Wire's debut album, Pink Flag (1977), contains songs which are diverse in mood and style, but most use a minimalist punk approach, unorthodox structures, and several songs are under a minute in length; "Field Day For The Sundays" is only 28 seconds long.
Chairs Missing followed in 1978, and found Wire stepping back from the stark minimalism of Pink Flag, with longer, more atmospheric songs and synthesizer parts added by producer Mike Thorne. The experimentation was even more prominent on 154 (1979). Many of the songs had bassist Graham Lewis on lead vocals.
In 1979, creative differences pulled the band in different directions, leading to the Document and Eyewitness LP (1981), a recording of a performance that featured, almost exclusively, new material. The LP came packaged with an EP of a different performance of more new material. Some of these songs, along with others performed but not included on the album, were included on Colin Newman's post-Wire solo albums ("5/10", "We Meet Under Tables"), while others were released by Gilbert and Lewis' primary post-Wire outlet Dome ("And Then...", "Ritual View"). The band disbanded for the first time in 1980
Between 1981-85 Wire ceased recording and performing in favour of solo and non-Wire collaborative projects such as Dome, Cupol, Duet Emmo, and several Colin Newman solo efforts. In 1985, the group reformed as a "beat combo" (a joking reference to early 1960s beat music or even possibly beatniks), with greater use of electronic musical instruments. It released It's Beginning To And Back Again (IBTABA) in 1989, a "live" album of mostly re-worked versions of songs from The Ideal Copy and A Bell Is a Cup...Until It Is Struck, heavily re-arranged, edited, and remixed. A new song from the album, "Eardrum Buzz", became the band's biggest charting single.
Gotobed left the band in 1990, after the release of the album Manscape. After his departure, the band dropped one letter from its name, becoming "Wir" (still pronounced "wire"), and released The First Letter in 1991. Once again, the band disbanded in 1992 There followed a further period of solo recordings, during which Newman founded the Swim ~ label, and later Githead with his wife (ex-Minimal Compact bassist Malka Spigel), while Wire remained an occasional collaboration. It was not until 1999 that Wire again became a full-time entity.
With Gotobed back in the line-up (now using his birth name, Robert Grey), the group initially reworked much of their back catalogue for a performance at Royal Festival Hall on 26 February 2000. Wire's reception during a short tour of the US, and a number of UK gigs, convinced the band to continue. Two EPs and an album Send (2003) followed, as well as collaborations with stage designer Es Devlin and artists Jake and Dinos Chapman. In 2004 the band split once more.
In 2006, Wire's 1970s albums were re-released with original vinyl track listings. Rumours abounded of a renewal of activity to mark the 30th anniversary of the band's debut as a 4 piece and the re-release of Pink Flag in 2007. A third Read & Burn EP was released in November, 2007.
A full-length album of new material entitled Object 47 was released in July 2008. Bruce Gilbert was not involved in this recording, although according to Colin Newman, he did feature in a minimal capacity on the third Read and Burn EP. 2011 saw the release of the band's twelfth studio album Red Barked Tree.
Brazil
Wire Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I'll be your date forever
I love you girl, yes I love you
Until they split the atom
So many times, there's nothing left
There's nothing left at all
I know I'm right, 'cause when I'm gone
Left-right, left-right
Left-right, left-right
Left-right, left-right, halt!
Salute
The lyrics to Wire's song "Brazil" captures the essence of a steady relationship, where one partner promises to always accompany the other one home and stands by them forever as their date. The first line "It's true darling, I'll walk you home" shows the commitment to protect and care for the loved one. The next line, "I'll be your date forever" suggests that the songwriter wants to cling to the relationship for eternity. The line "I love you girl, yes I love you" is a declaration of love and a promise to love the person until they split the atom, which is a metaphor for the end of the universe as we know it.
The second half of the song talks about the fear of abandon and the emptiness that ensues. The lyrics "So many times, there's nothing left, there's nothing left at all" suggests that the person has experienced numerous heartbreaks where they've been left with nothing but pain. The songwriter acknowledges that they know they are right because when they leave, "there's nothing left at all."
The last lines of the song "Left-right, left-right, halt! Salute" depict military commands, tying in with the theme of protectiveness and standing by someone throughout. The song highlights not only the beauty of being in love but also the fear of heartbreak and the importance of companionship.
Line by Line Meaning
It's true darling, I'll walk you home
I will always be there to support you and take care of you
I'll be your date forever
I'm committed to being your partner and spending every moment with you
I love you girl, yes I love you
I have a deep affection for you and want you to know it
Until they split the atom
My love for you will last forever and is unbreakable
So many times, there's nothing left
I've been through tough times and felt like there's nothing else to lose
There's nothing left at all
I've reached a point of hopelessness and despair
I know I'm right, 'cause when I'm gone
I have faith in my decisions and priorities, even if they may be unpopular
There's nothing left at all
Even when I'm gone, it feels like nothing will change
Left-right, left-right
The sound of marching soldiers following orders without questions
Left-right, left-right
Repetition of the monotonous, oppressive routine
Left-right, left-right, halt!
The command to stop, a release from the regimented life
Salute
A final act of obedience and respect to those in power
Lyrics © Warner Chappell Music, Inc.
Written by: BRUCE CLIFFORD GILBERT, ROBERT SELWYN GOTOBED, GRAHAM LEWIS, COLIN JOHN NEWMAN
Lyrics Licensed & Provided by LyricFind
Pierre Clary
on Champs
i believe this song is about amphetamine abuse, endemic on the punk scene...Speed, "more speed than before ,less time than before (tolerance build up)........
Pierre Clary
on Champs
The song "Champs" by Wire is an intense and fast-paced track that addresses themes of competitiveness, the desire for success, and the sacrifices one must make in order to achieve their goals. The repeated phrases "The taste of champions, the pace, the pace, the speed, the need, the need to seed, the chance to die" suggest that the speaker is wholly dedicated to winning and will stop at nothing to achieve their goals. The subsequent line "Another dead don't cry" implies that the speaker has seen others perish in their pursuit of victory and is not phased by it. The stanza "You've still got speed, you'll maybe bleed, there's less time" highlights the idea that time is running out and that one must act quickly if they wish to be successful.
The next stanza begins with the phrase "More speed than before, you've done it before, there is no for, what are you doing it for?" which suggests that the speaker is no longer satisfied with their previous achievements and is compelled to push themselves even harder. The line "Want more, want more" is a clear indication that the speaker is never satisfied with what they have and will always strive for more. The repetition of "Another dead don't cry" throughout the song serves as a haunting reminder that the pursuit of success often has a cost, and that cost can be the lives of others.i think this so,
Pierre Clary
on Champs
YOU'RE RICH NOT POOR