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01Symphony No. 34 In C major, K. 338: II. Andante di molto3:00

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Wolfgang Amadeus Mozart, Richard Strauss; Karl Böhm

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Symphony No. 34 In C major K. 338: II. Andante di molto
Wolfgang Amadeus Mozart Richard Strauss; Karl Böhm Lyrics

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The lyrics are frequently found in the comments by searching or by filtering for lyric videos

Comments from YouTube:

Geoff Walker

4y↑28

This gem of a symphony is easily overlooked but it deserves to be far better known.

Maxton Asher

3y↑1

Sorry to be off topic but does any of you know of a method to get back into an instagram account?
I somehow forgot the password. I would appreciate any assistance you can offer me.

Maxton Johan

3y↑1

@Maxton Asher Instablaster ;)

Maxton Johan

3y↑1

@Maxton Asher You are welcome :D

2 More Replies...

Igor Glavasic

5y↑18

Wonderful! One of my favorite Mozart's symphonys!

Timothy Thorne

4y↑5

Igor Glavasic the 34th is an underated Mozart symphony. It's got all the verve and joy of the more popular Symphony #35 "Haffner" and well as innovations which point the way to greater forthcoming works, such as the piano concerto K. 503 and the magnificent "Jupiter" symphony.

Maurice Chavez

3y↑2

@Timothy Thorne totally agree.. Haffner-Symphony in fact isn't even a symphony, it's a remake of a serenade. This one is probably a first late Mozart's symphony - at least the first movement

1 More Replies...

mr 2010

4y↑7

The finale is amazing. Underrated, and the best movement of this symphony. Wolfgang at his best.

RedCloudBeechWaveAhh

37w

Thank you Bartje Bartmans; this is a great service to me and other musicians and music lovers. Have you listed the performers somewhere? That would be the only missing thing in my overall great gratitude for this work.

Ahh, Mozart! So clear and simple, and how his music conjures up the most profound ideas and feelings in us!

Bartje Bartmans

37w

If you click on the tab "show more" you will see the info. London Mozart Players conducted by Matthias Bamert

cristina pascual

2y↑4

Great performance of a wonderful symphony. Thanks for sharing.

Maarten Bauer

5y↑5

Mijn favoriete symfonie van Mozart! En dan ook nog met manuscript. Heel erg bedankt!

Soulmate

4y↑4

00:00 I. Allegro Vivace
06:58 II. Andante di molto
14:25 III. Finale: Allegro vivace

Igor Glavasic

5y↑7

Wolfgang Amadeus Mozart
( 27 January 1756- 5 December 1791 )
was Austrian composer of classical era, pianist and violinist.
Mozart was born in Salzburg. When he was only 5, he started composing and when he was about 10 years old he composed his first symphony. With his father and sister Nanette, Amadeus was traveling to many European countries and playing to the kings. Mozart was big attraction when he played with closed eyes.
Mozart's father Georg Leopold was a violinist and important composer of rococo style.
Mozart's wrote more then 600 works. His most important compositions are symphonies, operas, serenades, sonatas, piano concertos, violin concertos horn concertos, choral works...
Amadeus died in Vienna when he wrote his last work Requiem in d minor wich he didn't finish. His death is a big mystery but some people say that Mozart probably died becose he ate poisend meat.
Mozart's son Franz Xsaver Wolfgang was composer of early romantic period.

Authentic Music

4y↑1

You made 2 mistakes. Check your sources, please.
He wrote his first symphony at the age of 7, not 10, there is a big difference, especially for a child. his food wasn't poisoned, but rather, there was an epidemic of some sort in his town.

Mihawk Drakule

4y↑6

Amazing! Thats my new favourite piece now
The previous one was concerto 24 lol

Timothy Thorne

4y↑3

Mihawk Drakule it's a pretty powerful and impressive symphony.

All of Mozart's symphonic works, beginning with #19, are worthy additions, but the ones beginning with his marvellous Symphony #29 rival the best symphonies of any composer, including Beethoven. This symphony is as good as it gets!

