The local music scenes of the 1960s and 1970s produced a treasure of remark… Read Full Bio ↴The local music scenes of the 1960s and 1970s produced a treasure of remarkable records, often released only as limited vanity pressings. A combination of social upheaval, pioneer optimism and DIY philosophy paved the way for unknown talents to put forth their vision without having to succumb to trendy demands or major label commercialization. The result: hundreds, maybe thousands, of highly personal and sometimes unique musical testaments whose lasting quality often overshadows the more famous artists of the time.
One of the most dearly beloved discoveries within this "private pressing" field comes from a band called VIRGIN INSANITY. Even among a wealth of unlikely idiosynchracies this album stands out, due not just to the timeless nature of its music, but also because of its unlikely origins. It's hard to imagine a locale less appropriate for intimate basement folkrock than Dallas, Texas, 1971, where bands like Bloodrock and Nitzinger ruled the day.
Of course, Virgin Insanity was not your traditional local rock band of beer-fuelled rehearsals and local bar gigs. The group was created mainly to record the album, although it turned out to exist beyond that escapade. The main engine behind the group and album was Bob Long; songwriter, arranger, guitarist and coordinator, who after an unsuccessful attempt to break into the westcoast music business had returned to Dallas determined to produce something tangible. Living under meagre conditions the financing of an album, even a budget custom pressing, was difficult. As the band's website tells the story, Bob Long made ends meet by working as a department store Santa Claus in late 1970, which is where he met his future wife and future Virgin Insanity member, Eve. Unemployed after the Christmas holidays, Long was offered another job in the glamorous sewage and wastewater business, which would prompt the LP title, "Illusions Of The Maintenance Man".
In early 1971 the couple rebuilt their Plano apartment into a makeshift recording studio, using stacked chairs and draped blankets to create a "soundproof" tent-like structure. A Radio Shack tape recorder was on hand to capture the music, which was put together via "bouncing" tracks in classic do-it-yourself fashion. Apparently unconcerned about the audio deterioration with each subsequent track bounce, every instrument and vocal was recorded by itself. Fortunately, the album is relatively sparse in its instrumentation. Apart from guitar, bass and vocals courtesy of Bob and Eve Long, two college student friends were brought in to play second guitar (Wayne Lamar Boggs III) and drums (Jud Chapin).
The 10 songs that form "Illusions Of The Maintenance Man" had been written over a 2.5-year period; "Livin' Lives" was written when recording was already in progress, while "Touch The Sky" and "Time Of Sorrows Gone Soon" had been composed shortly before. "Charity", the earliest song, was written by Bob as an 18-year old in 1968. "Don't Get Down" refers to the frustrating experience of trying to get into the music business, while "Once" is an anti-Vietnam War song; apart from these the vast majority of the material is personal love songs. The memorable line "This is not goodbye/It's just farewell for a while" comes directly from a phone conversation between Bob and Eve shortly before they got married; a good indication of how close the songs were to Long's reality.
One of the album's assets is the strong consistence it displays, due partly to the distinctive sound created by the home studio, but also from a deliberate effort to create a concept album, with songs selected to function both as single pieces and as part of a greater whole. While each listener will come out with a different experience, certain keywords keep recurring when the album is discussed; such as "warmth", "atmosphere", "purity". Comparisons to the sparse, nocturnal moods of the third Velvet Underground LP have been made by more than one listener, no doubt prompted by a similarity in instrumentation as well as a certain resemblance in the male/female vocal styles. As is often the case, this was a coincidence rather than a case of inspiration, and when asked recently Bob Long confessed never even having heard the VU album: "… Off the top of my head the most influential musical folks at the time we made the recording were; The Beatles, Moody Blues, George Gershwin, Woody Guthrie, Carlos Jobim, Hank Williams, Sergio Mendez, Crosby Stills & Nash, America -- pretty well pop stuff at the time. I'm not sure I can peg another group or album that we sounded like, the attempt was to create something truly original."
After a master was cut in Dallas in mid-1971, 200 copies were pressed by a custom operation, a small run even for a vanity pressing, where 500 is the usual minimum. Furthermore, an actual printed sleeve exceeded the Virgin Insanity budget, and the band opted for rubber-stamping their monicker and album title manually onto the plain cardboard sleeves, making each copy unique. Sales were confined to friends and family, although Bob Long managed to get scattered local radio stations in Texas interested, no mean feat under the circumstances. Nevertheless, the 200 copies took some time to sell out.
