One of the most popular black singers of the 60s, Wilson Pickett helped introduce the aggressive, rhythmic style of black music to a wide audience and has influenced almost countless rnb artists over the years. It all got started in Prattville, Alabama, where he was raised. Pickett moved to Detroit, Michigan at the age of sixteen, and he made his professional debut spending several years singing with the gospel group The Violinaires in the late 50s. From 1961 to 1963, he was in The Falcons, writing and singing their 1962 hit "I Found A Love".
Pickett then went solo and signed with Lloyd Price's Double L Records, where he wrote and recorded "If You Love Me" and "It's Too Late." In 1964, Pickett signed with Atlantic Records and did his early recordings in the Stax studio in Memphis, Tennessee with Booker T. Jones and Steve Cropper of The MGs. Cropper co-authored three of his early hits, "In the Midnight Hour" and "Don't Fight It from his debut album The Exciting Wilson Pickett that established him as a major soul star. The album also included "Ninety-Nine and a Half (Won't Do)," "She's So Good to Me," and "Land of a 1,000 Dances," all recorded at Fame Studio in Muscle Shoals.
Pickett then had hits with "Mustang Sally," "I Found a Love," and "Funky Broadway," all recorded in Muscle Shoals. Pickett then teamed with Bobby Womack in 1968 for Midnight Mover that yielded a Top 10 R7B and pop hit with Womack's title song. In 1969, Pickett had a major hit with The Beatles "Hey Jude,", followed in 1970 by "Sugar, Sugar." Later in 1970, Pickett worked with producers Kenny Gamble and Leon Huff at Sigma Sound Studios in Philadelphia. The result was two crossover hits "Engine Number Nine," and "Don't Let the Green Grass Fool You."
After crossover hits "Don't Knock My Love - Part 1" and "Fire and Water" Pickett left Atlantic for RCA, with minimum success. Pickett later recorded for several record companies, including his own Wicked label, but failed to have anymore hits.
Wilson Pickett was inducted into the Rock and Roll Hall of Fame in 1991.In 1999 he performed with his friend Bruce Springsteen.In 2002 he performed in the movie Only The Strong Survive.Singing his classic hits like In the Midnight hour and Land Of 1000 Dances.In 2004 Pickett retired from performing do to Health problems.Pickett told his sister he was going to the field of God but he never recovered.
On January 19,2006 Pickett died of a heart attack at his home. At his funeral long time friend Richard Pennimen (Little Richard) did a eulogy for Mr Pickett with his brothers at his funeral.
Pickett's Personal life was troubled. In 1993 he struck a pedestrian Pepe Ruiz. Later that year Ruiz died. Soul Singer Don Covay called him "Young and Wild". Pickett was arrested many times in his life.
Engine Number 9
Wilson Pickett Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Can you get me back on time?
Move on, move on down the track
Keep that steam comin' out the stack
Keep on movin, keep on movin', keep on movin'
Ow
Keep on movin' down the line
Seem like I've been gone for days
I can't wait to see my baby's face
Look here, been so long
Since I have, been so long, since I have, ah
Been so long since I have
Been so long since I kissed her, aah
Engine, engine number nine
Move on, move on down the line
Seem like I've been gone for days
I can't wait to see my baby's face
Move on, move on
Ow, move on
Aah, g-go on about it, gotta get there, ow, hah
Ah, ah, that sounded all right
I think I'm gonna hold it a little bit longer
I wanna let the boys do this a little bit, huh
Aah, got to, got to
Keep on movin', keep on movin', keep on movin'
Move on, move on, move
G-g-g-get it
Got to, got to, got to, got to get it
Ow, huh
Move on
Lord have mercy, feel all right
Whoo
Keep on movin', keep on movin'
Got to keep movin'
Got to, got to, got to, got to, got to, got to keep movin'
Aah, oh, whoo, ha, so
Huh, oh, ow
Play your guitar, son, oh, ah
Ow
Get it, get it, get it, get it, get it, get it
Get it, get it, get it, get it, get it, get it, get it, get it, get it, get it, oh
Hah, whoo, shucks, get on up
Take me to my baby's place
Got to hold her in my arms
Ow
Ooh, 'gon, hah, huh
Huh
Move on
Gotta keep movin', gotta keep movin', gotta keep movin'
Love me, love me, love me, love me now
Ooh, got to keep movin', got to move
Ow
"Engine Number 9" by Wilson Pickett is a classic soul song that tells the story of a man who has been away from his lover for far too long and is desperate to see her once again. The lyrics use symbols of trains and engines as a metaphor for taking him back to his home, his baby's arms. The song starts with the man calling on the engine to get him back on time as he is eager to see his girl. He urges the engine to keep on moving down the track, keep the steam coming out of the stack and continue to move forward. The lyrics depict his eagerness to reach his love and how he has been longing to see her face for days. Along with the message of longing, the song has an upbeat tempo that emphasizes the excitement of the singer's journey.
Throughout the song, there is a repetition of phrases such as "move on, move on down the line" and "keep on moving" which helps convey the sense of urgency and the importance of moving forward. The chorus reiterates the urgency of moving on and emphasizes that the singer needs to keep moving towards his destination.
