”Javier Vargas was born in Madrid. When he was nine years old, he and his f… Read Full Bio ↴”Javier Vargas was born in Madrid. When he was nine years old, he and his family moved to Argentina, where his parents had lived during the Spanish Civil War. They lived in Mendoza, San Luis, Buenos Aires and also in Mar del Plata, where he started playing the guitar with young musicians in places such as garages. He took guitar lessons, and he also used to go clubs to listen to groups playing blues live.
The first guitar Vargas had, present from his father, it was a Spanish guitar with naylon strings. When he got his first electrical guitar Javier had only 12 years. Led Zeppelin, Black Sabbath, Cream, Rolling Stones, The Doors, Jimi Hendrix etc. became famous and Javier was influenced by all this new and amazing music, Vargas decided to play guitar professionally. He was also inspired by the American Blues of B.B.King, Albert King, Freddy King, Albert Collins...
When his family moved to Venezuela in the 70s, Javier took his guitar and went to the U.S.A. to improve his knowledge of guitar by attending University. He lived in Nashville, Tennessee and in Los Angeles, where he played at clubs and also worked as a session guitar player. Every night he used to jam with American and English musicians. At these jams he met Alvin Lee, Roy Buchanan, Canned Heat and many others from whom he learned a lot.
In 1972, while visiting his family in Spain, Vargas was employed as a guitarist for a cruise ship that was departing from Vigo (Spain) for Southampton (Great Britain) later crossing the Caribbean, with stops in Aruba, Jamaica, Curacao... There were many Jamaican musicians returning home and every night Jam Sessions took place on board. Beside being a great experience, the cruise also gave Vargas a taste of other musical influences including reggae.
In the 80s Vargas went back to Spain, where he played the guitar with successful Spanish musicians such as Miguel Rios and bands such as La Orquesta Mondragon. Also collaborated as a session guitar player and composer with many musicians and bands.
During the whole decade, Javier spent seasons in London - playing in clubs, Paris - working as musician of session - and New York-playing clubs of Jazz and Blues with his colleague the guitarist Ray Gomez.
After playing with several bands (RH +, Entrega Inmediata, Blues Express) at the end of the decade, Javier starts outlining his own project.
In 1991 Vargas went his own way, and formed the Vargas Blues Band.
All Around Blues, edited in 1991, was their first album. Collaborators included Elena Figueroa and Philip Guttman. The second LP, Madrid-Memphis, was edited in 1992 and included collaborations from blues musicians such as Carey Bell and Louisiana Red, the flamenco guitarist Rafael Riqueni, and singers Philip Guttman and Jeff Espinoza. Both albums enjoyed continued enthusiastic support from the Spanish music scene and reached the highest sales figure of any blues album to date in Spain.
Blues Latino, was released in Spain in 1994. The extra instrumental support came courtesy of international artists: Chris Rea, Junior Wells, Flaco Jimenez and Andres Calamaro. Carlos Santana's album "Santana Brothers" was released worldwide, including the song "Blues Latino" written by Javier Vargas. Santana played this song live at Woodstock 94. In October of that year, the band toured for the first time in Buenos Aires (Argentina) with great success and public acclaim.
Their fourth album Texas Tango, was produced by Jim Gaines in Austin, Texas and Memphis, Tenessee (USA). This album was released in various countries at the end of 1995, and includes collaborations with Double Trouble (Steve Ray Vaughan Band), Larry T. Thurston and Preston Shannon, among others.
In July 1996 Carlos Santana invited Vargas to play two songs with him at Santana's concert held at the Zenith, in Paris. The passion and feeling expressed by the guitar duo had the whole crowd on their feet. In 1998, Santana invited Vargas and this time with his Cuban singer David Montes, to play again at his concerts in Madrid and Paris (Bercy). This experience was repeated in Spain, when Vargas played as a guest of Carlos Santana on his opening tour of "Supernatural" in 2000.
In 1997 Vargas' fifth album Gypsy Boogie was released. The album was recorded in Madrid and Memphis, mixed in Florida and mastered in New York. Flamenco artists such as Raimundo Amador, Carles Benavent, La Chonchi and Cuban singer David Montes participated in the Madrid recording. At the Memphis sessions, blues-soul-rock artists such as Chester Thomson, Lonnie Brooks, Larry McCray, Little Jimmy King, David Allen and Larry Graham all collaborated on the recording that once again was produced by Jim Gaines. Bassist Larry Graham introduced Javier to Prince and on the "Jam of the Year" tour in Spain, December 1998, Prince invited Vargas to Jam with him on stage in concert.
