Born during the Great Depression and raised by his grandparents, Nelson wrote his first song at age seven and joined his first band at ten. During high school, he toured locally with the Bohemian Polka as their lead singer and guitar player. After graduating from high school in 1950, he joined the U.S. Air Force but was later discharged due to back problems. After his return, Nelson attended Baylor University for two years but dropped out because he was succeeding in music. During this time, he worked as a disc jockey in Texas radio stations and a singer in honky-tonks. Nelson moved to Vancouver, Washington, where he wrote "Family Bible" and recorded the song "Lumberjack" in 1956. He also worked as a disc jockey at various radio stations in Vancouver and nearby Portland, Oregon. In 1958, he moved to Houston, Texas, after signing a contract with D Records. He sang at the Esquire Ballroom weekly and he worked as a disk jockey. During that time, he wrote songs that would become country standards, including "Funny How Time Slips Away", "Hello Walls", "Pretty Paper", and "Crazy". In 1960 he moved to Nashville, Tennessee, and later signed a publishing contract with Pamper Music which allowed him to join Ray Price's band as a bassist. In 1962, he recorded his first album, ...And Then I Wrote. Due to this success, Nelson signed in 1964 with RCA Victor and joined the Grand Ole Opry the following year. After mid-chart hits in the late 1960s and the early 1970s, Nelson retired in 1972 and moved to Austin, Texas. The ongoing music scene of Austin motivated Nelson to return from retirement, performing frequently at the Armadillo World Headquarters.
In 1973, after signing with Atlantic Records, Nelson turned to outlaw country, including albums such as Shotgun Willie and Phases and Stages. In 1975, he switched to Columbia Records, where he recorded the critically acclaimed album Red Headed Stranger. The same year, he recorded another outlaw country album, Wanted! The Outlaws, along with Waylon Jennings, Jessi Colter, and Tompall Glaser. During the mid-1980s, while creating hit albums like Honeysuckle Rose and recording hit songs like "On the Road Again", "To All the Girls I've Loved Before", and "Pancho and Lefty", he joined the country supergroup The Highwaymen, along with fellow singers Johnny Cash, Waylon Jennings, and Kris Kristofferson.
In 1990, Nelson's assets were seized by the Internal Revenue Service, which claimed that he owed $32 million. The difficulty of paying his outstanding debt was aggravated by weak investments he had made during the 1980s. In 1992, Nelson released The IRS Tapes: Who'll Buy My Memories?; the profits of the double album—destined to the IRS—and the auction of Nelson's assets cleared his debt. During the 1990s and 2000s, Nelson continued touring extensively, and released albums every year. Reviews ranged from positive to mixed. He explored genres such as reggae, blues, jazz, and folk.
Nelson made his first movie appearance in the 1979 film The Electric Horseman, followed by other appearances in movies and on television. Nelson is a major liberal activist and the co-chair of the advisory board of the National Organization for the Reform of Marijuana Laws (NORML), which is in favor of marijuana legalization. On the environmental front, Nelson owns the bio-diesel brand Willie Nelson Biodiesel, which is made from vegetable oil. Nelson is also the honorary chairman of the advisory board of the Texas Music Project, the official music charity of the state of Texas.
Nelson uses a variety of music styles to create his own distinctive blend of country music, a hybrid of jazz, pop, blues, rock and folk. His "unique sound", which uses a "relaxed, behind-the-beat singing style and gut-string guitar" and his "nasal voice and jazzy, off-center phrasing", has been responsible for his wide appeal, and has made him a "vital icon in country music", influencing the "new country, new traditionalist, and alternative country movements of the 1980s and 1990s".
In 1969, the Baldwin company gave Nelson an amplifier and guitar with their "Prismatone" pickup. During a show in Helotes, Texas, Nelson left the guitar on the floor of the stage, and it was later stepped on by a drunk man. He sent it to be repaired in Nashville by Shot Jackson, who told Nelson that the damage was too great. Jackson offered him a Martin N-20 Classical guitar, and, at Nelson's request, moved the pickup to the Martin. Nelson purchased the guitar unseen for $750 and named it after Roy Rogers' horse "Trigger". The next year Nelson rescued the guitar from his burning ranch.
