Born during the Great Depression and raised by his grandparents, Nelson wrote his first song at age seven and joined his first band at ten. During high school, he toured locally with the Bohemian Polka as their lead singer and guitar player. After graduating from high school in 1950, he joined the U.S. Air Force but was later discharged due to back problems. After his return, Nelson attended Baylor University for two years but dropped out because he was succeeding in music. During this time, he worked as a disc jockey in Texas radio stations and a singer in honky-tonks. Nelson moved to Vancouver, Washington, where he wrote "Family Bible" and recorded the song "Lumberjack" in 1956. He also worked as a disc jockey at various radio stations in Vancouver and nearby Portland, Oregon. In 1958, he moved to Houston, Texas, after signing a contract with D Records. He sang at the Esquire Ballroom weekly and he worked as a disk jockey. During that time, he wrote songs that would become country standards, including "Funny How Time Slips Away", "Hello Walls", "Pretty Paper", and "Crazy". In 1960 he moved to Nashville, Tennessee, and later signed a publishing contract with Pamper Music which allowed him to join Ray Price's band as a bassist. In 1962, he recorded his first album, ...And Then I Wrote. Due to this success, Nelson signed in 1964 with RCA Victor and joined the Grand Ole Opry the following year. After mid-chart hits in the late 1960s and the early 1970s, Nelson retired in 1972 and moved to Austin, Texas. The ongoing music scene of Austin motivated Nelson to return from retirement, performing frequently at the Armadillo World Headquarters.
In 1973, after signing with Atlantic Records, Nelson turned to outlaw country, including albums such as Shotgun Willie and Phases and Stages. In 1975, he switched to Columbia Records, where he recorded the critically acclaimed album Red Headed Stranger. The same year, he recorded another outlaw country album, Wanted! The Outlaws, along with Waylon Jennings, Jessi Colter, and Tompall Glaser. During the mid-1980s, while creating hit albums like Honeysuckle Rose and recording hit songs like "On the Road Again", "To All the Girls I've Loved Before", and "Pancho and Lefty", he joined the country supergroup The Highwaymen, along with fellow singers Johnny Cash, Waylon Jennings, and Kris Kristofferson.
In 1990, Nelson's assets were seized by the Internal Revenue Service, which claimed that he owed $32 million. The difficulty of paying his outstanding debt was aggravated by weak investments he had made during the 1980s. In 1992, Nelson released The IRS Tapes: Who'll Buy My Memories?; the profits of the double album—destined to the IRS—and the auction of Nelson's assets cleared his debt. During the 1990s and 2000s, Nelson continued touring extensively, and released albums every year. Reviews ranged from positive to mixed. He explored genres such as reggae, blues, jazz, and folk.
Nelson made his first movie appearance in the 1979 film The Electric Horseman, followed by other appearances in movies and on television. Nelson is a major liberal activist and the co-chair of the advisory board of the National Organization for the Reform of Marijuana Laws (NORML), which is in favor of marijuana legalization. On the environmental front, Nelson owns the bio-diesel brand Willie Nelson Biodiesel, which is made from vegetable oil. Nelson is also the honorary chairman of the advisory board of the Texas Music Project, the official music charity of the state of Texas.
Nelson uses a variety of music styles to create his own distinctive blend of country music, a hybrid of jazz, pop, blues, rock and folk. His "unique sound", which uses a "relaxed, behind-the-beat singing style and gut-string guitar" and his "nasal voice and jazzy, off-center phrasing", has been responsible for his wide appeal, and has made him a "vital icon in country music", influencing the "new country, new traditionalist, and alternative country movements of the 1980s and 1990s".
In 1969, the Baldwin company gave Nelson an amplifier and guitar with their "Prismatone" pickup. During a show in Helotes, Texas, Nelson left the guitar on the floor of the stage, and it was later stepped on by a drunk man. He sent it to be repaired in Nashville by Shot Jackson, who told Nelson that the damage was too great. Jackson offered him a Martin N-20 Classical guitar, and, at Nelson's request, moved the pickup to the Martin. Nelson purchased the guitar unseen for $750 and named it after Roy Rogers' horse "Trigger". The next year Nelson rescued the guitar from his burning ranch.
