Silence of the lambs
We Singing Colors Lyrics

There's people talking, people dancing, people running to stand still
The setting is a club where there are people doing various things without any particular purpose or goal.

In the club where I met you the other night
The singer met the subject of the song in this club on another night.

Nobody touches you, nobody dares to ask for a dance
The subject of the song is not approached by anyone in the club due to her appearance or demeanor.

They're just looking at your legs and picture more
People at the club are only interested in the subject's physical appearance and likely to have impure thoughts about her.

I come and ask "Do you have a lighter?" and you're smiling the "Yes" through Your little teeth and tongue and tits and all you do
The artist strikes up a conversation with the subject and she responds positively, with an attractive smile.

"Oh my God, you're so mean 'Cause you're only fifteen"
The singer reveals that the subject is only fifteen years old, and accuses her of being mean for misleading him about her age.

Look at me I'm a pedophile and I got a file on you Please don't call the police they don't know what love is
The singer reveals himself to be a pedophile and implies that what he feels is love, even though it is illegal and immoral.

Don't you worry little girl, 'cause my soul is much more younger than you
The artist implies that he is not much older than the subject in spirit, despite the difference in their ages.

I call you baby, you're no baby you're as grown up as I am
The artist tries to justify his attraction to the subject by seeing her as an adult, despite her young age.

You're a sinner, I'm a saint on Heaven's dance floor
The artist sees himself as morally superior to the subject, who he accuses of being a sinner.

It's been six years since we last spoke and I don't love you at all now
The singer reveals that he and the subject have not talked in six years, and that his feelings towards her have changed.

You've grown into a clubber girl and I'm a church door
The artist highlights the difference between himself and the subject, who has become a club-goer while he has remained tied to the church.

You go to same bar every night hoping to find the right boy
The subject visits the same bar regularly, hoping to find a suitable partner.

Today you see him, but he's a killer, lucky you
The subject sees a potential partner at the club, but the singer reveals that he is a killer, implying that she is fortunate to have avoided him.

Look at him, he's a pedophile and he's got a file on you You'll better call the police he doesn't know what love is
The singer reveals that the potential partner is also a pedophile and urges the subject to call the police for protection, as he believes this person also does not understand love.

You should worry little girl, he will hurt you more than I do
The artist ironically suggests that the other pedophile will likely pose a greater threat to the subject than he himself does.

Look at us we're two pedophiles, but one of us got it right You're the victim and I'm as silent as a lamb
The artist acknowledges that both he and the other pedophile are wrong for being attracted to a minor, but suggests that he is less of a problem for the subject. Despite this, he acknowledges that he is complicit in her victimization, like a lamb being led to the slaughter.