There is more than one Wayne Marshall:
1. Wayne Marshall, the reggae art… Read Full Bio ↴There is more than one Wayne Marshall:
1. Wayne Marshall, the reggae artist
2. Wayne Marshall, the British pianist, organist and conductor
1.Wayne Marshall’s story is one of rites of passage. Born Wayne Mitchell, the roller coaster ride that made up his young life is what drives Wayne Marshall the artiste. Early years were spent in the Barbican area of Kingston, until his Father - a self-made successful businessman – relocated the family uptown.
Destiny moved the Mitchell family 3 doors away from the front gate of the Father of digital Dancehall, Lloyd “King Jammy” James. The King had sons of young Wayne’s age group, so the Waterhouse studio soon became a pre-ordained second home for the music-loving teenager. “Automatically we get a piece of the ghetto inna we too,” he tells me from my passenger seat, trying to absorb the fast-fading cool of the A/C in my whip. “We deh deep inna di ghetto a day time at the studio, so we get to realize the livety and we get fi soak in wid the ghetto people and ketch dem mentality to a level,” he adds, acknowledging the importance of the ghetto education he received at ‘Jammin’s’ studio. Sparring with the big man’s offspring meant that the studio was at their disposal, causing Wayne to “start checking music on a serious level” from an early age. It was early ‘94 and Bounty Killer was as hot as Hell. Marshall recalls Elephant Man in tear-up clothes, Determine begging. Big artists came and went all day long. “At King Jammy’s I got to know the ropes in the deep heart of Dancehall - dub plate style!”
Using his pass to the Mecca of Dancehall wisely, Wayne began copying Bounty Killer’s style and pattern at school. “Because I was at Jammy’s I would always have strictly pre-release Bounty Killer material and done the place! Any new tune that Jammy’s released for Bounty I learnt them straight away and was ready to pop it off anytime anyone asked me at school - all day, every day, 1st verse, 2nd verse, anything you want.” The fruits of that labor are tangible in Wayne Marshall the artist and Wayne Mitchell the acclaimed songwriter. “From young I saw the channel of originality I should run through,” enthuses Marshall, forgetting the failing A/C for a moment. “That desire to be original, to be an artiste, was directly from Bounty Killer. His levels of meditation and the standard he brought the lyrics to made me realize it was something I should be a part of.” Age difference and Bounty’s fearsome rep for being unapproachable kept the two entertainer’s paths apart. For the time being.
Marshall’s abounding self-confidence allows him to freely acknowledge his skillz, and he recognised his own talent for lyical construction as soon as, he started penning soulful lyrics at 14. “From I was 7 years old I always dreamed, visioned, of performing in front of huge crowds of people,” smiles Marshall, “until I realised I could sing and make the girls dem cry, so I just sang and made the girls dem cry!”
Uptown aspirations dictate that children grow up to become lawyers, doctors and pilots but Marshall’s Mother and Father let his free spirit express, itself. “As an uptown yoot, you are convinced that you should strive for something your schooling can bring you, not something that your natural talent can bring forth,” he explains. “I look on it as a sin for me to neglect my natural talent and force myself to do something else.” Marshall ain’t tryin’ to imagine what he would be doing if he wasn’t doing music. “Nothing else could make me feel happy, only music. I couldn’t work and be happy. When I was young I used to listen to music and sit down and wonder how I used to feel this shit so.” As with most things, it didn’t take Marshall long to work it out: “Musicians feel and hear music differently from people who just listen to music. When you have the vibes to write and create music you feel the real musicians around you easily. Sade - I felt her deeply growing up. We used to get vibes from all different places - Sanchez, Atlantic Starr, Bel Biv Devoe, Baby Face, Beres - all dem cats.”
2.Wayne Marshall (born 13 January 1961, Oldham, Lancashire) is a British pianist, organist and conductor.
Marshall was educated at Chetham's School, Manchester and the Royal College of Music. He is a renowned interpreter of the works of George Gershwin, Leonard Bernstein, Duke Ellington and other twentieth century American composers. He has recorded Gershwin's complete works for piano and orchestra with the Aalborg Symphony, acting as conductor and piano soloist.
He has appeared as a pianist with Kim Criswell, Tasmin Little, Natalie Clein, Ole Edvard Antonsen and Willard White. He has also performed with the Berliner Philharmoniker and Philharmonia Orchestra.
As organist he has appeared in many of the world's top venues. Recent seasons have included recitals at Notre Dame, Paris; the Royal Festival Hall; Symphony Hall, Birmingham and Westminster Abbey. He is also organist in residence at Manchester's Bridgewater Hall. He has also recorded Saint-Saëns' Organ Symphony.
In October 2004 premiered of James MacMillan's organ concerto A Scotch Bestiary with the Los Angeles Philharmonic Orchestra under Esa-Pekka Salonen.
