Current Members:
Bryan Erickson (a.k.a. Hexfix93, Disease Factory) - lead vocals, composition, guitar, lyrics, mixing, production, various
Early projects, early changes, and first albums (1990–1995)
In the early 1990s, Erickson and Grigory, both residents of Colorado, brought together their shared interest in creating music to record a series of demos. With the addition of Gary Slaughter and Chris Workman, the group attempted several bands, including Disease Disco Factory, a parody of then-popular Dance group C+C Music Factory. Following a turbulent period for Erickson and Slaughter, Workman left the group. Slaughter and Erickson experimented with two new side-projects, Cyber Christ and Vortex. Cyber Christ explored a harsh and melancholy sound that was a sharp contrast to the group's other projects. When Erickson discovered that the term "Cyber Christ" had been used in the 1992 film The Lawnmower Man, he renamed the band Velvet Acid Christ in honor of a bad acid trip. The Vortex project was merged into Velvet Acid Christ to form one body of work.
In 1994, Workman returned to assist with the band's self-produced gothic-styled demo tape, Fate. Given encouraging response from friends, the band followed up with other self-produced albums, 1994's Pestilence, a dance-oriented album, and 1995's Neuralblastoma, a harder-sounding album.
Erickson, along with friends and minor contributors Steve Bird and Dan Olson, started the brief-lived record label Electro Death Trip (EDT) Records to better promote these recordings. In 1995, the three began distributing hand-made CD copies of Fate, Pestilence, and Neuralblastoma for resale in local music shops.
Label interest, touring, and a troubled rise (1996–2000)
Slaughter and Workman temporarily left the band during the first half of 1996 as Erickson continued the project alone, handing out copies of Velvet Acid Christ's recordings to industry representatives, including musician Bill Leeb of industrial pioneer Front Line Assembly. Leeb passed the music to Thorsten Stroht, a media promoter with European label Off-Beat Records. Off-Beat A&R negotiated a deal with the band.
For their first Off-Beat release, the group submitted 1996's Church of Acid, a compilation of selected tracks from Velvet Acid Christ's first three albums with an additional two new tracks, Disflux and Futile. Church of Acid was well received in Europe, and Futile became a regularly played track in many nightclubs across the continent. In 1997, United States label Pendragon Records released Church of Acid in America, though the two new tracks were removed due to a lack of trademark clearance for television samples used in the songs.
The band's next album, Calling Ov the Dead, was rejected by Off-Beat for not sounding edgy enough, prompting Slaughter's permanent departure. With the assistance of Bird and Olson, the band addressed the label's concerns and released Calling Ov the Dead in late 1997, with American distribution following through Pendragon in 1998. In the process, Erickson had accumulated a substantial financial debt.
With a line-up consisting of Erickson, Stroht and German musician Ingo Beitz, the band toured Europe in 1998 with Off-Beat label-mate Suicide Commando, which attracted the attention of Metropolis Records, the largest industrial label in United States. The parent label of Pendragon, Metropolis distributed the album Neuralblastoma, as a partnership that would endure.
Velvet Acid Christ spent the majority of 1999 in the studio, first collaborating with Germany's Funker Vogt on a remix EP entitled Velvet Acid Christ Vs Funker Vogt: The Remix Assault, then shifting to Velvet Acid Christ's next full-length recording, Fun With Knives. With Workman an occasional contributor, Erickson sought production assistance on Fun With Knives from the bands Luxt and 4th New Army. Fun with Knives, released by Metropolis and new Off-Beat sub-label dependent, became the band's best-selling album. Sales were propelled by the singles Decypher and Fun with Drugs, and by the track Slut, which featured vocals from Luxt's Anna Christine.
In spite of the success of the band, stress had led Erickson into depression and increased drug abuse, which channeled into the creation of the band's next album, Twisted Thought Generator. Simultaneously, the band toured Europe with industrial acts Project X and Stromkern and toured the United States and Canada with bands Din_Fiv and Haujobb. The line-up of the band during this period was unstable. Workman, citing a conversion to Christianity, resigned from the band with a request that his name be retracted from all previous albums. The first leg of the European tour consisted of Erickson, Bird and Stroht; the second leg, Erickson and Olson. The North American tour was performed by Erickson, Stroht and drummer Paul Lipman. With various contributors, Erickson completed Twisted Thought Generator. Due to lingering disputes, he withdrew the band from Dependent Records and submitted the album to Metropolis.
A change of pace, new early material, and beyond (2001– present)
Erickson placed Velvet Acid Christ on a short hiatus in 2001, as he abandoned his dependence on drugs in favour of exercise and a vegan raw foodist diet. Newly clean, Erickson created the 2003 album Hex Angel: Utopia/Dystopia. Though critical response was mixed, Hex Angel: Utopia/Dystopia ranked #1 on Germany's Deutsche Alternative Charts (DAC) for four weeks after its release, and the album's single Pretty Toy reached #18 on the Billboard Alternative Chart during the same year. The album also marked the band's short-lived return to Dependent Records.
