William Parlier, better known as Will.E.P. started his production career at… Read Full Bio ↴William Parlier, better known as Will.E.P. started his production career at the young age of 11 when he started out by recording himself on an old stereo two track tape recorder that used to belong to his father, but even before that William started playing music.
Parlier’s first instrument was the piano, which was more so his parent’s idea than his, but it did not instantly strike him as appealing and quickly Parlier discontinued his lessons. Only a couple years later he regained interest in music while visiting a family friend who he called E.T. He found both an old classical guitar and an auto harp in her attic and it opened many new doors for Parlier. Slowly he began to pick up the ability to play almost any instrument you handed to him.
At the age of 13 his parents bought him recording software, a midi keyboard, and microphones, and Parlier’s producing really began to lift off the ground. As he learned his way around his recording software he also began to delve in electronic music, and with that came his invite by UK producer Greg Hartley to join their abilities to form the electronic music duo entitled Idiot-Gene. Parlier and Hartley produced genres all the way from minimal electronica to trance.
While William was in Idiot-Gene he also produced electronic music under the name Grünhexe, and recorded and produced film scores and folly for student films throughout the country for students attending schools such as The University of North Carolina School of the Arts, and Perpich Center for Arts Education. Parlier also attended various summer music programs such as Cannon Music Camp, and New England Music Camp where he was introduced to theory and orchestration, and studied performance in one of his favorite instruments: the tuba.
Only a year after it’s creation Idiot-Gene split up and went there separate ways. It was here where Parlier really started to delve into many different genres, and even study more extensive orchestral compositions. Looking for a new sound for his work, Parlier began to learn sythesis, and how to program both software synths, and large modular systems.
At the age of 15 Parlier was accepted to attend the University of North Carolina School of the Arts for tuba performance, which opened many new doors for him. His understanding of music grew much more board, and his interest spread from classical to pop music. His production also gained more practice because he composed for even more films, and would record small ensembles, and auditions for students to send to universities and summer music programs.
Parlier attended UNCSA again in 2009 to continue his path as a concert tubist, but later decided that what he truly wanted to do was produce music. During this time he did however meet his current producing partner Stephen Phillips (Mospheric) who was his roommate at the time, and a year later they merged together to form the electronic duo March of the Elephants. Now working on their first album entitled Japanese radio, which is to be released in 2011.
Along with producing with colleagues, Parlier works with many musicians, from vocalists to rappers, under the name Will.E.P.
Parlier’s first instrument was the piano, which was more so his parent’s idea than his, but it did not instantly strike him as appealing and quickly Parlier discontinued his lessons. Only a couple years later he regained interest in music while visiting a family friend who he called E.T. He found both an old classical guitar and an auto harp in her attic and it opened many new doors for Parlier. Slowly he began to pick up the ability to play almost any instrument you handed to him.
At the age of 13 his parents bought him recording software, a midi keyboard, and microphones, and Parlier’s producing really began to lift off the ground. As he learned his way around his recording software he also began to delve in electronic music, and with that came his invite by UK producer Greg Hartley to join their abilities to form the electronic music duo entitled Idiot-Gene. Parlier and Hartley produced genres all the way from minimal electronica to trance.
While William was in Idiot-Gene he also produced electronic music under the name Grünhexe, and recorded and produced film scores and folly for student films throughout the country for students attending schools such as The University of North Carolina School of the Arts, and Perpich Center for Arts Education. Parlier also attended various summer music programs such as Cannon Music Camp, and New England Music Camp where he was introduced to theory and orchestration, and studied performance in one of his favorite instruments: the tuba.
Only a year after it’s creation Idiot-Gene split up and went there separate ways. It was here where Parlier really started to delve into many different genres, and even study more extensive orchestral compositions. Looking for a new sound for his work, Parlier began to learn sythesis, and how to program both software synths, and large modular systems.
At the age of 15 Parlier was accepted to attend the University of North Carolina School of the Arts for tuba performance, which opened many new doors for him. His understanding of music grew much more board, and his interest spread from classical to pop music. His production also gained more practice because he composed for even more films, and would record small ensembles, and auditions for students to send to universities and summer music programs.
Parlier attended UNCSA again in 2009 to continue his path as a concert tubist, but later decided that what he truly wanted to do was produce music. During this time he did however meet his current producing partner Stephen Phillips (Mospheric) who was his roommate at the time, and a year later they merged together to form the electronic duo March of the Elephants. Now working on their first album entitled Japanese radio, which is to be released in 2011.
Along with producing with colleagues, Parlier works with many musicians, from vocalists to rappers, under the name Will.E.P.
Flyspeck )
Will.E.P. Lyrics
We have lyrics for these tracks by Will.E.P.:
10 mL Até a moça do drive-in do Mc Viu que o clima…
Colors I hate ordinary days Stuck in a boring haze This is the…
Memories of You Dark memories with tired shoulders and my tears But I…
Polaroids Taking pictures of the people there Flashlight, snapshot, th…
Signs 대체 넌 몇 년도에 살아? yah 대체 너가 뭘 알기는 알아?…
Some Kind of Science Wake up this morning, I'm shaking I can't be still,…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@anthonyskata
Even Bobby Hill was on the Simpsons bandwagon
@chrisnotyou3650
This was around the time when the Simpsons was still a good show, everyone was on the Simpsons bandwagon. This show played right before the Simpsons when it aired.
@Darldixon
16:10
@jessicaadams4265
Why do you keep cutting out the endings????!!!...so aggravating and disappointing
@fredmench4552
Aww come on! Bill has to take off his hottyz shirt but not LouAnn? I am outraged.
@axesoccer7887
The salon episode pissed me off. They commit a hate crime against Bill by the way they fired him. No one, not even Dale or Hank, is convincing him to take them to court as he’d have the strongest case in the world.
@mickeymighty1866
Sounds like you’re on some cringe mode stuff
@chrisnotyou3650
Bwahahahah! Want a wimp you are.
@fishlemontek189
Who.the.fuck.cares, this is ended over a decade ago, you should funnel that cringe into something more productive than the goings on of scripted cartoon shows
@bobvessells8183
😆