There is more than one Wayne Marshall:
1. Wayne Marshall, the reggae art… Read Full Bio ↴There is more than one Wayne Marshall:
1. Wayne Marshall, the reggae artist
2. Wayne Marshall, the British pianist, organist and conductor
1.Wayne Marshallβs story is one of rites of passage. Born Wayne Mitchell, the roller coaster ride that made up his young life is what drives Wayne Marshall the artiste. Early years were spent in the Barbican area of Kingston, until his Father - a self-made successful businessman β relocated the family uptown.
Destiny moved the Mitchell family 3 doors away from the front gate of the Father of digital Dancehall, Lloyd βKing Jammyβ James. The King had sons of young Wayneβs age group, so the Waterhouse studio soon became a pre-ordained second home for the music-loving teenager. βAutomatically we get a piece of the ghetto inna we too,β he tells me from my passenger seat, trying to absorb the fast-fading cool of the A/C in my whip. βWe deh deep inna di ghetto a day time at the studio, so we get to realize the livety and we get fi soak in wid the ghetto people and ketch dem mentality to a level,β he adds, acknowledging the importance of the ghetto education he received at βJamminβsβ studio. Sparring with the big manβs offspring meant that the studio was at their disposal, causing Wayne to βstart checking music on a serious levelβ from an early age. It was early β94 and Bounty Killer was as hot as Hell. Marshall recalls Elephant Man in tear-up clothes, Determine begging. Big artists came and went all day long. βAt King Jammyβs I got to know the ropes in the deep heart of Dancehall - dub plate style!β
Using his pass to the Mecca of Dancehall wisely, Wayne began copying Bounty Killerβs style and pattern at school. βBecause I was at Jammyβs I would always have strictly pre-release Bounty Killer material and done the place! Any new tune that Jammyβs released for Bounty I learnt them straight away and was ready to pop it off anytime anyone asked me at school - all day, every day, 1st verse, 2nd verse, anything you want.β The fruits of that labor are tangible in Wayne Marshall the artist and Wayne Mitchell the acclaimed songwriter. βFrom young I saw the channel of originality I should run through,β enthuses Marshall, forgetting the failing A/C for a moment. βThat desire to be original, to be an artiste, was directly from Bounty Killer. His levels of meditation and the standard he brought the lyrics to made me realize it was something I should be a part of.β Age difference and Bountyβs fearsome rep for being unapproachable kept the two entertainerβs paths apart. For the time being.
Marshallβs abounding self-confidence allows him to freely acknowledge his skillz, and he recognised his own talent for lyical construction as soon as, he started penning soulful lyrics at 14. βFrom I was 7 years old I always dreamed, visioned, of performing in front of huge crowds of people,β smiles Marshall, βuntil I realised I could sing and make the girls dem cry, so I just sang and made the girls dem cry!β
Uptown aspirations dictate that children grow up to become lawyers, doctors and pilots but Marshallβs Mother and Father let his free spirit express, itself. βAs an uptown yoot, you are convinced that you should strive for something your schooling can bring you, not something that your natural talent can bring forth,β he explains. βI look on it as a sin for me to neglect my natural talent and force myself to do something else.β Marshall ainβt tryinβ to imagine what he would be doing if he wasnβt doing music. βNothing else could make me feel happy, only music. I couldnβt work and be happy. When I was young I used to listen to music and sit down and wonder how I used to feel this shit so.β As with most things, it didnβt take Marshall long to work it out: βMusicians feel and hear music differently from people who just listen to music. When you have the vibes to write and create music you feel the real musicians around you easily. Sade - I felt her deeply growing up. We used to get vibes from all different places - Sanchez, Atlantic Starr, Bel Biv Devoe, Baby Face, Beres - all dem cats.β
2.Wayne Marshall (born 13 January 1961, Oldham, Lancashire) is a British pianist, organist and conductor.
Marshall was educated at Chetham's School, Manchester and the Royal College of Music. He is a renowned interpreter of the works of George Gershwin, Leonard Bernstein, Duke Ellington and other twentieth century American composers. He has recorded Gershwin's complete works for piano and orchestra with the Aalborg Symphony, acting as conductor and piano soloist.