Following the "Illusions" album, the band soon went into another recording venture, the "Toad Frog & Fish Friends" project which was recorded the same way and by the same personnel as the LP. Unlike "Illusions", this was a collection of songs with no overall aesthetic concept, nevertheless the sound is similar and likely to delight fans of the earlier album. Again, some tracks reach back to the late 1960s, and a title such as "Poor Boy" was inspired by the Civil Rights Movement. The disenchanting encounters with the LA music business is reflected in several songs, while "She Ain't Nothing Like I Dreamed" shows a clear Dylan influence. The range of emotional expression is impressive, from the raw teenage anger of "In The Eyes" through the jazzy sophistication of Eve-sung numbers such as "Love Is" into the almost-commercial mid-60s folkrock nostalgia of "Clifton T", about Bob Long's memories of his maternal grandfather.
However, the slow sales of "Illusions" caused Bob Long to hold back the manufacture of this second album, and in the interim the original band - never more than a studio outfit - dissolved. The "Toad" album never reached the vinyl stage, but most of the tracks can be found on this CD, available for the first time ever. A few months later there was a brief reunion of the band, as the Long couple joined guitarist Wayne Lamar Boggs III for a nervous performance at the NSU student union building in Denton, where Boggs attended college. Apart from a few earlier gigs at parties and small clubs in Dallas, this coffeehouse booking was the only live performance of Virgin Insanity.
Still interested in breaking into the music business, Bob and Eve Long moved briefly to Nashville before ending up in Austin, which was rapidly emerging as a new musical hotspot. During 1972 the couple, now billed as "Bob & Eve" performed regularly at various Austin clubs as well as the first Kerrville Folk Festival. This active spell did not yield permanent success, and towards the end of the year the couple had drifted apart. Bob Long embarked on a solo project, "The Odometer Suite", which was a concept work about the life of an itinerant country & western singer, in a musical style far from the Virgin Insanity recordings. With typical productivity, Bob composed and recorded ten songs, two of which ("Take Your Time" and the surprising "Hallelujah") can be found on this CD. Like "Toad Frog & Fish Friends" the "Odometer Suite" did not progress beyond home demo recordings. After completing his third project in less than two years, Bob put his musical ambitions aside to return to college and pursue other interests. Virgin Insanity and the "Illusions Of The Maintenance Man" was a thing of the past, and apart from the value it held for those involved and their friends and family, was unlikely ever to be heard of again.
This situation remained for a decade and a half, until Virgin Insanity's name began popping up among curious musicologists during the early days of rediscovering unknown albums from the 1960s-1970s. After a few copies had been uncovered in Texas flea markets and purchased from band members, one copy was put up on auction by noted New York record dealer Paul Major in 1988, who described it as "Great garage hippie folk… sparse & warm human feel, mesmerizing in a way like the third Velvet Underground LP…obscure late night magic in the most basement sounding way". This trend-setting exposure coupled with the album's unique qualities began a cult appreciation that grew slowly but steadily over the years, until the demand was such that the album, once barely sellable at $3, traded hands for upwards $1000, while requests for a reissue grew impatient. And here they are once more, arguably one of the most talented bands to emerge from Texas in the early 1970s, certainly one of the most unique.
One of the most dearly beloved discoveries within this "private pressing" field comes from a band called VIRGIN INSANITY. Even among a wealth of unlikely idiosynchracies this album stands out, due not just to the timeless nature of its music, but also because of its unlikely origins. It's hard to imagine a locale less appropriate for intimate basement folkrock than Dallas, Texas, 1971, where bands like Bloodrock and Nitzinger ruled the day.
Of course, Virgin Insanity was not your traditional local rock band of beer-fuelled rehearsals and local bar gigs. The group was created mainly to record the album, although it turned out to exist beyond that escapade. The main engine behind the group and album was Bob Long; songwriter, arranger, guitarist and coordinator, who after an unsuccessful attempt to break into the westcoast music business had returned to Dallas determined to produce something tangible. Living under meagre conditions the financing of an album, even a budget custom pressing, was difficult. As the band's website tells the story, Bob Long made ends meet by working as a department store Santa Claus in late 1970, which is where he met his future wife and future Virgin Insanity member, Eve. Unemployed after the Christmas holidays, Long was offered another job in the glamorous sewage and wastewater business, which would prompt the LP title, "Illusions Of The Maintenance Man".
