Wire's debut album, Pink Flag (1977), contains songs which are diverse in mood and style, but most use a minimalist punk approach, unorthodox structures, and several songs are under a minute in length; "Field Day For The Sundays" is only 28 seconds long.
Chairs Missing followed in 1978, and found Wire stepping back from the stark minimalism of Pink Flag, with longer, more atmospheric songs and synthesizer parts added by producer Mike Thorne. The experimentation was even more prominent on 154 (1979). Many of the songs had bassist Graham Lewis on lead vocals.
In 1979, creative differences pulled the band in different directions, leading to the Document and Eyewitness LP (1981), a recording of a performance that featured, almost exclusively, new material. The LP came packaged with an EP of a different performance of more new material. Some of these songs, along with others performed but not included on the album, were included on Colin Newman's post-Wire solo albums ("5/10", "We Meet Under Tables"), while others were released by Gilbert and Lewis' primary post-Wire outlet Dome ("And Then...", "Ritual View"). The band disbanded for the first time in 1980
Between 1981-85 Wire ceased recording and performing in favour of solo and non-Wire collaborative projects such as Dome, Cupol, Duet Emmo, and several Colin Newman solo efforts. In 1985, the group reformed as a "beat combo" (a joking reference to early 1960s beat music or even possibly beatniks), with greater use of electronic musical instruments. It released It's Beginning To And Back Again (IBTABA) in 1989, a "live" album of mostly re-worked versions of songs from The Ideal Copy and A Bell Is a Cup...Until It Is Struck, heavily re-arranged, edited, and remixed. A new song from the album, "Eardrum Buzz", became the band's biggest charting single.
Gotobed left the band in 1990, after the release of the album Manscape. After his departure, the band dropped one letter from its name, becoming "Wir" (still pronounced "wire"), and released The First Letter in 1991. Once again, the band disbanded in 1992 There followed a further period of solo recordings, during which Newman founded the Swim ~ label, and later Githead with his wife (ex-Minimal Compact bassist Malka Spigel), while Wire remained an occasional collaboration. It was not until 1999 that Wire again became a full-time entity.
With Gotobed back in the line-up (now using his birth name, Robert Grey), the group initially reworked much of their back catalogue for a performance at Royal Festival Hall on 26 February 2000. Wire's reception during a short tour of the US, and a number of UK gigs, convinced the band to continue. Two EPs and an album Send (2003) followed, as well as collaborations with stage designer Es Devlin and artists Jake and Dinos Chapman. In 2004 the band split once more.
In 2006, Wire's 1970s albums were re-released with original vinyl track listings. Rumours abounded of a renewal of activity to mark the 30th anniversary of the band's debut as a 4 piece and the re-release of Pink Flag in 2007. A third Read & Burn EP was released in November, 2007.
A full-length album of new material entitled Object 47 was released in July 2008. Bruce Gilbert was not involved in this recording, although according to Colin Newman, he did feature in a minimal capacity on the third Read and Burn EP. 2011 saw the release of the band's twelfth studio album Red Barked Tree.
Still
Wire Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Standing
Still Alone
Inside Outside
Above And beyond
Play
Box
Fall
Light
Fails
Art
Crossed
Between
Sun fun
Under Everything
Over
Round on
Twist up
Empty Looks
Indians
Too few
Too men
Cooks
Wire's song "Still" is a complex and cryptic piece that defies a clear interpretation. The lyrics are composed of disconnected phrases that seem to have no apparent relation to each other. However, upon closer inspection, it becomes evident that these phrases evoke a sense of isolation and detachment, as if the singer is stranded in a world that he cannot fully comprehend or engage with.
The opening lines, "Not with Standing, Still Alone," suggest that the singer is standing apart from the world around him, and that despite his efforts to connect with it, he remains isolated and alone. The succeeding lines, "Inside Outside, Above And beyond," further underscore this sense of dislocation, as if the singer has been cut off from the larger scheme of things.
The next several lines are even more baffling and difficult to interpret, as they seem to be composed of random words and phrases that do not readily lend themselves to a coherent narrative. However, it's possible to glean a few possible meanings, such as "Light Fails" or "Art Crossed Between," which hint at a sense of entropy and decay, as if the singer is witnessing the gradual breakdown of everything around him. The final section, "Empty Looks, Indians, Too few, Too men, Cooks," also reinforces this sense of disillusionment and despair, suggesting that the singer has encountered a world that is empty, stripped of its vitality and vibrancy.
Some other possible interpretations of the song could be that it is a commentary on the nature of modern life, and how it can be isolating and alienating. The disjointed lyrics and fractured phrases may represent the fragmented and disjointed nature of contemporary culture, where people struggle to make sense of a world that is increasingly complex and overwhelming. Alternatively, it could be an internal dialogue of someone dealing with depression, as the lyrics seem to describe a sense of hopelessness and disconnection from society.
Line by Line Meaning
Not with
Despite not having
Standing
Being in a stationary position
Still Alone
Continuing to feel isolated
Inside Outside
Inward and outward
Above And beyond
Higher than expected
Play
Engage in some sort of game or activity
Box
Contain or confine something
Foot
Lower part of the leg
Fall
Drop or descend in a sudden manner
Light
Source of illumination
Fails
Doesn't work as intended
Art
Creative expression
Crossed
Passed over or intersected
Between
In the midst of
Sun fun
Enjoyment derived from sunshine
Under Everything
Beneath all other things
Over
Higher than
Round on
Close by or encircling
Twist up
Curl around in a circular manner
Empty Looks
Vacant or meaningless gazes
Indians
Indigenous people of North America
Too few
An insufficient number
Too men
A surplus of males
Cooks
Individuals who prepare food
Contributed by Henry V. Suggest a correction in the comments below.
Pierre Clary
on Champs
i believe this song is about amphetamine abuse, endemic on the punk scene...Speed, "more speed than before ,less time than before (tolerance build up)........
Pierre Clary
on Champs
The song "Champs" by Wire is an intense and fast-paced track that addresses themes of competitiveness, the desire for success, and the sacrifices one must make in order to achieve their goals. The repeated phrases "The taste of champions, the pace, the pace, the speed, the need, the need to seed, the chance to die" suggest that the speaker is wholly dedicated to winning and will stop at nothing to achieve their goals. The subsequent line "Another dead don't cry" implies that the speaker has seen others perish in their pursuit of victory and is not phased by it. The stanza "You've still got speed, you'll maybe bleed, there's less time" highlights the idea that time is running out and that one must act quickly if they wish to be successful.
The next stanza begins with the phrase "More speed than before, you've done it before, there is no for, what are you doing it for?" which suggests that the speaker is no longer satisfied with their previous achievements and is compelled to push themselves even harder. The line "Want more, want more" is a clear indication that the speaker is never satisfied with what they have and will always strive for more. The repetition of "Another dead don't cry" throughout the song serves as a haunting reminder that the pursuit of success often has a cost, and that cost can be the lives of others.i think this so,
Pierre Clary
on Champs
YOU'RE RICH NOT POOR