Warren William Zevon (January 24, 1947 - September 7, 2003) was an American… Read Full Bio ↴Warren William Zevon (January 24, 1947 - September 7, 2003) was an American rock singer-songwriter and musician noted for including his unique and sometimes sardonic opinions of life in his musical lyrics, composing songs that were sometimes humorous and often had political or historical themes.

Zevon's work has often been praised by well-known musicians, including Jackson Browne, Bruce Springsteen, Bob Dylan, and Neil Young. His best-known compositions include "Werewolves of London", "Lawyers, Guns and Money", "Roland the Headless Thompson Gunner" and "Johnny Strikes Up The Band," all of which are featured on his third album, Excitable Boy (1978). Other well-known songs written by Zevon have been recorded by other artists, including "Poor Poor Pitiful Me" (a top 40 hit by Linda Ronstadt), "Accidentally Like a Martyr," "Mohammed's Radio", "Carmelita", and "Hasten Down the Wind".

Along with his own compositions, Zevon recorded or performed occasional covers, including Bob Dylan's "Knockin' on Heaven's Door" and Leonard Cohen's "First We Take Manhattan". He was a frequent guest on Late Night with David Letterman and the Late Show with David Letterman. Letterman later performed guest vocals on "Hit Somebody! (The Hockey Song)" with Paul Shaffer and members of the CBS Orchestra.

He was born to a Russian Jewish father and a Mormon mother and soon moved to California. At the age of 12/13, Warren Zevon was a regular visitor to the home of Igor Stravinsky where he, along with Robert Craft, would study music.

He turned to a musical career early, including a stretch as part of a Sonny and Cher-type male/female duo called Lyme and Cybelle, and spent time as a session musician (notably as piano player for the Everly Brothers) and jingle composer. He wrote several songs for his White Whale label-mates the Turtles, though his participation in their recording is unknown. Another early composition ("She Quit Me") was included in the soundtrack for Midnight Cowboy, released in 1969. His first attempt at a solo album, Wanted Dead or Alive (1969), did not fare well, and his second effort, Leaf in the Wind, was scrapped (though release was considered just prior to his death). In the early 70s he toured regularly with the Everly Brothers as keyboard player and band leader/musical coordinator. His dissatisfaction with his career and the opportunities for a song-writer led him to move to Spain briefly, where he played in a small bar owned by a former mercenary. Together, they penned Zevon's classic "Roland the Headless Thompson Gunner."

In the mid-70s he moved to Los Angeles, and became associated with the then-burgeoning West coast music scene, including collaborations with Jackson Browne, who would produce and promote Zevon's self-titled major-label debut in 1976, The Eagles, who appeared on that first album, and Linda Ronstadt, who would record several early Zevon songs including a hit version of "Poor Poor Pitiful Me". Zevon's first tour in 1977 included guest appearances in the middle of Jackson Browne concerts.

In 1978 Zevon released his breakthrough album, Excitable Boy, to critical acclaim and popular success. Several tracks from this album received heavy FM airplay and the single release "Werewolves of London", which featured a relatively lighthearted version of Zevon's signature macabre outlook, was a top-ten hit.

For the next 20 years Zevon would continue to record and release albums sporadically and with varying levels of success, while fighting personal demons including an acknowledged battle with alcoholism and drugs. (His fourth album, Bad Luck Streak in Dancing School is dedicated to novelist Ross Macdonald, who crucially assisted Zevon during a particularly difficult episode in 1979.) Apparently success did not treat Zevon well, as evidenced by his movements (living on Philadelphia's Rittenhouse Square, etc.), well-documented stints in rehab, and withdrawal from the spotlight. After the release of The Envoy in 1982, Zevon effectively quit his career as a full-time occupation, appearing rarely and usually solo, without a band. He also collaborated with several members of R.E.M. to record as the Hindu Love Gods in 1990, though initial collaboration occurred during his "lost period" in 1984.

In 1987 Zevon made a comeback with a modest hit album Sentimental Hygiene, which featured collaborations with Neil Young, Bob Dylan, and members of R.E.M., among others including long-time collaborators Jorge Calderone and Waddy Wachtel. The follow-up album, Transverse City in 1989 also featured guests, including Jerry Garcia and David Gilmour. The tradition of collaborations with more famous musical talents was consistent throughout his career, from the appearance of Jackson Browne and The Eagles on his first album, to Bruce Springsteen on his last.

