Trout’s backstory is a page-turner you won’t want to put down. Five decades in the making; it is equal parts thriller, romance, suspense and horror. There are musical fireworks, critical acclaim and fists-aloft triumph, offset by wilderness years and brushes with the jaws of narcotic oblivion. There are feted early stints as gunslinger in bands from John Mayall’s Bluesbreakers to Canned Heat, and the solo career that’s still blazing a quarter-century later. The veteran bluesman has seen and done it all, with just one omission: he’s never made a covers album, until now. “Luther Allison’s Blues is my first,” Trout notes. “I’ve thought about doing this album for years. It was just time.”
Of all the peaks in Trout’s trajectory, his abiding memory of the late Chicago bluesman is perhaps the most literal. It’s 1986, and high above Lake Geneva, at the palatial Alpine chalet of late Montreux Jazz Festival Svengali Claude Nobs, lunch is being served. “So we’re up at the top of the Alps,” Trout recalls, “in this big room with John Mayall, Buddy Guy, Junior Wells, Robert Cray, Otis Rush, and as we’re eating, Dr. John is serenading us on acoustic piano. I was sat there with Luther Allison, and we had a great talk.
“Luther was one of the all-time greats,” Trout continues, “and it was just an unbelievably potent thing to watch him perform. Just the energy and commitment that guy had, he was one of a kind. We played together once, at the Jazz Fest that year, and just as we walked offstage, somebody pointed a camera and we hugged and smiled. And that photo is on the cover of the CD.”When he died [in 1997], the idea of this album was planted in my brain.
Released June 10, 2013 on Provogue Records, this latest collection was bottled at Hollywood’s Entourage Studios alongside producer Eric Corne: the same combination that birthed 2012’s acclaimed solo release, Blues For The Modern Daze. The atmosphere, remembers Trout, was one of spit, grit and seat-of-the-pants energy: “Spontaneity is so important with this sort of music. Everybody was saying, ‘Well, aren’t you gonna get together and rehearse?’, but you don’t want to over-analyse or get too sterile. This album was all pretty much first or second takes. It’s gotta have warts on it. It’s gotta have a bit of grease in it.”
None of which should imply Luther Allison’s Blues was a throwaway project. “At times, it was, like, have I taken on too much here?” admits Trout. “Like, am I actually capable of doing justice to this? To me, Cherry Red Wine is one of the all-time greatest blues songs ever written, and Luther’s original version is so unbelievably passionate and emotional that even to sing it was a daunting task. If I had my way with this album, it would reignite interest in the man and his work, make people go back and check out the originals.”
Trout knows all about the life-shaping power of a great record. Rewind to the mid-Sixties, and he was put on his path by an older brother with a habit of blasting the family home in New Jersey with seminal blues-rock platters from Paul Butterfield’s 1965 debut to John Mayall’s seismic Bluesbreakers with Eric Clapton. “He brought home John Mayall, and told me, ‘You gotta hear this guy!’” reflects the 62-year-old guitarist, who was soon inspired to buy his first Gibson Les Paul while on a day trip to Philadelphia. “I have fond memories of all those records. I still listen to them.”
Local bands never got the breaks, and in 1973, Trout made the death-or-glory move to LA, where he slept on couches and scrabbled for work. “I came out here and it was a overwhelming thing,” he says, “because I didn’t know anybody. I just started going around to clubs where there were bands playing and asked if I could sit in. My first gig, I was stand-up lead singer in a country band, singing Merle Haggard tunes. And with my third paycheque, I went and bought that Strat that’s still on the cover of all my CDs.”
In a city of Hicksville hopefuls, Trout’s ferocious talent on lead guitar and gift-of-the-gab soon marked him out. “I went to a party and that’s where I met Jesse Ed Davis, who was the first really famous guy I played with,” he remembers, of the sideman era that also saw him work alongside Big Mama Thornton, Lowell Fulson and Joe Tex. “I just weasled my way into his band, and I was with Jessie for two years.
By 1981, Trout had switched to West Coast boogie-blues titans Canned Heat for a period he diplomatically recalls as “turbulent”, but even this gig was topped three years later by a fantastical phone call from John Mayall, dangling the revered guitar slot in his iconic Bluesbreakers outfit. “As far as being a blues-guitar sideman, that gig is the pinnacle,” states Trout. “That’s Mount Everest. You could play with B.B. King or Buddy Guy, but you’re just gonna play chords all night. This guy features you. You get to play solos. He yells your name after every song, brings you to the front of the stage, and lets you sing. He creates a place for you in the world. Where do you go from there…?”
Trout would answer that question in emphatic style on March 6, 1989. As guitarist, his tenure had brought thrilling flammability to the Breakers’ sound and produced stone-cold classics including One Life To Live, but as the newly sober guitarist played a lavish show at a Gothenburg symphony hall on his 38th birthday, he sensed the hand of destiny. “To walk away from the Bluesbreakers,” he admits, “a lot of people thought was completely crazy, because I could have stayed with John as long as I wanted. I mean, John to this day is like a dad to me. He was behind me when I was all screwed up, kept me in the band, believed in me, and gave me the opportunity to progress and grow up in a certain way. So that was a huge decision, and it was scary, but I had to do it, because I knew I had more, y’know?”
