All the Same
Vieux Farka Touré Lyrics
ils sont tous les mêmes.
– Je dis de les regarder, je dis qu'ils sont tous les mêmes.
– Ils te voient en te flattant et font semblant de t'aimer.
– Je dis de les regarder, je dis qu'ils sont tous les mêmes.
– Ils sautent et crient faire semblant de t'aimer, je le dis
– ils te voient et vont chez toi en famille et sortent de chez toi au milieu du jour.
– Je dis de les regarder, je dis qu'ils sont tous les mêmes.
– On doit imiter Niafunkén je dis soko sondou Mayo (surnom de niafunké).
– Je dis de les regarder, je dis qu'ils sont tous les mêmes.
– Tenons à nous suivre dans un ensemble et crayons une bonne eentente entre nous et soyons
Look at them
They are all the same (all the same)
They see you and flatter you and pretend to love you
Oh when you look at them theyʼre all the same
Smiles and promises, smiles and promises
Cry real tears til you believe
But they donʼt want you
they want what youve got
And it may taste sweet, but love itʼs not
Oh it may taste sweet but love itʼs not
Look at them
They are all the same (all the same)
Oh look at me cause I believed
Ive prayed in their temples down on my knees
I turned my back, felt the knife sink deep
Look at them theyʼre all the same
Take everything, itʼs a crying shame
And it might take sweet but itʼs a wicked game
They jump and cry, pretend to love you
They see you and go visit you in your family and leave your house midday.
might taste sweet but itʼs a wicked game
Look at them
Theyʼre all the same
We should be like the people of Niafunke (also called Soko Sondou Mayo)
Oh look at them they are all the same
Smile and promises, smiles and promises
But turn your back, then the knife goes in
Cause they donʼt want you, they want what you got
And it might taste sweet but thatʼs not love
Might taste sweet but its not love
Look at them
They are all the same
Contributed by Natalie R. Suggest a correction in the comments below.
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Vieux Farka Touré is a Malian singer and guitarist, and son of one of the African continent's most internationally renowned musicians Ali Farka Touré.
https://www.facebook.com/vieuxfarkatoure
Since his childhood, Vieux Farka Touré has been deeply inspired by the music of his father, Ali Farka Touré. Growing up in Mali's capital, Bamako, as well as in his father's hometown of Niafunké in the Sahara desert - both teeming with rich musical life - Vieux proved himself a precocious talent as a drummer and calabash player. Read Full BioVieux Farka Touré is a Malian singer and guitarist, and son of one of the African continent's most internationally renowned musicians Ali Farka Touré.
https://www.facebook.com/vieuxfarkatoure
Since his childhood, Vieux Farka Touré has been deeply inspired by the music of his father, Ali Farka Touré. Growing up in Mali's capital, Bamako, as well as in his father's hometown of Niafunké in the Sahara desert - both teeming with rich musical life - Vieux proved himself a precocious talent as a drummer and calabash player. Ali, however, grew concerned about his son's future as he observed his son's budding musical gifts. Having long suffered in the music industry himself before finally finding a home with World Circuit Records, Ali did not want his son to have to have to face the same hardships. He forbade Vieux to play music and decided that Vieux should become a soldier instead. Vieux, as stubborn as his father's moniker FARKA (donkey) suggested, began instead to play along with his father's recordings in hiding, determined to pursue his musical aspirations.
In 1999, Vieux -- now a young man -- decided to take his destiny into his own hands. He enrolled in the National Arts Institute in Bamako, openly defying his father's wishes. It was there that Vieux truly discovered his musical calling, picking up the guitar and beginning to compose his own music. By the time he left the Arts Institute, he was already a locally celebrated guitar virtuoso, able to emulate almost perfectly his father's playing. Word began to spread throughout Bamako that Ali's successor was emerging. It was then that Toumani Diabaté - the world's premiere kora player - first took notice of Vieux, and brought him into his performing ensemble. Recognizing Vieux's abilities, Toumani urged Ali to accept his son's chosen path. Ali agreed, and under Toumani's artistic guidance, Vieux flourished. He performed in France and South Africa and even began to accompany his father on guitar. At the same time, his own stunning compositions introduced new sounds and influences into the tradition of desert blues from Northern Mali.
