Willie Bobo was the stage name of William Correa (February 28, 1934 – Septe… Read Full Bio ↴Willie Bobo was the stage name of William Correa (February 28, 1934 – September 15, 1983),[1] a Latin and jazz percussionist of Puerto Rican ancestry.
His youngest son, Eric Bobo (Eric Correa), is a percussionist with crew Cypress Hill. He also performed on the Beastie Boys' 1994 album Ill Communication, as well as doing the 1994 Lollapalooza tour with the group
His grandson William Valen Correa, son of Bobo's first son William Gill Correa, is Co-Founder of the music-based non-profit organization HNDP Los Angeles.
Willie Bobo, who grew up in Spanish Harlem, New York made his name in Latin Jazz in the 1960's and 70's, with the timbales becoming his favoured instrument. He met Mongo Santamaria shortly after his arrival in New York and studied with him while acting as his translator, and later joined Tito Puente for 4 years from the age of 19. During the early 50's the nickname Bobo is said to have been bestowed by the jazz pianist Mary Lou Williams. His first major exposure was when he joined George Shearing's band on the album The Shearing Spell. After leaving Shearing, Cal Tjader asked Bobo and Santamaria to become part of the Cal Tjader Modern Mambo Quintet, who released several albums as the mambo craze reached fever pitch in the late 50's. Reuniting with his mentor Santamaria in 1960, the pair released the album Sabroso! for the Fantasy label. He later formed his own group releasing Do That Thing/Guajira with Tico and Bobo's Beat and Let's Go Bobo for Roulette, without achieving huge penetration.
After the runaway sucess of Tjaders Soul Sauce, in which he was heavily involved, Bobo formed a new band with the backing of the Verve label, releasing Spanish Grease, of which the title track is probably his most well known tune. Highly successful at this attempt, Bobo released a further 7 albums with Verve.
In the late 70's he moved out to Los Angeles, where he worked as a session musician for Carlos Santana among others, as well as being a regular in the band for The Bill Cosby Show. In the late seventies he recorded a couple of albums for Blue Note and Columbia records.
He was married to Alicia. He died on September 15, 1983 in Los Angeles, California, USA. After a period of ill health, he died at the age of 49, succumbing to cancer.
Alicia, wife of Willie, said: "He wanted to come to New York...he wanted to come home...he once said that a great artist always gets recognized at the end." Willie, the eldest son spoke: "One of my father's memorable words was 'music is an international language, anyone can follow the music."' Eric, the youngest son: "He wanted everyone to be happy, no sorrow...this is how his life was, happy, smiling, to have a good time."
Discography With Cal Tjader
Latino (Fantasy, 1958)
Cal Tjader's Concert by the Sea (Fantasy, 1959)
Cal Tjader's Latin Concert (Fantasy, 1959)
West Side Story (Fantasy, 1960)
Plays Harold Arlen (Fantasy, 1961)
Live and Direct (Fantasy, 1962)
Breeze from the East (Verve, 1964)
Soul Sauce (Verve, 1965
Discography As leader
Do That Thing/Guajira (Tico, 1963)
Bobo's Beat (Roulette, 1964)
Let's Go Bobo! (Roulette, 1964)
Spanish Grease (Verve, 1965)
Uno Dos Tres 1•2•3 (Verve, 1966)
Feelin' So Good (Verve, 1967)
Juicy (Verve, 1967)
Bobo Motion (Verve, 1967)
Spanish Blues Band (Verve, 1968)
A New Dimension (Verve, 1968)
Do What You Want to Do (Sussex, 1971)
Tomorrow Is Here (Blue Note, 1977)
Hell Of An Act To Follow (Columbia, 1978)
Bobo (Columbia, 1979)