Erickson spent 2004 releasing and reissuing some of Velvet Acid Christ's earliest material. With the four-volume compilation series Between the Eyes, the band published a collection of its singles and B-sides, then followed with subsequent re-releases of Fate (Vol. 2), Pestilence (Vol. 3), and Neuralblastoma (Vol. 4). The band also offered free MP3 downloads of Dimension 8 and Oblivion Interface on its website until early 2005. Dimension 8, which had been available as a hidden bonus on Twisted Thought Generator, and Oblivion Interface (informally known as Between the Eyes, Vol. 5) provided fans with previously unheard work from the Cyber Christ-Vortex era of 1991–1994.
In 2005, Erickson collaborated with guitarist Todd Loomis on a new album, Lust for Blood, which was released on September 26, 2006. With Lust for Blood, the crew labored intensively to create a new overall sound while maintaining the band's original characteristics. Following its release, Lust for Blood ranked at the top of Germany's DAC for four weeks; the album's single release, Wound, ranked on the DAC's singles chart for eight weeks and held the #1 position for four weeks.
In 2009, Erickson began to create the next LP with minimal input from Loomis this time when he was working on his project The Twilight Garden. The result was The Art of Breaking Apart, released October 27, 2009. This LP was a tribute to bands like Current 93 and Death in June and brought VAC many new fans while making the others angry at the new direction of the music.
In 2010–2011, Bryan Erickson teamed up with William Anderson of Louisiana. William did a ton of sampling, and Bryan made a bunch of VAC B-sides that turned into Toxic Coma tracks. The project had a revolving door of members, again Bryan being the main constant. They released a LP entitled Satan Rising under Toxic Coma on Metropolis Records. It fused the techno sound of Fun With Knives and the brutal black humor of Toxic Coma. Erickson then began to write more music for future VAC LPs.
In October 2012, Velvet Acid Christ released their tenth LP entitled Maldire. The release marked a return to the dark electronic sound. Erickson formed a live band and toured extensively (2012-2014) to support the album. The latest album entitled Subconscious Landscapes was released October 28, 2014. A remastered Greatest Hits compilation was released by Metropolis Records on May 6, 2016.
Discography:
Studio Albums
1994 - Fate
1994 - Pestilence
1995 - Neuralblastoma
1997 - Calling Ov the Dead
1999 - Fun With Knives
2000 - Twisted Thought Generator
2003 - Hex Angel (Utopia/Dystopia)
2006 - Lust for Blood
2009 - The Art of Breaking Apart
2012 - Maldire
2014 - Subconscious Landscapes
Compilations / Demos / EPs / Singles
1992 - Oblivion Interface (demo re-released in 2004)
1993 - Dimension 8 (demo re-released in 2000)
1996 - Church of Acid (1994-1995 compilation)
1998 - Neuralblastoma (1994-1995 compilation)
1999 - Fun With Razors (remix EP)
1999 - Decipher (maxi-single)
1999 - Fun With Drugs (maxi-single)
1999 - The Remix Wars: Strike 4: Funker Vogt vs. Velvet Acid Christ (remix EP)
2001 - Dial 8 (maxi-single)
2003 - Pretty Toy (maxi-single)
2004 - Between the Eyes Vol. 1 (singles compilation)
2004 - Between the Eyes Vol. 2 (re-release of Fate)
2004 - Between the Eyes Vol. 3 (re-release of Pestilence)
2004 - Between the Eyes Vol. 4 (re-release of Neuroblastoma)
2006 - Wound (maxi-single)
2009 - Caustic Disco (maxi-single)
2016 - Greatest Hits (remastered compilation)
The Calling
Velvet Acid Christ Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Tear out your own eyes with your cries
Now lift up the fever and bring it down
A life was given, so don't be drowned
Around the world in seven days
No Jesus Christ in my fucking veins
I try to change the world
It never changes, your fucking life is such a waste
You're living dead in your stupid race
No pain, no glory, no shame, no nothing
But you try
I wonder why, it's a bullet to be a lie, a lie
A calling dead
When they call you to die
When they call you, when they call you
To die, to die
When they call you, when they call you
To die
To die
They take everything away from you
Strip you down, take off your clothes
They shove their fingers up your ass
With broken glass
Inflate your bowels for their political fight
To the right
Tiny specter in the sky
Realize that we all die
We try to with an inevitable
But it's already too late
'Cause they destroy, destroy, destroy everything
Destroy, destroy, destroy everything
Into your life
And in your dreams
And in your world
They all die
When they call you
They'll die
When they call you
They'll die
When they call you
Wen they call you to die
To die...
The lyrics of "The Calling" by Velvet Acid Christ is a passionate but disturbing reflection on the destructive nature of human society. The opening line, "I rip apart the sky with a knife," suggests a violent outburst that symbolizes the singer's frustration with the world. The second line, "Tear out your own eyes with your cries," portrays the agony of a person who has been oppressed and reduced to a state of helplessness. Together, the two lines represent a call to action, urging people to take control of their destiny and fight against the system that keeps them down.