The song is symbolic of Wilson Pickett's optimistic perspective on life - that success can only come through hard work and perseverance. It implies that by working hard and never giving up, one can always reach their destination. Overall, the lyrics of "Engine Number 9" are a reminder to keep moving forward towards one's goals, no matter what obstacles stand in the way.
Line by Line Meaning
Engine, engine number nine
Addressing the locomotive train and identifying it by its engine number to initiate communication.
Can you get me back on time?
Asking the train to take the singer to his destination within the expected timeframe.
Move on, move on down the track
Encouraging the train to continue its journey on the railroad.
Keep that steam comin' out the stack
Urging the train to maintain its momentum and speed.
Keep on movin, keep on movin', keep on movin'
Repeating the same exhortation made a few lines ago, emphasizing the importance of not slowing down or stopping.
Engine, engine number nine
Repeating the same address to the train to signify the continuity of the request.
Keep on movin' down the line
Instructing the train to keep moving ahead on the railroad tracks.
Seem like I've been gone for days
Expressing the singer's feelings of being away from his loved one for an extended period, which has made him eager to see her again.
I can't wait to see my baby's face
Conveying the singer's excitement and anticipation of reuniting with his partner.
Been so long since I have
Admitting that it has been a long time since the singer has seen his lover, emphasizing his yearning for her.
Since I have, been so long, since I have, ah
Repeating the same thought to reinforce the idea expressed in the previous line.
Been so long since I have
Repeating the admission to highlight the singer's deprivation of his lover's company.
Been so long since I kissed her, aah
Specifically mentioning that the singer has missed kissing his lover, indicating a longing for physical affection.
Move on, move on down the line
Repeating the same instruction as earlier to keep the train moving ahead on the tracks.
Look here, been so long
Drawing the listener's attention to the fact that it has been a considerable amount of time since the singer has seen his beloved.
I can't wait to see my baby's face
Repeating the same expression of eagerness to meet the singer's partner.
Move on, move on
Repeating the same instruction to keep the train moving.
Ow, move on
A vocal expression of delight and excitement for the singer to anticipate his reunion with his lover.
Aah, g-go on about it, gotta get there, ow, hah
An exclamation of eagerness and determination to reach the destination quickly and joyfully.
Ah, ah, that sounded all right
The singer acknowledging that the music played by the band is the way he wanted it to be.
I think I'm gonna hold it a little bit longer
Deciding to stretch out the duration of the song, showing the singer's delight in the music and perhaps creating an analogy with the desire to prolong a happy moment.
I wanna let the boys do this a little bit, huh
Expanding that the singer wants to provide space for the other band members to improvise and take the lead on the song.
Aah, got to, got to
Expressing the singer's eagerness and obsession for the music to continue playing and is extremely excited about it.
G-g-g-get it
An exclamation of joy, delight, and approval; the singer is audibly appreciative of the music.
Got to, got to, got to, got to get it
The singer repeating the same phrase to emphasize how much he loves the music.
Ow, huh
A vocal expression of pure joy and excitement.
Move on
A short but emphatic message to keep the train moving forward.
Lord have mercy, feel all right
An expression of relief and joy, highlighting that the singer is in a state of happiness, pleasure, and satisfaction.
Whoo
A vocal expression of excitement or enthusiasm.
Got to keep movin', keep on movin'
Repeating the same instruction to encourage the locomotive to continue its journey on the tracks.
Got to keep movin'
Repeating the same phrase to emphasize the importance of the train not stopping or slowing down.
Got to, got to, got to, got to, got to, got to keep movin'
Repeating the instruction six times in a row, highlighting the singer's determination to keep moving forward.
Aah, oh, whoo, ha, so
An expression of pure joy and excitement, with sounds of laughter and enthusiasm.
Huh, oh, ow
A vocal expression of pleasure, delight, and perhaps surprise.
Play your guitar, son, oh, ah
Encouraging the guitar player to take the lead and play his instrument to the fullest.
Ow
An expression of excitement and approval.
Get it, get it, get it, get it, get it, get it
Urging the band members to continue playing with enthusiasm and energy.
Get it, get it, get it, get it, get it, get it, get it, get it, get it, get it, oh
Repeating the same phrase multiple times to emphasize the importance of the music to continue in full swing.
Hah, whoo, shucks, get on up
An expression of joy and approval for the music being played and encouraging others to join in the fun.
Take me to my baby's place
Expressing the longing to be taken to his lover's location as soon as possible.
Got to hold her in my arms
Desiring to hold his lover as soon as possible, displaying the singer's deep love and affection for his partner.
Ow
A vocal expression of excitement, enthusiasm, and approval.
Ooh, 'gon, hah, huh
A series of vocal expressions that indicate that the singer is enjoying himself and is delighted with the music.
Huh
A vocal expression of satisfaction or attainment that suggests the singer realizes his goal of enjoying good music.
Move on
Repeating the instruction one last time as the singer wraps up the song, reinforcing the importance of continuous growth and change.
