He was born at Kingston's Victoria Jubilee Hospital, and was one of six children. Originally from Waterhouse, Kingston, he was raised in the Waterford district in the community Portmore, Jamaica. Adidja attended Calabar High School in Kingston but was expelled as a teenager. Determined to continue his education, he completed his studies at a tutorial technical school.
He was exposed to a wide variety of music from a tender age by two uncles who were themselves aspiring musicians. Every weekend he was treated to new musical offerings, on his uncle's old component set, ranging from Sam Cooke to country and western ballads to Ninja Man, who became one of his musical heroes.
At 10 his favorites included artists as diverse as Ninja Man, Papa San, Charlie Chaplin, Will Smith and KRS-1, all of whose lyrics he would study word-for-word, performing them later for friends.
He decided he wanted to be a deejay and began writing his own lyrics when he was 11. Eager to flaunt his skills, Adidja and his friends frequented the weekly Gong Talent Show at the Coney Amusement Park on the outskirts of Kingston. To their chagrin, they were always gonged off when they got a chance to perform.
Undeterred by his weekly failure to impress the talent show audience, Adidja decided to hone his skills and concentrate on winning over his own community of Waterford until he was ready for bigger things. With that goal in mind, on weekends he would practise on neighborhood sound systems Soul Signal and Electric Force.
In 1993, Adidja recorded his first single, "Love Fat Woman," for Alvin Reid's One Heart Label under the name Adi Banton, a name he chose in tribute to a role model, Buju Banton. He recorded several more tracks for local producers, perfecting his craft.
In 1996 he and two friends, Mr. Lee and a singer called Escobar, decided to form a group. One night, after watching a movie about Pablo Escobar and his infamous cartel, Adidja came up with a name for his trio: Vibes Cartel.
Vybz Kartel's new role as Killer's protege caught the attention of the public and led to a meteoric career rise, first as a ghost-writer for Bounty, Elephant Man and other members of the Scare Dem Crew, followed by collaborations with Bounty Killer, such as "Gal Clown" and "Girls Like Mine (Liquid Riddim)."
He came into his own with early hits like "Gun Clown," "Guns Like Mine (Trafalga Riddim)," "Badman (Panty Raid Riddim)," "Bus Mi Gun Like Nuttn," "Most High (Mexican Riddim)" and "War Organizer (Clappas Riddim)." He also had a string of successful collaborations with Wayne Marshall, including "New Millennium (Mad Antz Riddim)," "Why (Krazy Riddim)" and "Why Again (Good To Go Riddim)." This unprecedented debut led to Vybz Kartel being crowned 2002 Deejay of the Year at Stone Love's 30th anniversary, a feat unmatched by any new artist in dancehall.
Kartel has--aside from incredible rhymes and subtle, clever pop culture references--a unique lyrical flow all his own. It is to be noted that Kartel rarely does dance "chunes" along the lines of Elephant man or Beenie Man. Nevertheless, he has already had several high-profile collaborations with international hip-hop and pop stars, and is being touted as the next big thing in dancehall.
In terms of singles sold, he has had the second-best year on the 2003 reggae charts, outsold only by Elephant Man, and has released two albums this year for UK label Greensleeves. He was featured twice on the Def Jamaica project, and nominated for Source, VIBE and UK MOBO awards. His MOBO nominations, along with those of Beenie Man, Elephant Man and Sizzla, were subsequently withdrawn over concerns of homophobia, a common issue with dancehall reggae in general.
His video for "New Millennium/Why," with Wayne Marshall, though decidedly low-budget, has seen play on MTV. His underground following is so large that a bootleg version of, in his own words, "a very, very low budget film" made in 2001 has begun circulating. He has two albums, several mixtapes and a prolific library of singles.
In 2005, Vybz and Bountkiller fell out after Vybz preformed a song with Di Angel, Beenie's former girl, "Yuh Know Yuh Baby Father." Vybz walked out of the Alliance. Aidonia also left, because he took Vybz side, falling out with Busy Signal and making the song "Adid A Mi Daddy Who Wa Vex Wan Vex." It was said Vybz took side with Beenie by showing up at his wedding. Vybz said Beenie was his artist and would not and that's as far as it went. Afterwards, he and Movado which led to throwing of words through songs like "Movado di Failla," "Them Start War and Dead" and "Them a Pu@#* Pon di Battle." But this mis happas only made Mr.Palmer express his war side.