In early 1971 the couple rebuilt their Plano apartment into a makeshift recording studio, using stacked chairs and draped blankets to create a "soundproof" tent-like structure. A Radio Shack tape recorder was on hand to capture the music, which was put together via "bouncing" tracks in classic do-it-yourself fashion. Apparently unconcerned about the audio deterioration with each subsequent track bounce, every instrument and vocal was recorded by itself. Fortunately, the album is relatively sparse in its instrumentation. Apart from guitar, bass and vocals courtesy of Bob and Eve Long, two college student friends were brought in to play second guitar (Wayne Lamar Boggs III) and drums (Jud Chapin).
The 10 songs that form "Illusions Of The Maintenance Man" had been written over a 2.5-year period; "Livin' Lives" was written when recording was already in progress, while "Touch The Sky" and "Time Of Sorrows Gone Soon" had been composed shortly before. "Charity", the earliest song, was written by Bob as an 18-year old in 1968. "Don't Get Down" refers to the frustrating experience of trying to get into the music business, while "Once" is an anti-Vietnam War song; apart from these the vast majority of the material is personal love songs. The memorable line "This is not goodbye/It's just farewell for a while" comes directly from a phone conversation between Bob and Eve shortly before they got married; a good indication of how close the songs were to Long's reality.
One of the album's assets is the strong consistence it displays, due partly to the distinctive sound created by the home studio, but also from a deliberate effort to create a concept album, with songs selected to function both as single pieces and as part of a greater whole. While each listener will come out with a different experience, certain keywords keep recurring when the album is discussed; such as "warmth", "atmosphere", "purity". Comparisons to the sparse, nocturnal moods of the third Velvet Underground LP have been made by more than one listener, no doubt prompted by a similarity in instrumentation as well as a certain resemblance in the male/female vocal styles. As is often the case, this was a coincidence rather than a case of inspiration, and when asked recently Bob Long confessed never even having heard the VU album: "… Off the top of my head the most influential musical folks at the time we made the recording were; The Beatles, Moody Blues, George Gershwin, Woody Guthrie, Carlos Jobim, Hank Williams, Sergio Mendez, Crosby Stills & Nash, America -- pretty well pop stuff at the time. I'm not sure I can peg another group or album that we sounded like, the attempt was to create something truly original."
After a master was cut in Dallas in mid-1971, 200 copies were pressed by a custom operation, a small run even for a vanity pressing, where 500 is the usual minimum. Furthermore, an actual printed sleeve exceeded the Virgin Insanity budget, and the band opted for rubber-stamping their monicker and album title manually onto the plain cardboard sleeves, making each copy unique. Sales were confined to friends and family, although Bob Long managed to get scattered local radio stations in Texas interested, no mean feat under the circumstances. Nevertheless, the 200 copies took some time to sell out.
Following the "Illusions" album, the band soon went into another recording venture, the "Toad Frog & Fish Friends" project which was recorded the same way and by the same personnel as the LP. Unlike "Illusions", this was a collection of songs with no overall aesthetic concept, nevertheless the sound is similar and likely to delight fans of the earlier album. Again, some tracks reach back to the late 1960s, and a title such as "Poor Boy" was inspired by the Civil Rights Movement. The disenchanting encounters with the LA music business is reflected in several songs, while "She Ain't Nothing Like I Dreamed" shows a clear Dylan influence. The range of emotional expression is impressive, from the raw teenage anger of "In The Eyes" through the jazzy sophistication of Eve-sung numbers such as "Love Is" into the almost-commercial mid-60s folkrock nostalgia of "Clifton T", about Bob Long's memories of his maternal grandfather.
However, the slow sales of "Illusions" caused Bob Long to hold back the manufacture of this second album, and in the interim the original band - never more than a studio outfit - dissolved. The "Toad" album never reached the vinyl stage, but most of the tracks can be found on this CD, available for the first time ever. A few months later there was a brief reunion of the band, as the Long couple joined guitarist Wayne Lamar Boggs III for a nervous performance at the NSU student union building in Denton, where Boggs attended college. Apart from a few earlier gigs at parties and small clubs in Dallas, this coffeehouse booking was the only live performance of Virgin Insanity.
