In 1991, after the r… Read Full Bio ↴White Skull takes life at the end of the Eighties.
In 1991, after the recording of its first demo-tape, White Skull was noticed by the audience and the specialized Italian metal press. The band started a live-promotion in order to increase its own experience. In May 1994, WS released their second demo entitled "Save the Planet", which received excellent reviews.
Excellent reviews and extensive live appearances brought the band in touch with a few Italian labels. However, their music was considered "not suitable for the market"… thus, the guys were asked to change sound and music style. Being fond of classical Heavy Metal and followers of bands like Iron Maiden, Helloween, Scorpions, Black Sabbath and Saxon, the Skulls decided to go on with their type of music, because of their belief in true Metal life-style. White Skull then contributed to two Heavy Metal compilation:
* "Nightpieces 4" (in January 1995) and "Area Sismica" (in June 1995).
* "Area Sismica" (June 1995) – A.M. Songs et Music di Valdagno (Vi).
June 1995: White Skull signs with Underground Symphony
November 1995: Released "I Won’t Burn Alone" (Underground Symphony), first band's album
March 1997: Released "Embittered" (Underground Symphony). Special guest is singer Folco Orlandini (Mesmerize - Time Machine)
May 1997: Guitar player Max Faccio leaves the band, replaced by BB Nick Savio in November 1997. (two other guitarists temporarily played for the band: Pino Sicari from May to August, Lele Pretto from September to November)
March 1999: Released EP "Asgard", containing the famous song, plus an unpublished song "Hagen The Cruel" and two covers: "Tears by the Firelight" (from german Stormwitch) and "Adralmelch" (from Adramelch, Italian cult band of late 80s)
July 26th, 1999: Released "Tales From The North" (Nuclear Blast for the world, Underground Symphony for Italy). Chris Boltendahl (Grave Digger) sings as special guest for this album.
August 28th, 2000: Released “Public Glory, Secret Agony” (Breaker Records/Nuclear Blast)
February 2001: Federica "Sister" De Boni leaves the band due to personal problems. One month later the band decides to get a male singer: Gustavo "Gus" Gabarrò from Argentina. He soon records with the band and appears for the first time in a live performance with White Skull on the 7th April 2001, in Germany.
August 26th, 2002: Released "The Dark Age" (Frontiers Records)
December 2002: Guitarist BB Nick leaves the band because of his growing interest in his side-projects; he is soon replaced by Danilo Bar.
September 2003: Bassist Fabio Pozzato leaves the band, soon replaced by Fabio Manfroi, from Brasil.
February 2004: Fabrio Manfroi leaves the band.
May 3rd, 2004: New album published: The XIII Skull, on Frontiers Records.
October 23rd, 2004: Steve Balocco becomes the new White Skull bassplayer.
After album release the band had to cancel a lot of shows due to health problems of the vocalist. During this stop the band wrote a lot of new songs and they came back into the studio at the end of 2005 in order to record an album entitled “The Ring of the Ancients” based on the Celtic’s stories.
Recorded at Remaster Studio Vicenza, this Cd arose the interest of DragonHeart Records which signed the band to a multi-album deal.
The brand new album “The Ring of the Ancients” is heavier than ever, White Skull music goes straight to the heart and soul of the MetalBangers! I
In the January 2007 the vocalist Gus Gabarrò left the band due to work problems and White Skull announced they are back to a female singer, the real peculiarity of the band.
The new Singer of White Skull is Elisa "Over" De Palma, a true Valkyrie of Heavy Metal! The band is actually recording the new album entitled "Forever Fight" released by DragonHeart Records/SPV, with new bass player Gio Raddi and the new keybords player Alessio Lucatti.
The cd is was released in March 2009 and since then the band started the "Metal Axes Tour" to promote it, with various concerts around Italy.
