#25 G Minor KV183 Allegro
Wolfgang Amadeus Mozart Lyrics


We have lyrics for these tracks by Wolfgang Amadeus Mozart:


Agnus Dei Agnus Dei, qui tollis peccata mundi, dona eis requiem. Agn…
Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte Erzeugt von heißer Phantasie, In einer schwärmerischen Stund…
Ave Maria Ave, ave verum corpus natum De Maria virgine Vere passum imm…
Ave Verum Ave ave verum corpus natum de Maria Virgine Vere passum, imm…
Ave Verum Corpus K.618 Ave verum corpus, natum De Maria Virgine Vere passum, immola…
Ave verum corpus, K. 618 Ave verum corpus natum de Maria Virgine Vere passum, immolat…
Ave Verum K.618 Ave verum corpus, natum De Maria Virgine Vere passum, immola…
Batti Batti O Bel Masetto Batti, batti, o bel Masetto, La tua povera Zerlina; Starò qu…
Benedictus Benedictus qui venit in nomine Domine. Hosanna in excelsis!…
Communio Lux Aeterna SOPRANO SOLO AND CHORUS LUX eterna …
Confutatis Confutatis maledictis, flammis acribus addictis, voca me c…
Der Hölle Rache kocht in meinem Herzen Der Hölle Rache kocht in meinem Herzen Tod und Verzweiflung…
Der Vogelfänger bin ich ja Der Vogelfänger bin ich ja Stets lustig heissa hopsasa! Ic…
Die Zauberflöte K. 620 Act 2: Der Hölle Rache kocht in meinem Herzen, Tod und Verzweiflung…
Die Zauberflöte: Der Hölle Rache kocht in meinem Herzen Der Hölle Rache kocht in meinem Herzen, Hells Revenge cooks …
Dies Irae Dies irae Dies illa Solvet saeclum en favilla Teste david…
Domine Jesu Domine, Jesu Christe, Rex gloriae, libera animas omnium fid…
Domine Jesu Christe DOMINE Jesu Christie, Rex Gloriaee, libera …
Hostias Hostias et preces tibi, Domine laudis offerimus tu suscipe…
I. Introitus: Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
III CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
III. Dies Irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
III. Sequentia: / Rex Tremendae Majestatis CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Introitus Requiem aeternam dona eis, Domine, Et lux perpetua luceat ei…
Introitus Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
iv HOSTIAS et preces tibi, Domine, laudis…
IV. Offertorium: / Domine Jesu Christe DOMINE Jesu Christie, Rex Gloriaee, libera …
Kyrie Kyrie eleison. Christe eleison. Kyrie eleison.…
La' ci darem la mano (Don Giovanni): Là ci darem la mano, Là mi dirai di sì, Vedi…
Lacrimosa Lacrymosa dies illa, qua resurget ex favilla judicandus ho…
Laudate Laudate Dominum omnes gentes Laudate eum, omnes populi Quon…
Le Nozze di Figaro: Che soave zeffiretto Sull'aria... Che soave zeffiretto... Zeffiretto... Questa se…
Le nozze di Figaro: Cinque... dieci... venti... trenta... Cinque... dieci... venti... trenta... Trentasei... quarantat…
Lux aeterna SOPRANO SOLO AND CHORUS LUX eterna …
O Fortuna O Fortuna, velut Luna statu variabilis, semper crescis a…
Offertorium Domine Jesu DOMINE Jesu Christie, Rex Gloriaee, libera …
Offertorium Hostias HOSTIAS et preces tibi, Domine, laudis…
Offertorium: Domine Jesu DOMINE Jesu Christie, Rex Gloriaee, libera …
Porgi amor Porgi, amor, Qualche ristoro Al mio duolo A′miei sospir! O …
Porgi, amor (Le nozze di Figaro) Porgi, amor, qualche ristoro al mio duolo a'miei sospir! O …
Queen Of The Night Aria Der Hölle Rache kocht in meinem herzen Tot und verzweiflung …
Recordare Recordare Jesu pie, quod sum causa tuae viae, ne me perdas…
Requiem 1. Requiem Requiem aeternam dona eis, Domine, et lux…
Requiem Dies irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Requiem in D minor K 626: 3. Sequentia: "Recordare" Recordare, Jesu pie, Quod sum causa tuae viae, Ne me perdas …
Requiem in D minor K. 626: I. Introitus: "Requiem aeternam" INTROITUS Requiem aeternam dona ets, Domine, et lux perpetu…
Requiem in D minor K.626 Dies iræ, dies illa Solvet sæclum in favilla Teste David cum…
Requiem in D Minor K.626: 1. Introitus: Requiem Requiem aeternam dona eis, Domine, Et lux perpetua luceat ei…
Requiem in D Minor K.626: 3. Sequentia: Lacrimosa La crimosa Dies illa Qua Re sur get est fa vi lla Iudicandus…
Requiem in D Minor K.626: 4. Offertorium: Domine Jesu Domine, Jesu Christe, Rex gloriae, rex gloriae Libera animas…
Requiem in D Minor K.626: 4. Offertorium: Hostias Hostias et preces, tibi, Domine, Laudis offerimus: Tu suscip…
Requiem Introitus Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
Requiem Rex Tremendae Majestatis CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Requiem%3A Dies irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Requiem, Dies irae Dies iræ, dies illa Solvet sæclum en favilla Teste davidcum …
Requiem: Agnus Dei CHORUS AGNUS DEI, qui tollis peccata …
Requiem: Dies irae Dies iræ, dies illa Solvet sæclum en favilla Teste davidcum …
Requiem: Domine Jesu DOMINE Jesu Christie, Rex Gloriaee, libera …
Requiem: Introitus: Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
Requiem: IV. Offertorium: Domine Jesu Christe DOMINE Jesu Christie, Rex Gloriaee, libera …
Requiem: Lacrimosa Requiem aeternam dona eis, Domine, et lux perpetua luceat ei…
Requiem: Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
Requiem: Rex tremendae CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Requiem: VII. Agnus Dei Agnus Dei, qui tollis peccata mundi Dona eis requiem sempite…
Requiem: VIII. Communio: Lux aeterna SOPRANO SOLO AND CHORUS LUX eterna …
Rex Tremendae Rex tremandae maiestatis, qui salvandos salvas gratis, sal…
Rex Tremendae Majestatis CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Ridente la calma K.152 Ridente la calma nell′alma si desti Né resti più segno di…
Sanctus Sanctus, sanctus, sanctus Dominus Deus Sabaoth! Pleni sunt…
Sequentia Dies Irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Sequentia Rex tremendae CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Sequentia%3A Dies Irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Time To Say Goodbye cutumn roams silently through the streets, You'll be gone, a…
Tuba Mirum Tuba mirum spargens sonum per sepulchra regionum, coget om…
Turkish March Issa Issa Issa Issa Issa Issa Issa Issa Issa Issa Issa Issa …
V. Sanctus SANCTUS, Domine Deus Sabaoth. Pleni sunt …
VII. Agnus Dei Agnus Dei, qui tollis peccata mundi, dona eis requiem Agnus…
VII. Communio: Lux aeterna SOPRANO SOLO AND CHORUS LUX eterna …