Zevon toured the US regularly during the 90s, often alone, with minimal accompaniment. He did conduct a tour with Odds, a band from Vancouver, Canada. Many tours started in Colorado to allow Warren an opportunity to visit with his long-time friend, Hunter S. Thompson. Warren was close to several prominent writers who also collaborated on song-writing, including Carl Hiassen. He also served as musical coordinator for an ad-hoc group called the Rock Bottom Remainders, a collection of writers performing rock and roll standards at book fairs and other events. This group included Stephen King, Dave Barry, and other popular writers.

In interviews, Zevon described a lifelong phobia of doctors and seldom received medical assessment. In 2002, after a long period of untreated illness and pain, Zevon was encouraged by his dentist to see a doctor; when he did so he was diagnosed with inoperable mesothelioma (a form of lung cancer associated with exposure to asbestos rather than smoking). He then began recording his final album, The Wind, with guest appearances from close friends including Bruce Springsteen, Don Henley, Timothy B. Schmit, Joe Walsh, David Lindley, Billy Bob Thornton, Emmylou Harris, Tom Petty and others.

On October 30, 2002, Zevon was featured on the Late Show with David Letterman as the only guest for the entire hour. Zevon performed several songs and spoke at length about his illness. Zevon was a frequent guest and occasional substitute bandleader on Letterman's television shows since Late Night first aired in 1982. It was this show where Zevon offered his insight on facing death: "enjoy every sandwich."

Zevon previously stated that his illness was expected to be terminal within months after the diagnosis in the Fall of 2002; however he lived to see the birth of twin grandsons in June of 2003 and the release of The Wind on August 28, 2003. When his diagnosis became public, he told the media that he just hoped to live long enough to see the next James Bond movie, a goal he also accomplished. Appropriately, the film was called Die Another Day.

Zevon died at his home in Los Angeles, California, on September 7, 2003. The Wind was certified gold by the RIAA in December of 2003 and Zevon received 5 posthumous Grammy nominations, including Song Of The Year for "Keep Me In Your Heart".

A tribute album titled Enjoy Every Sandwich: Songs of Warren Zevon was released October 19, 2004. His son, Jordan Zevon, did a large part of the work on the album and performed "Studebaker," a previously unreleased composition. A second tribute album, titled Hurry Home Early: the Songs of Warren Zevon (the lyrics "hurry home early" are from the song "Boom Boom Mancini," on Sentimental Hygiene) was released by Wampus Multimedia on July 8, 2005.

On February 14, 2006, VH1 Classic premiered a video from a new compilation, "Reconsider Me: The Love Songs of Warren Zevon." The video, titled "She's Too Good For Me," aired every hour on the hour throughout the day. The video was not well received among many of Zevon's fans, as evidenced by their responses on the official Bulletin Board.

Reconsider Me
Warren Zevon Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

If you're all alone
And you need someone
Call me up
And I'll come running
Reconsider me
Reconsider me

If it's still the past

That makes you doubt
Darlin', that was then
And this is now

Reconsider me
Reconsider me
And I'll never make you sad again
'Cause I swear that I've changed since then
And I promise that I'll never make you cry

Let's let bygones
Be forgotten
Reconsider me
Reconsider me
You can go and be
What you want to be
And it'll be alright

If we disagree
I'm the one who cares
And I hope you'll see
That I'm the one who loves you
Reconsider me

Let's let bygones
Be forgotten
Reconsider me
Reconsider me
And I'll never make you sad again
'Cause I swear that I've changed since then

And I'll never make you sorry if you'll try
And I'll never make you sad again

'Cause I swear that I've changed since then
And I promise that I'll never make you cry

Overall Meaning

In Warren Zevon's song Reconsider Me, the singer is reaching out to a former lover who seems hesitant to give their relationship another chance. The lyrics express the singer's willingness to do what it takes to make things work, to change and be better. He asks for her to reconsider him, to give him a second chance, even if the past has made her doubt him. The singer suggests that they put their past troubles behind them and move forward, leaving the bad memories in the past.

The tone of the song is one of remorse and regret, but also of hope. The singer is aware of his mistakes and is pleading for forgiveness, promising to be better and make their love work. The repeated plea to "reconsider me" is a desperate one, but also one that holds onto the hope that love can be rekindled and that the two can find happiness together.

Overall, the song is a poignant and emotional plea for a second chance. It speaks to the human experience of making mistakes and wanting to make amends, of seeking forgiveness and hoping for redemption.

Line by Line Meaning

If you're all alone
If you feel lonely

And you need someone
If you want someone to be with you

Call me up
Contact me

And I'll come running
And I'll hurry to you

Reconsider me
Think about me again

If it's still the past
If you're still affected by what happened before

That makes you doubt
Which makes you uncertain

Darlin', that was then
My dear, that's in the past

And this is now
And we're in the present

Let's let bygones
Let's forget the past

Be forgotten
And move on