From this moment very is connected, it becomes the discovery of Francofolies of the Small rock in 2001 and records its first individual "That You To say? in 2002. This new come on the R' scene B Frenchwoman quickly will not be made her place with the sun with the exit of its first album "# 1" and of its tubes: "the Orphan", "the Wall Of the Sound", etc. Willy returns at the end of 2004 with its second album "Act 2" in lined precedent and which will charm the unconditional ones with titles "Honey" or "Gives Him My Phon".
Honey
Willy Denzey Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
La la la la (oh oh yeah)
La la la la (la la la la la la la la la la la la la la) (x3)
Avant tout je voudrais que tu saches
Que t'es hot que t'es hot
Vraiment dangerous
Je t'invite à t'asseoir à ma table
So dangerous
Mais si t'as pas l'time
Faut que tu t'en ailles
Get up get up
Get up get up
{Refrain:}
Sexy honey, laisse-moi te parler (la la la la)
Sexy honey, sans te dénuder (la la la la)
Sexy honey, laisse-moi te parler (la la la la)
De toi de moi de nous au choix (la la la la)
La la la la la la la la la la la la la la (la la la la)
Habillée près du corps tu te lâches
Tu joues hot tu joues hot
Vraiment dangerous
Tous les yeux sont rivés sans relâche
Et tu chopes t'as la côte
Mais c'est dangerous
Je sais bien qu'tu n'as rien fait de mal
Hot hot
Dangerous
C'est un détail ton tour de taille
Get up get up
Get up get up
{au Refrain}
C'est un détail pour ton tour de taille
Moi je séduis la femme (je séduis la femme)
C'est un détail faut pas qu'tu t'en ailles
Je veux voir ton âme (je veux voir ton âme)
C'est un détail moi j'ai tout mon time
Mais je n'veux qu'la femme (qu'la femme)
C'est un détail faut pas qu'tu t'en ailles
Attise la flamme
{au Refrain}
La la la la (la la la la la la la la la la la la la la)
{x4}
The song "Honey" by Willy Denzey is a playful yet bold declaration of attraction to a woman. The opening lines of "la la la" create a lighthearted and upbeat mood. The first verse expresses the danger that the woman carries with her, portraying her as confident and alluring. Despite her seemingly innocent demeanor, the singer recognizes the woman's power and invites her to his table. The pre-chorus emphasizes the need for the woman to leave if she is not interested. The refrain repeats the phrase "sexy honey" and expresses the desire for a deeper connection between the singer and the woman.
The second verse highlights the woman's physical attributes and the attention she receives. However, the singer acknowledges that the woman has done nothing wrong and celebrates her beauty. The bridge of the song uses repetition to emphasize that the singer is looking for a serious connection and wants to see the woman's true self. The last repetition of "la la la" at the end of the song creates a sense of playfulness that echoes throughout the entire song.
Line by Line Meaning
La la la la (oh oh)
The artist begins by humming before the song starts.
La la la la (oh oh yeah)
The artist continues humming, expressing his energy and excitement towards the song.
La la la la (la la la la la la la la la la la la la la) (x3)
The artist continues humming, setting the rhythm of the song.
Avant tout je voudrais que tu saches
The artist wants to let his listener know something important right from the start.
Que t'es hot que t'es hot
He thinks that the listener is attractive and alluring.
Vraiment dangerous
He emotionalizes that the listener is also very tempting and possibly harmful or risky.
Je t'invite à t'asseoir à ma table
The artist invites the listener to sit and have a conversation with him.
Sous tes airs tu fais croire que t'es sage
The artist suggests that the listener is playing it innocent, while he thinks she's not.
So dangerous
The artist emphasizes that he finds the listener's attitude and behavior attractive but also hazardous.
Mais si t'as pas l'time
The artist acknowledges that the listener might not have the time to spend with him.
Faut que tu t'en ailles
He suggests the listener should leave if that's the case.
Get up get up
He encourages the listener to get up and leave.
{Refrain:}
The song's chorus starts.