Voi che sapete che cosa è amor Voi che sapete Che cosa è amor, Donne, vedete S′io l'ho nel …


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Most interesting comments from YouTube:

@meowlord2480

FIRST MOVEMENT (Sonata-Allegro) 0:08
Exposition 0:08
First Subject 0:08
Second Subject 1:34
Repeat 2:10
Development 4:13
Recapitulation 5:05
First Subject 5:05
Second Subject 6:36
Coda 7:12

SECOND MOVEMENT (Sonata-Allegro) 7:41
Exposition 7:41
First Subject 7:41
Second Subject 8:18
Repeat 8:40
Development 9:39
Recapitulation 10:19
First Subject 10:19
Second Subject 11:16

THIRD MOVEMENT (Ternary) 11:43
First Subject 11:43
A Theme 11:43
Repeat 11:59
B Theme 12:14
A Theme 12:25
B Theme 12:47
A Theme 12:58
Second Subject 13:19
A Theme 13:19
Repeat 13:31
B Theme 13:43
B Theme 14:03
First Subject 14:24
A Theme 14:24
B Theme 14:40
A Theme 14:51

FOURTH MOVEMENT (Sonata-Allegro) 15:17
Exposition 15:17
First Subject 15:17
Second Subject 15:57
Repeat 16:32
Development 17:47
Recapitulation 18:17
First Subject 18:17
Second Subject 19:01
Coda 19:36



@wilhelmorangenbaum163

@Degree7 I talked about musical form, development, dynamics, counterpoint and orchestration (you did not mention any counterargument of how metal has any of these), at any time I mentioned harmony, that is what I referred to as regards superficialities in sonority: certain arpeggios and chords used to give an impression of "classical" harmony, not very elaborate (most metal guitarrist don't know what is a inversion o that making parallel fifths and octaves is banned in classical harmony) either because the harmony in classical music adheres to a formal development, whit some criteria regarding how and when doing certian harmonies and modulations, not the case in metal. (Not to mention that things like the Phrygian mode stopped being used after the Baroque and would not be used again if not until the end of romanticism).

