Wire's debut album, Pink Flag (1977), contains songs which are diverse in mood and style, but most use a minimalist punk approach, unorthodox structures, and several songs are under a minute in length; "Field Day For The Sundays" is only 28 seconds long.
Chairs Missing followed in 1978, and found Wire stepping back from the stark minimalism of Pink Flag, with longer, more atmospheric songs and synthesizer parts added by producer Mike Thorne. The experimentation was even more prominent on 154 (1979). Many of the songs had bassist Graham Lewis on lead vocals.
In 1979, creative differences pulled the band in different directions, leading to the Document and Eyewitness LP (1981), a recording of a performance that featured, almost exclusively, new material. The LP came packaged with an EP of a different performance of more new material. Some of these songs, along with others performed but not included on the album, were included on Colin Newman's post-Wire solo albums ("5/10", "We Meet Under Tables"), while others were released by Gilbert and Lewis' primary post-Wire outlet Dome ("And Then...", "Ritual View"). The band disbanded for the first time in 1980
Between 1981-85 Wire ceased recording and performing in favour of solo and non-Wire collaborative projects such as Dome, Cupol, Duet Emmo, and several Colin Newman solo efforts. In 1985, the group reformed as a "beat combo" (a joking reference to early 1960s beat music or even possibly beatniks), with greater use of electronic musical instruments. It released It's Beginning To And Back Again (IBTABA) in 1989, a "live" album of mostly re-worked versions of songs from The Ideal Copy and A Bell Is a Cup...Until It Is Struck, heavily re-arranged, edited, and remixed. A new song from the album, "Eardrum Buzz", became the band's biggest charting single.
Gotobed left the band in 1990, after the release of the album Manscape. After his departure, the band dropped one letter from its name, becoming "Wir" (still pronounced "wire"), and released The First Letter in 1991. Once again, the band disbanded in 1992 There followed a further period of solo recordings, during which Newman founded the Swim ~ label, and later Githead with his wife (ex-Minimal Compact bassist Malka Spigel), while Wire remained an occasional collaboration. It was not until 1999 that Wire again became a full-time entity.
With Gotobed back in the line-up (now using his birth name, Robert Grey), the group initially reworked much of their back catalogue for a performance at Royal Festival Hall on 26 February 2000. Wire's reception during a short tour of the US, and a number of UK gigs, convinced the band to continue. Two EPs and an album Send (2003) followed, as well as collaborations with stage designer Es Devlin and artists Jake and Dinos Chapman. In 2004 the band split once more.
In 2006, Wire's 1970s albums were re-released with original vinyl track listings. Rumours abounded of a renewal of activity to mark the 30th anniversary of the band's debut as a 4 piece and the re-release of Pink Flag in 2007. A third Read & Burn EP was released in November, 2007.
A full-length album of new material entitled Object 47 was released in July 2008. Bruce Gilbert was not involved in this recording, although according to Colin Newman, he did feature in a minimal capacity on the third Read and Burn EP. 2011 saw the release of the band's twelfth studio album Red Barked Tree.
Different to Me
Wire Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Same old stuff suppopse
Not quite right that
Stuff's the same, but seems different to me
Seems like the cancer in the city has got to be terminal, I
Haven't got it through
Incidentally where are you?
Thought you lived there
I'd rather be a sprat than a mackerel (mackrel)
You can slip through the net
It's set
It also takes one to catch one
The song Different to Me by Wire is a commentary on the stagnation and repetition in society, where the same old things keep happening, but something feels different. The singer wonders what is going on, as everything seems to be the same, yet different to them. It seems that the cancer in the city is getting worse, yet no one seems to be doing anything about it. The song mentions the idea of being a sprat rather than a mackerel, implying that it’s better to be a small fish that can escape the net rather than a larger one that gets caught.
The lyrics suggest that the singer is questioning their surroundings and the people in it. They are trying to find meaning in the seemingly unchanged routines and events that surround them, but they can’t quite put their finger on what’s different. The phrase “the bright lights have got you” implies that someone they know has become caught up in the superficiality and glamor of city life, and has lost touch with the reality of the problems around them.
Line by Line Meaning
Well, I wonder what's going on
Curiosity about the events taking place
Same old stuff suppose
Everything seems predictable
Not quite right that
Something feels off
Stuff's the same, but seems different to me
Things appear to have changed despite remaining the same
Seems like the cancer in the city has got to be terminal, I
The problems in the city seem to have reached a critical point
Haven't got it through
Do not fully understand the situation
Incidentally where are you?
Asking for the other person's location by chance
Thought you lived there
Assumed the other person lived in the area
The bright lights have got you
The excitement of the city has taken hold of the other person
I'd rather be a sprat than a mackerel (mackrel)
Preferring to be a small fish that is not caught rather than a big fish that is
You can slip through the net
It is possible to avoid being caught
It also takes one to catch one
Referring to the idea that people who do bad things are often also victims of bad behavior
Lyrics © O/B/O APRA AMCOS
Written by: ANNETTE GREEN
Lyrics Licensed & Provided by LyricFind
Pierre Clary
on Champs
i believe this song is about amphetamine abuse, endemic on the punk scene...Speed, "more speed than before ,less time than before (tolerance build up)........
Pierre Clary
on Champs
The song "Champs" by Wire is an intense and fast-paced track that addresses themes of competitiveness, the desire for success, and the sacrifices one must make in order to achieve their goals. The repeated phrases "The taste of champions, the pace, the pace, the speed, the need, the need to seed, the chance to die" suggest that the speaker is wholly dedicated to winning and will stop at nothing to achieve their goals. The subsequent line "Another dead don't cry" implies that the speaker has seen others perish in their pursuit of victory and is not phased by it. The stanza "You've still got speed, you'll maybe bleed, there's less time" highlights the idea that time is running out and that one must act quickly if they wish to be successful.
The next stanza begins with the phrase "More speed than before, you've done it before, there is no for, what are you doing it for?" which suggests that the speaker is no longer satisfied with their previous achievements and is compelled to push themselves even harder. The line "Want more, want more" is a clear indication that the speaker is never satisfied with what they have and will always strive for more. The repetition of "Another dead don't cry" throughout the song serves as a haunting reminder that the pursuit of success often has a cost, and that cost can be the lives of others.i think this so,
Pierre Clary
on Champs
YOU'RE RICH NOT POOR