Sexy honey, laisse-moi te parler (la la la la)
The artist addresses the listener as a beautiful and appealing woman and asks her to listen to him.
Sexy honey, sans te dénuder (la la la la)
He asks her to listen to him without undressing or revealing herself.
Sexy honey, laisse-moi te parler (la la la la)
The artist repeats his request for the listener to hear him out.
De toi de moi de nous au choix (la la la la)
He hints that the conversation could be about them, their feelings, or their future together.
La la la la la la la la la la la la la la (la la la la)
The artist hums, transitioning back to the verse.
Habillée près du corps tu te lâches
The artist observes that the listener is wearing tight clothes and letting go of herself.
Tu joues hot tu joues hot
He comments that she's playing sexy and seductive.
Vraiment dangerous
He repeats his previous sentiment about the listener, suggesting that she is thrilling and risky.
Tous les yeux sont rivés sans relâche
The artist notices that everyone's eyes are on her, watching her every move.
Et tu chopes t'as la côte
He suggests that she is popular with the men and attracting their attention.
Mais c'est dangerous
He reminds the listener that her attractiveness and allure are still dangerous.
Je sais bien qu'tu n'as rien fait de mal
The artist clarifies that the listener hasn't done anything wrong in his perspective.
Hot hot
He emphasizes that she's hot once more.
Dangerous
He underlines that she's dangerous again.
C'est un détail ton tour de taille
The artist says that her waistline is just a detail or minor feature to him.
Get up get up
He repeats his previous encouragement for her to leave.
{au Refrain}
The chorus returns.
C'est un détail pour ton tour de taille
The artist repeats his previous sentiment about the listener's waistline not being the most important thing.
Moi je séduis la femme (je séduis la femme)
He comments on his own seduction skills and emphasizes that he knows how to seduce women.
C'est un détail faut pas qu'tu t'en ailles
The artist argues that her leaving is not a big deal.
Je veux voir ton âme (je veux voir ton âme)
He says that he wants to see her soul, meaning that he wants to get to know her beyond her physical appearance.
C'est un détail moi j'ai tout mon time
The artist assures the listener that he has all the time he needs.
Mais je n'veux qu'la femme (qu'la femme)
He states that he only wants her, the woman in front of him, implying he's not interested in anyone else.
C'est un détail faut pas qu'tu t'en ailles
He repeats his previous statement that her leaving is unnecessary.
Attise la flamme
He encourages her to fan the flames of their mutual attraction.
{au Refrain}
The chorus comes back for the last time.
La la la la (la la la la la la la la la la la la la la)
The artist hums as the song ends.
{x4}
The artist repeats the humming four times before the song fades out.
Contributed by Jacob M. Suggest a correction in the comments below.
Aleemah
Omg comment j'ai saigné ce son, et cet album 😍 ! 2004 !? J'avais 15 ans ça rajeunit pas tout ça 😮
Tariq Taujoo
Assalamoualaikoum Aleemah. Ahh de meme.
JASE
Si c’était 2004 j’avais 8ans ! Il était diffusé a l’époque(ce titre) ? Car je viens découvrir je l’ai connu avec l’orphelin il me faisait pleurer à chaque fois en passage en radio !
Benjamin Botte
EnCore Un Nouveau boulot de ouf 🎉🎉🎉
Benjamin Botte
Charbon 😂😂😂❤❤😮 J'ai trOP HÂTE 😅
Benjamin Botte
Toujours en cours ❤❤
Nadstyle
Belle époque, que des belles zik 🔥🔥🔥
Ça nous manque vraiment ce genre des musique
Audrey TESSIER
2022 et je m enjaille sur ce son. Je suis tellement nostalgique de cette époque :(
Astou Cieuse
Je connais encore les paroles par cœur ❤
CleopatraTelevision
OMG je l’avais oubliée celle-là ! Ah ouais y’a pas à dire. Artistiquement c’était plus joli à l’époque. Je confirme et je signe. On a raté quelque chose avec les plus jeunes.