The sixth album, Feedback/Bluestrology (1998) was recorded at Hook End studios in Checkendom (England) and co-produced by Ian Taylor (Gary Moore, Cheap Trick etc. producer). This album includes collaborators from the Memphis sessions: Steve Potts, Dave Smith and Ernest Williamson and the singers Bobby Alexander and David Montes. Bluestrology was re-released as a solo album in January 2000.
The Vargas Blues Band's first USA live appearance took place in November 1999. There were two nights to remember at Buddy Guy's Legends Club in Chicago. The special guest artists were Larry McCray, Sugar Blue and flamenco singer Elena Andujar. A mobile recording unit under Ian Iaylor's supervision recorded the sessions. Javier Vargas was invited by Texas guitar legend Chris Duarte to join him in concert, also at "Legends". This live album was completed in Madrid in December 99. The concert was filmed and recorded at a studio in the presence of a limited guest audience. At the session Vargas played together with guest artists such as flamenco singer Elena Andujar, flamenco guitarist Juan Gomez Chicuelo, Argentinean accordion player Jorge Lema, percussionist Gino Pavone and flamenco singer Marchena. This time Ian Taylor also directed the recording. Madrid-Chicago Live was released in May 2000.
Chill Latin Blues, Vargas Blues Band first solely instrumental album, was released in 2003. In this album the protagonists are Javier Vargas guitar and the fusion of his musical influences: Drum & Bass, Acid Jazz, African & Latin Rhythms, Hip-Hop, Spanish Guitar.
The album includes five songs already recorded in other albums together with nine brand new songs.
In September 2004, Javier Vargas flew back to Memphis with a new project ready to be recorded. The chosen studio was Ardent, sound engineer John Hampton, and the A-Team of Tennessee musicians: Steve Potts on drums, David Smith playing bass, Earnest Williamson on keyboards, and the SRV’s Double Trouble’s Reese Wynans performing on keyboards and piano as the master he is.
Overdubs were recorded in Madrid, Los Angeles, Memphis and Isla de La Palma (Canary Islands): trips made to include many great musicians. Listeners will enjoy hearing Alex Ligertwood (vocalist of Santana for almost 14 years) performing two songs in Love Union Peace; Jack Bruce singing and playing bass in Pretty Blue ; Glenn Hughes' awesome performance of a delicious Sad Eyes ; Devon Allman (Greg’s son and genuine heir of the soul of his father's voice) sharing his huge talent in three songs; Elliott Murphy’s strength in Deep Blue, and many big Spanish artists.
Love, Union, Peace was release last March 2005. The album is all feeling, and includes 10 new songs, a powerful version of the previously recorded Magic of the Gods now performed by Devon Allman, and a delightful instrumental version of Burt Bacharach and Elvis Costello’s God Give me Strength.
The Vargas Blues Band has been playing in Europe in renowned Montreaux Jazz Festival and Pop Korn Festival (Germany), The Great British R&B Festival, Antwerp R& B Festival, etc, touring in Spain, France, Italy, Portugal, and Argentina always with great success.
The huge diversity of their musical influences (Rock, Soul, Flamenco, Latin music...) and the power of their tunes fulfill all the requirements to charm all kinds of audiences…”
Official Website: Vargas Blues Band
The first guitar Vargas had, present from his father, it was a Spanish guitar with naylon strings. When he got his first electrical guitar Javier had only 12 years. Led Zeppelin, Black Sabbath, Cream, Rolling Stones, The Doors, Jimi Hendrix etc. became famous and Javier was influenced by all this new and amazing music, Vargas decided to play guitar professionally. He was also inspired by the American Blues of B.B.King, Albert King, Freddy King, Albert Collins...
When his family moved to Venezuela in the 70s, Javier took his guitar and went to the U.S.A. to improve his knowledge of guitar by attending University. He lived in Nashville, Tennessee and in Los Angeles, where he played at clubs and also worked as a session guitar player. Every night he used to jam with American and English musicians. At these jams he met Alvin Lee, Roy Buchanan, Canned Heat and many others from whom he learned a lot.
In 1972, while visiting his family in Spain, Vargas was employed as a guitarist for a cruise ship that was departing from Vigo (Spain) for Southampton (Great Britain) later crossing the Caribbean, with stops in Aruba, Jamaica, Curacao... There were many Jamaican musicians returning home and every night Jam Sessions took place on board. Beside being a great experience, the cruise also gave Vargas a taste of other musical influences including reggae.
