Laudibus in sanctis
William Byrd (1540 or late 1539 –1623) was one of the most celebrated Engli… Read Full Bio ↴William Byrd (1540 or late 1539 –1623) was one of the most celebrated English composers in the Renaissance.
He lived until well into the seventeenth century without writing music in the new Baroque fashion, but his superbly constructed keyboard works marked the beginning of the Baroque organ and harpsichord style. Byrd's life is interesting because of his Roman Catholic sympathies combined with his work in the court of the Anglican Queen Elizabeth I.
He composed much music, if intermittently, for the Roman Catholic liturgy, particularly in his later years; the two volumes of Gradualia are a prime example. Possibly as a result of this he did not receive widespread recognition in his lifetime, but was very well respected among the Roman Catholic gentry. In the anti-Catholic frenzy following the 1605 Gunpowder Plot, the first volume of the Gradualia (1605), was banned in England under penalty of imprisonment, as indeed was all of his Catholic music; however, his Anglican music - such as the Short Service, and the Responses - has been sung in English cathedrals uninterrupted for the past four centuries.
He lived until well into the seventeenth century without writing music in the new Baroque fashion, but his superbly constructed keyboard works marked the beginning of the Baroque organ and harpsichord style. Byrd's life is interesting because of his Roman Catholic sympathies combined with his work in the court of the Anglican Queen Elizabeth I.
He composed much music, if intermittently, for the Roman Catholic liturgy, particularly in his later years; the two volumes of Gradualia are a prime example. Possibly as a result of this he did not receive widespread recognition in his lifetime, but was very well respected among the Roman Catholic gentry. In the anti-Catholic frenzy following the 1605 Gunpowder Plot, the first volume of the Gradualia (1605), was banned in England under penalty of imprisonment, as indeed was all of his Catholic music; however, his Anglican music - such as the Short Service, and the Responses - has been sung in English cathedrals uninterrupted for the past four centuries.
Laudibus in sanctis
William Byrd Lyrics
We have lyrics for these tracks by William Byrd:
attollite portas Attollite portas, principes, vestras, et elevamini, portae a…
Ave Verum Corpus Ave verum Corpus natum de maria virgine. Vere passum immolat…
Ne irascaris Domine Ne irascaris Domine satis, et ne ultra memineris iniquitatis…
Ne irascaris, Domine Ne irascaris Domine satis, et ne ultra memineris iniquitatis…
The Great Service: Nunc Dimittis Now Thou dost dismiss Thy servant, O Lord, according to…
Tribue Domine Tribue Domine, ut donec in hoc fragili corpore positus sum, …
Tribue, Domine Tribue Domine, ut donec in hoc fragili corpore positus sum, …
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Patrick Ofori
🙏
Patricia Owusu
Psalm 150 paraphrased in elegiac verse
vfr foxtrott
🙏😌🎶...
David Honore
This SATTB vocal recording seems to be a 3rd higher than what is actually written. What gives?
David Honore
@Gervais Frykman this is very interesting information indeed. Thank you.
Gervais Frykman
When this was recorded it was thought that pitch at that time was about a minor third higher than ours. The latest information, derived from surviving pipes from Tomkins' organ is that two thirds of a tone is a better estimate.
pannonia77
Yes, you're right. :)