George Michael and Andrew Ridgeley met at Bushey Meads School in Watford, England. At first, they performed in a short-lived rock and roll band called The Executive. They then changed their name and signed with Innervision Records. Soon after a legal victory over Innervision, the duo was signed to CBS, Columbia Records in the United States and Canada and Epic Records for the rest of the world.
Further information: Artist development deal
Michael took on the majority of roles and responsibilities within the band— composer, singer, producer, and occasional instrumentalist— but the contribution of Ridgeley as the group's image specialist and spokesman was crucial to the band's initial success. Ridgeley convinced a reluctant George that Wham! needed to change their image and sound frequently, from the leather-clad moody singers of "Bad Boys" and "Young Guns (Go For It!)" to the more fashionable pop superstars of "Wake Me Up Before You Go-Go."
Still teenagers, they promoted themselves as hedonistic youngsters, proud to live a carefree life without work or commitment. This was reflected in their earliest singles. Such works as "Wham Rap! (Enjoy What You Do?)" have been seen as sarcasm advocating the other point of view.
The first record to be released by the band was "Wham Rap!". It was a double-A side with a Social Mix and Anti-social Mix. The record was banned for general release in the UK due to the profanity in the Anti-social Mix. In October 1982, their song "Young Guns (Go For It!)" was issued. The song was an appeal from one youthful lad to his friend to not throw his life away so early on marriage. It stalled outside the UK Top 40 but then Wham! got lucky when Top Of The Pops scheduled them. An important weekly BBC chart show on television, it had to look outside the Top 40 to fill a gap created by an act which had pulled out of recording. Nearest to the 40 mark and still climbing, Wham! was summoned, and a phenomenon immediately began.
The impact of Wham! on the public, especially teenage girls, was felt from the moment they finished their debut performance of "Young Guns (Go For It!)" on Top Of The Pops. Michael's appearance may have helped. He wore espadrilles, a suede jacket slit open, and rolled-up denim jeans. Ridgeley stood behind him, flanked by backing dancers D.C. Lee and Shirlie Holliman.
The performance was as much one of acting as it was of singing, with Michael playing the part of the pleading goodtime lad, and Ridgeley the guy who had been drawn into commitment. Afterwards, the song shot into the Top 40 at #24 and peaked at #3 in December. The following year (1983), D.C. Lee began her work with Paul Weller of The Style Council, and was replaced by Pepsi DeMacque. Holliman and DeMacque would later record music as Pepsi and Shirlie.
Wham! followed up "Young Guns (Go For It!)" with the reissue "Wham Rap! (Enjoy What You Do)", a song about the joys of a leisurely life (the full version of which clocked in at almost seven minutes long); "Bad Boys", about a strained relationship between a rebellious teenage lad and his worried parents; and "Club Tropicana", a satire of the Club 18-30 scene. Each song came with a memorable music video.
By the end of 1983, Wham! was rivaling Duran Duran and Culture Club as Britain's biggest pop act. Notoriety and column inches were duly achieved with their antics of placing a shuttlecock down their shorts, and their first album Fantastic reached #1.
Around this time, Ridgeley become conscious of legal problems with their initial contract at Innervision. He mounted a legal challenge against the record company and its founder Mark Dean, who had initially signed them to the label, and George publicly stated they were financially mistreated [citation needed]. While the legal battle raged (perhaps to raise much-needed funds for the fight), Innervision released a medley of non-single album tracks from Fantastic, entitled Club Fantastic Megamix. Wham! publicly denounced the move, and urged fans not to buy it. After all the legal wrangling, Innervision admitted there were royalty discrepancies with Wham!'s contract, leading to the bankruptcy and dissolution of Innervision.
Driven by Ridgeley, the duo changed their image, and Wham! returned in May 1984 with an updated, cutting-edge pop image quickly copied by other pop bands. Andrew changed the band's look from "moody in leather jackets" to smiles and fashionable clothing, with an aim to promote themselves more as sex symbols rather than spokespeople for a disaffected generation.
Fittingly enough, these changes propelled the next single (a pop standard) to the top of the charts around the world. Wake Me Up Before You Go-Go, a song Michael wrote from a note left to him in his hotel room one night by Ridgeley. The note was mistakenly written by Ridgeley as "don't forget to wake me up up before you go go, George". Since he accidentally wrote the word "up" twice, Ridgeley decided to compound the error and write "go" twice. It became their first UK #1 and rose to the top in the USA), capped by a memorable video of the duo, plus the ubiquitous Pepsi and Shirlie, wearing Katharine Hamnett T-shirts with the slogans CHOOSE LIFE and GO GO.
These t-shirts became essential fashion items as Hamnett wrote herself into the pop culture lexicon, having simultaneously designed the FRANKIE SAY t-shirts for Frankie Goes to Hollywood.
Although some critics felt that Wham! represented bubblegum pop[citation needed], many were starting to appreciate Michael's proven ability as a songwriter and capable vocalist. (The following year, he would win the Ivor Novello Award for songwriting.) However, at the same time they bemoaned the status of Ridgeley, who had started to "play" a guitar during live shows (never on any recordings) but whose overall contribution was deemed to be lightweight[citation needed].