In the 80s Vargas went back to Spain, where he played the guitar with successful Spanish musicians such as Miguel Rios and bands such as La Orquesta Mondragon. Also collaborated as a session guitar player and composer with many musicians and bands.
During the whole decade, Javier spent seasons in London - playing in clubs, Paris - working as musician of session - and New York-playing clubs of Jazz and Blues with his colleague the guitarist Ray Gomez.
After playing with several bands (RH +, Entrega Inmediata, Blues Express) at the end of the decade, Javier starts outlining his own project.
In 1991 Vargas went his own way, and formed the Vargas Blues Band.
All Around Blues, edited in 1991, was their first album. Collaborators included Elena Figueroa and Philip Guttman. The second LP, Madrid-Memphis, was edited in 1992 and included collaborations from blues musicians such as Carey Bell and Louisiana Red, the flamenco guitarist Rafael Riqueni, and singers Philip Guttman and Jeff Espinoza. Both albums enjoyed continued enthusiastic support from the Spanish music scene and reached the highest sales figure of any blues album to date in Spain.
Blues Latino, was released in Spain in 1994. The extra instrumental support came courtesy of international artists: Chris Rea, Junior Wells, Flaco Jimenez and Andres Calamaro. Carlos Santana's album "Santana Brothers" was released worldwide, including the song "Blues Latino" written by Javier Vargas. Santana played this song live at Woodstock 94. In October of that year, the band toured for the first time in Buenos Aires (Argentina) with great success and public acclaim.
Their fourth album Texas Tango, was produced by Jim Gaines in Austin, Texas and Memphis, Tenessee (USA). This album was released in various countries at the end of 1995, and includes collaborations with Double Trouble (Steve Ray Vaughan Band), Larry T. Thurston and Preston Shannon, among others.
In July 1996 Carlos Santana invited Vargas to play two songs with him at Santana's concert held at the Zenith, in Paris. The passion and feeling expressed by the guitar duo had the whole crowd on their feet. In 1998, Santana invited Vargas and this time with his Cuban singer David Montes, to play again at his concerts in Madrid and Paris (Bercy). This experience was repeated in Spain, when Vargas played as a guest of Carlos Santana on his opening tour of "Supernatural" in 2000.
In 1997 Vargas' fifth album Gypsy Boogie was released. The album was recorded in Madrid and Memphis, mixed in Florida and mastered in New York. Flamenco artists such as Raimundo Amador, Carles Benavent, La Chonchi and Cuban singer David Montes participated in the Madrid recording. At the Memphis sessions, blues-soul-rock artists such as Chester Thomson, Lonnie Brooks, Larry McCray, Little Jimmy King, David Allen and Larry Graham all collaborated on the recording that once again was produced by Jim Gaines. Bassist Larry Graham introduced Javier to Prince and on the "Jam of the Year" tour in Spain, December 1998, Prince invited Vargas to Jam with him on stage in concert.
The sixth album, Feedback/Bluestrology (1998) was recorded at Hook End studios in Checkendom (England) and co-produced by Ian Taylor (Gary Moore, Cheap Trick etc. producer). This album includes collaborators from the Memphis sessions: Steve Potts, Dave Smith and Ernest Williamson and the singers Bobby Alexander and David Montes. Bluestrology was re-released as a solo album in January 2000.
The Vargas Blues Band's first USA live appearance took place in November 1999. There were two nights to remember at Buddy Guy's Legends Club in Chicago. The special guest artists were Larry McCray, Sugar Blue and flamenco singer Elena Andujar. A mobile recording unit under Ian Iaylor's supervision recorded the sessions. Javier Vargas was invited by Texas guitar legend Chris Duarte to join him in concert, also at "Legends". This live album was completed in Madrid in December 99. The concert was filmed and recorded at a studio in the presence of a limited guest audience. At the session Vargas played together with guest artists such as flamenco singer Elena Andujar, flamenco guitarist Juan Gomez Chicuelo, Argentinean accordion player Jorge Lema, percussionist Gino Pavone and flamenco singer Marchena. This time Ian Taylor also directed the recording. Madrid-Chicago Live was released in May 2000.
Chill Latin Blues, Vargas Blues Band first solely instrumental album, was released in 2003. In this album the protagonists are Javier Vargas guitar and the fusion of his musical influences: Drum & Bass, Acid Jazz, African & Latin Rhythms, Hip-Hop, Spanish Guitar.
The album includes five songs already recorded in other albums together with nine brand new songs.