Still interested in breaking into the music business, Bob and Eve Long moved briefly to Nashville before ending up in Austin, which was rapidly emerging as a new musical hotspot. During 1972 the couple, now billed as "Bob & Eve" performed regularly at various Austin clubs as well as the first Kerrville Folk Festival. This active spell did not yield permanent success, and towards the end of the year the couple had drifted apart. Bob Long embarked on a solo project, "The Odometer Suite", which was a concept work about the life of an itinerant country & western singer, in a musical style far from the Virgin Insanity recordings. With typical productivity, Bob composed and recorded ten songs, two of which ("Take Your Time" and the surprising "Hallelujah") can be found on this CD. Like "Toad Frog & Fish Friends" the "Odometer Suite" did not progress beyond home demo recordings. After completing his third project in less than two years, Bob put his musical ambitions aside to return to college and pursue other interests. Virgin Insanity and the "Illusions Of The Maintenance Man" was a thing of the past, and apart from the value it held for those involved and their friends and family, was unlikely ever to be heard of again.
This situation remained for a decade and a half, until Virgin Insanity's name began popping up among curious musicologists during the early days of rediscovering unknown albums from the 1960s-1970s. After a few copies had been uncovered in Texas flea markets and purchased from band members, one copy was put up on auction by noted New York record dealer Paul Major in 1988, who described it as "Great garage hippie folk… sparse & warm human feel, mesmerizing in a way like the third Velvet Underground LP…obscure late night magic in the most basement sounding way". This trend-setting exposure coupled with the album's unique qualities began a cult appreciation that grew slowly but steadily over the years, until the demand was such that the album, once barely sellable at $3, traded hands for upwards $1000, while requests for a reissue grew impatient. And here they are once more, arguably one of the most talented bands to emerge from Texas in the early 1970s, certainly one of the most unique.
Touch the Sky
Virgin Insanity Lyrics
We have lyrics for 'Touch the Sky' by these artists:
50 Cent Man I run this rap shit Get your hands up high,…
50 Cent (Curtis) Man I run this rap shit Get your hands up high,…
50 CENT (Feat. Tony Yayo) Man I run this rap shit Get your hands up high,…
50 Cent/Tony Yayo Man I run this rap shit Get your hands up high,…
A Touch Of Class I'm dreaming about you I'm thinking about your smile When …
AI 振り返れば誰かが いつも支えてくれてた 一緒ならまた乗り越えていける 信じて進む One more time! Touc…
Alex Mandel "Touch The Sky" When the cold wind's a a-calling And the sk…
Among the Breakers What if I told you You were made for more Than these…
Anime-Project I fly around into the blue, I touch the sky There…
Arwen While the life (is in my) voice, in our hands We're…
ATC I'm dreaming about you I'm thinking about your smile When …
Avantinova You got me dreaming of you, call me dreamer Send me…
Avril Lavigne Used to carry this big old world on my shoulders and…
Avril Lavigne & Stephen Medd Used to carry this big old world on my shoulders and…
BALLISTIK BOYZ from EXILE TRIBE Yeah yeah you're ready now BBZ Let's go Let's go いつだって keep…
Black Pumas Take me down off your pedestal I've got a name, I've…
C.J. Luckey Yeah, I know it's complicated we're falling out I said I wan…
California Baptist University Choir And Orchestra The fear of the Lord Is the beginning of wisdom Life, hope,…
Cam'ron Killa Niggas try to show me and make history Arab You try…
Cartouche Uh ah, we'll touch the sky Uh ah, we'll touch the…
Cassper Nyovest I just want to do God's will And He's allowed me…
Cedric Gervais You get me so high I touch the sky It's been…