Constant strumming with a guitar pick over the decades has worn a large sweeping hole into the guitar's body near the sound hole—the N-20 has no pick-guard since classical guitars are meant to be played fingerstyle instead of with picks. Its soundboard has been signed by over a hundred of Nelson's friends and associates, ranging from fellow musicians to lawyers and football coaches. The first signature on the guitar was Leon Russell's, who asked Nelson initially to sign his guitar. When Nelson was about to sign it with a marker, Russell requested him to scratch it instead, explaining that the guitar would be more valuable in the future. Interested in the concept, Nelson requested Russell to also sign his guitar. In 1991, during his process with the IRS, Nelson was worried that Trigger could be auctioned off, stating: "When Trigger goes, I'll quit". He asked his daughter, Lana, to take the guitar from the studio before any IRS agent arrived there, and then deliver it to him in Maui. Nelson then concealed the guitar in his manager's house until his debt was paid off in 1993.
Nelson is widely recognized as an American icon. He was inducted into the Country Music Hall of Fame in 1993, and he received the Kennedy Center Honors in 1998. In 2011, Nelson was inducted to the National Agricultural Hall of Fame, for his labor in Farm Aid and other fund raisers to benefit farmers. In 2015 Nelson won the Gershwin Prize, the lifetime award of the Library of Congress. In 2018 The Texas Institute of Letters inducted him among its members for his songwriting. He was included by Rolling Stone on its 100 Greatest Singers and 100 Greatest Guitarists lists.
Everywhere I Go
Willie Nelson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I'll put you in my pocket, who will know?
Right next to my heart at every show
I'll take you with me everywhere I go
No matter where our trails will finally wind
Our paths will just keep crossing, yours and mine
Until then, and in my pocket you must go
No matter where our trails will finally wind
Our paths will just keep crossing, yours and mine
Until then, and in my pocket you must go
I'll take you with me everywhere I go
Until then, and in my pocket you must go
I'll take you with me everywhere I go
The lyrics to Willie Nelson's song Everywhere I Go express a sentiment of love that is enduring and persistent. It is a love that will remain regardless of the physical path that life takes. The lines "I'll take you with me everywhere I go" and "I'll put you in my pocket, who will know?" convey the idea that the person being addressed is precious and will be kept close at all times. The repetition of the line "No matter where our trails will finally wind" emphasizes that the love spoken of is not constrained by distance or circumstance.
The use of the metaphor of putting someone in a pocket speaks to the idea of keeping someone close to your heart. The line "Right next to my heart at every show" further reinforces this sentiment. The line "Our paths will just keep crossing, yours and mine" suggests a chance encounter that will happen continually, emphasizing that love that cannot be extinguished.
Overall, Everywhere I Go is a potent expression of the human desire for love that will endure even when distance or time separates individuals. It suggests that although our paths may diverge, love is the force that will bring us back together again and again.
Line by Line Meaning
I'll take you with me everywhere I go
I promise to keep you close to me at all times and in all places.
I'll put you in my pocket, who will know?
I'll keep you as my own secret treasure, hidden away from the world.
Right next to my heart at every show
You hold a special place in my heart, and I want you to be there with me at all my performances.
No matter where our trails will finally wind
No matter where our paths in life may lead us or how they may diverge,
Our paths will just keep crossing, yours and mine
Our lives will continue to intersect and overlap, and we will never be truly separate.
Until then, and in my pocket you must go
Until our paths cross again, I will keep you close to me.
Until then, and in my pocket you must go
Until our paths cross again, I will carry you with me everywhere I go.
Lyrics © O/B/O APRA AMCOS
Written by: WILLIE NELSON
Lyrics Licensed & Provided by LyricFind
@pirinet32
Thank you Willie Nelson !!! Fantastic song
@khalideelouani-hh9ji
Very Nice song
@gcbakop
In some lonely moments, I wish I could do the same with my grown and successful children, scattered around this country..
"Until then and in my pocket you must go/I'll take you with me everywhere I go"
Thank you Waldo for sharing it!
@Tisatio
Mooi gedaan, Walter en ook leuk dat je iedereen een beetje onder het spotlight zet die deze song hielpen maken tot wat ie is.
@cbkspa
excellante.... : )
@milesesne1311
there are a lot of memories in my pocket
@stephenlandry3521
Richer than I remember? It has been a while. I have been grasping to be here without my daughters. I am with you as I feel I am with them at all the time. My life has no time stamps. Just point from where i have been. Looking to reach into tomorrow with my love loves songs I didn't see in front of me . Better or no, there I go. Tks Boss
@veronicabland545
Stephen Landry y
@ItsWaldo
@nylrede247amayu Glad you liked it ♥
@nylrede247amayu
素晴しい。subarashi . Wonderful tune and video!!! ~THANK YOU~