Virginia Coalition is a band that has made its reputation with the blazing … Read Full Bio ↴Virginia Coalition is a band that has made its reputation with the blazing energy of its live shows and ability to play almost any style of music. They've blended their diverse influences into a sound all their own with a maturity and attention to detail that shines on every track.
The band's core members - Andy Poliakoff, lead vocals, guitar; Paul Ottinger, keyboards, percussion, guitar, vocals and Jarrett Nicolay, bass, guitar, banjo, vocals – have always delighted fans with their ability to confound expectations. On previous albums, their songs often featured arrangements that veered off in unanticipated directions moving from funk to rock, from go go to soul. “It'‟s good being eclectic,” says Poliakoff, the band's main lyricist and frequent spokesperson. “It keeps you on your toes musically, and it's fun, but we wanted to get back to some serious songwriting. In the past few years, we were writing for the live shows, endless groove things that are far from what we wrote when we were starting out. We wanted to get back to that original creative impulse and focus on our songwriting.”
The band ventured cross country to California and got to work, challenging themselves to find a more emotionally intense means of expression. “There's a value to the time you put into a project,” Poliakoff explains. “We didn‟t allow ourselves to be satisfied with the first, or even third version of a song. We're getting older, and we wanted more than bombast. We wanted to look outside ourselves and find something more reflective, more truthful, more universal, to open a new chapter in the band‟s songwriting history.” For the first time, they collaborated with other songwriters, including Brooklyn folk-rocker Ari Hest, New Orleans-based bluesman Anders Osborne, Maia Sharp who wrote “A Home” for the Dixie Chicks, and the album‟s Producer, Marshall Altman (Marc Broussard, Matt Nathanson).
“Marshall is a phenomenal musician,” Poliakoff says. “His ability to tweak the arrangements and get us deeper into the music and our emotions was outstanding. He was there the whole time, pushing us to do better.” Ottinger adds his praise: “He‟s a strong songwriter and arranger. Every time you'd pick up a guitar and sing, he'd get down to every hook, every chord, every lyric. "Is that a strong emotion?" "Is that what you really want to say?" He helped us blend all our influences into a voice that‟s new, but still reflects our past.”
The songs on Home This Year showcase the band‟s remarkable growth as both musicians and songwriters. The title track is a tale of the loneliness and yearning that haunts the road. “Being on the road away from your family and friends for a long period can be tangibly painful," sites Poliakoff, "'Home This Year' embodies that sentiment and how singing about it can help make you feel closer to home." “Sing Along,” written with Altman, is an uplifting, anthemic song, on which Poliakoff delivers one of his most soulful vocals, both tender and passionate. It is also the first tune they've ever cut with a string section. “It was written with a conscious desire to connect with the audience,” Poliakoff explains. “We play music, but we're not different from our audience. We don‟t want people to idolize us, we want to get people to have a sense of togetherness.”
Long-time Virginia Coalition fans may be surprised by the group's evolution from "spontaneous anything goes" band to introspective, soul-searching songwriters, but it's a change the band welcomes. “We've known each other for 15 years now, and while the music is still getting better, we don't want to keep writing the same song over and over,” Poliakoff states firmly. “I'm proud to be part of a group of three friends who have gone from the basement and garage to maturity and making music that speaks from the heart. It's a struggle to make a great album, but we welcomed the opportunity to reinvent ourselves while staying true to the core of what we do.”
Virginia Coalition started building a buzz in their hometown of Alexandria, Virginia in the late '90s, releasing their first album, The Colors of the Sound, in 1998. But the three principals are life long friends who have known each other since high school, and in the case of Ottinger and Nicolay, since junior high. Ottinger wanted to be in a band since he was five years old, when his mother let him paint his face like Paul Stanley of Kiss and play air guitar with a tennis racket. Poliakoff had a guitar-playing cousin, who inspired him in the 4th grade. When he was 14, his mother was struck with cancer and eventually died; music and singing provided him with an emotional release. Nicolay's father played classical guitar. Although he was intimidated, he‟d sneak away from the family and pick out melodies on his own.
Their 2008 album "Home This Year" was critically well received, including a four-and-a-half star rating from AllMusic. They have not released new music since 2008, but as of 2018 are still actively touring, especially in the Washington DC area.
The band's core members - Andy Poliakoff, lead vocals, guitar; Paul Ottinger, keyboards, percussion, guitar, vocals and Jarrett Nicolay, bass, guitar, banjo, vocals – have always delighted fans with their ability to confound expectations. On previous albums, their songs often featured arrangements that veered off in unanticipated directions moving from funk to rock, from go go to soul. “It'‟s good being eclectic,” says Poliakoff, the band's main lyricist and frequent spokesperson. “It keeps you on your toes musically, and it's fun, but we wanted to get back to some serious songwriting. In the past few years, we were writing for the live shows, endless groove things that are far from what we wrote when we were starting out. We wanted to get back to that original creative impulse and focus on our songwriting.”
The band ventured cross country to California and got to work, challenging themselves to find a more emotionally intense means of expression. “There's a value to the time you put into a project,” Poliakoff explains. “We didn‟t allow ourselves to be satisfied with the first, or even third version of a song. We're getting older, and we wanted more than bombast. We wanted to look outside ourselves and find something more reflective, more truthful, more universal, to open a new chapter in the band‟s songwriting history.” For the first time, they collaborated with other songwriters, including Brooklyn folk-rocker Ari Hest, New Orleans-based bluesman Anders Osborne, Maia Sharp who wrote “A Home” for the Dixie Chicks, and the album‟s Producer, Marshall Altman (Marc Broussard, Matt Nathanson).
