Pressing his first vinyl release in 1998 under the name Nigil Caenaan, the choice cut Januarys End went on to become a timeless classic, appreciated by big name American dj’s such as Frankie Bones (in NYC) and Mike Huckaby (in Detroit). In the years since that inaugural release, Vergel has pressed multiple dub-plates & test pressings with various Toronto artists.
In 2004 Vergel took his label aspirations one step further with the creation of Theme:416, a dj mix of techno music from fellow artists and himself. The freely distributed audio CD and mp3 file were promoted on the net via the Theme:416 webpage and regularly received 200+ downloads per month from around the world.
The success of this dj mix brought Vergel into a brief relationship with Missing Unit. Producing the MU vinyl release "..Beyond..." (MU-008), Vergel masterminded an international campaign to get the vinyl release in the hands of key dj's who helped launch the record immediately into the mainstream. Containing 3 tracks from the dj mix, the record sold out of stock on it's initial run. The title track "Crushing" also went on to be licensed by Carl Craig for his Fabric 25 mix.
In his quest to share a deeper rational on why this music matters; Vergel has regularly released products that expose some of the humanity behind the music. As an artist his musical projects have evolved into an ever rising tide of successes. All while creating a natural balance between making music, sharing music, and inspiring his community. Weaving something extra into everything he does, his projects take on a personality beyond the expected, and always come on stronger then they initially seem.
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Outta Control
Vergel Evans Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
We came to fuck
Outta control
She came to dance
She came to fuck
Outta control
Or is that....
The texture.
We came to dance
We came to fuck
Outta control
She came to dance
She came to fuck
Outta control
The lyrics of Vergel Evan's song Outta Control express the wildness and unbridled energy that can be found on the dance floor. The opening lines of the chorus "We came to dance, we came to fuck, outta control" indicate that the party-goers are there to let loose and forget about anything else in the moment. This is supported by the repetition of the lyrics throughout the song. The reference to "texture" indicates that the music being played has a physical sensation and is adding to the overall sensory experience of the scene.
The repetition of the phrase "She came to dance, she came to fuck, outta control" implies that the focus is on the female dancers and their liberated energy. The lyrics suggest that the women are there to enjoy themselves and not be held back by societal norms or expectations. Overall, the song conveys a sense of freedom and hedonistic pleasure.
Line by Line Meaning
We came to dance
Our purpose for being here is to dance
We came to fuck
We also came with the intent to have sexual encounters
Outta control
Our behavior may not be able to be maintained or regulated
She came to dance
The focus now shifts to a female individual who also came to dance
She came to fuck
Just like the male group, she also came with the intent to have sexual encounters
Is that music we're listening to?
There is some sort music playing but there could be something else to it that catches our attention
Or is that....
There is a possibility that what we are hearing might not be only music
The texture.
The sound and feel of what we are hearing is something that we need to pay attention to
Contributed by Jordan Y. Suggest a correction in the comments below.