Collie Buddz Ft. Sean Paul Blazin' dem itinually Sean Paul 'longside Ammo the gyal dem …
D-night Ket Ket I can't quit thinking bout money Got me a bank…
D.J. Chill House Yeah, I know it's complicated we're falling out I said I wan…
Dallas Austin You get me so high I touch the sky It's been…
Dan Talevski Baby I'm so alive every time you look at me And…
Daniel Jang What fortune lies beyond the stars Those dazzling heights to…
Danju I'm livin' right, Mama I'm way up, I can touch the…
Davis Well I been a rambling I been a rambling man I went…
DJ Ammo Blazin' dem itinually Sean Paul 'longside Ammo the gyal dem …
DJ Fletch And Kanye I gotta testify Come up in the spot lookin' extra fly 'Fore…
Dog Detachment The sky will let our image fall away and fall in…
E. J. Gold Yeah, I know it's complicated we're falling out I said I wan…
EXILE Feat. Bach Logic Yeah yeah you're ready now BBZ Let's go Let's go いつだって keep…
Fireflight Let me love, let me love, love them for You. May…
Fowlis Julie When the cold wind is a-calling And the sky is clear…
Franco Woke up to embrace this jah morning The weather is nice…
French Montana John Legend & Rick Ross Fresh out the gate We gon' flood 'em You know what it…
Future (Southside on the track, yeah) Yeah Got the 'Rari outside, g…
G.Brown Just just just touch the sky And don't give up till…
Generdyn You and me we've been fast asleep Walking back and fort…
Girls Generation & Super Junior Oh baby Touch the sky 더 높이 날아와 한번만 날 위해 니마음 모두…
HAN-KUN TOUCH THE SKY... YO MASSIVE!! TOUCH THE SKY... OH YEAH!! TOU…
Hardcore Superstar Someting a grow ina me pillow When we fall asleep We don…
Hill Song United What fortune lies beyond the stars Those dazzling heights t…
Hillsong United What fortune lies beyond the stars Those dazzling heights to…
Hostyle Gospel Big Job: Yeah, somebody testify, can I fly in the…
IT-PROJECT I fly around into the blue, I touch the sky There…
J.I. Yeah, I know it's complicated we're falling out I said I wan…
Jay and Neo / Rbi 모두 다 들어봐 내 노래 'Cause난 노래를 부르는 래퍼 비보이 From…
Jay Park YEAH~! Jay Park, UH It's The Quiett In a new record AOM UH …
Jay Park (박재범) 모두 다 들어봐 내 노래 'Cause난 노래를 부르는 래퍼 비보이 From…
Jay Park(박재범) YEAH~! Jay Park, UH It's The Quiett In a new record AOM UH …
JR & PH7 HUH Come On …
Julian Lennon Hold your heart within your hands Cope with what your life…
Julie Fowlis When the cold wind is a-calling And the sky is clear…
Kanye West I gotta testify Come up in the spot lookin' extra fly 'Fore…
Kanye West (feat. Chris Martin) I gotta testify Come up in the spot lookin' extra fly Fore…
Kanye West (Feat. Lupe Fiasco) I gotta testify Come up in the spot lookin' extra fly 'Fore…
Kanye West Feat. Jadakiss Styles P & Sheek I gotta testify, come up in the spot looking extra…
Kanye West Feat. Jadakiss Styles P. Sheek Louch & J-Hood I gotta testify Come up in the spot lookin' extra fly 'Fore…
Kanye West Ft The XX I gotta testify, come up in the spot looking extra…
Kanye West Lupe Fiasco I gotta testify Come up in the spot lookin' extra fly 'Fore…
Kanye West w/Lupe Fiasco I gotta testify Come up in the spot lookin' extra fly Fore…
Kanye West [feat. Lupe Fiasco] I gotta testify Come up in the spot lookin' extra fly 'Fore…
Kanye West(카니예 웨스트) I gotta testify Come up in the spot lookin' extra fly Fore…
Kanye West/Toasty Digital I gotta testify Come up in the spot lookin' extra fly 'Fore…
Kids R Us Band Ventos frios me chamando Vejo o céu azul brilhar As montanha…
Kings and Comrades *** Kuharus pergi tinggalkan dirimu Jangan kau tanyakan diri…
Kirko Bangz [Chorus:] I hold my head up just enough to see the…
KL!P Light is only young But I feel it on my face It's…
Lo-Tek What fortune lies beyond the stars? Those dazzling heights t…
Lupe Fiasco I gotta testify Come up in the spot lookin' extra fly 'Fore…
Malinda Kathleen Reese When the cold wind is a calling And the sky is…