Source: Wikipedia
1. Wayne Marshall, the reggae art… Read Full Bio ↴There is more than one Wayne Marshall:
1. Wayne Marshall, the reggae artist
2. Wayne Marshall, the British pianist, organist and conductor
1.Wayne Marshall’s story is one of rites of passage. Born Wayne Mitchell, the roller coaster ride that made up his young life is what drives Wayne Marshall the artiste. Early years were spent in the Barbican area of Kingston, until his Father - a self-made successful businessman – relocated the family uptown.
Destiny moved the Mitchell family 3 doors away from the front gate of the Father of digital Dancehall, Lloyd “King Jammy” James. The King had sons of young Wayne’s age group, so the Waterhouse studio soon became a pre-ordained second home for the music-loving teenager. “Automatically we get a piece of the ghetto inna we too,” he tells me from my passenger seat, trying to absorb the fast-fading cool of the A/C in my whip. “We deh deep inna di ghetto a day time at the studio, so we get to realize the livety and we get fi soak in wid the ghetto people and ketch dem mentality to a level,” he adds, acknowledging the importance of the ghetto education he received at ‘Jammin’s’ studio. Sparring with the big man’s offspring meant that the studio was at their disposal, causing Wayne to “start checking music on a serious level” from an early age. It was early ‘94 and Bounty Killer was as hot as Hell. Marshall recalls Elephant Man in tear-up clothes, Determine begging. Big artists came and went all day long. “At King Jammy’s I got to know the ropes in the deep heart of Dancehall - dub plate style!”
Using his pass to the Mecca of Dancehall wisely, Wayne began copying Bounty Killer’s style and pattern at school. “Because I was at Jammy’s I would always have strictly pre-release Bounty Killer material and done the place! Any new tune that Jammy’s released for Bounty I learnt them straight away and was ready to pop it off anytime anyone asked me at school - all day, every day, 1st verse, 2nd verse, anything you want.” The fruits of that labor are tangible in Wayne Marshall the artist and Wayne Mitchell the acclaimed songwriter. “From young I saw the channel of originality I should run through,” enthuses Marshall, forgetting the failing A/C for a moment. “That desire to be original, to be an artiste, was directly from Bounty Killer. His levels of meditation and the standard he brought the lyrics to made me realize it was something I should be a part of.” Age difference and Bounty’s fearsome rep for being unapproachable kept the two entertainer’s paths apart. For the time being.
Marshall’s abounding self-confidence allows him to freely acknowledge his skillz, and he recognised his own talent for lyical construction as soon as, he started penning soulful lyrics at 14. “From I was 7 years old I always dreamed, visioned, of performing in front of huge crowds of people,” smiles Marshall, “until I realised I could sing and make the girls dem cry, so I just sang and made the girls dem cry!”
Uptown aspirations dictate that children grow up to become lawyers, doctors and pilots but Marshall’s Mother and Father let his free spirit express, itself. “As an uptown yoot, you are convinced that you should strive for something your schooling can bring you, not something that your natural talent can bring forth,” he explains. “I look on it as a sin for me to neglect my natural talent and force myself to do something else.” Marshall ain’t tryin’ to imagine what he would be doing if he wasn’t doing music. “Nothing else could make me feel happy, only music. I couldn’t work and be happy. When I was young I used to listen to music and sit down and wonder how I used to feel this shit so.” As with most things, it didn’t take Marshall long to work it out: “Musicians feel and hear music differently from people who just listen to music. When you have the vibes to write and create music you feel the real musicians around you easily. Sade - I felt her deeply growing up. We used to get vibes from all different places - Sanchez, Atlantic Starr, Bel Biv Devoe, Baby Face, Beres - all dem cats.”
2.Wayne Marshall (born 13 January 1961, Oldham, Lancashire) is a British pianist, organist and conductor.
Marshall was educated at Chetham's School, Manchester and the Royal College of Music. He is a renowned interpreter of the works of George Gershwin, Leonard Bernstein, Duke Ellington and other twentieth century American composers. He has recorded Gershwin's complete works for piano and orchestra with the Aalborg Symphony, acting as conductor and piano soloist.
He has appeared as a pianist with Kim Criswell, Tasmin Little, Natalie Clein, Ole Edvard Antonsen and Willard White. He has also performed with the Berliner Philharmoniker and Philharmonia Orchestra.
As organist he has appeared in many of the world's top venues. Recent seasons have included recitals at Notre Dame, Paris; the Royal Festival Hall; Symphony Hall, Birmingham and Westminster Abbey. He is also organist in residence at Manchester's Bridgewater Hall. He has also recorded Saint-Saëns' Organ Symphony.
In October 2004 premiered of James MacMillan's organ concerto A Scotch Bestiary with the Los Angeles Philharmonic Orchestra under Esa-Pekka Salonen.