Vybz is the head of the territorial gangland in Portmore known as the Gaza and Mavado is the same for the Gully. Due to their feud a physical war arose between people in the two areas. Fans loyal to each artist have taken part as well. Their fan base in the youths has been seen, as entire schools claiming to be Gully or Gaza supporters have been known not just in Jamaica but in other Caribbean countries such as Trinidad to break out into physical war resulting in stabbings and street fights.
Following the 2009 Summit of the Americas the Jamaican government called a meetings between Vybz Kartel and Mavado calling on them to end the war. Since its conclusion both artists have turned away from war songs and focused on different topics, Kartel on women and Mavado on uplifting the people, although both still make songs of all types.
Following differences with record label Greensleeves, Vybz Kartel changed his name to Addi Di Teacha near the end of 2006. All new material he produces will be released under this name. Greensleeves will continue to release his older, unreleased material under the name Vybz Kartel.
He now owns the label Portmore Empire, founded in 2007, on which releases new deejays' music. To clear up why this was done he had an interview with Antony Miller. "If I had join Moffia House, I would be taking side which I said I would not do," he said.
He owns a rum called STREET VYBZ as well as a condom line called DAGGERING.
Recently, he collaborated with artists like D.I. aka Daniel and Di Angel--Beenie man's former wife. But that's another story...
In 2011 Kartel has recently come under fire for bleaching his skin, something that is frowned upon in Jamaican culture and even Kartel spoken against it in past songs. He has come under even more fire for his rumored involvement in devil worship with a satanic group known as the Illuminati, which is known to have other popular musicains such as Jay-Z, Kanye West, Rihanna.
Bruk Out
Vybz Kartel Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Cuh u ah hypnotize, alphatize eh
Shake up ya body, gotta jiggle deh body body.
Ya body pussy property,
dutty phatty dutty dutty wine
Dutty body check it, knock it cock it,
Dutty dutty wine
No Tappy.
Shake up ya body, gotta jiggle deh body body.
Ya body pussy property,
dutty phatty dutty dutty wine
Dutty check it, knock it cock it,
Dutty dutty dutty wine
U leave nah pilla chill upin & so me sey...
eh!
Wine for me baby, Bruk out Bruk out!
Yuh pussy nuh fuck out
Tell a gal fi suck out, so fuck who yuh want fuck
Do ya deep throat,
Because ah your pussy, nob on ya beer mouth.
Gal wine in a tripple, lemme see ya body jiggle
From di Prawls yuh have fi jiggle.
Let me push inna yuh middle
Let me feel ya breast a liddle
And me nibble just a liddle
Yeh. Toss up on a niddle
Fore me squiggle when yuh giggle
Booty, Tuff like Mo' jocky
When me feel ya body hotty
When meh top like a bakkle
From yuh wicked slide Body
Do ya finally cock-it-jocky
Yes, put it up a nockle
Cuh yah pussy, make meh rich
An' eat big dopple ah nuh trouble
eh!
Mi Cocky deh lovey and.
Your pussy mi love to feel,
Meh hers hafta hurry
Ive gat deh curry curry meal.
We make yuh sweat Blood,
An' make Jamaica get muddy.
Bury! Dan-30 pon big man party
And me and yah tell di toggle
Meh no little Pa-pa doggy
So before meh sucky sucky
Meh never fuck a doggy(Baby)
If me have fi talk,
When yuh feelin cropple cropple
Cuz ah big shoppy Just ah Di ready di fi deh Lobby.
eh!
The lyrics to Vybz Kartel's song "Bruk Out" are sexually explicit and encourage the female listener to shake and jiggle their body in a suggestive manner. The first verse mentions the importance of advertising one's sexuality through dance and warns against being hypnotized by anyone who may try to control it. The chorus continues to encourage the female listener to "wine" or move their body in a suggestive manner while claiming ownership of their sexuality. The second verse includes explicit sexual language and is directed towards a specific sexual partner, with references to oral sex and physical contact.
The lyrics demonstrate a cultural context of dancehall music, which often features explicit sexual content and encourages physical movement as a form of expression of sexuality. The song also highlights the power dynamics within sexual relationships, with the female listener being encouraged to take ownership of their sexuality while the male partner takes on a dominant role.
Line by Line Meaning
The Pussy deh fi advertise,(what)
He's referring to the female genitalia and how it is prominently displayed and advertised by ladies.
Cuh u ah hypnotize, alphatize eh
He's admiring the way a woman is able to hypnotize him with her movements and how he's completely under her spell.
Shake up ya body, gotta jiggle deh body body.
He's telling the ladies to shake their bodies and jiggle so that they can show off their physical attributes.