To make matters worse, you mention symphonic metal when I mention that exceptions are not standard, symphonic metal is only a subgenre of the many that exist in the metal, not to mention that this one does not have much emphasis either in form and structure and that the orchestrations are awful when you comparing them to classical orchestrations such as the ones of Berlioz, Wagner, Rinsky-Korsakov or Charles Koechlin. Singing tecnique is also an abismal diferrence between the two: clasical singing requires advanced tecniques involving respiration, tone creation, tuning and projetion (just listen some opera), that's not the case with most of metal (of any genre that requires microphones).

I want you to be honest and answer me if Van Halen, Ritchie Blackmore, Yngwie Malmsteen or Dave Mustaine (just to name a few) can compose a strict counterpoint, a double fugue or even compose something by following a basic structural form like sonata form? (things which any classical composer can do) (Malmsteen's "concerto" does not even follow the basic form of any concerto because it is very obvious that he does not know how compose one).

Is ironically how big is your arrogance, calling others "pretentious" when you yourself do not know anything about what you are talking about, acted as a triggered internet tough guy because you cannot understand that one of the two types of music is obviously and abysmally inferior to the other and that the fact of thinking that there is a strong relationship between the two genders is retarted.

Go study, you retard.



@wilhelmorangenbaum163

@Degree7 It can be see that the whole problem with this debate is focusing on general vs. exceptions: the point that started this debate was the relationship between classical music and heavy metal, with heavy metal being a general term encompassing a considerable number of genres, I'm talking about metal as a GENERAL, encompassing most of its subgenres, you can't do cherrypicking with one or two subgenres (like symphonic metal or "operatic" metal) or a few bands and say that dismantles my point: yes, there are progressive metal musicians for example that can compose this type of things, that does not mean this things are characteristic of most metal genres, genres such as Thrash, Power, Doom, Groove, Sludge, Death or Black (genres that are garbage by the way). Not to mention that most of the genres that you are using to "prove" your point are crosovers genres, genres that use characteristics that are alien to the base genre (heavy metal): "HURR DURR """"OPERATIC"""" METAL PROVES YOU WRONG", everything that could be considered good of that genre is not even of metal itself, it is still inferior to most classical music. Because of that, the counterargument of operatic metal singing is especially stupid, the singing style of that genre is NOT the one used in most metal genres (which is what I talk about), it is not even a singing style own of the genre, if not of an external genre. Not to say that we assume that the singing level of those singers are at a level of competence, which I cannot consider because not even the singing level of current opera singers is at lever of competence, is lower than in past decades (see YouTube channel "this is opera" to know what I'm talking about).
.
Things that classical music has that (most) metal doesn't:

Structured form based on the development of themes.
Counterpoint and polyphonic textures.
Functional sense of harmony
Advanced use of instruments and combinations of tones and timbres (most metal orchestrations are crap)
A high range of expressive resources and aesthetic execution.


Go study retard.



All comments from YouTube:

@enzbroGD

To write this at 30, you would have to be a genius. To write this at 17, you would have to be Mozart.

@PubicGore

Or someone better.

@mattrapa8414

Such a coincidence

@KL-hq5yx

@@PubicGore There isn't anyone better don't you know that you filthy troll????

@PubicGore

@@KL-hq5yx Yes there is. Honestly, Mozart is overrated. Beethoven is infinitely better than every other composer combined.

@PubicGore

@Mosley Shoahs What? Are you saying Bach is better? That is very false. He did counterpoint better than Mozart, though.

280 More Replies...

@NottSuree

Somebody: How old are you boy?
Mozart: 17
Somebody: what can you do?
17 year old Mozart:

@brianchristopher4557

Them: You can't write an entire symphony in 2 days

Mozart: halten sie mein bier

@victoriawisswell9660

Halten Sie mein Bier? Lol good idea putting it auf Deutsch! It's funnier that way

@helloman1051

Halten sie mein wein

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