1) Paul McCart… Read Full Bio ↴There is more than one artist sharing the name Wings;
1) Paul McCartney and Wings (also known by their original name Wings) were a British–American rock band formed in 1971 by former Beatle Paul McCartney, his wife Linda McCartney on keyboards, session drummer Denny Seiwell, and former Moody Blues guitarist Denny Laine. Wings were noted for frequent personnel changes along with their commercial successes, going through three lead guitarists and four drummers. However, the core trio of the McCartneys and Laine remained intact throughout the group's existence.
Created following the McCartneys' 1971 album Ram, the band's first two albums, Wild Life (1971) and Red Rose Speedway (1973) (the latter featuring guitarist Henry McCullough), were viewed as artistic disappointments beside Paul's work with the Beatles. After the release of the title track of the James Bond movie Live and Let Die, McCullough and Seiwell resigned from the band. The McCartneys and Laine then released 1973's Band on the Run, a commercial and critical success that spawned two top ten singles in "Jet" and the title track. Following that album, the band recruited guitarist Jimmy McCulloch and drummer Geoff Britton, only for Britton to quit shortly afterwards and be replaced by Joe English. With the new line-up, Wings released 1975's Venus and Mars, which included the US number one single "Listen to What the Man Said", and undertook a highly successful world tour over 1975–76. Intended as more of a group effort, Wings at the Speed of Sound (1976) was issued midway through the tour and featured the hit singles "Silly Love Songs" and "Let 'Em In".
In 1977, the band earned their only UK number one single, with "Mull of Kintyre", which became the then-best-selling UK single in history. Wings experienced another line-up shuffle, however, with both McCulloch and English departing before the release of the group's 1978 album London Town. The McCartneys and Laine again added new members, recruiting guitarist Laurence Juber and drummer Steve Holley. The resulting album, Back to the Egg, was a relative flop, with its singles under-performing and the critical reception negative. During the supporting tour, Paul was arrested in Japan for cannabis possession, putting the band on hold. Despite a final US number one with a live-recorded version of "Coming Up" (1979), after Laine departed from the band, Wings discontinued in 1981.
Wings had twelve top-10 singles (including one number one) in the UK and fourteen top 10 singles (including six number ones) in the US. All 23 singles released by Wings reached the US top 40, and one two-sided hit, "Junior's Farm"/"Sally G", reached the top 40 with each side. Of the nine albums released by Wings, all went top 10 in either the UK or the US, with five consecutive albums topping the US charts. Paul McCartney was unquestionably Wings' leader and dominant creative force, but Denny Laine, Jimmy McCulloch, and Linda McCartney all contributed in songwriting, and Laine, McCulloch, Joe English, and Linda McCartney all performed lead vocals.
The success of Wings was a vindication for McCartney. His first few post-Beatles albums were highly criticized and often dismissed by critics as "lightweight" next to the more serious nature of his former bandmates' solo output. But by the mid-1970s, the solo careers of the other three former Beatles were in varying degrees of decline, with John Lennon putting his career on hold in 1975 for the first five years of his son Sean's life. A year later, George Harrison had all but retired from live performances, with his new releases failing to match the success of his initial solo output. Ringo Starr was living in Los Angeles and was writing and recording, but as a solo artist had not been performing onstage other than rare guest appearances. Meanwhile, Wings continued to tour regularly and enjoy much commercial success. According to author Robert Rosen, by 1980, Lennon was envious enough of McCartney's continuing success to make his re-emergence on the music scene.
One of the criticisms of Wings was that the other members were little more than sidemen backing up a solo McCartney. Guitarist Henry McCullough quit the band because he grew tired of being told by McCartney exactly what to play, and said that Wings were never a "real band." On the other hand, other former members of Wings such as Joe English and Laurence Juber have said that they were allowed a degree of creative freedom. In an interview, Juber, Wings' third lead guitarist, said, "I was a sideman, but the job assignment very much included considering myself a part of the band ... In all its incarnations Wings sounded like a band, not like a solo McCartney project and I think that reflects well not only on Paul's ability to share in the creative process, but also on the importance of Denny and Linda's contributions, too. The other players brought their own personalities to the scene."