In 2005, Vieux reconnected with his friend Eric Herman, a North American musician and producer with whom Vieux had played while he was a student at the Arts Institute. Both Vieux and Eric realized that it was time that Vieux record his debut album. They quickly got to work in the studio. Toumani agreed to contribute his awesome talent on two of the tracks. Meanwhile Ali - growing increasingly ill with cancer - offered his final recordings to Vieux's self-titled debut album, the ultimate expression of approval of his son's path, passing him the torch with which to light his way.
Since then, Vieux has released two more studio albums (Fondo, 2009, and The Secret, 2011), a remix album (UFOs Over Bamako, 2008), and a live album (LIVE, 2010).
http://www.vieuxfarkatoure.com
https://www.facebook.com/vieuxfarkatoure
Since his childhood, Vieux Farka Touré has been deeply inspired by the music of his father, Ali Farka Touré. Growing up in Mali's capital, Bamako, as well as in his father's hometown of Niafunké in the Sahara desert - both teeming with rich musical life - Vieux proved himself a precocious talent as a drummer and calabash player. Read Full BioVieux Farka Touré is a Malian singer and guitarist, and son of one of the African continent's most internationally renowned musicians Ali Farka Touré.
https://www.facebook.com/vieuxfarkatoure
Since his childhood, Vieux Farka Touré has been deeply inspired by the music of his father, Ali Farka Touré. Growing up in Mali's capital, Bamako, as well as in his father's hometown of Niafunké in the Sahara desert - both teeming with rich musical life - Vieux proved himself a precocious talent as a drummer and calabash player. Ali, however, grew concerned about his son's future as he observed his son's budding musical gifts. Having long suffered in the music industry himself before finally finding a home with World Circuit Records, Ali did not want his son to have to have to face the same hardships. He forbade Vieux to play music and decided that Vieux should become a soldier instead. Vieux, as stubborn as his father's moniker FARKA (donkey) suggested, began instead to play along with his father's recordings in hiding, determined to pursue his musical aspirations.
In 1999, Vieux -- now a young man -- decided to take his destiny into his own hands. He enrolled in the National Arts Institute in Bamako, openly defying his father's wishes. It was there that Vieux truly discovered his musical calling, picking up the guitar and beginning to compose his own music. By the time he left the Arts Institute, he was already a locally celebrated guitar virtuoso, able to emulate almost perfectly his father's playing. Word began to spread throughout Bamako that Ali's successor was emerging. It was then that Toumani Diabaté - the world's premiere kora player - first took notice of Vieux, and brought him into his performing ensemble. Recognizing Vieux's abilities, Toumani urged Ali to accept his son's chosen path. Ali agreed, and under Toumani's artistic guidance, Vieux flourished. He performed in France and South Africa and even began to accompany his father on guitar. At the same time, his own stunning compositions introduced new sounds and influences into the tradition of desert blues from Northern Mali.
In 2005, Vieux reconnected with his friend Eric Herman, a North American musician and producer with whom Vieux had played while he was a student at the Arts Institute. Both Vieux and Eric realized that it was time that Vieux record his debut album. They quickly got to work in the studio. Toumani agreed to contribute his awesome talent on two of the tracks. Meanwhile Ali - growing increasingly ill with cancer - offered his final recordings to Vieux's self-titled debut album, the ultimate expression of approval of his son's path, passing him the torch with which to light his way.
Since then, Vieux has released two more studio albums (Fondo, 2009, and The Secret, 2011), a remix album (UFOs Over Bamako, 2008), and a live album (LIVE, 2010).
http://www.vieuxfarkatoure.com
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