Manowar Thunder touched my soul I heard a call all should know It'…
Meduza A perpetual fire Reign of passion, my heart is in flames A…
MGMT Justice & Kanye West I gotta testify Come up in the spot lookin' extra fly 'Fore…
N-Kore You and me touch the sky And I don't wanna go…
Never Dull You and I we touch the sky Way way way up…
Nine Lies Touch the Sky - Nine Lies - (Endemic) Everybody’s looking f…
Notnice Every day mi pray dawg, every day me pray fi…
Ollane Let’s don’t talk about my soul I just really want to…
Ollane Miyagi Let′s don't talk about my soul I just really want to…
One-2 (Choir intro) Up, pour one up, light it up up up Goin…
P.R.O.G. I gotta testify Come up in the spot lookin' extra fly Fore…
Patrick Doyle When the cold wind is a'calling And the sky is clear…
Roger Taylor And when you smile, honey it's a cinch I'd crawl for…
Sackcloth Fashion Surreal images yet to manifest Anywhere other than my subcon…
Sean Paul Blazin' dem itinually Sean Paul 'longside Ammo the gyal dem …
Sean Paul ( By @Millerpauta) (ECRD.COM) I came to celebrate, to get it loud, with my…
Sean Paul Feat. DJ Ammo Blazin' dem itinually Sean Paul 'longside Ammo the gyal dem …
Sean Paul… I came to celebrate, to get it loud, with my…
SERGE LEGRAN I wanna run, wanna reach for the night I wanna put…
Socialburn I don't know How long it takes All I know is that…
SoMo Girl I’m not a shy guy but you got me feeling…
Stand Up Stacy I think I'd lose Myself to you Insanity, my little prince Wh…
Stanka Touch The Sky Touch The Sky Touch The Sky Touch…
StarBe Pernah ku rasa sunyinya kesepian Hanya diriku yang bisa rasa…
Stereotide Fly, you make me wanna fly You lift me up so…
Syreen Hey, you give me hope when I... When I see…
Taylor Gasy Aaaah aaaah aaaah aaaaah aaaah aaaah aaaah aah aaah aah I…
The D.C. Show Ket Ket I can't quit thinking bout money Got me a bank…
The Katinas What fortune lies beyond the stars Those dazzling heights to…
The Young Dubliners Eyes of a child Simple and wild Where did you go? I see…
Title I just want to touch the sky, and i just…
toasty digital Back when they thought pink Polos Would hurt the Roc Before …
Tony Yayo/50 Cent Man I run this rap shit Get your hands up high,…
Touch The Sky 온 밑바닥에서 마침내 Touch the Sky 쫓기던 가난에서 마침내 I'll…
Tough Rhymes I gotta testify Come up in the spot lookin' extra fly Fore…
Trouble Love let`s just start from here Reach as far as we…
U.K. Projekt Push that whip I make it fly, yeah Said we finna…
usain bolt & vybz kartel True mi fuck dem wife dem wah mi guh jail Tell…
Various Artists When the cold wind's a a-calling And the sky is clear…
Virtuoz Oooh piponpi J'ai quitté le bendo Pour te suivre Oh God Chui…
Vomito Negro I take a look into the future, and what I…
w-inds. Let's get it on the floor 始まった Friday night なんだか Feelin' dow…
West Kanye & Fiasco Lupe I gotta testify Come up in the spot lookin' extra fly 'Fore…
Wonderwall Where's the smile gone That made me smiling too? Where's t…
WTM Milt Rafa checking in Rose did this one I got to touch the…
WWW.UNITED-FORUMS.CO.UK What fortune lies beyond the stars Those dazzling heights to…
X-Duxt I am so sick I got Dr Syk Ha ha Sure bouy Real life She…
Yngwie J. Malmsteen's Rising Force Can you remember all the times We were rehearsing all the…
Yngwie Malmsteen Can you remember all the times We were rehearsing all the…
Young Dubliners Eyes of a child Simple and wild Where did you go? I see…
Yung Prince I know you going threw a lot but keep ya…
Zeebra 俺が Z.a.k.a.Daddy 今日もヤバメなライムで メイクマニー今日も Baby GirlがフェイクI. D.持っ…
王绎龙 Touch The Sky…
박재범 모두 다 들어봐 내 노래 'Cause난 노래를 부르는 래퍼 비보이 From…
박재범(Jay Park) YEAH~! Jay Park, UH It's The Quiett In a new record AOM UH …
소녀시대 Oh baby Touch the sky 더 높이 날아와 한번만 날 위해 니마음 모두…
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@sammyenn
thank you for the upload. from an original??