With some bizarre contradiction, the next single "Careless Whisper" was issued as a George Michael solo piece, yet unlike any Wham! single since "Wham Rap!," it was co-written by Ridgeley. The song quickly reached #1. In the autumn of 1984, Wham! came back as a duo with "Freedom", another chart-topper. In November, they released their second album, Make It Big, which coasted to #1 on the album charts. The band set off on another arena tour at the end of '84, and George told Smash Hits magazine at the time that he had written a song called "Stephen." The song had been composed for a friend who was struggling to cope with bereavment. While this song is still unreleased, those that were at the recording sessions decsribe it as a heartfelt story of the loss of a loved one[citation needed].
George contributed to the Band Aid project, with Michael providing vocals as the song usurped their own Christmas release, "Last Christmas"/"Everything She Wants", the former of which featured a video set in a ski resort.
The single became the highest-selling single ever to peak at #2 in the UK charts. As such, Wham! donated all their royalties to the Ethiopian famine appeal to coincide with the fundraising intentions of Band Aid, the song which beat them to the top spot. Band Aid's success meant that Michael had been at #1 within three different entities in 1984—as a solo artist, half of a duo, and part of a charity ensemble.
Michael desired to create music targeted to a more sophisticated audience than the duo's primarily teenage fanbase. Therefore, Michael and Ridgeley announced the breakup of Wham! in the spring of 1986, destined to take place after a farewell single and album, along with a historic grand finale concert at Wembley Stadium on June 28, 1986, called The Final. British pop group Five Star declined George's invitation to be the supporting act, saying they needed to concentrate on their own career at the time.
Wham!
Wham! Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Wham! bam!
I am! a man!
Job or no job,
You can't tell me that I'm not.
Do! you!
Enjoy what you do?
If not, just stop!
You got soul...
You got soul...
I said get, get, get on down,
Said get, get, get, on down.
Hey everybody take a look at me,
I've got street credibility,
I may not have a job,
But I have a good time,
With the boys that I meet "down on the line"
I said, I - don't - need - you
So you don't approve,
Well who asked you to?
Hey - jerk - you - work
This boy's got better things to do
Hell,
I ain't never gonna work, get down in the dirt,
I choose, to cruise.
Gonna live my life, sharp as a knife,
I've found my groove and I just can't lose.
A.1. style from head to toe,
Cool cat flash gonna let you know,
I'm a soul boy - I'm a dole boy,
Take pleasure in leisure, I believe in joy!
[Chorus]
Party nights, and neon lights,
We hit the floors, we hit the heights.
Dancing shoes, and pretty girls.
Boys in leather kiss girls in pearls!
Hot-damn! everybody, let's play!
So they promised you a good job - no way!
One, two, three, rap!
C'mon everybody, don't need this crap!
[Chorus]
If you're a pub man
Or a club man
Maybe a jet black guy with a hip hi-fi
A white cool cat with a trilby hat
Maybe leather and studs is where you're at
Make the most of every day
Don't let hard times stand in your way
Give a wham give a bam but don't give a damn
'Cause the benefit gang are gonna pay!
Now reach up high and touch your soul,
The boys from wham! will help you reach that goal.
It's gonna break your mama's heart, (so sad)
It's gonna break your daddy's heart, (too bad)
But you'll throw the dice and take my advice,
Because I know that you're smart.
Can you dig this thing? - yeah!
Are you gonna get down? - yeah!
Say wham! - wham!
Say bam! - bam!
[Chorus]
Do you want to work? - no
Are you gonna have fun? - yeah
Said one, two, three, rap, c'mon everybody,
Don't need this crap!
Enjoy what you do?
Everybody say wham! - wham!
Everybody say wham! bam! - wham! bam!
Enjoy what you do?
(repeat to fade)
The Wham Rap! is a song about living life on your own terms despite societal and personal pressures. It speaks of the importance of finding joy in what you do and not allowing one's self to be confined to a job if it doesn't bring any fulfillment. The chorus, "Wham! bam! I am! a man! Job or no job, You can't tell me that I'm not," reinforces the idea of being confident in one's self and not relying on a job to define their worth. The song also highlights the joys of partying and having fun with friends, as well as the pitfalls of having a mundane and unfulfilling existence.
The song is infused with references to the subculture of soul boy, including their fashion and interests. The lyrics describe their dancing shoes, leather and studs attire, and love for soul music. The song encourages listeners to embrace their own unique style and interests, even if it goes against societal norms.
Line by Line Meaning
Wham! bam!
A form of expression indicating excitement and energy.
I am! a man!
A declaration of being a man with full autonomy and self-worth.
Job or no job,You can't tell me that I'm not.
A way of standing up to society's expectation of having a job to validate one's worth and success.
Do! you! Enjoy what you do?
A question asking whether one is happy and content with what they do in life.
If not, just stop!Don't stay there and rot!
An encouragement to leave any miserable or unfulfilling job or situation and find happiness elsewhere.
You got soul...You got soul...