In addition to its own output, Wings recorded several songs that were released through various outlets both before and after the band's break-up. Denny Laine's 1977 solo album Holly Days was a joint effort by Laine with Paul and Linda McCartney; three songs on Laine's 1980 solo album Japanese Tears were performed by Wings with Laine on lead vocals; Laine also contributed to several songs on Paul McCartney's 1982 and 1983 solo albums Tug of War and Pipes of Peace, respectively. Juber's instrumental "Maisie"—which was backed by members of Wings—appeared on his solo album Standard Time. The McCartneys and Laine contributed backing vocals to George Harrison's 1981 tribute to John Lennon, "All Those Years Ago". Linda McCartney continued to tour and record with her husband up until her death in 1998, after which a compilation of her songs entitled Wide Prairie was released that featured seven Wings songs written or co-written by her. Wings also backed Paul's brother Mike McGear on the McGear album, as well as McGear's band the Scaffold on the single "Liverpool Lou" and its B-side "Ten Years After on Strawberry Jam". Paul McCartney also used three unreleased Wings songs as B-sides of his solo singles several years after Wings' break-up.
Wings' 1977 single "Mull of Kintyre"/"Girls School" is still the biggest-selling non-charity single in the UK (although Queen's "Bohemian Rhapsody" sold more, its sales include a reissue in aid of the Terrence Higgins Trust), and it ranked fourth in the official list of all-time best-selling singles in the UK issued in 2002.
In 2001, Wingspan: Hits and History was released, a project spanning an album and a television special retrospective.
2) Wings: A Rock band from Malaysia. Their history began on the establishment in 1985 the Secondary School Sri Ampang in Kuala Lumpur. There, four young men who are still demanding joined forces to form a school band. As motivated and very interested in Rock music, especially rhythm, they agreed to singing rock'n'roll participating during their presentations. When it began the birth of WINGS although this group has no name.
Wings' original members are Awie, Jojet, Jo and Sham. The break-hit group when Jojet migrate to GERSANG while Arid and Jo resigned. While Syria set up new groups, named Group CRK.
Members:
Vocalists:
1) Awie (Ahmad Azhar Othman) 1985 - 1993. 2002 - Now
2) Mel (Ismail Zainuddin) 1995 - 1996
3) Mus (Mustafa Din) 1996 - 2001
Guitarists
1) Sham (Sham Baharom) 1985 - 1987
2) Tham Wing Kwan 1987
3) Joe (Abdul Zamin bin Abdul Kadir) 1988
Bassist
Eddie (Samsaidi Haji Ulong Idris) 1985 -Now
Drummer
1)Black(Azmi Hashim) 1985 - 1990. 1994 - Now
2) Jojet 1990 - 1993
3) Wings was also a Finnish death metal band which started in the early 90’s as a side project of Cartilage’s Gabriel Suoraniemi. This incarnation of Wings released a demo and a 7’‘EP. In 1994 Suoraniemi found a full line-up and the style changed to a more modern direction. They released one demo and a full-lenght album through Woodcut Productions (run by Suoraniemi’s ex-Cartilage comrade Mikki Salo) before splitting up. Most of the Wings line-up played in Enochian Crescent as well.
4) A duo in Korea is also using the name Wings (윙스).
Daytime Nightime Suffering
Wings Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
There on the ladder of regrets?
Mighty river, give her all she gets
What does she get for all the love she gave you
There on the ladder of regrets?
Daytime night time suffering is all she gets
Where all the prizes for the games she entered
Daytime night time suffering is all she gets
Come on, river, all the flow
Let your love of you people show
Come on, river, flow through me
Let your love of you people be
You are the river, I am the stream
Flow mighty river through me
What does it pay to play the leading lady
When like the damsel in distress
Daytime night time suffering is all she gets
No less (no less), no more (no more)
No sea (no sea), no shore (no shore)
No sand (no sand), no pail (no pail)
No fairy tale anymore
Come on, river, flow through me
Don't be stopped by insanity
Come on, river, overflow
Let your love for your neighbors grow
You are the river, I am the stream
Flow mighty river, through me
Daytime night time suffering is all she gets?