Lost & Found (Concord Picante, 2006)
Dig My Feeling (Nacional Records 2016)
With Don Wilkerson
Elder Don (Blue Note, 1962)
As sideman
With Nat Adderley
Autobiography (Atlantic, 1965)
With Dorothy Ashby
The Fantastic Jazz Harp of Dorothy Ashby (Atlantic, 1965)
With Bob Brookmeyer
Trombone Jazz Samba (Verve, 1962)
With Eddie "Lockjaw" Davis
Goin' to the Meeting (Prestige, 1962)
With Miles Davis
Quiet Nights (Columbia, 1964)
Sorcerer (Columbia, 1967)
With Victor Feldman
Latinsville! (Contemporary, 1960)
With José Feliciano
Angela (Private Stock, 1976)
With Grant Green
The Latin Bit (Blue Note, 1962)
With Chico Hamilton
Chic Chic Chico (Impulse!, 1965)
El Chico (Impulse!, 1965)
The Further Adventures of El Chico (Impulse!, 1966)
With Slide Hampton
Explosion! The Sound of Slide Hampton (Atlantic, 1962)
With Herbie Hancock
Inventions and Dimensions (Blue Note, 1964)
With Eddie Harris
Bad Luck Is All I Have (Atlantic, 1975)
With Bobby Hutcherson
Montara (Blue Note, 1975)
With Herbie Mann
Right Now (Atlantic, 1962)
Brazil, Bossa Nova & Blues (United Artists, 1962)
Herbie Mann Live at Newport (Atlantic, 1963)
My Kinda Groove (Atlantic, 1965)
Latin Mann (Columbia, 1965)
Our Mann Flute (Atlantic, 1966)
The Beat Goes On (Atlantic, 1967)
With Les McCann
McCanna (Pacific Jazz, 1964)
Much Les (Atlantic, 1968)
With Gary McFarland
Soft Samba (Verve, 1963)
With Buddy Miles
Chapter VII (Columbia, 1973)
With Wes Montgomery
Movin' Wes (Verve, 1964)
With Oliver Nelson
Skull Session (Flying Dutchman, 1975)
With Dave Pike
Limbo Carnival (New Jazz, 1962)
Manhattan Latin (Decca, 1964)
With Tito Puente
Cuban Carnival (RCA Victor, 1956)
With Ike Quebec
Soul Samba (Blue Note, 1962)
With Terry Reid
River (Atlantic, 1973)
With Dannie Richmond
"In" Jazz for the Culture Set (Impulse!, 1965)
With Charlie Rouse
Bossa Nova Bacchanal (Blue Note, 1963)
With A. K. Salim
Afro-Soul/Drum Orgy (Prestige, 1965)
With Mongo Santamaria
Mighty Mongo (Fantasy, 1962)
Viva Mongo! (Fantasy, 1962)
With Doc Severinsen
Rhapsody For Now! (RCA, 1973)
With Sonny Stitt
Stitt Goes Latin (Roost, 1963)
With Gábor Szabó
Spellbinder (Impulse!, 1966)
With Clark Terry
Mumbles (Mainstream, 1966)
His youngest son, Eric Bobo (Eric Correa), is a percussionist with crew Cypress Hill. He also performed on the Beastie Boys' 1994 album Ill Communication, as well as doing the 1994 Lollapalooza tour with the group
His grandson William Valen Correa, son of Bobo's first son William Gill Correa, is Co-Founder of the music-based non-profit organization HNDP Los Angeles.
Willie Bobo, who grew up in Spanish Harlem, New York made his name in Latin Jazz in the 1960's and 70's, with the timbales becoming his favoured instrument. He met Mongo Santamaria shortly after his arrival in New York and studied with him while acting as his translator, and later joined Tito Puente for 4 years from the age of 19. During the early 50's the nickname Bobo is said to have been bestowed by the jazz pianist Mary Lou Williams. His first major exposure was when he joined George Shearing's band on the album The Shearing Spell. After leaving Shearing, Cal Tjader asked Bobo and Santamaria to become part of the Cal Tjader Modern Mambo Quintet, who released several albums as the mambo craze reached fever pitch in the late 50's. Reuniting with his mentor Santamaria in 1960, the pair released the album Sabroso! for the Fantasy label. He later formed his own group releasing Do That Thing/Guajira with Tico and Bobo's Beat and Let's Go Bobo for Roulette, without achieving huge penetration.
