Revolver
Wayne [Feat. Madonna] Lyrics

My love's a revolver, volver, volver, volver
The singer compares their love to a revolver, repeating the Spanish word for 'return' to emphasize the cyclical and repetitive nature of their passion.

Oops, I guess I shot ya
The singer acknowledges having hurt someone, but seems indifferent or casual about their violent behavior.

My finger's on the trigger
The singer is ready and willing to use their weaponized love.

I had a bullet with your name on it, click click
The artist had a specific target in mind, and the 'click click' sound suggests a sense of anticipation, foreplay or danger.

I'm a sex pistol
The artist identifies as a dangerous and arousing figure, conflating sex and violence.

My love should be illegal
The singer suggests that their love is so powerful, seductive or harmful that it should be banned or criminalized.

Real deal baby, I'm no counterfeit, click click
The singer claims to be authentic and original, with a genuine passion for their chosen partner or weapon.

Line 'em up, knock 'em down
The artist uses violent language to describe their romantic conquests, treating people as disposable targets rather than human beings.

If looks could kill, they will
The artist is suggesting that they have a lethal, hypnotic or seductive gaze that can harm or control others.

My body's fully loaded
The artist implies that they are ready to engage in sexual or violent acts at any moment.

And I got more ammo
The singer suggests that they have a well-stocked arsenal, either of sexual or emotional tricks, or of actual weapons.

You're an accessory to murder 'cause
The artist is accusing their partner of being complicit in their violent, harmful or illegal behavior.

My love's a revolver, My sex is a killer
The singer continues to equate love and sex with weapons and death, blurring the distinctions between pleasure and pain, consent and coercion.

Do you wanna die happy?
The singer provocatively challenges their partner to embrace the dangers and thrills of their relationship, despite the risks and consequences.

I let it bang, bang
The singer signals their intention to engage in violent or sexual acts, using explosive or rhythmic language as a form of foreplay or intimidation.

You've been hit by a smooth criminal
The artist alludes to the Michael Jackson song and video, implying that they are a charming and skillful seducer or manipulator, but also that they are capable of causing harm or committing crimes.

A bad girl, I got you cryin' to your mama
The artist boasts of being a rebellious or deviant figure, who can make their partner weep or regret their actions.

Sayin' 'I can't believe it'
The singer revels in their ability to surprise, shock or confuse their partner, enjoying the sense of power and control they have over them.

I've seen your type, bring a knife into a gun fight
The singer dismisses their partner as weak, foolish or misguided, suggesting that they are not prepared to face the singer's dangerous and reckless personality.

Caught up in the law right, I think I'm in love, I
The artist implies that they have a conflicted relationship with authority, rules or norms, but also that they have strong feelings of attraction or affection for their partner.

Mirror mirror on the wall, Who's the baddest of them all?
The artist challenges their partner, and perhaps themselves, to prove their worth or dominance by engaging in risky or violent behavior.

Bang, the shooter name is Wayne, The victim didn't complain
The artist reveals their name and suggests that they have killed or hurt someone before, but that their victim did not resist or object.

She just screamed 'shoot again'
The singer describes their partner as having a masochistic or submissive desire to be dominated or hurt, enjoying the pain or fear of the singer's violent or sexual acts.

I gave her extra rounds, My barrel twist around
The artist boasts of their sexual prowess and stamina, using phallic and violent imagery to describe their arousal and climax.

I am Mr. Shoot 'Em Down, I leave hearts on the ground
The singer adopts a macho, aggressive persona, suggesting that they are a skilled and experienced killer, and that they have broken many hearts in the past.

My love is a weapon, And yes, I use it well
The singer reiterates their belief that love and sex are tools of power and control, but also expresses pride in their ability to handle and manipulate them effectively.

Then I let the rose petals cover up the bullet shells
The singer acknowledges the contradiction or hypocrisy of using violent or aggressive behavior in a romantic context, and tries to soften or beautify the aftermath of their actions.

I never shoot and tell, I only shoot to kill
The artist insists on their discretion and loyalty, but also emphasizes their ruthless and deadly nature, suggesting that they have no qualms about hurting or betraying their partners.

And that vest ain't gonna help ya, Even if it's made of steel
The artist warns their partner that no protection or defense can shield them from the artist's attacks or advances, suggesting that they are invincible or untouchable.

I shoot 'em, bang, bang, I line 'em up and watch them fall
The singer repeats their violent and sexual motifs, using rhythm and repetition to heighten the intensity of their lyrics and to emphasize their disregard for human life or dignity.

Do you want to die happy?
The singer poses a rhetorical, provocative question, toying with the idea of death and pleasure, or suggesting that their partner has a death wish or a desire to be consumed by the singer's violent or sexual presence.

Do you want to die? Yeah
The artist repeats their question, adding a direct and forceful request, perhaps as a way of testing or pushing their partner's limits or boundaries.