Known as "Van the Man" by his fans, Morrison first rose to prominence as the lead singer of the Northern Irish band Them, writing their 1964 hit "Gloria". A few years later, Morrison left the band for a successful solo career, starting with the album Astral Weeks.
Morrison has pursued an idiosyncratic musical path. Much of his music is tightly structured around the conventions of American soul and R&B, such as the popular singles "Brown Eyed Girl", "Moondance", "Domino", and "Wild Night". An equal part of his catalogue consists of lengthy, loosely connected, spiritually inspired musical journeys that show the influence of Celtic tradition, jazz, and stream-of-consciousness narrative, such as his classic album Astral Weeks and lesser known works such as Veedon Fleece and Common One. The two strains together are sometimes referred to as "Celtic Soul," and Morrison rejects the characterization of his genre of music as Rock, citing Elvis Presley as a non-influence.
He continues to perform regularly and achieved his highest U.S. chart position (number ten on the Billboard 200) with his 2008 album, Keep It Simple.
For Mr. Thomas
Van Morrison Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Inscrutably the muse selects your face
As I sit drinking famously in an Irish bar
Five thousand miles and thirty years away
With the usual ceremonial you were crowned one night
King of the field where doctors nail the cows
To make of the cock's quill the rights of language
Let smirking scholars writhe in their favorite bondage
And hold you plaintiff to the charge of art
Exhibit A: he falls on legendary lines
Singing mother I don't want a pain here in my heart
The judge in me sucks eggs and jerks the sacred meat
But the boy in me still dreams in Milk Wood town
Like two provincial bastards playing the galleries
I hold your photo to a mirror upside down
And as bacon wafts through hungry streets, your ghost pervades
Just like an old ex-boxer aged twenty two
Staged-up like Falstaff or the wild welsh Rimbaud
You'd laugh to see the monograms they make of you
Ah, Mr. Thomas let us ramble through the midnight fair
Let us throw old bottles at the Ferris wheel
Let us paint library on the library let us raid the moonlight
Let us steal whatever we are supposed to steal
Let us watch while the days grow daily more mundane
That rough God go riding with his shears
Hack wide the belly of the swollen mountains
And rip molten heroes forth from their furious tears
Oh, Mr. Thomas, oh, Mr. Thomas,
Let us steal whatever we're supposed to steal
Mr. Thomas, oh, Mr. Thomas,
Why don't we feel whatever we're supposed to feel
Oh, Mr. Thomas, Mr. Thomas,
Why don't we feel whatever we're supposed to feel
Oh, Mr. Thomas let us ramble through the midnight
Let us throw bottles at the Ferris wheel
Let us paint library on the library let us raid the moonlight
Let us steal whatever we're supposed to steal
The lyrics to Van Morrison's "For Mr. Thomas" are rich with imagery and references to literature and art. The song is a tribute to Dylan Thomas, the Welsh poet and playwright who died in 1953 at the age of 39. The opening lines refer to the faded newsprint used to wrap a fish, which is a nod to Thomas's famous poem "Do Not Go Gentle into That Good Night," in which he urges his father to fight against death. The singer of the song then says that the muse has chosen Thomas's face inscrutably, meaning that his influence is still felt even decades after his death.
The next stanza refers to Thomas's reputation as a heavy drinker and gambler, as the singer imagines himself drinking famously in an Irish bar five thousand miles away from Thomas's homeland of Wales. The reference to doctors nailing cows and using their quills for language is a nod to Thomas's vivid language and love of wordplay. The "pricking heart" becoming a sword against the hours also suggests Thomas's defiance of time and death.
Line by Line Meaning
From faded newsprint used to wrap a fish
From something that was once used up and discarded, the muse selects your face in a way that is hard to understand
Inscrutably the muse selects your face
The muse chooses you in a way that is hard to understand
As I sit drinking famously in an Irish bar
As I leisurely enjoy a drink in an Irish bar
Five thousand miles and thirty years away
A figurative distance from where we are now
With the usual ceremonial you were crowned one night
You were celebrated in a customary way on a particular night
King of the field where doctors nail the cows
The authority or leader of a place where cows are treated by doctors
To make of the cock's quill the rights of language
To turn something small, like a quill from a rooster, into something powerful and meaningful, like language
And the pricking heart a sword against the hours
The idea of something as vulnerable as a heart can become a weapon or shield against the passage of time
Let smirking scholars writhe in their favorite bondage
Let those scholars with arrogance and conceitedness suffer in their own preferred bondage
And hold you plaintiff to the charge of art
And accuse you of being responsible for the creation of art
Exhibit A: he falls on legendary lines
As proof, I present that you have written lines that are legendary
Singing mother I don't want a pain here in my heart
Expressing the desire to avoid heartache and emotional pain
The judge in me sucks eggs and jerks the sacred meat
A reference to the idea of a critical voice inside the author's mind
But the boy in me still dreams in Milk Wood town
But deep down, the author still has youthful aspirations
Like two provincial bastards playing the galleries
Like two individuals who are not accepted in high society, enjoying themselves in galleries nonetheless
I hold your photo to a mirror upside down
Flipping a photo to look at it from a different angle
And as bacon wafts through hungry streets, your ghost pervades
A metaphorical reference to the lingering presence of the person the author is thinking about
Just like an old ex-boxer aged twenty two
Another metaphor, likening the person being thought about to an ex-boxer who is still young in years, but old in experience
Staged-up like Falstaff or the wild welsh Rimbaud
Referencing two fictional characters, suggesting that the person being thought about is also somewhat of a character
You'd laugh to see the monograms they make of you
A thought that the person being thought about would find it amusing the way people try to label him
Ah, Mr. Thomas let us ramble through the midnight fair
An invitation to go on a journey, as if walking through a midnight fair
Let us throw old bottles at the Ferris wheel
Suggesting that they should not take themselves too seriously and should have fun, like throwing bottles at a Ferris wheel
Let us paint library on the library let us raid the moonlight
An invitation to engage in some sort of mischief, painting something strange onto a library and enjoying the moonlight
Let us steal whatever we are supposed to steal
Engaging in some harmless mischief, taking something that they are not supposed to take
Let us watch while the days grow daily more mundane
Watching as days grow increasingly dull and boring
That rough God go riding with his shears
A metaphorical reference to some divine entity taking action with a tool of some kind
Hack wide the belly of the swollen mountains
An image of using force to open something very large, like a mountain
And rip molten heroes forth from their furious tears
Extracting an idea or inspiration from great emotional pain and turning that into something productive
Oh, Mr. Thomas
An address to the person being thought about, Mr. Thomas
Why don't we feel whatever we're supposed to feel
Questioning the idea of what is expected of them and why they are not feeling it
Lyrics © O/B/O APRA AMCOS
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