Source: Wikipedia
Party On
Wayne Marshall Lyrics
We have lyrics for 'Party On' by these artists:
Alexandra Ungureanu feat. Crush I can't control this feeling We're making memories Creating …
Ambush Baby you know what I do with this hammer full…
Biffy Clyro I've had a night on the brew I've had a night…
Blood On The Dance Floor Girls on lock, Make it drop. Hand on glock, Party hard, …
Damien Dempsey Doing E, doing speed, doing cocaine Mix it with alcohol and…
Danger Ranger Darling you look so fine today I've never seen you like…
Dj. Rip Party on a week day Party, party, party on the weekend M…
Djumbo 'T Is bijna zo ver ons feest komt eraan Dit wordt…
Funeral Dress Another lonely night at home Track of time completely gone S…
GMS & Stryker Não vou insistir pra vc ficar, Tento te explicar. Não posso …
J. L. J Let's party 今日はこれから Let's party 何もかまわず Let's party これが終わるなり …
Major Lazer & Jugglerz Ft. Vybz Kartel (Good Good Production) (W'appen if me wan' fi party?) Da-da…
Mistah F.A.B & Snoop Dogg [Hook: Mistah F.A.B.] Hey look I'm only in town for a…
Mumbo-jumbo If you wanna come down, we`re gonna have a black…
N-Son 集合吧动物 转学到High High High school 人生苦短 需要救赎 DJ不限速 你也别太严肃 干嘛等到生日…
Neal McCoy Bring on the girls Break out the wine Fill up the glasses …
Smidge Ah-ah-ah Ah-ah-ah, ah Ah-ah-ah-ah, ah-ah-ah, ah Ah-ah-ah Ah…
Snoop Dogg Mista F.A.B. Party your body Oh pretty lady Come and have a…
The (John) Candy Wayne and Garth are Two of the greatest stars Dana and Mike …
The 27s DISCULPEME SEÑORc, Mándeme las 10 botellas, tráigame su nume…
Vybz Kartel (Good Good Production) (W'appen if me wan' fi party?) Da-da…
XiJaro & Pitch We like lions, tigers, and bears (oh my, oh my), Monkeys,…
Z-Man Yeah, are you ready to this? Party, party, party It's alrigh…
We have lyrics for these tracks by Wayne Marshall:
Astronaut Marshal! (yeh diggy) Look pon dem astronaut boy, Weh yuh s…
Champagne Wishes Oh oh oh I, I don′t need no one else…
Check Yourself [Intro:] La la la la la la la, la la la…
Do It Tonight [Intro:] Lady (Lady) When you rock your body it drives me…
Fat Infinite [Intro:] Ahhh! So hot, takin it straight to the top Ahhh! …
G Spot Notorious B.I.G. F/ Lil' Kim, Puff Daddy Miscellaneous Not…
G. Spot Notorious B.I.G. F/ Lil' Kim, Puff Daddy Miscellaneous Notor…
ganja Sittin on da fence and I wonder to myself why…
Give Me Strength Just give me help and give me strength 'cause I need nothi…
Go Hard G from you say hard me go hard and done Wid…
Go Hard (feat. Assassin, Aidonia, I-Octane, Bounty Killer, Damian "Jr. Gong" Marley & Vybz Kartel) G from you say hard we go hard and done Wid…
Good Love Woooooo... yeah Heeeeeyyyyeyyyyy Alriiiiiiight Wooooooooo…
Here We Go [Chorus:] Gimmie ah beat mek the marshall flow We sing the…
Hot In Da Club Hot in da club Rock in da club Rock in da club,…
I Know Step up inna the place I got my spliff up in…
I Need You Girl (Dawg House Productions) see me a seh, enuh, baby I just…
Legalize Ganja Sitting on the fence And I wonder to myself Why the govern…
Let's Go See me a seh still baby up to di time Yuh…
Marshall Town [Intro:] Hey hombre, see the Marshall, he's in town better …
My Wife [Intro:] [Cell phone rings] [Wayne M.:] Hello, yeah [Prod…
Need A Girl Tonight (Dawg House Productions) see me a seh, enuh, baby I just…
On the Corner Wo yo, wo yoi, hey Whooooaaa Whoa-oa-oa-oa-oa Yeh-eh-eh-eh-e…
Over There's a saying old says that love is blind Still were…
Overcome [Intro:] True, true... true true, true, true... True true …
Purple Skunk Through true-true-true tie-tie true-true True-true-true-true…
Real Love Na na na na na na na Oh.ohoh Oh.ohoh. Said she wanna feel…
Smoke Intro: BountyKiller: You know it's Warlord and Wayne Marsha…
Taking The Music [Intro:] I hear dem talkin but they don't know me, they…
Telepathic Woooohhhhhyyy ayyy ayyy Wooohhyyy ayyy Wooohhhhh ay ayyy Woo…
Watch Dem Mouth [Intro:] Oh oh (Can't nobody stop me now) Oh oh oh…
Whole World Sittin on da fence And I wonder to myself Why the govermen…
Why Up 2 Di Time You know it's Kartel, Wayne Marshall Ask him W…
Why ? Walking down the road this life is on The narrow path…
Why You Doing It La la la la la la la la la la…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found