After the runaway sucess of Tjaders Soul Sauce, in which he was heavily involved, Bobo formed a new band with the backing of the Verve label, releasing Spanish Grease, of which the title track is probably his most well known tune. Highly successful at this attempt, Bobo released a further 7 albums with Verve.
In the late 70's he moved out to Los Angeles, where he worked as a session musician for Carlos Santana among others, as well as being a regular in the band for The Bill Cosby Show. In the late seventies he recorded a couple of albums for Blue Note and Columbia records.
He was married to Alicia. He died on September 15, 1983 in Los Angeles, California, USA. After a period of ill health, he died at the age of 49, succumbing to cancer.
Alicia, wife of Willie, said: "He wanted to come to New York...he wanted to come home...he once said that a great artist always gets recognized at the end." Willie, the eldest son spoke: "One of my father's memorable words was 'music is an international language, anyone can follow the music."' Eric, the youngest son: "He wanted everyone to be happy, no sorrow...this is how his life was, happy, smiling, to have a good time."
Discography With Cal Tjader
Latino (Fantasy, 1958)
Cal Tjader's Concert by the Sea (Fantasy, 1959)
Cal Tjader's Latin Concert (Fantasy, 1959)
West Side Story (Fantasy, 1960)
Plays Harold Arlen (Fantasy, 1961)
Live and Direct (Fantasy, 1962)
Breeze from the East (Verve, 1964)
Soul Sauce (Verve, 1965
Discography As leader
Do That Thing/Guajira (Tico, 1963)
Bobo's Beat (Roulette, 1964)
Let's Go Bobo! (Roulette, 1964)
Spanish Grease (Verve, 1965)
Uno Dos Tres 1•2•3 (Verve, 1966)
Feelin' So Good (Verve, 1967)
Juicy (Verve, 1967)
Bobo Motion (Verve, 1967)
Spanish Blues Band (Verve, 1968)
A New Dimension (Verve, 1968)
Do What You Want to Do (Sussex, 1971)
Tomorrow Is Here (Blue Note, 1977)
Hell Of An Act To Follow (Columbia, 1978)
Bobo (Columbia, 1979)
Lost & Found (Concord Picante, 2006)
Dig My Feeling (Nacional Records 2016)
With Don Wilkerson
Elder Don (Blue Note, 1962)
As sideman
With Nat Adderley
Autobiography (Atlantic, 1965)
With Dorothy Ashby
The Fantastic Jazz Harp of Dorothy Ashby (Atlantic, 1965)
With Bob Brookmeyer
Trombone Jazz Samba (Verve, 1962)
With Eddie "Lockjaw" Davis
Goin' to the Meeting (Prestige, 1962)
With Miles Davis
Quiet Nights (Columbia, 1964)
Sorcerer (Columbia, 1967)
With Victor Feldman
Latinsville! (Contemporary, 1960)
With José Feliciano
Angela (Private Stock, 1976)
With Grant Green
The Latin Bit (Blue Note, 1962)
With Chico Hamilton
Chic Chic Chico (Impulse!, 1965)
El Chico (Impulse!, 1965)
The Further Adventures of El Chico (Impulse!, 1966)
With Slide Hampton
Explosion! The Sound of Slide Hampton (Atlantic, 1962)
With Herbie Hancock
Inventions and Dimensions (Blue Note, 1964)
With Eddie Harris
Bad Luck Is All I Have (Atlantic, 1975)
With Bobby Hutcherson
Montara (Blue Note, 1975)
With Herbie Mann
Right Now (Atlantic, 1962)
Brazil, Bossa Nova & Blues (United Artists, 1962)
Herbie Mann Live at Newport (Atlantic, 1963)
My Kinda Groove (Atlantic, 1965)
Latin Mann (Columbia, 1965)
Our Mann Flute (Atlantic, 1966)
The Beat Goes On (Atlantic, 1967)
With Les McCann
McCanna (Pacific Jazz, 1964)
Much Les (Atlantic, 1968)
With Gary McFarland
Soft Samba (Verve, 1963)
With Buddy Miles
Chapter VII (Columbia, 1973)