Gotta keep movin', gotta keep movin', gotta keep movin'
Repeating the same instruction three times in a row, emphasizing that the journey is just as important as the destination.
Love me, love me, love me, love me now
A call to action, resultantly urging the listener to express their love and affection towards the singer immediately.
Ooh, got to keep movin', got to move
Repeating the instruction stressing the importance of not being complacent and to keep moving and evolving continuously.
Ow
A vocal expression of approval and satisfaction.
Lyrics ยฉ Warner Chappell Music, Inc.
Written by: KENNETH GAMBLE, KENNY GAMBLE, LEON HUFF
Lyrics Licensed & Provided by LyricFind
johnny zell
Engine, engine #9, can you get me back on time?
Move on, move on down the track
Keep that steam comin' out the stack
Keep on movin, keep on movin', keep on movin', ow!
Engine, engine #9, keep on movin' down the line
Seem like I've been gone for days
I can't wait to see my baby's face
Look here, been so long since I have, been so long, since I have
Been so long since I have, been so long since I kissed her
Engine, engine #9, move on, move on down the line
Seem like I've been gone for days
I can't wait to see my baby's face
Move on, move on, ow! Move on, ow!
Get go on about it, gotta get there, ow hah! Ah!
Ah, that sounded all right; I think I'm gonna hold it a bit longer
I wanna let the boys do this a little bit!
johnny zell
Engine, engine number nine
Can you get me back on time?
Move on, move on down the track
Keep that steam comin' out the stack
Keep on movin, keep on movin', keep on movin'
Ow
Engine, engine number nine
Keep on movin' down the line
Seem like I've been gone for days
I can't wait to see my baby's face
Look here, been so long
Since I have, been so long, since I have, ah
Been so long since I have
Been so long since I kissed her, aah
Engine, engine number nine
Move on, move on down the line
Seem like I've been gone for days
I can't wait to see my baby's face
Move on, move on
Ow, move on
Aah, g-go on about it, gotta get there, ow, hah
Ah, ah, that sounded all right
I think I'm gonna hold it a little bit longer
I wanna let the boys do this a little bit, huh
Aah, got to, got to
Keep on movin', keep on movin', keep on movin'
Move on, move on, move
G-g-g-get it
Got to, got to, got to, got to get it
Ow, huh
Move on
Lord have mercy, feel all right
Whoo
Keep on movin', keep on movin'
Got to keep movin'
Got to, got to, got to, got to, got to, got to keep movin'
Aah, oh, whoo, ha, so
Huh, oh, ow
Play your guitar, son, oh, ah
Ow
Get it, get it, get it, get it, get it, get it
Get it, get it, get it, get it, get it, get it, get it, get it, get it, get it, oh
Hah, whoo, shucks, get on up
Take me to my baby's place
Got to hold her in my arms
Ow
Ooh, 'gon, hah, huh
Huh
Move on
Gotta keep movin', gotta keep movin', gotta keep movin'
Love me, love me, love me, love me now
Ooh, got to keep movin', got to move
Ow
GeorgiaBoy1961
This is one of the funkiest tracks ever laid down by anyone, anywhere. Pickett, one of the greatest hard soul singers ever, deserves all the credit we can give him - but so do the guys in the studio, the arrangers and the band. The bass track alone is like a composition all its own, and the menacing lead guitar with wah and fuzz is unbelievable. Like Wilson says, "I'm gonna let the boys cook this a little bit..." can't blame him - this is about as hot as it gets.
V Norris
Back when Public Television mattered, I saw him perform this song. Wilson Pickett could dance! Soul Brother No.2 back in the day.
GeorgiaBoy1961
@V Norris - I see what you did there! "Soul Brother #2" ... hehehe... but seriously, in his prime, the Wicked One had something not even James Brown himself had. James may have been the "Hardest Working Man in Show Business," "Soul Brother Number One," and his bad self - but Pickett had his own thing happening. Great as he was, Brown never waxed a side even remotely like "Engine #9 (Get Me Back on Time)"..... and it wasn't just Pickett at the top of his game, but those funky cats in the MSFB band, i.e., the collection of about thirty studio musicians who backed the artists recorded at Sigma Sound Studio, usually productions by Kenny Gamble and Leon Huff. Too many to list here, but cats like Norman Chambers and Roland Chambers on guitar, Bob Babbitt, Ronnie Baker and Anthony Jackson on bass, Carl Chambers and Earl Young on drums, and Leon Huff and Thom Bell on keyboards, plus many others. They were some bad cats....
John Anderson
@GeorgiaBoy1961 J ames may have been king of funk but this guy was. King of Soul! Damn that guitar as well as the rest of the band!
GeorgiaBoy1961
@John Anderson - This band was the real sh*t as far as I am concerned. They were burning on this track.
Tyrone Wilkins
RA
Beth Walker
That Bass line and cowbell ๐๐พ
James Robinson
This is a seriously funky groovy cut. His voice and that infectious beat is mesmerizing. His great voice and the musicians are superb.
Savage Life
This is seriously one of the most underrated and greatest songs ever produced by anybody
Tracy Walden
Who do you know that wrote this song ?