Constant strumming with a guitar pick over the decades has worn a large sweeping hole into the guitar's body near the sound hole—the N-20 has no pick-guard since classical guitars are meant to be played fingerstyle instead of with picks. Its soundboard has been signed by over a hundred of Nelson's friends and associates, ranging from fellow musicians to lawyers and football coaches. The first signature on the guitar was Leon Russell's, who asked Nelson initially to sign his guitar. When Nelson was about to sign it with a marker, Russell requested him to scratch it instead, explaining that the guitar would be more valuable in the future. Interested in the concept, Nelson requested Russell to also sign his guitar. In 1991, during his process with the IRS, Nelson was worried that Trigger could be auctioned off, stating: "When Trigger goes, I'll quit". He asked his daughter, Lana, to take the guitar from the studio before any IRS agent arrived there, and then deliver it to him in Maui. Nelson then concealed the guitar in his manager's house until his debt was paid off in 1993.
Nelson is widely recognized as an American icon. He was inducted into the Country Music Hall of Fame in 1993, and he received the Kennedy Center Honors in 1998. In 2011, Nelson was inducted to the National Agricultural Hall of Fame, for his labor in Farm Aid and other fund raisers to benefit farmers. In 2015 Nelson won the Gershwin Prize, the lifetime award of the Library of Congress. In 2018 The Texas Institute of Letters inducted him among its members for his songwriting. He was included by Rolling Stone on its 100 Greatest Singers and 100 Greatest Guitarists lists.
Kansas City
Willie Nelson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
We're goin' to Kansas City Kansas City here we come
They got some crazy little women and we're gonna get us one
We go on and stand on the corner of 12th street in line
We'll be standin' on the corner of 12th in line
With our Kansas City baby and our bottle of Kansas City wine
We might take a train we might take a plane
But if I have to walk I'm gonna get there just the same
They got some crazy little women and we're gonna get us one
Well if we don't have these women we know we're gonna die
Gotta find a brand new baby and that's the reason why
We're goin' to Kansas City Kansas City here we come
Got some crazy little fellows and we're a gonna get us one
Well if we don't have these women...
Willie Nelson's "Kansas City" is a classic rockabilly tune that talks about the excitement of heading to Kansas City to find some crazy little women. The song portrays the desire of young men who are looking for love in Kansas City, a town that is famous for its jazz and blues music. The first verse of the song highlights that the singer is going to Kansas City to find a crazy little woman. The second verse talks about standing on the corner of 12th street in Kansas City, waiting for that special someone with a bottle of Kansas City wine, and in the third verse, the singer mentions he will do anything to get there, even if it means walking. The chorus repeats the desire to find a woman in Kansas City, and the last verse asserts that the men must find new babies, or else they will die.
In the song, the idea of finding a crazy little woman is a metaphor for finding love and excitement. The lyrics talk about the endless possibilities of finding love in a new city, and the joy in discovering someone new. Through the lens of the song, Kansas City becomes a place of wonder where one may find new love, even if it means taking the long road. The song captures the spirit of rockabilly, a genre of music that is about adolescent experiences, love, and life.
Line by Line Meaning
We're goin' to Kansas City Kansas City here we come
Excitedly heading to Kansas City
They got some crazy little women and we're gonna get us one
There are interesting ladies in KC and we plan to find one
We go on and stand on the corner of 12th street in line
Waiting patiently in line on 12th street
With our Kansas City baby and our bottle of Kansas City wine
Enjoying time with a local KC love interest and some local wine
We might take a train we might take a plane
Undecided on which transportation mode to use
But if I have to walk I'm gonna get there just the same
Willing to walk to KC if needed
Well if we don't have these women we know we're gonna die
Need a lady in our lives for happiness
Gotta find a brand new baby and that's the reason why
Searching for a new love interest
Got some crazy little fellows and we're a gonna get us one
KC has interesting men too, and we're also looking for one
Lyrics © BMG Rights Management, Warner Chappell Music, Inc.
Written by: Jerry Leiber, Mike Stoller
Lyrics Licensed & Provided by LyricFind
Silverstar the Hybrid
I wish he would come here.
Sarge Whitson
Willie is the shit.....