During the war she toured Egypt, India, and Burma (Myanmar) as part of ENSA, giving outdoor concerts for the troops. The songs most associated with her are "We'll Meet Again", "The White Cliffs of Dover", "A Nightingale Sang in Berkeley Square" and "There'll Always Be an England".
She remained popular after the war, appearing on radio and television in the UK and the US and recording such hits as "Auf Wiederseh'n Sweetheart" and her UK Number one single "My Son, My Son". Her last single, "I Love This Land", was released to mark the end of the Falklands War. In 2009, at age 92, she became the oldest living artist to top the UK Albums Chart.
She has devoted much time and energy to charity work connected with ex-servicemen, disabled children, and breast cancer. She is held in great affection by veterans of the Second World War to this day and in 2000 was named the Briton who best exemplified the spirit of the 20th century.
On 20th March, 2017 Dame Vera celebrated her 100th birthday.
Vera Margaret Welch was born in East Ham, London. She began performing publicly at the age of seven and adopted her maternal grandmother's maiden name, Margaret Lynn, as her stage name when she was eleven. Her first radio broadcast, with the Joe Loss Orchestra, was in 1935. At this point she was being featured on records released by dance bands including those of Loss and of Charlie Kunz.
Vera Lynn made her solo recording debut with the song "The General's Fast Asleep" on the 3rd October 1935, accompanied by the Rhythm Rascals (A pseudonym for Jay Wilbur's orchestra). The 9" 78 rpm single was issued on the Crown Records label, which went on to release a total of 8 singles recorded by Vera Lynn and Charles Smart on organ. Early recordings include "I'm in the Mood for Love" and "Red Sails in the Sunset".
In 1938 the Decca label took over control of the British Crown label and the UK based Rex label, they had also issued early singles from Lynn in 1937, including "Harbour Lights". In late September 1939 Vera Lynn first recorded a song that continues to be associated with her: "We'll Meet Again" was originally recorded with Arthur Young on the Novachord.
In 1940 she began her own radio series, "Sincerely Yours", sending messages to British troops stationed abroad. In this radio show she and a quartet performed the songs most requested to her by soldiers stationed abroad. She also went into hospitals to interview new mothers and send messages to their husbands overseas. She toured Burma and gave outdoor concerts for soldiers.
In 1941 Vera Lynn married Harry Lewis, clarinettist, saxophonist and fellow member of Bert Ambrose's orchestra.
In 1942 she recorded the Ross Parker/Hughie Charles song "We'll Meet Again" while making the film of the same name. The nostalgic lyrics ("We'll meet again, don't know where, don't know when, but I know we'll meet again some sunny day") had a great appeal to the many people separated from loved ones during the war, and it became one of the emblematic songs of the wartime period.
After the war, her "Auf Wiederseh'n Sweetheart" became the first record by a British artist to top the US charts, doing so for nine weeks, and she appeared regularly on Tallulah Bankhead's US radio programme "The Big Show". "Auf Wiederseh'n Sweetheart", along with "The Homing Waltz" and "Forget-Me-Not" gave Lynn a remarkable three entries on the first UK Singles Chart, a top 12 (which contained 15 songs owing to tied positions).
Lynn's career flourished in the 1950s, peaking with "My Son, My Son", a number-one hit in 1954. It was co-written by Eddie Calvert.
Throughout the 1940s and 1950s the Decca label issued all of Lynn's records, including several recorded with Mantovani and His Orchestra in 1942 and with Robert Farnon, from the late 1940s. Firstly they were only available as 78 rpm singles, which only feature two songs an A and a B-side. In the mid-1950s Decca issued several EP singles, which featured between two and four recordings per side, such as Vera Lynn's Party Sing Song from 1954 and singles were issued on two formats the known 78 rpm 10" and the recently introduced 45 rpm 7" single. In the late 1950s Lynn recorded four albums at Decca, the first; Vera Lynn Concert remains her only live recording ever to be issued on vinyl.
In 1960, after more than 20 years at Decca Records, Lynn signed to the US based MGM Records. In the UK her recordings were distributed by the His Masters Voice label, later EMI Records. Several albums and stand-alone singles were recorded with Geoff Love & His Orchestra. Norman Newell also took over as Lynn's producer in this period and remained with her until her 1976 album Christmas with Vera Lynn. Recording at EMI Records up until 1977, Lynn released thirteen albums with material as diverse as traditional Hymns, pop and country songs, as well as re-recording many of her known songs from the 1940s for the albums Hits of the Blitz (1962), More Hits of the Blitz and Vera Lynn Remembers โ The World at War (1974). In the 1980s two albums of contemporary pop songs were recorded at the Pye Records label, both including covers of songs previously recorded by artists such as ABBA and Barry Manilow.
In 1982 Lynn released the stand-alone single "I Love This Land", written by Andrรฉ Previn, to mark the end of the Falklands War. Lynn's last recordings before her retirement were issued on the 1984 album Vera Lynn Remembers, produced by her husband, Harry. The album featured 17 re-recordings of songs known and associated with Lynn over her career.
Lynn was awarded the British War Medal 1939โ1945 and the Burma Star.
She was appointed Officer of the Order of the British Empire (OBE) in the 1969 New Year Honours "for services to the Royal Air Forces Association and other charities", and was advanced to Dame Commander of the Order of the British Empire (DBE) in the 1975 Birthday Honours for charitable services.
