Wire's debut album, Pink Flag (1977), contains songs which are diverse in mood and style, but most use a minimalist punk approach, unorthodox structures, and several songs are under a minute in length; "Field Day For The Sundays" is only 28 seconds long.
Chairs Missing followed in 1978, and found Wire stepping back from the stark minimalism of Pink Flag, with longer, more atmospheric songs and synthesizer parts added by producer Mike Thorne. The experimentation was even more prominent on 154 (1979). Many of the songs had bassist Graham Lewis on lead vocals.
In 1979, creative differences pulled the band in different directions, leading to the Document and Eyewitness LP (1981), a recording of a performance that featured, almost exclusively, new material. The LP came packaged with an EP of a different performance of more new material. Some of these songs, along with others performed but not included on the album, were included on Colin Newman's post-Wire solo albums ("5/10", "We Meet Under Tables"), while others were released by Gilbert and Lewis' primary post-Wire outlet Dome ("And Then...", "Ritual View"). The band disbanded for the first time in 1980
Between 1981-85 Wire ceased recording and performing in favour of solo and non-Wire collaborative projects such as Dome, Cupol, Duet Emmo, and several Colin Newman solo efforts. In 1985, the group reformed as a "beat combo" (a joking reference to early 1960s beat music or even possibly beatniks), with greater use of electronic musical instruments. It released It's Beginning To And Back Again (IBTABA) in 1989, a "live" album of mostly re-worked versions of songs from The Ideal Copy and A Bell Is a Cup...Until It Is Struck, heavily re-arranged, edited, and remixed. A new song from the album, "Eardrum Buzz", became the band's biggest charting single.
Gotobed left the band in 1990, after the release of the album Manscape. After his departure, the band dropped one letter from its name, becoming "Wir" (still pronounced "wire"), and released The First Letter in 1991. Once again, the band disbanded in 1992 There followed a further period of solo recordings, during which Newman founded the Swim ~ label, and later Githead with his wife (ex-Minimal Compact bassist Malka Spigel), while Wire remained an occasional collaboration. It was not until 1999 that Wire again became a full-time entity.
With Gotobed back in the line-up (now using his birth name, Robert Grey), the group initially reworked much of their back catalogue for a performance at Royal Festival Hall on 26 February 2000. Wire's reception during a short tour of the US, and a number of UK gigs, convinced the band to continue. Two EPs and an album Send (2003) followed, as well as collaborations with stage designer Es Devlin and artists Jake and Dinos Chapman. In 2004 the band split once more.
In 2006, Wire's 1970s albums were re-released with original vinyl track listings. Rumours abounded of a renewal of activity to mark the 30th anniversary of the band's debut as a 4 piece and the re-release of Pink Flag in 2007. A third Read & Burn EP was released in November, 2007.
A full-length album of new material entitled Object 47 was released in July 2008. Bruce Gilbert was not involved in this recording, although according to Colin Newman, he did feature in a minimal capacity on the third Read and Burn EP. 2011 saw the release of the band's twelfth studio album Red Barked Tree.
Practice Makes Perfect
Wire Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Business or pleasure, the more that you do it
Please dress in your best things, this course was unplanned
'Cause you see up in my bedroom I've got Sarah Bernhardt's hand
Practice makes perfect, I've done this before
Never for money, always for love
Please dress in your best things, and don't make a fuss
'Cause you see up in my bedroom Sarah's waiting for us
Waiting for us
Waiting for us
Waiting for us
Waiting, waiting, waiting for us
Waiting, waiting, waiting for us
Waiting, waiting, waiting for us
Waiting, waiting, waiting for us
Waiting, waiting, waiting for us
Waiting, waiting, waiting for us
Waiting, waiting, waiting for us
Waiting, waiting, waiting for us
Waiting, waiting, waiting for us
Waiting, waiting, waiting for us
The song "Practice Makes Perfect" by Wire is a self-reflective and insightful piece about the notion that practice, be it in business or pleasure or personal pursuits, can lead to perfection, or at least an improvement in skills. The first verse starts with the singer boldly stating that he can prove that practice indeed makes perfect. The singer further goes on to state that it doesn't matter if it's in business or personal life, it remains a universal truth. The next set of lyrics focused on the singer waiting for someone to arrive dressed in their best, knowing that an unexpected guest is about to join him.
