In 2016, he released his first commercial album, Flygod. On March 3, 2017, Griselda Records signed a deal with Eminem's Shady Records, a subsidiary of Interscope, making Westside Gunn and Conway the first rappers from Buffalo to sign with a major label.
Shortly after signing with Shady Records, Westside released Flygod Is Good... All the Time, as a collaborative EP with producer Mr. Green. Since signing with Eminem, Westside Gunn has collaborated with Busta Rhymes, Anderson .Paak, Jadakiss, Pete Rock, DJ Premier, The Alchemist, and MF Doom and has played at Coachella, Firefly and Governors Ball. Ambrosia For Heads named 2018's Supreme Blientele one of the best albums of 2018. He also signed with Roc Nation alongside label mate Benny the Butcher on August 6, 2019, under a management deal.
On April 17, 2020, he released his third studio album, Pray for Paris. The album has features from artists such as Tyler, the Creator, Joey Bada$$ and Freddie Gibbs. The album was well received by critics, with Pitchfork giving it an 8 out of 10. On July 3, 2020, Westside Gunn released his tenth mixtape Flygod Is an Awesome God 2, the sequel to his July 2019 mixtape Flygod Is an Awesome God. The album features guest appearances by Benny the Butcher, as well as frequent collaborators like Keisha Plum, Boldy James, and Daringer. On October 2, 2020, Westside released his Shady Records debut, Who Made the Sunshine. The album was originally scheduled for release on August 28, the second annual Westside Gunn Day — a day in Buffalo commemorated by the mayor in recognition of Gunn's efforts in his hometown. However, it was delayed, out of respect for the death of DJ Shay. The album includes the entire Griselda Records roster and was accompanied with a short documentary following Westside's life before being sent to prison.
LE Djoliba
Westside Gunn Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ayo
Brr (boom, boom, boom, boom, boom, boom, boom, boom
Boom, boom, boom, boom, boom, boom, boom, boom, boom, boom)
Ayo (brr, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom)
Ayo, on the cover of Vogue, just me and my stove (just me and my stove, ah)
Same nigga in the pic, on rest in the hole (on rest in the hole)
Starin' at a George Condo, I can get 'em whole (I can get 'em whole)
Get out of line, I'ma up this pole
(I'ma up this pole, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom)
Cop the 2020 Rolls, I ain't even drove (skrt, I ain't even drove)
Them shits was cheaper in the A, we had to hit the road (we had to hit the road, ah)
The way my fuckin' neck look, they think I sold my soul (they think I sold my soul)
Front row, Virgil Abloh show, this nigga G.O.A.T (this nigga G.O.A.T)
Had a nigga tap dancin' on the blow (tap dancin' on the blow, ah)
(Griselda, Griselda, by Fashion Rebels)
The opening of "LE Djoliba" by Westside Gunn features a repetitive, futuristic sound that sets the tone for the dark and gritty track. The lyrics delve into the successful life of the rapper, as he boasts about being on the cover of Vogue with only his stove as a company. However, he also references his past experiences, acknowledging the danger and violence that came with it. He boasts about purchasing a 2020 Rolls Royce, but adds that he had to hit the road to get a better deal. He talks about his image, and how people misconstrue his wealth and success, thinking that he sold his soul. The song is a tribute to his success but also acknowledges his past and the struggles that made him who he is today.
Line by Line Meaning
Brr (boom, boom, boom, boom, boom, boom, boom, boom)
The song starts with the sound of gunfire, which might refer to the violent nature of street life and the rap genre. Perhaps it is a nod to the artists' street credibility.
Ayo
Westside Gunn calls his audience's attention with a stereotypical street greeting.
Ayo (brr, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom)
Westside Gunn repeats the sound of gunfire to build tension and invigorate his listeners.
Ayo, on the cover of Vogue, just me and my stove (just me and my stove, ah)
Westside Gunn boasts of being so successful that he graced the cover of a globally-recognized fashion magazine with his stove. He revels in the fact that he has made so much money from dealing drugs that he can pose with his cooking appliances on Vogue.
Same nigga in the pic, on rest in the hole (on rest in the hole)
Westside Gunn hints at his dark past, suggesting that he has been incarcerated for criminal activities. He points out that the same man who poses for a Vogue cover with his stove could easily end up in jail, aka 'the hole.'
We never spoke on that, we was talkin' Os (we was talkin' Os, ah)
Westside Gunn clarifies that he and his crew never spoke of prison while they talked about Ounces (Os). It can be used as a double entendre suggesting that they don't snitch but also add to the fact that the artists’ persona as a drug dealer.
Starin' at a George Condo, I can get 'em whole (I can get 'em whole)
Westside Gunn mentions George Condo, a well-known American contemporary visual artist, and transmits that he is wealthy enough to buy a painting of his. He also reveals a willingness to buy the whole house or collection, showing off his wealth and status.
Get out of line, I'ma up this pole (I'ma up this pole, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom)
Westside Gunn warns his enemies to stay in line, or he will retaliate with gunfire. He repeats the sound of gunfire, emphasizing his threat's violent nature.
Cop the 2020 Rolls, I ain't even drove (skrt, I ain't even drove)
Westside Gunn announces that he has purchased a 2020 Rolls Royce, but he hasn't even driven it yet, highlighting his lavish spending habits.
Them shits was cheaper in the A, we had to hit the road (we had to hit the road, ah)
Westside Gunn shares that he had to travel to Atlanta because the vehicles he bought were more affordable over there, indicating his desire to save money despite his wealth.
The way my fuckin' neck look, they think I sold my soul (they think I sold my soul)
Westside Gunn remarks on his eccentric necklace, emphasized by the line's repetition, leading people to question it as selling his soul to the devil, adding to his persona as a mysterious rapper into the occult.
Front row, Virgil Abloh show, this nigga G.O.A.T (this nigga G.O.A.T)
Westside Gunn secures front-row seats in a fashion show by Virgil Abloh, an American designer, entrepreneur and DJ, further cementing his status as a VIP. He also asserts himself as the GOAT or the Greatest of All Time with the repetition.
Had a nigga tap dancin' on the blow (tap dancin' on the blow, ah)
Westside Gunn infers that he made someone perform like a tap dancer after snorting cocaine. Possibly, he shows off how he can make others do whatever he wants or highlight the power he holds over others, adding to his street credibility.
(Griselda, Griselda, by Fashion Rebels)
Westside Gunn concludes with a mention of Griselda and fashion rebels, which may represent his crew and his non-conforming attitude to express his individuality in both rap and fashion.
Lyrics © INGROOVES MUSIC PUBLISHING LLC
Written by: Alvin Lamar Worthy
Lyrics Licensed & Provided by LyricFind
@camerontaylor6242
Artistry, beat selections, eccentric gangster lyrics, flyness of the highest order. Another immaculate masterpiece from Griselda. Without a doubt the best in the game. So happy they’re finally getting the deserved recognition. These man literally carrying hip hop. We thank you 🙏
@lamontwhite2433
Cameron Taylor well said homeboy!
@illdrumatik391
187 forever!
@firiesport8
So on point!
@floziah6022
No better description Cameron
@jaquineali-el1797
Faccccct
@leronellis7709
The tap dance just put this track on a whole nother LEVEL!!!!!!!!!!!!!!!!!!!!!!!!!!
@OmegaBlacc
Bruh. How out of the box was that? Genius level.
@taylorgang221000
Leron Ellis no it didn’t. Nigga coulda gave us another verse or a feature.
@asanch_xvi
@@taylorgang221000 There was no need. The tap dance with the instrumental was so beautiful. Adding anything else to it would've been too much