Ya body pussy property,
He's implying that a woman's body, especially her genitalia, is her most valuable asset.
Dutty phatty dutty dutty wine
He's using this line to describe the way a woman moves her body in a provocative manner.
Dutty body check it, knock it cock it,
He's instructing the ladies to check out their own bodies, admire them and then flaunt them.
U leave nah pilla chill upin & so me sey
He's saying that you should leave your inhibitions behind and just enjoy the moment.
Wine for me baby, Bruk out Bruk out!
He's asking the ladies to dance and 'bruk out', which means to loosen up and have a good time.
Yuh pussy nuh fuck out
He's saying that a woman's vagina is so good that it never gets tired.
Tell a gal fi suck out, so fuck who yuh want fuck
He's suggesting that women should be free to have sexual relationships with whoever they want.
Do ya deep throat,
This is a sexual reference to women performing oral sex on men.
Because ah your pussy, nob on ya beer mouth.
This line means that a woman's genitalia is so great that it can make a man stop drinking beer and pay attention to her.
Gal wine in a tripple, lemme see ya body jiggle
He's asking women to dance in groups and show off their bodies while doing so.
From di Prawls yuh have fi jiggle.
This line talks about a dance move called 'the Prawls' that the women should be doing while dancing.
Let me push inna yuh middle
This is a sexual reference to having sexual intercourse.
Let me feel ya breast a liddle
He wants to feel and touch the woman's breasts.
And me nibble just a liddle
He wants to nibble on the woman's body in a sexual manner.
Toss up on a niddle
This is a metaphor for sexual intercourse on a bed.
Fore me squiggle when yuh giggle
He's saying that he loves when the women laugh and giggle, and it makes him feel aroused and excited.
Booty, Tuff like Mo' jocky
This line refers to a woman's buttocks, comparing it to a horse jockey.
When me feel ya body hotty
He loves the sensation of touching a woman's hot body.
When meh top like a bakkle
This line refers to sexual position and having sexual intercourse.
From yuh wicked slide Body
He likes the way a woman moves her body in a seductive manner.
Do ya finally cock-it-jocky
This is a metaphor for achieving sexual satisfaction.
Yes, put it up a nockle
This line refers to the man reaching climax during sex.
Cuh yah pussy, make meh rich
He believes that having sex with a successful woman will bring him wealth and prosperity.
An' eat big dopple ah nuh trouble
This line references a Jamaican dish called 'dopple', which he's comparing to sexual activities and satisfaction.
Mi Cocky deh lovey and.
This line refers to his penis and how it loves to have sex.
Your pussy mi love to feel,
He enjoys having sex with women and loves the feeling of their genitalia.
Meh hers hafta hurry
He's saying that he doesn't want to waste any time getting to the climax during sexual activities.
Ive gat deh curry curry meal.
This line is less clear, but he's likely referencing sexual activities here too.
We make yuh sweat Blood,
He wants the sexual activities to be intense and exciting for the woman.
An' make Jamaica get muddy.
This is another unclear line, but he's likely saying that the sex is so good that it's causing chaos and excitement in Jamaica.
Bury! Dan-30 pon big man party
He's likely saying that he wants to have sex at a party with a big group of people.
And me and yah tell di toggle
This line likely means that he wants to have sex with women and share stories about it with his male friends.
Meh no little Pa-pa doggy
He's saying that he's not a small or weak person, but rather someone who is confident and capable.
So before meh sucky sucky
He's saying that he doesn't want to perform oral sex on a woman until he's had sex with her.
Meh never fuck a doggy(Baby)
He's saying that he's never had sex with a woman who hasn't been fully engaged or active in the sexual encounter.
When yuh feelin cropple cropple
He's saying that he likes when women feel vulnerable or weak during sex.
Cuz ah big shoppy Just ah Di ready di fi deh Lobby.
This is another unclear line, but he's likely talking about his own sexual prowess and how he's always ready for sex anytime, anywhere.
Writer(s): Lynford Marshall, Sly Dunbar, Stephen Mcgregor, Collin W. York, Adidja Palmer Copyright: Warner Chappell Music Canada Ltd., Emi Music Publishing Ltd., Chase Mountain Music Inc., Bulbyyork Music, Ixat Music Inc., Jack Russell Music, Warner-tamerlane Publishing Corp.
Contributed by Cole O. Suggest a correction in the comments below.
Bubak Janneh
on Life We Living
life we living so hard
Bubak Janneh
on Ghetto Youth
some body send me this nonsese