In September 2004, Javier Vargas flew back to Memphis with a new project ready to be recorded. The chosen studio was Ardent, sound engineer John Hampton, and the A-Team of Tennessee musicians: Steve Potts on drums, David Smith playing bass, Earnest Williamson on keyboards, and the SRV’s Double Trouble’s Reese Wynans performing on keyboards and piano as the master he is.
Overdubs were recorded in Madrid, Los Angeles, Memphis and Isla de La Palma (Canary Islands): trips made to include many great musicians. Listeners will enjoy hearing Alex Ligertwood (vocalist of Santana for almost 14 years) performing two songs in Love Union Peace; Jack Bruce singing and playing bass in Pretty Blue ; Glenn Hughes' awesome performance of a delicious Sad Eyes ; Devon Allman (Greg’s son and genuine heir of the soul of his father's voice) sharing his huge talent in three songs; Elliott Murphy’s strength in Deep Blue, and many big Spanish artists.
Love, Union, Peace was release last March 2005. The album is all feeling, and includes 10 new songs, a powerful version of the previously recorded Magic of the Gods now performed by Devon Allman, and a delightful instrumental version of Burt Bacharach and Elvis Costello’s God Give me Strength.
The Vargas Blues Band has been playing in Europe in renowned Montreaux Jazz Festival and Pop Korn Festival (Germany), The Great British R&B Festival, Antwerp R& B Festival, etc, touring in Spain, France, Italy, Portugal, and Argentina always with great success.
The huge diversity of their musical influences (Rock, Soul, Flamenco, Latin music...) and the power of their tunes fulfill all the requirements to charm all kinds of audiences…”
Official Website: Vargas Blues Band
Rock Me Baby
Vargas Blues Band Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
rock me baby
rock me all night long
rock me baby
why don't you rock me all night
long
why don't you rock me baby
like me back ain't got no bone
rock me baby
rock me slow
rock me baby
rock me slow
why don't you roll me baby
baby until y don't wanna be rolled no
mere
sun goin' down
sittin' way behind a tree
sun goin' down
sittin' way behind a tree
why don't you rock me baby
give my back a little ease
y want you to rock me, feel like y feel
when you rock me all night long
oh, feel like y feel baby
baby when you rock all night
long
well, your love give me so much
power
y need your love, oh, y need your love
right now.
rock me all night long
rock me baby
why don't you rock me all night
long
why don't you rock me baby
like me back ain't got no bone
rock me slow
rock me baby
rock me slow
why don't you roll me baby
baby until y don't wanna be rolled no
mere
sun goin' down
sittin' way behind a tree
sun goin' down
sittin' way behind a tree
why don't you rock me baby
give my back a little ease
y want you to rock me, feel like y feel
when you rock me all night long
oh, feel like y feel baby
baby when you rock all night
long
well, your love give me so much
power
y need your love, oh, y need your love
right now.
The song "Rock Me Baby" by Vargas Blues Band is a classic blues tune that talks about the desire for love, companionship, and the need to be rocked all night long. The lyrics are simple yet powerful, using repetition and minimalism to deliver the message.
The song begins by asking the listener to rock the singer all night long. The desire is so strong that the singer asks to be rocked slow, so the love can be felt deeply. The request of the singer is simple – to be given love and attention, to feel the warmth of affection until the sun goes down. The song shows the vulnerability of the singer, asking for back support and the need for physical touch. The singer needs love, and the love being talked about is not just any love, but the power of love that brings healing to a broken soul.
Line by Line Meaning
rock me baby
I want you to comfort me with your touch and hold me close
rock me all night long
I want you to hold me close and comfort me throughout the night
why don't you rock me baby
I want you to show me affection and comfort me
like me back ain't got no bone
I want you to hold me and rock me as if I have no bones or worries left
rock me slow
I want you to hold me and comfort me in a slow and gentle manner
why don't you roll me baby
I want you to rock me until I no longer want to be rocked
baby until y don't wanna be rolled no mere
Hold me and comfort me until I am completely satisfied
sun goin' down
The sun is setting
sittin' way behind a tree
I am sitting behind a tree
give my back a little ease
Please hold me in a way that relieves the tension in my back
y want you to rock me, feel like y feel
I want you to comfort me and make me feel loved and special
oh, feel like y feel baby
I want you to feel the same way that I feel when you hold me
well, your love give me so much power
Your love for me gives me strength and energy
y need your love, oh, y need your love
I need your love right now and crave your affection and attention
Contributed by Zachary J. Suggest a correction in the comments below.
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found