no record label.
In 2002, Resistance Records later reissued the Tri-State Terror compilation Affirmative Apartheid before sending it to Unholy Records.
In 2004, Vaginal Jesus finally disbanded.
Mudoven still continues to play and has collaborated with Arghoslent and Greek NSBM band Der Stürmer. Their work has been released on Vinland Wind Records.
Vinland Winds Records is soon to go out of business due to the death of label owner Richard Mills.
Vaginal Jesus and Mudoven were both known for their extremely racist lyrics. Earlier Vaginal Jesus recordings were intended to be anti-Christian and anti-Semitic. On later recordings (particularly Beat Rodney Down), Vaginal Jesus mocked the 1992 Los Angeles Riots following the LAPD's brutality against Rodney King. Crow stated in an interview that it was appropriate to send a pejorative message towards the Black community, as their earlier anti-Semitic lyrics were irrelevant to the time.
In 2011, Vaginal Jesus were to play their first gig (billed as their "first concert in 22 years") at the club Dingbatz in New Jersey, but after Seth Putnam died, Vaginal Jesus pulled out. Depending on what version of the story you believe, either Seth Putnam was Fuckface Chainsaw and VJ couldn't play after Putnam died, or Putnam died and VJ decided to pull out out of respect for him..
In 2011, Affirmative Apartheid was reissued by Deathangle Absolution Records (formerly Satanic Skinhead Propaganda) on CD, with different artwork on the CD and minor corrections to the booklet. The label will reissue it in early 2013 on vinyl. It is currently in the test pressing phase and will be one of the last releases by DAR under the SSP name.
Line-up
*The Honorable Reverend Fuckface Chainsaw - vocals
*Jim Crow - guitar
*David Duke - bass guitar
*Pontius Pilate - drums
Discography
* Jesus Saves...His Pennies (1990) EP Swasticore Records
* Beat Rodney Down (1993) EP Reich-O-Rama Records
* Leaderless Resistance Compilation MSR Productions
* Pissing On Jew Pussies (1997) Bootleg split with Ethnic Cleansing, containing VJ's Jesus Saves... and Beat Rodney Down EPs and EC's Hitler Was Right and Piles of Dead Jews EPs. Reissued in 2005 on Toothless Yid Records with bonus phone recordings..
* Affirmative Apartheid (2000) Compilation Tri-State Terror Records (later Resistance Records)
Get Out
Vaginal Jesus Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Once they get in, they get a free ride,
I'm sick of it, i've got white pride,
Lets go and skin their worthless hides
Get out! get out! get out! (x2)
They come to our country and wreck the place,
Scare old ladies with their ugly ape face,
Niggers and spics selling blow,
All i can say is they've got to go
Get out! get out! get out! (x2)
Jews come in and buy everything up,
Ruined our economy, where does it stop?
Foreign scum and infectious queers,
You're not fucking wanted here.
Niggers and spics, dotheads and gooks,
Beaners and jews, towelheads and slopes.
Whoever called American the melting pot,
Should've been taken out and shot,
Our forefathers would probably roll in their graves,
If they knew we now have less than their slaves
Get out! get out! get out! (x3)
Get out! get out! get fucking out!
These lyrics are an evident expression of hate and discrimination towards multiple races and cultures. The opening lines show that the author feels like outsiders, or immigrants, are constantly entering their country and taking advantage of what it has to offer without any contribution. This hateful and false idea is followed by a statement of white pride, which means that the author believes that skin color is what makes you valuable as a person.
The following lines reinforce the idea that these outsiders are causing problems and making the country a worse place, even scaring old ladies. The specific mention of black people and Hispanics who sell drugs is meant to perpetuate negative stereotypes. Later, the author goes on to blame Jews for buying everything up and ruining the economy which is an anti-semitic stereotype. In the end, they group all types of people of color together in a derogatory and crude way, and they suggest that America's history as a melting pot should have never happened.
Overall, the lyrics are full of hateful language and stereotypes and express a desire to rid the country of non-white people. This kind of language promotes division and intolerance, it goes against everything that America, as a country, represents.
Line by Line Meaning
They wash up on our shores with each tide,
Immigrants keep coming to our country constantly, without end
Once they get in, they get a free ride,
Immigrants come to America and benefit without contributing anything
I'm sick of it, i've got white pride,
I am tired of immigrants and am proud to be white
Lets go and skin their worthless hides
We should violently attack and harm foreigners
Get out! get out! get out! (x2)
We want all immigrants and foreigners to leave America immediately
They come to our country and wreck the place,
Immigrants damage America and make it worse
Scare old ladies with their ugly ape face,
Immigrants look bad and scare people
Niggers and spics selling blow,
Black and Latino people are selling drugs in America
All i can say is they've got to go
All immigrants and foreigners must leave America
Jews come in and buy everything up,
Jewish people buy everything and ruin the economy
Ruined our economy, where does it stop?
It has to stop because foreign people have destroyed our economy
Foreign scum and infectious queers,
Foreigners are unclean and bring disease to America
You're not fucking wanted here.
Foreign people are not welcome in America
Niggers and spics, dotheads and gooks,
Racial slurs to describe Black, Latino, Indian, and Asian people
Beaners and jews, towelheads and slopes.
Racial slurs to describe Mexican, Jewish, Middle Eastern, and Asian people
Whoever called American the melting pot,
Whoever said America is a place where different cultures blend together and assimilate
Should've been taken out and shot,
This statement should not be allowed and is deserving of death
Our forefathers would probably roll in their graves,
Our ancestors would be ashamed and upset to see what America has become
If they knew we now have less than their slaves
America has become worse than it was during slavery times
Get out! get out! get out! (x3)
We want all immigrants and foreigners to leave America immediately
Get out! get out! get fucking out!
We want all immigrants and foreigners to leave America immediately, and we are angry about it
Contributed by Ava P. Suggest a correction in the comments below.
@nachofast6144
I love how the guy actors were obviously almost laughing at every point
@sadweeb2672
WAIT......It was a sex metaphore this whole time.
@mnchk1n
@@sadweeb2672 w/hole time ( ͡° ͜ʖ ͡°)
@izzy9161
my mom listens to this song-
@snottymcsnotdragger2163
@@izzy9161 your parents are awesome
@izzy9161
@@snottymcsnotdragger2163 They played it the other day while passing by these kids selling lemonade at a church they listen to wap too😭
@pablogarciabeltran6438
The production of this song must have one hell of a blooper reel.
@therealdeal6659
Pablo García Béltran video*
@iamtheroponian7731
I wonder if they actually....
@Shake69ification
@@iamtheroponian7731 watch near the end when the guys high five each other.