Lorenzo Cassani

39w

@Timothy ThorneI think that comparing a chamber simphony like mozart’s 29 to the grand Beethoven’s ones is futile because are completely different works in scale and conception

Timothy Thorne

39w

@Lorenzo Cassani Mozart's symphonies 38-41 are the Classical Period symphonies developed to their peak of perfection. Beethoven's 9 symphonies, are well, Beethoven (you can say "Romantic" if you wish; I won't). Both are opposite sides of the same coin: symphonic development at the top of its game.

Lorenzo Cassani

39w↑1

@Timothy Thorne I cant agree more

polyphoniac

2y↑2

The "new material" the description above refers to in respect of the first movement's development section is in part an allusion to Johann Christian Bach's g-minor symphony.

Jean-Baptiste De Prez

5y↑7

Misschien wel mijn favoriete symfonie van Mozart. Vlot-traag-vlot als in de italiaanse sinfonia, maar toch typisch Mozartiaans.

pannonia77

5y↑3

Is this Mozart's autograph? Interesting that it has the violins on top and the winds are below, nowadays it's the other way round. By the way this is a good recording of this work.

Bartje Bartmans

5y↑3

Common practice. Manuscript, autograph or copyists's scores are the closest we can get to the composer's times and mindset.

Luca Pop

5y↑9

Well, we have just discovered were Beethoven find the inspiration for his first string trio

olivier drouin

3y↑1

L opus 3 ?

John Kiunke

4y↑1

Middle movement reminds me of Haydn in the middle (even though the main theme is pure Mozart).

Maria Airinei

BEAUTIFUL

Aurea Regina Music

5y↑7

Our beloved Amadeus

Benjamin Clegg

2y↑1

Imagine being the guy at the library that went through and put those stamps in the middle of these pages like it's just another random thing to stamp.

Sean O'Rourke

5y↑3

Lovely.

MÚSICA ANTIGUA

5y↑1

Gracias y saludos cordiales desde Mallorca para ti también bartje bartmamm

Authentic Music

4y↑3

Does anyone know why the instruments are scored not where they should be? (woodwinds in the upper side of the sheet, etc etc.)
Were the rules different back the day? Or did they not even exist?

Bartje Bartmans

4y↑8

They are written down as was usual in those days. This was standard practice. It also depended on geography. Vienna had a different out-lay from Paris, the scores as we know them in our days gradually came about with the advent of romanticism. Beethoven already used modern scoring. Choral works, even in Mozart's days were written for specific clefs for each voice, difficult to read for us. I have seen scores where brass and timpani were in top lines, but also scores where strings were in top with woodwinds and basso continuo below. There are baroque scores where harpsichord is in between the strings with cello below and violins above. Sometimes scores were written down reflecting the outlay of the group on stage. Most of these scores were modified to modern scores, in Mozart's case that happened in 1800's

Authentic Music

4y↑2

@Bartje Bartmans oh, I see!
Thank you verryyy much for this awesome detailed explanation, I really appreciate it!

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Cool

Camila Di cesare

Excuse ne, I'm not all that good at differentiating the instruments of a classical orchestra so I would like someone to tell me if there's indeed only 2 violins and one Viola

Bartje Bartmans

5y↑5

In 1782, the permanent staff of the Mannheim Orchestra included 23 violins (12/11), 3 violas, 4 cellos, 3 double basses, 4 flutes, 3 oboes, 4 clarinets, 4 bassoons, 6 horns, and kettledrums. Around 1800, the string group had grown to 7 violas, 5 cellos and 7 double basses, and from here on the size of the string section was repeatedly extended.

Timothy Thorne

Bartje Bartmans I heard a performance of Beethoven's "Eroica" symphony using period instruments, and the Classical-period orchestra you describe. It was marvellous, and I liked it better than more conventional, modern renderings like Bernstein and Bruno Walter.