Quarter of a century later, what seemed like career suicide has been vindicated by a thrilling catalogue of 22 solo albums, a still-growing army of fans and accolades including a nod as “the world’s greatest rock guitarist” in legendary DJ Bob Harris’s autobiography The Whispering Years, and a #6 placing on BBC Radio One’s countdown of the Top 20 Guitarists of All Time. Meanwhile, Trout’s most recent original album, Blues For The Modern Daze, was heralded by titles like Classic Rock Blues as perhaps his finest to date. “I feel like with Modern Daze,” he nods, “I found the style I’ve been searching for over 20 albums. It’s working, it comes out good, and I can play it well.”
A lesser artist might rest on such laurels. As Walter Trout powers into his 25th year as a solo star, there’s no whiff of the ennui or creative autopilot that hobbles the later output of most veterans. On the contrary, there’s a sense of growing momentum, perhaps even of a little surprise. “It’s hard to believe I’m still alive, to be honest,” he smiles. “I should have been dead by 30, with the life I was leading. But I still have a career, and at 62, I’m still climbing the ladder, which keeps it exciting, instead of trying to rekindle past glories. I feel like I play with more fire than when I was 25. I’m still reaching, y’know…?”
Walter Trout Battles Liver Disease - Update
Great News
July 19, 2014
Great news: Yesterday, we managed to get the financial aspects handled and Walter was immediately transferred to the state-of-the-art Rehabilitation Center here in Omaha, NE. It is on a hospital campus, so in case he needs it, the hospital services are available to him. However, their focus is to work on strengthening and rehabilitating exclusively! So Walter will be working with occupational and physical therapists all day, and will be able to progress more efficiently.
As we were waiting for the financial aspects of the transfer to come together, Walter got up and took a walk with me. He boogied down the hospital hall faster than he has been able to walk previously. He has a new leg brace that is helping correct some temporary issues with his right foot. I could barely keep up as I clung, at times almost horizontally, to his gate belt while he sprinted past supply carts and rounding doctors! Then he actually ate half of an ice cream sandwich! Both very encouraging events! Other than that he is continuing the tube feeding at the rehabilitation center. But the ability and willingness to actually put food in his mouth…. Awesome!
Thank you to all of you who continue to support us and surround us with your positive energy and love. We really feel it! And it makes a big difference.
I have Skyped and been on the phone with our sons, and they are doing well at home. The neighbors hear them…. I have confirmation of that too, as they are in the garage practicing, jamming, and playing music to their heart’s content from early to late…. Thank you patient, awesome neighbors!!! If all continues to go well, I may even be able to get home to them next week for a little while to partake in the festivities…. We’ll see.
The ebb and flow of life continues to pulsate through our lives. The rollercoaster ride continues. The intensity of the ups and downs is mind-altering! Literally! And I find that as I move through it all, pain and fear are not as scary as my fear of them. I think of the emotions as colors. Is there a bad color? No just different ones that all contribute to the rainbow of potentiality of experience. The trick for me is to keep moving through them and not get stuck. Writing here helps, as do your comments and love, and my morning walks. All of it helps me gain perspective to keep moving and seeing clearly.
As I was contemplating this analogy of emotions being like colors and the importance of moving through them and not get stuck, the universe provided me a beautiful synchronistic affirmation. On my morning walk, I altered my route slightly from my normal one. Suddenly, I saw people in work-out attire coming towards me, one more colorful than the other. When I got close enough, I saw that they were all going to attend the “The Color Run”. A 5K run here in Omaha that celebrates “healthiness, happiness, and individuality.”
Yesterday another affirmation: I had just finished writing about emotional lock-down in my journal, and I got up feeling I had moved through it, and I found a key to the front door that I had missed for a long time. It was hidden in my glasses case in the cloths I use to clean my lenses. Seeing clearly and wiping off my lenses of interpretation unlocks emotions to just be what they are: colors of the emotional rainbow.
The trek continues. We keep moving. And Walter is exactly where he needs to be now. What joy!
Marie
Open Book
Walter Trout Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I'm an open book
I know you read the story
But you need to take another look
The cold may be fading
And worn with age
Go ahead and open it baby
Just turn the page
But there is more that meets the eye
You got to read between the lines
Let me tell you why
There's always hidden meaning
And said the metaphor
Than have to read it one more time
If is first ya ain't too sure
Sometimes it's a comedy
Sometimes it's a tragedy
Sometimes I feel like
It's more than I want to see
Take another look, baby
Ooh yeah
I get tired trying
To find the words to say
Sometimes I want to close the cover
And put the book away
And leave it there forever
Sitting on the shelf
Sometimes that seems easier
Than try to face myself
It ain't the same old story
And what do you think you know
I hide inside these pages
I got nowhere else to go
Take another look baby
To read it one more time baby
See how far you get
We don't know the ending
It ain't been written yet
There is allegory
And symbolism too
It means something different to everybody
What does it means to you?
