Willie Mae Big Mama Thornton (December 11, 1926 – July 25, 1984) was an Ame… Read Full Bio ↴Willie Mae Big Mama Thornton (December 11, 1926 – July 25, 1984) was an American rhythm and blues singer and songwriter. She was the first to record the hit song "Hound Dog" in 1952. The song was #1 on the Billboard R&B charts for seven weeks. The B-side was "Night Mare," and the single sold almost two million copies. Three years later, Elvis Presley recorded his version, based on a version performed by Freddie Bell and the Bellboys. In a similar occurrence, she wrote and recorded "Ball 'n' Chain," which became a hit for her. Janis Joplin later recorded "Ball and Chain," and was a huge success in the late 1960s.

Early life
Thornton was born in Ariton, Alabama. Her introduction to music started in the Baptist church. Her father was a minister and her mother was a church singer. She and her six siblings began to sing at a very early age. Thornton's musical aspirations led her to leave Montgomery in 1941, after her mother's death, when she was just fourteen, and she joined the Georgia-based Hot Harlem Revue. Her seven-year tenure with the Revue gave her valuable singing and stage experience and enabled her to tour the South. In 1948, she settled in Houston, Texas, where she hoped to further her career as a singer. Willa Mae was also a self-taught drummer and harmonica player and frequently played both instruments onstage.

Career
Thornton began her recording career in Houston, signing a contract with Peacock Records in 1951. While working with another Peacock artist, Johnny Otis, she recorded "Hound Dog", a song that composers Jerry Leiber and Mike Stoller had given her in Los Angeles. The record was produced by Johnny Otis, and went to number one on the R&B chart. Although the record made her a star, she saw little of the profits. She continued to record for Peacock until 1957 and performed with R&B package tours with Junior Parker and Esther Phillips. In 1954, Thornton was one of two witnesses to the death of blues singer Johnny Ace. Her career began to fade in the late '50s and early '60s. She left Houston and relocated to the San Francisco Bay Area, where she mostly played local blues clubs.

In 1966, Thornton recorded Big Mama Thornton With The Muddy Waters Blues Band, with Muddy Waters (guitar), Sammy Lawhorn (guitar), James Cotton (harmonica), Otis Spann (piano), Luther Johnson (bass guitar), and Francis Clay (drums). Songs included "Everything Gonna Be Alright", "Big Mama's Blues", "I'm Feeling Alright", "Everything Gonna Be Alright", "Big Mama's Bumble Bee Blues", "Looking The World Over", "Big Mama's Shuffle", and "Since I Fell For You", among others.

Her Ball 'n' Chain album in 1968, recorded with Lightnin' Hopkins (guitar) and Larry Williams (vocals), included the songs "Hound Dog", "Wade in the Water", "Little Red Rooster", "Ball 'n' Chain", "Money Taker", and "Prison Blues".

Thornton's last album was Jail (1975) for Vanguard Records. It vividly captures her charm during a couple of mid-'70's gigs at two northwestern prisons. She became the talented leader of a blues ensemble that features sustained jams from George "Harmonica" Smith, as well as guitarists B. Huston and Steve Wachsman, drummer Todd Nelson, saxophonist Bill Potter, bassist Bruce Sieverson, and pianist J.D. Nicholas.

Thornton performed at the legendary Monterey Jazz Festival in 1966 and 1968, and at the San Francisco Blues Festival in 1979. In 1965 she performed with the American Folk Blues Festival package in Europe. While in England that year, she recorded Big Mama Thornton in Europe and followed it up the next year in San Francisco with Big Mama Thornton with the Chicago Blues Band. Both albums came out on the Arhoolie label. Thornton continued to record for Vanguard, Mercury, and other small labels in the '70s and to work the blues festival circuit until her death in 1984, the same year she was inducted into the Blues Foundation's Hall of Fame.

During her career, she appeared on stages from New York City's famed Apollo Theater in 1952 to the Kool Newport Jazz Festival in 1980, and was nominated for the Blues Music Awards six times. In addition to "Ball 'n' Chain" and "They Call Me Big Mama," Thornton wrote twenty other blues songs.

Death
On July 25, 1984, Willie Mae Thornton died in Los Angeles of heart and liver complications, probably brought on by years of alcohol abuse which had reduced the one-time 350-pound "Big Mama" Thornton to a mere ninety-five pounds.[13] Johnny Otis conducted her funeral services, and she was laid to rest in the famous Inglewood Park Cemetery,[14] along with a number of notable people, including entertainment and sports personalities.

I Smell a Rat
Willie Mae "Big Mama" Thornton Lyrics

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I smell a rat, baby
I smell a rat, baby
You’d better watch out
I smell a rat
You won’t tell me where you been
Whiskey running all down your chin
I smell a rat, baby
I smell a rat, baby

You’d better watch out
I smell a rat, baby
You come stumbling down the hall
Bump your head up against the wall
Knock down drunk, that ain’t all
I know you been having yourself a ball
I smell a rat, baby
I smell a rat, baby
You’d better watch out
I smell a rat, baby

You’d better catch up with some of those rats, baby
'Cause I smell it
Ah, I know you ain’t nothing but a old big ole’ warf rat
Ah, you’d better watch those rats running under your foot boy,

They’re gonna get ya
Ah, I smell a rat

Overall Meaning

The refrain of "I smell a rat, baby" in Willie Mae "Big Mama" Thornton's song is connotative of infidelity. Big Mama Thornton sounds suspicious that her lover is being dishonest with her. She laments that her partner won't tell her where they have been, and they have whiskey running down their chin. This alludes to the fact that they could be drinking heavily and hanging out with people who are inappropriate for a committed relationship. The lyrics "You come stumbling down the hall, Bump your head against the wall, Knock down drunk, that ain’t all, I know you been having yourself a ball" suggests that her lover is not taking her seriously and disregarding her role in their relationship. This frustrates Big Mama Thornton, and she warns her partner that she is aware of their deception by singing the line "You’d better watch out, I smell a rat, baby."

The lyrics express Thornton's feelings of disappointment in her love interest's unfaithfulness. She advises her partner, "You’d better catch up with some of those rats, baby," a piece of advice to warn them to be careful of their actions, and ominous consequences that may follow them if they are not cautious with their indiscretions.

I Smell a RatWillie Mae "Big Mama" Thornton Lyrics

I Smell a Rat
Willie Mae "Big Mama" Thornton Lyrics