In 1976 she received an honorary doctorate from the Memorial University of Newfoundland. In 1977 She was made an honorary citizen of Nashville, Tennessee. She received the Freedom of the City of London in 1978.
She was made a Commander of the Order of Orange-Nassau in 1985. She was made an Officer of the Order of Saint John (OStJ) in 1998 and, in 2000, Lynn received a special "Spirit of the 20th Century" Award.
A street named in her honour, Vera Lynn Close, is situated in Forest Gate, London.
She was appointed Member of the Order of the Companions of Honour (CH) in the 2016 Birthday Honours for services to entertainment and charity.
A preserved example of the WD Austerity 2-10-0 class of steam locomotives at the North Yorkshire Moors Railway is named Dame Vera Lynn.
The White Cliffs of Dover
Vera Lynn Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The white cliffs of Dover
Tomorrow, just you wait and see
There'll be love and laughter
And peace ever after
Tomorrow, when the world is free
The valley will bloom again
And Jimmy will go to sleep
In his own little room again
There'll be bluebirds over
The white cliffs of Dover
Tomorrow, just you wait and see
The shepherd will tend his sheep
The valley will bloom again
And Jimmy will go to sleep
In his own little room again
There'll be bluebirds over
The white cliffs of Dover
Tomorrow, just you wait and see
Vera Lynn's song "The White Cliffs of Dover" is a beacon of hope during a dark time. Written during World War II, it speaks to the belief that peace will come and everything will return to a state of normalcy one day. The first verse sets the scene of the beautiful white cliffs of Dover, a symbol of England, where bluebirds are flying overhead. This image conjures up feelings of freedom, peace, and happiness, all the things that the war is taking away from people. The chorus is a reminder that things will go back to how they were before the war. There will be love, laughter, and peace after the war is over, and the world is free once again.
The second verse speaks to the importance of everyday life and the simple pleasures it brings. The shepherd tending to his sheep and the valley blooming again may seem like small things in the grand scheme of things, but it's the essence of life returning to normal. The mention of Jimmy going to sleep in his own little room again is a heartwarming touch that shows how normalcy will return to even the most vulnerable among us. The chorus repeats, emphasizing the hopeful sentiment that everything will be okay once again.
Line by Line Meaning
There'll be bluebirds over
Hopeful expectation for the future
The white cliffs of Dover
A symbol of hope and homecoming
Tomorrow, just you wait and see
Anticipating a better future
There'll be love and laughter
Joy and happiness will return
And peace ever after
A lasting peace will finally be achieved
Tomorrow, when the world is free
Hope for freedom from war and conflict
The shepherd will tend his sheep
A return to everyday life and routine
The valley will bloom again
Nature and beauty will recover
And Jimmy will go to sleep
Children will be able to rest peacefully
In his own little room again
The comforts of home will be restored
Lyrics ยฉ BMG Rights Management, Shapiro Bernstein & Co Inc, GANNON & KENT MUSIC CO, Warner Chappell Music, Inc.
Written by: Nat Burton, Walter Kent
Lyrics Licensed & Provided by LyricFind
@smadalha
Hi Folks
I was nine years old when they bombed Pearl Harbor but I grew up to have a dear friend who at that time after the US entered he war flew 38 mission over Germany and Europe as a B17 bomber pilot and every time in and out flew over these cliffs.
Jim just died a few months ago at at 90 and i miss him as does his wife Carol,but she and I remain in touch and close.Like many Jim gave his life in the end for his country for which we are all most greatful.
Thanks
Larry Adams
@pkchanboston
There'll be bluebirds over
The white cliffs of Dover
Tomorrow, just you wait and see
There'll be love and laughter
And peace ever after
Tomorrow, when the world is free
The shepherd will tend his sheep
The valley will bloom again
And Jimmy will go to sleep
In his own little room again
There'll be bluebirds over
The white cliffs of Dover
Tomorrow, just you wait and see
@brendaannedufaur6244
My father describes how Vera Lynn became a national heroine when she sang this song in an underground bunker in London while London was being bombed. She sang the song to raise England's spirits and my father said it did. My father who is 86 and still alive still talks about this song with such admiration and he isnt generally an overly emotional person. It is one of his favorite songs and its significance at a time of war touches him to this day.
@jimtaylor8973
..wrong. She sang in the underground railway station.
@belfastboyable
NOT England........GREAT BRITAIN !!!!!!!
@jimtaylor8973
@howard burns .. not really that Great though, right?
@belfastboyable
@Jim Taylor Can't argue with that............Belfast was the "forgotten" blitz.......even though we had the biggest shipbuilding yard in the world.
@michellebrown9323
Brenda Anne Du Faur Thank you so much for sharing this โค๏ธ I am current playing for my mum who has dementia she may not no me but she sure knows all the words to this song xxx
@Calis708
My Grandma was from England and came to Canada after WW2. She used to sing this song all the time, and she also had beautiful voice. We played it at her funeral and everytime I hear it I cry like a baby. RIP Grandma.
@8332rats
I sang this song to my Granddaughter too, It was her favorite song.
On a cruise last year, I took a picture of the cliffs.and sent to her.
It's such a song of hope. I still love it.
@natassharuiz3457
Calis, my father (still living at 99) recalls crossing the English Channel in August 1945 after military service in England, North Africa and Italy. When he saw The White Cliffs he knew he was home, safe and was coming to marry my mother, (still living 95). They celebrate 71 years of marriage (God Willing) August 20, 2016. We plan to use this song too.
@benoneill7155
God bless your parents. Seen so much hardship