An affirmation of inner strength and individuality.
I said get, get, get on down,Said get, get, get, on down.
A call to action to start moving forward in life and not remain stagnant.
Hey everybody take a look at me,I've got street credibility,
A way of presenting oneself as cool and respected among peers.
I may not have a job,But I have a good time,With the boys that I meet "down on the line"
A pride in enjoying life and cherishing friendships despite not having a conventional job.
I said, I - don't - need - you,So you don't approve,Well who asked you to?
A rejection of any negative opinions or judgement from others about one's life choices.
Hey - jerk - you - work,This boy's got better things to do
An insult to those who put down one's lifestyle while portraying a sense of superiority and purposeful living.
Hell,I ain't never gonna work, get down in the dirt,I choose, to cruise.
A bold statement of refusing to be tied down by societies' expectations of work and instead living life to the fullest.
Gonna live my life, sharp as a knife,I've found my groove and I just can't lose.
A strong sense of self-assurance and confidence in one's ability to live their life to the fullest.
A.1. style from head to toe,Cool cat flash gonna let you know,I'm a soul boy - I'm a dole boy,Take pleasure in leisure, I believe in joy!
A way of expressing individuality, confidence, and a love for pleasure and joy in life.
[Chorus]
A repetition of the song's main chorus.
Party nights, and neon lights,We hit the floors, we hit the heights.
A description of the nightlife and living life to the fullest.
Dancing shoes, and pretty girls.Boys in leather kiss girls in pearls!
A reference to the party scene and the freedom to love who you want.
Hot-damn! everybody, let's play!So they promised you a good job - no way!
A call to action to have fun and reject societal pressure to conform to a pre-defined path of success.
One, two, three, rap!C'mon everybody, don't need this crap!
A rejection of societal norms and expectations that stifle individuality and creativity.
If you're a pub man, Or a club man,Maybe a jet black guy with a hip hi-fi,A white cool cat with a trilby hat,Maybe leather and studs is where you're at
An acknowledgment and celebration of different lifestyles and subcultures.
Make the most of every day,Don't let hard times stand in your way,Give a wham give a bam but don't give a damn,'Cause the benefit gang are gonna pay!
An emphasis on living life to the fullest and rejecting any difficulties that come in the way.
Now reach up high and touch your soul,The boys from wham! will help you reach that goal.
A call to introspect and look within oneself for inspiration.
It's gonna break your mama's heart, (so sad)It's gonna break your daddy's heart, (too bad)But you'll throw the dice and take my advice,Because I know that you're smart.
A recognition of how the unconventional and non-conformist lifestyle of the singer might upset family members, but a call to not be afraid of taking risks.
Can you dig this thing? - yeah!Are you gonna get down? - yeah!Say wham! - wham!Say bam! - bam!
An invitation to join in and embrace life to the fullest.
[Chorus]
A repetition of the song's main chorus.
Do you want to work? - noAre you gonna have fun? - yeahSaid one, two, three, rap, c'mon everybody,Don't need this crap!
A declaration of choosing a life of joy and fun over societal expectations to stay in a job just for the sake of having one.
Enjoy what you do?Everybody say wham! - wham!Everybody say wham! bam! - wham! bam!Enjoy what you do?
A repetition of the core message of the song - to enjoy one's life and reject societal norms that don't align with one's values.
(repeat to fade)
A musical notation indicating that the song will continue to play with reduced volume until it fades away.
Lyrics © Songtrust Ave, Warner Chappell Music, Inc.
Written by: ANDREW RIDGELEY, ANDREW J. RIDGELEY, GEORGE MICHAEL
Lyrics Licensed & Provided by LyricFind
Immi and Saffi
Saw the documentary yesterday on Netflix and I was overwhelmed with joyous past memories. Wham Rap! I feel always does not get the recognition that it deserves. Wham! will always be my favourite band and George will always be my number 1!! And thank you to Andrew to keep the memories alive ❤❤
A K
I loved the documentary also, it showed they were a brotherhood, not just Andrew playing second fiddle. I wasn't familiar with their earlier work, I'm hearing going through all their hits now. I knew them from Wake Me Up Before You Go Go, to all the mainstream hits, to ofc all.of George 's solo work. May be RIP
Sally Cummins
I missed it im so disappointed
Andre Melton
Big George Michael and Wham fan the rap was actually good I remember years ago I didn't care for it
amy t
@AK-jw7rx Same. At the time, I was living in small town America, so I never got to hear their earlier songs before Wake Me Up. It was whatever the radio broadcasted. Discovering their earlier hits that didn't chart in the US later in life was exciting! So many fantastic British bands of that Era had popular songs we Americans didn't know about, especially if you didn't live in a big city.
Jeannified
Saw the documentary yesterday. Incredible! Now I am on a Wham tear! Gonna order some of their CD’s!
Felix Aguinaga
One of their most underrated hits. RIP George Michael
Exkrement in Menschenhaut
No
Bastoic
@Exkrement in Menschenhautno?
Alicia Sanchez
This song was way ahead of its time. My sister and i sing this literally all the time!