“Marshall is a phenomenal musician,” Poliakoff says. “His ability to tweak the arrangements and get us deeper into the music and our emotions was outstanding. He was there the whole time, pushing us to do better.” Ottinger adds his praise: “He‟s a strong songwriter and arranger. Every time you'd pick up a guitar and sing, he'd get down to every hook, every chord, every lyric. "Is that a strong emotion?" "Is that what you really want to say?" He helped us blend all our influences into a voice that‟s new, but still reflects our past.”
The songs on Home This Year showcase the band‟s remarkable growth as both musicians and songwriters. The title track is a tale of the loneliness and yearning that haunts the road. “Being on the road away from your family and friends for a long period can be tangibly painful," sites Poliakoff, "'Home This Year' embodies that sentiment and how singing about it can help make you feel closer to home." “Sing Along,” written with Altman, is an uplifting, anthemic song, on which Poliakoff delivers one of his most soulful vocals, both tender and passionate. It is also the first tune they've ever cut with a string section. “It was written with a conscious desire to connect with the audience,” Poliakoff explains. “We play music, but we're not different from our audience. We don‟t want people to idolize us, we want to get people to have a sense of togetherness.”
Long-time Virginia Coalition fans may be surprised by the group's evolution from "spontaneous anything goes" band to introspective, soul-searching songwriters, but it's a change the band welcomes. “We've known each other for 15 years now, and while the music is still getting better, we don't want to keep writing the same song over and over,” Poliakoff states firmly. “I'm proud to be part of a group of three friends who have gone from the basement and garage to maturity and making music that speaks from the heart. It's a struggle to make a great album, but we welcomed the opportunity to reinvent ourselves while staying true to the core of what we do.”
Virginia Coalition started building a buzz in their hometown of Alexandria, Virginia in the late '90s, releasing their first album, The Colors of the Sound, in 1998. But the three principals are life long friends who have known each other since high school, and in the case of Ottinger and Nicolay, since junior high. Ottinger wanted to be in a band since he was five years old, when his mother let him paint his face like Paul Stanley of Kiss and play air guitar with a tennis racket. Poliakoff had a guitar-playing cousin, who inspired him in the 4th grade. When he was 14, his mother was struck with cancer and eventually died; music and singing provided him with an emotional release. Nicolay's father played classical guitar. Although he was intimidated, he‟d sneak away from the family and pick out melodies on his own.
Their 2008 album "Home This Year" was critically well received, including a four-and-a-half star rating from AllMusic. They have not released new music since 2008, but as of 2018 are still actively touring, especially in the Washington DC area.
Hurricane Song
Virginia Coalition Lyrics
Caught the sound of a distant word
On the pale white wings of a frigate bird
Had to listen, couldn't save it all for later
It was the salt in the ocean and the stars on the equator
Yeah, yeah, yeah
Yeah, yeah, yeah
If it's the salt in the ocean, it's the sugar cane
It's all of that, I knew I loved you before I knew your name
I get the notion it's a summer rain
It seems like everything's burning in that sugar cane
So this is me
I'll be no one else
Think that I believe that I was wrong, it's all gone
Well that's you, you got yourself
Believe me when I tell you
There's nothing wrong
There's nothing wrong with the sound you been needing all along
Stomped her feet and knocked the paint off the wall
Righteous gospel choir in a meeting hall
You had to listen so you know they let us in
Hurricane island through all that hurricane wind
Yeah, yeah, yeah
They were sayin' "Why don't you stay with the natives?
Sunburned and restless they'll take you in
They're as warm as a sunlight that's rolling in
On hurricane island through all that hurricane wind."
So this is me
I'll be no one else
Think that I believe that I was wrong, it's all gone
Well that's you, you got yourself
Believe me when I tell you
There's nothing wrong
There's nothing wrong with the sound you been needing all along
Stowed away on a ship in the spring, slept all night on a rope thin
They cut a pathway through the Saragasso Sea
It was everything and nothing
It was everything to me
Here we go...
On the pale white wings of a frigate bird
Had to listen, couldn't save it all for later
It was the salt in the ocean and the stars on the equator
Yeah, yeah, yeah
Yeah, yeah, yeah
If it's the salt in the ocean, it's the sugar cane
It's all of that, I knew I loved you before I knew your name
I get the notion it's a summer rain
So this is me
I'll be no one else
Think that I believe that I was wrong, it's all gone
Well that's you, you got yourself
Believe me when I tell you
There's nothing wrong
There's nothing wrong with the sound you been needing all along
Stomped her feet and knocked the paint off the wall
Righteous gospel choir in a meeting hall
You had to listen so you know they let us in
Hurricane island through all that hurricane wind
Yeah, yeah, yeah
They were sayin' "Why don't you stay with the natives?
Sunburned and restless they'll take you in
They're as warm as a sunlight that's rolling in
On hurricane island through all that hurricane wind."
So this is me
I'll be no one else
Think that I believe that I was wrong, it's all gone
Well that's you, you got yourself
Believe me when I tell you
There's nothing wrong
There's nothing wrong with the sound you been needing all along
Stowed away on a ship in the spring, slept all night on a rope thin
They cut a pathway through the Saragasso Sea
It was everything and nothing
It was everything to me
Here we go...
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found