In the second verse, the singer notes that this is not the first time he has engaged in such practice, and he's always done it for the love of it, never for monetary gains. He repeats the request for the guest to dress in their best things, emphasizing that they shouldn't fuss about it. The lyric "up in my bedroom, Sarah's waiting for us" seems to suggest that the singer has a sculpture of Sarah Bernhardt's hand, and it's some sort of inspiration for him as he practices.
The chorus is quite repetitive, with the phrase "waiting for us" repeated ten times. The repetition creates a sense of anticipation and feels like a build-up. The song is quite imaginative, and some have interpreted it as a song about a writer practicing his craft, using Sarah Bernhardt's hand (who was one of the most famous actresses of the 19th century) as inspiration. The song's theme seems to be about the importance of perseverance and repetition in one's life pursuits if they want to perfect their craft or skill.
Line by Line Meaning
Practice makes perfect, yes I can prove it
Repetition and consistent efforts lead to perfection, and I can assure you that it works
Business or pleasure, the more that you do it
Whether you engage in any activity for work or enjoyment, the more you do it, the better you become
Please dress in your best things, this course was unplanned
Please wear your finest clothes, although this lesson was impromptu
'Cause you see up in my bedroom I've got Sarah Bernhardt's hand
I have a rare and exotic relic in my bedroom belonging to Sarah Bernhardt, a famous French actress of the late 19th century
Practice makes perfect, I've done this before
I have experience with this undertaking and can vouch that consistent practice and hard work lead to improvement
Never for money, always for love
I have never done this for monetary gain, only out of passion and love
Please dress in your best things, and don't make a fuss
Please wear your finest attire, and do not make a commotion about it
'Cause you see up in my bedroom Sarah's waiting for us
Sarah Bernhardt's artifact is in my bedroom, and it awaits our presence
Waiting, waiting, waiting for us
The artifact is eagerly waiting for us
Waiting, waiting, waiting for us
The artifact is eagerly waiting for us
Waiting, waiting, waiting for us
The artifact is eagerly waiting for us
Waiting, waiting, waiting for us
The artifact is eagerly waiting for us
Waiting, waiting, waiting for us
The artifact is eagerly waiting for us
Waiting, waiting, waiting for us
The artifact is eagerly waiting for us
Waiting, waiting, waiting for us
The artifact is eagerly waiting for us
Waiting, waiting, waiting for us
The artifact is eagerly waiting for us
Waiting, waiting, waiting for us
The artifact is eagerly waiting for us
Waiting, waiting, waiting for us
The artifact is eagerly waiting for us
Lyrics © O/B/O APRA AMCOS
Written by: DAN SAWYER, FRED NEWMAN
Lyrics Licensed & Provided by LyricFind
Pierre Clary
on Champs
i believe this song is about amphetamine abuse, endemic on the punk scene...Speed, "more speed than before ,less time than before (tolerance build up)........
Pierre Clary
on Champs
The song "Champs" by Wire is an intense and fast-paced track that addresses themes of competitiveness, the desire for success, and the sacrifices one must make in order to achieve their goals. The repeated phrases "The taste of champions, the pace, the pace, the speed, the need, the need to seed, the chance to die" suggest that the speaker is wholly dedicated to winning and will stop at nothing to achieve their goals. The subsequent line "Another dead don't cry" implies that the speaker has seen others perish in their pursuit of victory and is not phased by it. The stanza "You've still got speed, you'll maybe bleed, there's less time" highlights the idea that time is running out and that one must act quickly if they wish to be successful.
The next stanza begins with the phrase "More speed than before, you've done it before, there is no for, what are you doing it for?" which suggests that the speaker is no longer satisfied with their previous achievements and is compelled to push themselves even harder. The line "Want more, want more" is a clear indication that the speaker is never satisfied with what they have and will always strive for more. The repetition of "Another dead don't cry" throughout the song serves as a haunting reminder that the pursuit of success often has a cost, and that cost can be the lives of others.i think this so,
Pierre Clary
on Champs
YOU'RE RICH NOT POOR