The next lines, "Now lift up the fever and bring it down/A life was given, so don't be drowned," suggest that life is precious and should be lived to the fullest. The line "No Jesus Christ in my fucking veins" rejects the idea of religious salvation, placing the responsibility for change squarely on the individual. The verse ends with a plea for change, "I try to change the world/But it never moves, it never budges/It never changes, your fucking life is such a waste/You're living dead in your stupid race." Through these lyrics, the singer highlights the futility of trying to create change in an apathetic and indifferent world.
The chorus, "A calling dead/When they call you to die/When they call you, when they call you/To die, to die," further emphasizes the theme of oppression and the sense of futility that comes with it. The second verse describes the brutal nature of war and the atrocities committed in the name of politics. The lines, "They shove their fingers up your ass/With broken glass/Inflate your bowels for their political fight/To the right," paint a bleak picture of the horrors perpetrated on innocent people. The closing lines of the song, "When they call you/They'll die/When they call you/They'll die/When they call you/Wen they call you to die/To die...," express the hopelessness felt by people who are powerless to change their fate.
Line by Line Meaning
I rip apart the sky with a knife
I am willing to do anything and everything to achieve my goals, even if it means physically tearing apart the world around me with a knife.
Tear out your own eyes with your cries
You are in so much pain and anguish that it feels like your cries could only be silenced if you were to physically inflict self-harm, such as ripping out your own eyes.
Now lift up the fever and bring it down
Experience the passion and intensity of life, but also try to maintain control and not let it consume you completely.
A life was given, so don't be drowned
Life is a gift and should not be taken for granted, so don't let yourself be weighed down by the difficulties and struggles you face.
Around the world in seven days
Life can move fast and hectic, with little time to truly appreciate the beauty and wonder of the world around us.
No Jesus Christ in my fucking veins
I reject the traditional religious beliefs and structures that others may adhere to, instead choosing to carve out my own path and beliefs.
I try to change the world
I am not content with the way things are and actively seek to bring about change and progress in society.
But it never moves, it never budges
Despite my efforts, it can feel like the world is resistant to change and improvement, with the systems and structures in place remaining stagnant and unyielding.
It never changes, your fucking life is such a waste
The lack of progress and change in society can make it feel like one's own life and efforts are meaningless and unimportant.
You're living dead in your stupid race
The mundane, repetitive nature of societal expectations and norms can make it feel like one is not truly living, but instead just going through the motions of a pointless race.
No pain, no glory, no shame, no nothing
Life can feel devoid of real, meaningful experiences such as pain, glory, and shame. It can feel empty and unsatisfying.
But you try
Despite feeling hopeless or disillusioned, one still tries to push forward and make the most out of life.
I wonder why, it's a bullet to be a lie, a lie
It can feel like living a lie and pretending to be someone you're not in order to fit in with societal expectations is like taking a bullet to the soul.
A calling dead
A once-strong sense of purpose and direction in life has faded away to nothing.
When they call you to die
Society can often feel like it is trying to kill one's spirit or soul, by forcing one to conform to harmful societal norms and ideals.
They take everything away from you
Those in power may seek to dismantle one's sense of self and identity, taking away everything that makes them who they are.
Strip you down, take off your clothes
Those in power may seek to leave you vulnerable and exposed, taking away all the layers that protect you.
They shove their fingers up your ass
Those in power may seek to assert complete control over you, in a way that is invasive and uncomfortable.
With broken glass
This control and subjugation can be painful and damaging, like shards of broken glass piercing your skin.
Inflate your bowels for their political fight
Those in power may see you as nothing more than a mere pawn to be used in their own political battles, willing to go to any lengths to further their own agenda.
To the right
This political power struggle may be limited to a particular political ideology or affiliation.
Tiny specter in the sky
Despite our grand ambitions and efforts, we are small and insignificant in the grand scheme of things.
Realize that we all die
Death is an inevitable part of the human experience, and something that we must all come to terms with eventually.
We try to with an inevitable
Despite our best efforts, we must confront and accept what is inevitable in our lives, including death.
But it's already too late
Despite this realization, it can still sometimes feel like we have already missed our chance to truly live and make a meaningful impact on the world.
'Cause they destroy, destroy, destroy everything
Those in power may be motivated by a desire to control and destroy everything around them, leaving nothing behind in their wake.
Into your life
These forces of destruction can permeate every aspect of your life, including your relationships, work, and daily routine.
And in your dreams
These forces can also find their way into your subconscious and dreams, causing anxiety and fear even in moments of rest.
And in your world
The impact of these forces can be felt on a wider, societal level, affecting the entire world we live in.
They all die
In the end, those in power will also succumb to death and decay, just like the rest of us.
When they call you to die
When those in power seek to control and subjugate you to the point of death, it can feel like they are calling you to die.
To die...
This repeated refrain serves as a reminder of the inevitability of death, and the ultimate futility of our struggles against it.
Contributed by Layla C. Suggest a correction in the comments below.
Julian Cennamo
on Pain
This is a song about coping with failed relationships and a broken home. The lyricist has been triggered by a life event- most likely a breakup. The event is particularly tragic because it brings back haunting memories of fear and abandonment experienced in childhood.