With Wes Montgomery
Movin' Wes (Verve, 1964)
With Oliver Nelson
Skull Session (Flying Dutchman, 1975)
With Dave Pike
Limbo Carnival (New Jazz, 1962)
Manhattan Latin (Decca, 1964)
With Tito Puente
Cuban Carnival (RCA Victor, 1956)
With Ike Quebec
Soul Samba (Blue Note, 1962)
With Terry Reid
River (Atlantic, 1973)
With Dannie Richmond
"In" Jazz for the Culture Set (Impulse!, 1965)
With Charlie Rouse
Bossa Nova Bacchanal (Blue Note, 1963)
With A. K. Salim
Afro-Soul/Drum Orgy (Prestige, 1965)
With Mongo Santamaria
Mighty Mongo (Fantasy, 1962)
Viva Mongo! (Fantasy, 1962)
With Doc Severinsen
Rhapsody For Now! (RCA, 1973)
With Sonny Stitt
Stitt Goes Latin (Roost, 1963)
With Gábor Szabó
Spellbinder (Impulse!, 1966)
With Clark Terry
Mumbles (Mainstream, 1966)
Black Coffee
Willie Bobo Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Put another nickel in, in the nickelodeon
All I want is having you and music, music, music!
I'd do anything for you, anything you'd want me to
All I want is kissing you and music, music, music!
Closer, my dear come closer
The nicest part of any melody
Is when you're dancing close to me
Put another nickel in, in the nickelodeon
All I want is loving you and music, music, music!
All I want is having you and music, music, music!
I'd do anything for you, anything you'd want me to
All I want is kissing you and music, music, music!
Closer, my dear come closer
The nicest part of any melody
Is when you're dancing close to me
Put another nickel in, in the nickelodeon
The song "Black Coffee" by Willie Bobo is a nostalgic and romantic tune about the incredible power of music and its ability to bring people together. The lyrics are about a man who is willing to do anything for the one he loves, as long as they can be together and listen to their favorite music. He asks for his lover to come closer and dance with him, as that is the nicest part of any melody. All he wants is to love his partner and enjoy the sweet sounds of music together. By putting another nickel in the jukebox, he hopes to create a lasting memory that they will cherish forever.
Line by Line Meaning
Put another nickel in, in the nickelodeon
I want to keep hearing this music, so please put more money in the jukebox.
All I want is having you and music, music, music!
Being with you and listening to music are the only things I desire right now.
I'd do anything for you, anything you'd want me to
I am willing to go to great lengths to make you happy.
All I want is kissing you and music, music, music!
Being close to you, kissing you, and listening to music are all I need.
Closer, my dear come closer
Please move closer to me so we can be intimate.
The nicest part of any melody
The most pleasant part of any song
Is when you're dancing close to me
Is when we are dancing together, intimately.
Put another nickel in, in the nickelodeon
I want to keep hearing this music, so please put more money in the jukebox.
All I want is loving you and music, music, music!
I only need your love and music in my life.
Lyrics © Warner/Chappell Music, Inc., BMG Rights Management
Written by: BERNIE BAUM, STEPHAN WEISS
Lyrics Licensed & Provided by LyricFind
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Scott Shankster
on Spanish Grease
Those aren't the lyrics... It's pretty much the same as " Ain't Got Nobody to Depend On " .