The orchestra was founded in 1900 by Ferdinand Löwe as the Vienna Concert S… Read Full Bio ↴The orchestra was founded in 1900 by Ferdinand Löwe as the Vienna Concert Society (German: Wiener Concertverein). In 1913 it moved into the Vienna Konzerthaus. In 1919 it merged with the Tonkünstler Orchestra. In 1933 it acquired its current name. Despite a lull in concert attendance after the introduction of the radio during the 1920s, the orchestra survived until the invasion of Austria in 1938 and became incorporated into the German Culture Orchestras. As such, they were used for purposes of propaganda until, depleted by assignments to work in munitions factories, the orchestra closed down on September 1, 1944.
Their first post-war concert occurred on September 16, 1945, performing Mahler's Third Symphony. Under the direction of Josef Krips, they quickly rebuilt a modern repertoire after ten years of isolation and travelled to the Bregenz Festival for the first time in the summer of 1946.
1946 marked the beginning of the tenure of maestro Herbert von Karajan who, though not principal conductor, worked with the VSO in the "Karajan Series" of concerts, going on extensive tours throughout Europe and North America. In 1959 the VSO performed for Pope John XXIII at Vatican City leading up to the debut of maestro Wolfgang Sawallisch.
Sawallisch's leadership saw a tour of the United States in 1964 as well as a combined U.S.-Japan tour in 1967. It also included the re-opening of the Theater an der Wien in 1962.
Krips returned in the interim between Sawallisch's departure and the arrival of Carlo Maria Giulini as principal conductor. In the 1980s Georges Prêtre took over the maestro's podium and increased the number of concerts on the VSO's schedule as well as infused their repertoire with French music.
The early 1990s saw Rafael Frühbeck de Burgos take over as principal conductor, introducing Spanish music much as Prêtre did. Vladimir Fedosejev became principal conductor in 1997.
Their first post-war concert occurred on September 16, 1945, performing Mahler's Third Symphony. Under the direction of Josef Krips, they quickly rebuilt a modern repertoire after ten years of isolation and travelled to the Bregenz Festival for the first time in the summer of 1946.
1946 marked the beginning of the tenure of maestro Herbert von Karajan who, though not principal conductor, worked with the VSO in the "Karajan Series" of concerts, going on extensive tours throughout Europe and North America. In 1959 the VSO performed for Pope John XXIII at Vatican City leading up to the debut of maestro Wolfgang Sawallisch.
Sawallisch's leadership saw a tour of the United States in 1964 as well as a combined U.S.-Japan tour in 1967. It also included the re-opening of the Theater an der Wien in 1962.
Krips returned in the interim between Sawallisch's departure and the arrival of Carlo Maria Giulini as principal conductor. In the 1980s Georges Prêtre took over the maestro's podium and increased the number of concerts on the VSO's schedule as well as infused their repertoire with French music.
The early 1990s saw Rafael Frühbeck de Burgos take over as principal conductor, introducing Spanish music much as Prêtre did. Vladimir Fedosejev became principal conductor in 1997.
Sinfonia No. 41 in Do maggiore K551 : I. Allegro vivace
Wiener Symphoniker Lyrics
We have lyrics for these tracks by Wiener Symphoniker:
Ave Maria Gratia plena Maria, gratia plena Maria, gratia plena Ave ave…
No. 1 Ave Maria Gratia plena Maria, gratia plena Maria, gratia ple…
O Little Town of Bethlehem Oh little town of Bethlehem, how still we see thee…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@_composervalanne7656
26:28 (Theme 1)
26:44 (Theme 2)
27:13 (Theme 3)
27:28 (Theme 4)
28:24 (Theme 2: Inversion 1)
31:00 (Theme 2: Inversion 2)
31:15 (Theme 2: Inversion 3)
31:28 (Theme 2: Inversion 4)
31:32 (Theme 2: Inversion 5)
33:40 (Theme 2 Inversion 6)
33:43 (Theme 1 two inversions)
@_composervalanne7656
26:28 (Theme 1)
26:44 (Theme 2)
27:13 (Theme 3)
27:28 (Theme 4)
28:24 (Theme 2: Inversion 1)
31:00 (Theme 2: Inversion 2)
31:15 (Theme 2: Inversion 3)
31:28 (Theme 2: Inversion 4)
31:32 (Theme 2: Inversion 5)
33:40 (Theme 2 Inversion 6)
33:43 (Theme 1 two inversions)
@psono429
great work by AdamFischer and the orchestra ! great tympani sound also. Thankyou for posting the score! enjoy your Labor Day!
@loveclassicalmusicalot
The amazing C major symphony!!
@user-hd2tc9ze5i
The gratis dinamic first movement is written by a cedule of a " tresillo" of semicorcheas. The, melody goles up and down withn singular wideness with some moments of clearly unbroken fortissimo. There is a third theme also with happines.The second mouvement has an extatic main theme ,and others relatives, in maggiore or minore tones. The third mouvement is descendent melody with some rays of greatness. The last mouvement has a contrapuntistic exercise of genious "vivace". A double fugue ends this "enlightening" score.
@mukilnarayanan
10:38 is my favorite moment!
@eduardoxavier3005
It's a Mozart's joke, a schezo as sense/way of humour. I love this moment too.
@mukilnarayanan
@@eduardoxavier3005 I agree!
@Trombonemusic765
5:20 is my favorite moment!
@littleschnitzel8226
And like that Beethoven was born.
@onthecontrary1346
I’m doing this for youth symphony and it’s so frikin good but so fast 😭😭😭