He has appeared as a pianist with Kim Criswell, Tasmin Little, Natalie Clein, Ole Edvard Antonsen and Willard White. He has also performed with the Berliner Philharmoniker and Philharmonia Orchestra.
As organist he has appeared in many of the world's top venues. Recent seasons have included recitals at Notre Dame, Paris; the Royal Festival Hall; Symphony Hall, Birmingham and Westminster Abbey. He is also organist in residence at Manchester's Bridgewater Hall. He has also recorded Saint-SaΓ«ns' Organ Symphony.
In October 2004 premiered of James MacMillan's organ concerto A Scotch Bestiary with the Los Angeles Philharmonic Orchestra under Esa-Pekka Salonen.
Source: Wikipedia
1. Wayne Marshall, the reggae art… Read Full Bio ↴There is more than one Wayne Marshall:
1. Wayne Marshall, the reggae artist
2. Wayne Marshall, the British pianist, organist and conductor
1.Wayne Marshallβs story is one of rites of passage. Born Wayne Mitchell, the roller coaster ride that made up his young life is what drives Wayne Marshall the artiste. Early years were spent in the Barbican area of Kingston, until his Father - a self-made successful businessman β relocated the family uptown.
Destiny moved the Mitchell family 3 doors away from the front gate of the Father of digital Dancehall, Lloyd βKing Jammyβ James. The King had sons of young Wayneβs age group, so the Waterhouse studio soon became a pre-ordained second home for the music-loving teenager. βAutomatically we get a piece of the ghetto inna we too,β he tells me from my passenger seat, trying to absorb the fast-fading cool of the A/C in my whip. βWe deh deep inna di ghetto a day time at the studio, so we get to realize the livety and we get fi soak in wid the ghetto people and ketch dem mentality to a level,β he adds, acknowledging the importance of the ghetto education he received at βJamminβsβ studio. Sparring with the big manβs offspring meant that the studio was at their disposal, causing Wayne to βstart checking music on a serious levelβ from an early age. It was early β94 and Bounty Killer was as hot as Hell. Marshall recalls Elephant Man in tear-up clothes, Determine begging. Big artists came and went all day long. βAt King Jammyβs I got to know the ropes in the deep heart of Dancehall - dub plate style!β
Using his pass to the Mecca of Dancehall wisely, Wayne began copying Bounty Killerβs style and pattern at school. βBecause I was at Jammyβs I would always have strictly pre-release Bounty Killer material and done the place! Any new tune that Jammyβs released for Bounty I learnt them straight away and was ready to pop it off anytime anyone asked me at school - all day, every day, 1st verse, 2nd verse, anything you want.β The fruits of that labor are tangible in Wayne Marshall the artist and Wayne Mitchell the acclaimed songwriter. βFrom young I saw the channel of originality I should run through,β enthuses Marshall, forgetting the failing A/C for a moment. βThat desire to be original, to be an artiste, was directly from Bounty Killer. His levels of meditation and the standard he brought the lyrics to made me realize it was something I should be a part of.β Age difference and Bountyβs fearsome rep for being unapproachable kept the two entertainerβs paths apart. For the time being.
Marshallβs abounding self-confidence allows him to freely acknowledge his skillz, and he recognised his own talent for lyical construction as soon as, he started penning soulful lyrics at 14. βFrom I was 7 years old I always dreamed, visioned, of performing in front of huge crowds of people,β smiles Marshall, βuntil I realised I could sing and make the girls dem cry, so I just sang and made the girls dem cry!β
Uptown aspirations dictate that children grow up to become lawyers, doctors and pilots but Marshallβs Mother and Father let his free spirit express, itself. βAs an uptown yoot, you are convinced that you should strive for something your schooling can bring you, not something that your natural talent can bring forth,β he explains. βI look on it as a sin for me to neglect my natural talent and force myself to do something else.β Marshall ainβt tryinβ to imagine what he would be doing if he wasnβt doing music. βNothing else could make me feel happy, only music. I couldnβt work and be happy. When I was young I used to listen to music and sit down and wonder how I used to feel this shit so.β As with most things, it didnβt take Marshall long to work it out: βMusicians feel and hear music differently from people who just listen to music. When you have the vibes to write and create music you feel the real musicians around you easily. Sade - I felt her deeply growing up. We used to get vibes from all different places - Sanchez, Atlantic Starr, Bel Biv Devoe, Baby Face, Beres - all dem cats.β
2.Wayne Marshall (born 13 January 1961, Oldham, Lancashire) is a British pianist, organist and conductor.