On May 1st, 2010 the band announced that keyboardist Alex Lucatti was forced to leave the group due to "work problems"
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Discography
* 1995 – I Won't Burn Alone
* 1997 – Embittered
* 1999 – Asgard
* 1999 – Tales from the North
* 2000 – Public Glory, Secret Agony
* 2002 – The Dark Age
* 2004 – The XIII Skull
* 2006 - The Ring of the Ancients
* 2009 - Forever Fight
In Caesar We Trust
White Skull Lyrics
Jump to: Overall Meaning ↴
Very young, to be slained, they obey
In this land of myth and mystery
Stone by stone are marchin' on to the goal
Hail Caesar
Rome look for the treasures of this land
A voice sounds from the hoarse so loud, unreal
The shrill notes of the bugle mingle in the air
[Chorus]
Oh
Fighting for the prowess of the lord
In Caesar sharpness we will trust
Fightin' for the Egyptian over throw
Heavy on the ground, Metal in the mound
Caesar purpose's to control the reign
At the court everyone will cry loud
Hail Caesar
In the field his army won all wars
At the court the Queen of Sun won his heart
[Chorus]
Oh
Fighting for the prowess of
the lord
In Caesar sharpness we will trust
Fightin' for the Egyptian over throw
Heavy on the ground, Metal in the mound
The opening lines of "Streams of goodly knights with red helmets, very young, to be slain, they obey" describe an army of young knights who march towards their inevitable death, following orders without question. The song draws inspiration from ancient Rome and Egypt, with references to Caesar and the Egyptian overthrow. The knights represent soldiers of the Roman Empire, who marched across Europe and North Africa, conquering civilizations and claiming their treasures. The references to "this land of myth and mystery" and "world of death, full of graves" also suggest the danger that these knights face during their conquests, as well as the reverence and mystery surrounding these ancient civilizations.
The chorus of the song speaks of fighting for the prowess of the lord and trusting in Caesar's sharpness. This refers to the idea that soldiers believed in the power and superiority of their leaders, and were willing to die for them. The line "Heavy on the ground, Metal in the mound" symbolizes the heavy impact of their weapons on the ground, and the metal objects buried in mounds as offerings to the gods.
Overall, the song In Caesar We Trust is a tribute to the powerful empires of Rome and Egypt, and the soldiers who fought for them. The lyrics convey a sense of honor and duty, as well as the harsh realities of war and conquest.
Lyrics © OBO APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
Gimena Rosales
Resultados principales
Streams of goodly knights with red helmets
Very young, to be slained, they obey
In this land of myth and mystery
Stone by stone are marchin' on to the goal
Hail Caesar
Rome look for the treasures of this land
World of death, full of graves, where wisdom stands
A voice sounds from the hoarse so loud, unreal
The shrill notes of the bugle mingle in the air
Oh
Fighting for the prowess of the lord
In Caesar sharpness we will trust
Fightin' for the Egyptian over throw
Heavy on the ground, Metal in the mound
Caesar purpose's to control the reign
At the court everyone will cry loud
Hail Caesar
In the field his army won all wars
At the court the Queen of Sun won his heart
Oh
Fighting for the prowess of
Gimena Rosales
Resultados principales
Streams of goodly knights with red helmets
Very young, to be slained, they obey
In this land of myth and mystery
Stone by stone are marchin' on to the goal
Hail Caesar
Rome look for the treasures of this land
World of death, full of graves, where wisdom stands
A voice sounds from the hoarse so loud, unreal
The shrill notes of the bugle mingle in the air
Oh
Fighting for the prowess of the lord
In Caesar sharpness we will trust
Fightin' for the Egyptian over throw
Heavy on the ground, Metal in the mound
Caesar purpose's to control the reign
At the court everyone will cry loud
Hail Caesar
In the field his army won all wars
At the court the Queen of Sun won his heart
Oh
Fighting for the prowess of
RedStarMedia PR
Absolutely one of the bands greatest song! VIVA ROMA!
Mauropdemaio Mauropdemaio
Amazing🤘🤘🤘
darkchronoss
Because of a weird reason, the part I like the most of this song is the ending (from around min. 6:40) :P
Loris Fastweb
Da comprare tutti, assolutamente ;)
A
Good music metal
Willian Maia
Good Song Man
Diogo
Epic! =D
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"Valhalla Calling" is nothing!
🇮🇹👑☠️☠️☠️☠️☠️
elsie play
thx Brother!!!