Take another look now baby
Take another look baby
Take another look now baby
Take a look now baby
Take another look baby
The lyrics of the song “Open Book” by Walter Trout encourage the listener to take a closer look at his story, which is presented as an open book. The singer acknowledges that there may be some familiarity with the story, but he believes there is more to it than meets the eye. The song suggests that there is often hidden meaning and metaphors in life's experiences that require a closer inspection to understand. The singer tells the listener that it may be necessary to read between the lines to find the real meaning.
The second verse of the song suggests that the story can be confusing or even upsetting at times. The singer admits that he struggles to find the right words to express his thoughts and feelings. Every time he reads his story, he finds new meanings, and that can be tiring. However, he encourages the listener to keep reading and take another look. The song suggests that understanding one's story is a journey rather than a destination, as the ending has not been written yet. In conclusion, the song encourages the listener to take a closer look at their lives, read between the lines, and find deeper meaning.
Line by Line Meaning
Here I am baby
The artist is introducing himself to his audience
I'm an open book
The artist is letting his audience know that he is transparent and honest in his artistic expression
I know you read the story
The audience has an idea of who he is and what he stands for
But you need to take another look
However, they don't know him to the fullest extent and need to delve deeper into his work
The cold may be fading
The negative emotions or experiences that the artist has written about are becoming less prominent in his life
And worn with age
However, those experiences have aged him and had a lasting impact on him
Go ahead and open it baby
The artist wants his audience to delve deeper into his art and understand him better
Just turn the page
The audience needs to keep an open mind and be willing to learn more about him
You may think you know the story
The audience may believe they have a grasp on his life experiences and emotions
But there is more that meets the eye
However, there is more depth and complexity to his experiences than what is readily apparent
You got to read between the lines
The audience needs to glean meaning beyond the surface level of the artist's work
Let me tell you why
The artist proceeds to explain the importance of finding meaning and depth in his work
There's always hidden meaning
The artist uses allegory and symbolism as a means of subtly conveying deeper emotions and experiences
And said the metaphor
He does so by using metaphors in his work
Than have to read it one more time
The audience may need to reread his work to truly understand it
If is first ya ain't too sure
The audience may not fully grasp the meaning on their first read-through
Sometimes it's a comedy
The artist's work can have lighter moments and a positive outlook
Sometimes it's a tragedy
However, it can also be dark and emotional
Sometimes I feel like
The artist experiences a range of emotions when creating his work
It's more than I want to see
Creating art can be emotionally taxing for the artist
Take another look, baby
Despite the potential heaviness of his work, the artist urges his audience to examine it further
Ooh yeah
An exclamation of encouragement and enthusiasm
I get tired trying
The artist can become fatigued when working on his art
To find the words to say
He may struggle to fully translate his emotions and experiences into words and art
Sometimes I want to close the cover
At times, the artist can become overwhelmed and want to stop creating
And put the book away
He takes a break from his art
And leave it there forever
The idea of abandoning his art completely can become tempting
Sitting on the shelf
His art remains untouched and unexplored
Sometimes that seems easier
It can seem easier to avoid the emotional toll of creating art by not creating at all
Than try to face myself
Creating art can force the artist to confront difficult emotions and aspects of his identity
It ain't the same old story
The artist's work is unique and meaningful to him
And what do you think you know
The audience's understanding of the artist's work may not be complete
I hide inside these pages
The artist uses his art to express himself and his experiences
I got nowhere else to go
Creating art is an outlet for the artist to express himself
To read it one more time baby
Rereading the artist's work can reveal deeper meaning
See how far you get
The audience is encouraged to explore every aspect of the artist's work
We don't know the ending
The artist's experiences and emotions are ongoing and evolving
It ain't been written yet
The artist's story is constantly being created and updated by his life experiences
There is allegory
The artist's work often involves symbolic representation of his experiences
And symbolism too
Symbolism is a key element of the artist's work
It means something different to everybody
Different people may interpret the artist's work in different ways
What does it means to you?
The audience is asked to consider the personal significance of the artist's work in their own lives
Take a look now baby
The artist urges the audience to consider his work more deeply and meaningfully
Take another look now baby
The artist encourages the audience to revisit his work and find deeper meaning
Take another look baby
The artist wants his audience to find true depth and significance in his work
Contributed by Elizabeth P. Suggest a correction in the comments below.
A.J
excelente canción, me gustaría saber cuales son tus favoritas, si esta es una joya no me imagino las demas, saludos
Diyatom Deb
what a great song!!
Red wing
Awesome Song !
michalsternalski.blogspot.com
This song touch my soul...
The Fabs
Great song
tkey2tone
try Chordify it will get ya started