Marshall was educated at Chetham's School, Manchester and the Royal College of Music. He is a renowned interpreter of the works of George Gershwin, Leonard Bernstein, Duke Ellington and other twentieth century American composers. He has recorded Gershwin's complete works for piano and orchestra with the Aalborg Symphony, acting as conductor and piano soloist.
He has appeared as a pianist with Kim Criswell, Tasmin Little, Natalie Clein, Ole Edvard Antonsen and Willard White. He has also performed with the Berliner Philharmoniker and Philharmonia Orchestra.
As organist he has appeared in many of the world's top venues. Recent seasons have included recitals at Notre Dame, Paris; the Royal Festival Hall; Symphony Hall, Birmingham and Westminster Abbey. He is also organist in residence at Manchester's Bridgewater Hall. He has also recorded Saint-SaΓ«ns' Organ Symphony.
In October 2004 premiered of James MacMillan's organ concerto A Scotch Bestiary with the Los Angeles Philharmonic Orchestra under Esa-Pekka Salonen.
Source: Wikipedia
I Neva
Wayne Marshall Lyrics
We have lyrics for 'I Neva' by these artists:
Vybz Kartel Why stick around wid yuh? Gamble mi life me lose Yuh never…
We have lyrics for these tracks by Wayne Marshall:
Astronaut Marshal! (yeh diggy) Look pon dem astronaut boy, Weh yuh s…
Champagne Wishes Oh oh oh I, I donβ²t need no one else…
Check Yourself [Intro:] La la la la la la la, la la la…
Do It Tonight [Intro:] Lady (Lady) When you rock your body it drives me…
Fat Infinite [Intro:] Ahhh! So hot, takin it straight to the top Ahhh! …
G Spot Notorious B.I.G. F/ Lil' Kim, Puff Daddy Miscellaneous Not…
ganja Sittin on da fence and I wonder to myself why…
Give Me Strength Just give me help and give me strength 'cause I need nothi…
Go Hard G from you say hard me go hard and done Wid…
Go Hard (feat. Assassin, Aidonia, I-Octane, Bounty Killer, Damian "Jr. Gong" Marley & Vybz Kartel) G from you say hard we go hard and done Wid…
Good Love Woooooo... yeah Heeeeeyyyyeyyyyy Alriiiiiiight Wooooooooo…
Here We Go [Chorus:] Gimmie ah beat mek the marshall flow We sing the…
Hot In Da Club Hot in da club Rock in da club Rock in da club,…
I Know Step up inna the place I got my spliff up in…
Legalize Ganja Sitting on the fence And I wonder to myself Why the govern…
Let's Go See me a seh still baby up to di time Yuh…
Marshall Town [Intro:] Hey hombre, see the Marshall, he's in town better …
My Wife [Intro:] [Cell phone rings] [Wayne M.:] Hello, yeah [Prod…
Need A Girl Tonight (Dawg House Productions) see me a seh, enuh, baby I just…
On the Corner Wo yo, wo yoi, hey Whooooaaa Whoa-oa-oa-oa-oa Yeh-eh-eh-eh-e…
Over There's a saying old says that love is blind Still were…
Overcome [Intro:] True, true... true true, true, true... True true …
Purple Skunk Through true-true-true tie-tie true-true True-true-true-true…
Real Love Na na na na na na na Oh.ohoh Oh.ohoh. Said she wanna feel…
Smoke Intro: BountyKiller: You know it's Warlord and Wayne Marsha…
Taking The Music [Intro:] I hear dem talkin but they don't know me, they…
Telepathic Woooohhhhhyyy ayyy ayyy Wooohhyyy ayyy Wooohhhhh ay ayyy Woo…
Watch Dem Mouth [Intro:] Oh oh (Can't nobody stop me now) Oh oh oh…
Whole World Sittin on da fence And I wonder to myself Why the govermen…
Why Up 2 Di Time You know it's Kartel, Wayne Marshall Ask him W…
Why ? Walking down the road this life is on The narrow path…
Why You Doing It La la la la la la la la la la…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Carlos Smith
Remember when we met eleven months ago?
