Wire's debut album, Pink Flag (1977), contains songs which are diverse in mood and style, but most use a minimalist punk approach, unorthodox structures, and several songs are under a minute in length; "Field Day For The Sundays" is only 28 seconds long.
Chairs Missing followed in 1978, and found Wire stepping back from the stark minimalism of Pink Flag, with longer, more atmospheric songs and synthesizer parts added by producer Mike Thorne. The experimentation was even more prominent on 154 (1979). Many of the songs had bassist Graham Lewis on lead vocals.
In 1979, creative differences pulled the band in different directions, leading to the Document and Eyewitness LP (1981), a recording of a performance that featured, almost exclusively, new material. The LP came packaged with an EP of a different performance of more new material. Some of these songs, along with others performed but not included on the album, were included on Colin Newman's post-Wire solo albums ("5/10", "We Meet Under Tables"), while others were released by Gilbert and Lewis' primary post-Wire outlet Dome ("And Then...", "Ritual View"). The band disbanded for the first time in 1980
Between 1981-85 Wire ceased recording and performing in favour of solo and non-Wire collaborative projects such as Dome, Cupol, Duet Emmo, and several Colin Newman solo efforts. In 1985, the group reformed as a "beat combo" (a joking reference to early 1960s beat music or even possibly beatniks), with greater use of electronic musical instruments. It released It's Beginning To And Back Again (IBTABA) in 1989, a "live" album of mostly re-worked versions of songs from The Ideal Copy and A Bell Is a Cup...Until It Is Struck, heavily re-arranged, edited, and remixed. A new song from the album, "Eardrum Buzz", became the band's biggest charting single.
Gotobed left the band in 1990, after the release of the album Manscape. After his departure, the band dropped one letter from its name, becoming "Wir" (still pronounced "wire"), and released The First Letter in 1991. Once again, the band disbanded in 1992 There followed a further period of solo recordings, during which Newman founded the Swim ~ label, and later Githead with his wife (ex-Minimal Compact bassist Malka Spigel), while Wire remained an occasional collaboration. It was not until 1999 that Wire again became a full-time entity.
With Gotobed back in the line-up (now using his birth name, Robert Grey), the group initially reworked much of their back catalogue for a performance at Royal Festival Hall on 26 February 2000. Wire's reception during a short tour of the US, and a number of UK gigs, convinced the band to continue. Two EPs and an album Send (2003) followed, as well as collaborations with stage designer Es Devlin and artists Jake and Dinos Chapman. In 2004 the band split once more.
In 2006, Wire's 1970s albums were re-released with original vinyl track listings. Rumours abounded of a renewal of activity to mark the 30th anniversary of the band's debut as a 4 piece and the re-release of Pink Flag in 2007. A third Read & Burn EP was released in November, 2007.
A full-length album of new material entitled Object 47 was released in July 2008. Bruce Gilbert was not involved in this recording, although according to Colin Newman, he did feature in a minimal capacity on the third Read and Burn EP. 2011 saw the release of the band's twelfth studio album Red Barked Tree.
Strange
Wire Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
There's something going on that's not quite right
Joey's nervous and the lights are bright
There's something going on that's not quite right
There's something going down that wasn't here before
Keep your eyes so screwed to the floor
No one's gonna save your life
Beeping, creeping, there's something going on that wasn't here before
Keep your eyes so glued to the floor
No one's gonna save your life
There's something going on that's not quite right, uh-huh
There's something strange going on tonight
There's something going on that's not quite right
Joey's nervous and the lights are bright
There's something going on that's not quite right
There's something
There's something, there's something
There's something, there's something
There's something, there's something
There's something, there's something
There's something
The opening lines of Wire's song Strange immediately set an eerie atmosphere, hinting at something inexplicable happening. The repeated refrain "There's something going on that's not quite right" creates a sense of tension and unease, amplified by the mention of Joey's nervousness and the bright lights. The lyrics continue to build on this unsettling mood, with the image of something "beeping, creeping" and the repeated urging to keep one's eyes on the ground, implying danger from an unknown source.
The specific references to Joey and the bright lights could suggest a concert or performance setting, adding to the sense of unpredictability and chaos that can sometimes accompany live shows. The repeated use of "there's something" also creates a vague, all-encompassing sense of unease, leaving the listener on edge as to what exactly is happening.
Overall, the lyrics of Strange expertly craft an atmosphere of anxiety and tension, hinting at a malevolent force lurking just beyond the fray. The ambiguity of the lyrics leaves much up to interpretation, allowing the listener to create their own narrative for what may be going on behind the scenes.
Line by Line Meaning
There's something strange going on tonight
The atmosphere is unusual and unsettling tonight
There's something going on that's not quite right
There is something happening that is abnormal or suspicious
Joey's nervous and the lights are bright
Joey is anxious and the intense lighting enhances the uneasy feeling
There's something going down that wasn't here before
Something unfamiliar is occurring
Keep your eyes so screwed to the floor
Stay vigilant and watchful of your surroundings
No one's gonna save your life
You are on your own and must rely on yourself to stay safe
Beeping, creeping, there's something going on that wasn't here before
There are subtle indications of something unsettling happening
Keep your eyes so glued to the floor
Be watchful and careful of what is going on around you
There's something
An implicit feeling of worry or suspicion
There's something, there's something
The sense of unease is persisting and intensifying
There's something, there's something
The feeling of apprehension remains strong and present
There's something, there's something
The unusual occurrences are still ongoing and the worry continues
There's something, there's something
The unsettling atmosphere is pervasive and inescapable
There's something
The strange happenings persist and remain unexplained
Lyrics © Warner Chappell Music, Inc.
Written by: Bruce Gilbert, C Newman, Graham Lewis, Robert Gotobed
Lyrics Licensed & Provided by LyricFind
Pierre Clary
on Champs
i believe this song is about amphetamine abuse, endemic on the punk scene...Speed, "more speed than before ,less time than before (tolerance build up)........
Pierre Clary
on Champs
The song "Champs" by Wire is an intense and fast-paced track that addresses themes of competitiveness, the desire for success, and the sacrifices one must make in order to achieve their goals. The repeated phrases "The taste of champions, the pace, the pace, the speed, the need, the need to seed, the chance to die" suggest that the speaker is wholly dedicated to winning and will stop at nothing to achieve their goals. The subsequent line "Another dead don't cry" implies that the speaker has seen others perish in their pursuit of victory and is not phased by it. The stanza "You've still got speed, you'll maybe bleed, there's less time" highlights the idea that time is running out and that one must act quickly if they wish to be successful.
The next stanza begins with the phrase "More speed than before, you've done it before, there is no for, what are you doing it for?" which suggests that the speaker is no longer satisfied with their previous achievements and is compelled to push themselves even harder. The line "Want more, want more" is a clear indication that the speaker is never satisfied with what they have and will always strive for more. The repetition of "Another dead don't cry" throughout the song serves as a haunting reminder that the pursuit of success often has a cost, and that cost can be the lives of others.i think this so,
Pierre Clary
on Champs
YOU'RE RICH NOT POOR