Oh, oh, daytime night time suffering is all she gets
Oh, oh, daytime night time, night time suffering is all, is all she gets, she gets
What does she get for all the love she gave you
The song "Daytime Nightime Suffering" by Wings is a poignant representation of the pain and suffering that women often experience in romantic relationships. The lyrics speak directly to a woman who has given her all in love, yet has received nothing but misery and heartache in return. The song opens with the lines, "For all the love she gave you, there on the ladder of regrets? Mighty river, give her all she gets." This imagery of a ladder represents the woman's struggles and the obstacles she has faced. The singer is asking for the river to give her what she deserves, but the imagery of the ladder of regrets suggests that she may never receive it.
As the song continues, the lyrics illustrate the ways in which the woman has been let down by the man she loves. She has entered into games and competitions, hoping to win his affection or approval, but has only been met with disappointment. The chorus repeats the line, "Daytime night time suffering is all she gets," hammering home the idea that this woman's life is one of constant pain and heartbreak. The final lines of the song, "What does she get for all the love she gave you? Oh, oh, daytime night time, night time suffering is all, is all she gets, she gets," serve as a final lament for this woman, who has given everything and received nothing in return.
Overall, the lyrics of this song are a powerful representation of the emotional struggles that women face in romantic relationships. The metaphor of the river serves as a reminder that even when we are broken down and beaten, there is always the possibility for growth and renewal.
Line by Line Meaning
For all the love she gave you
Despite all the love she gave you
There on the ladder of regrets?
Even though she may have regrets and mistakes
Mighty river, give her all she gets
Asking the river/person in power to give her what she deserves
What does she get for all the love she gave you
Questioning what she truly gets in return for her love
There on the ladder of regrets?
Despite any past regrets or mistakes
Daytime night time suffering is all she gets
All she ever receives is constant suffering
Where all the prizes for the games she entered
Asking where are the rewards for her hard work
With little chance of much success?
Even with the low chances of winning
Daytime night time suffering is all she gets
Regardless of any efforts or hard work, the result never changes
Come on, river, all the flow
Asking the river/person in power to let their love flow
Let your love of you people show
To show love and kindness to others
Come on, river, flow through me
Asking for the river/person in power to come and let their power flow through them
Let your love of you people be
To let love and kindness be shown to everyone
You are the river, I am the stream
Referring to the power dynamic between the person and the river/powerful entity
Flow mighty river through me
Asking for the river's power to be channeled through them
What does it pay to play the leading lady
Questioning the worth of playing the role of the main character
When like the damsel in distress
Being in a position of vulnerability
Daytime night time suffering is all she gets
Despite the different roles she may play, the result is always the same
No less (no less), no more (no more)
Nothing less, nothing more
No sea (no sea), no shore (no shore)
No environment or setting
No sand (no sand), no pail (no pail)
No equipment or tools
No fairy tale anymore
The idealized version of life no longer exists
Come on, river, flow through me
Asking for the river's power to be channeled through them
Don't be stopped by insanity
Inability to stop insanity or chaos
Come on, river, overflow
Asking for the overwhelming power and kindness of the river
Let your love for your neighbors grow
Letting love spread to those around you
Daytime night time suffering is all she gets?
Questioning the reality of constant suffering
Oh, oh, daytime night time suffering is all she gets
Emphasizing the repetitive nature of suffering
Oh, oh, daytime night time, night time suffering is all, is all she gets, she gets
Repeating the harsh reality that no matter the effort or circumstances, she only receives suffering
What does she get for all the love she gave you
Reiterating the question of what she truly gains from giving love
Lyrics © OBO APRA/AMCOS
Lyrics Licensed & Provided by LyricFind