I thought you were the realest chick I ever known
You jumped in my life and touched my to my soul
To how you played the role, I even put you in my home
I gave you everything, the house and the Range
Shoppin' in Dubai
Trips gone to Spain
I showed you the life, gave you the fame
And then you transformed and everyting changed
What is in the dark, must come to the light
I know who you went out with the other night
Aye
I know you and another man creepin', sleepin' when me gone pon di weekend
You're messin' with my heart, heart, heart
You're messin' with my heart, girl, girl
You're messin' with my heart, heart, heart
You're messin' with my heart, girl, girl
Oh
La la la (You shouldn't do me that, that, that)
Ohhhhhh Oh (Why you do me that? that? that?)
La la la
Ey ey ey
Girl, no bother cry, it nah go make no sense
I know you telling lies, I got the evidence
You told me you were drinking, chilling with some friends
But I found out exactly where you went
What is it I did?
Did I do you wrong?
I thought I was the man, I thought I was the one
Or was I just a game you are playing all along?
Hey...
A right yaso we're done!
You're messin' with my heart, heart, heart
You're messin' with my heart, girl, girl
You're messin' with my heart, heart, heart
You're messin' with my heart, girl, girl
She nuh have no love fi nobody, Marshall hold the faith
From Eve was in the garden, get tricked by the snake
I was at work and heard the news, I wrote this verse on my break
To tell 'bout some girls weh love give blasted headaches
You 'memba cutie Sherry with that boom, sexy, shape?
The one that make my heart drop asleep and couldn't wake
True my Visa is a stake, she left and gone with Jake
(Make she wicked so?!) Say, "she inna higher place"
A true mi hold the faith make you nuh see no yellow tape
Mama cuss me daily say a, "time me did a waste"
She do it behind my back, she do it in front mi face
So, you see, anuh only your heart a ache
You're messin' with my heart, heart, heart
You're messin' with my heart, girl, girl
You're messin' with my heart, heart, heart
You're messin' with my heart, girl, girl
Oh
La la la (You shouldn't do me that, that, that)
Ohhhhhh Oh (Why you do me that? that? that?)
La la la
Ey ey ey
Time has passed, since you've gone
Out my life I'm having fun
No more touch, no more love
I'm so happy now that it's done
All I gave you was the best
And all I got was disrespect
I've moved on with no regrets
Now you're live inna life of stress
You're messin' with my heart, heart, heart
You're messin' with my heart, girl, girl
You're messin' with my heart, heart, heart
You're messin' with my heart, girl, girl
Oh
La la la (You shouldn't do me that, that, that)
Ohhhhhh Oh (Why you do me that? that? that?)
La la la
Ey ey ey
One Don
This song deserves to be at millions of views
ezequiel justavino
2021 and this still in my playlist!!
Chase Morgan
People really slept on this song..smh..this lives in my head rent free for over 10 years...2021, it still hot
lucretia oneill
Literally just remembered this song! Mad how I use to play this on repeat when I was a young one π
Tyson Kuria
2020 still strong and hot than ever
Amin Zamir
Yap yap
Him Same 1ne
2021!
Holly Alexander
2022
AidaπΉ
July 2023 π₯π₯π₯π₯π₯
Sabrina Frith
2022 and still one of the baddest duoβs π€π€π€β€οΈβ€οΈβ€οΈ