Lacrymosa
Wolfgang Amadeus Mozart Lyrics


We have lyrics for 'Lacrymosa' by these artists:


Aeternitas Lacrymosa dies illa, qua resurget ex favilla judicandus ho…
Evanescence I can't change who I am Out on your own, cold…
Evanescence (The Open Door 2006) Out on your own, cold and alone again Can this be…
Evanescence (www.Harmonia.ir) Out on your own, cold and alone again Can this be…
Evanescence - Open Door I can't change who I am Out on your own, cold…
Evanescence [ wWw.Bia2Club.Net ] Out on your own, cold and alone again Can this be…
Evanescence [www.amolacao.blogspot.com] Out on your own, cold and alone again Can this be…
Evanescence攀 Out on your own, cold and alone again Can this be…
Libera Lacrymosa Dolorosa Voca Me Libera Salva Me You are the voic…
LIBERA & ROBERT PRIZEMAN Lacrymosa, dolorosa, voca me, libera, salva me De morte aet…
Liva Lacrimosa dies illa Qua resurget ex favilla Judicandus ho…
ÒÁ·²Èû˹evanescence Out on your own, cold and alone again Can this be…
Robert Prizeman/Libera Lacrymosa, dolorosa, voca me, libera, salva me De morte aet…
The Open Door - Evanescence - by www.musikandomp3.com I can't change who I am Out on your own, cold…
♫ Evanescence Out on your own, cold and alone again Can this be…


We have lyrics for these tracks by Wolfgang Amadeus Mozart:


Agnus Dei Agnus Dei, qui tollis peccata mundi, dona eis requiem. Agn…
Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte Erzeugt von heißer Phantasie, In einer schwärmerischen Stund…
Ave Maria Ave, ave verum corpus natum De Maria virgine Vere passum imm…
Ave Verum Ave ave verum corpus natum de Maria Virgine Vere passum, imm…
Ave Verum Corpus K.618 Ave verum corpus, natum De Maria Virgine Vere passum, immola…
Ave verum corpus, K. 618 Ave verum corpus natum de Maria Virgine Vere passum, immolat…
Ave Verum K.618 Ave verum corpus, natum De Maria Virgine Vere passum, immola…
Batti Batti O Bel Masetto Batti, batti, o bel Masetto, La tua povera Zerlina; Starò qu…
Benedictus Benedictus qui venit in nomine Domine. Hosanna in excelsis!…
Communio Lux Aeterna SOPRANO SOLO AND CHORUS LUX eterna …
Confutatis Confutatis maledictis, flammis acribus addictis, voca me c…
Der Hölle Rache kocht in meinem Herzen Der Hölle Rache kocht in meinem Herzen Tod und Verzweiflung…
Der Vogelfänger bin ich ja Der Vogelfänger bin ich ja Stets lustig heissa hopsasa! Ic…
Die Zauberflöte K. 620 Act 2: Der Hölle Rache kocht in meinem Herzen, Tod und Verzweiflung…
Die Zauberflöte: Der Hölle Rache kocht in meinem Herzen Der Hölle Rache kocht in meinem Herzen, Hells Revenge cooks …
Dies Irae Dies irae Dies illa Solvet saeclum en favilla Teste david…
Domine Jesu Domine, Jesu Christe, Rex gloriae, libera animas omnium fid…
Domine Jesu Christe DOMINE Jesu Christie, Rex Gloriaee, libera …
Hostias Hostias et preces tibi, Domine laudis offerimus tu suscipe…
III CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
III. Dies Irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Introitus Requiem aeternam dona eis, Domine, Et lux perpetua luceat ei…
Introitus Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
iv HOSTIAS et preces tibi, Domine, laudis…
IV. Offertorium: / Domine Jesu Christe DOMINE Jesu Christie, Rex Gloriaee, libera …
Kyrie Kyrie eleison. Christe eleison. Kyrie eleison.…
La' ci darem la mano (Don Giovanni): Là ci darem la mano, Là mi dirai di sì, Vedi…
Lacrimosa Lacrymosa dies illa, qua resurget ex favilla judicandus ho…
Laudate Laudate Dominum omnes gentes Laudate eum, omnes populi Quon…
Le Nozze di Figaro: Che soave zeffiretto Sull'aria... Che soave zeffiretto... Zeffiretto... Questa se…
Le nozze di Figaro: Cinque... dieci... venti... trenta... Cinque... dieci... venti... trenta... Trentasei... quarantat…
Lux aeterna SOPRANO SOLO AND CHORUS LUX eterna …
O Fortuna O Fortuna, velut Luna statu variabilis, semper crescis a…
Offertorium Domine Jesu DOMINE Jesu Christie, Rex Gloriaee, libera …
Offertorium Hostias HOSTIAS et preces tibi, Domine, laudis…
Offertorium: Domine Jesu DOMINE Jesu Christie, Rex Gloriaee, libera …
Porgi amor Porgi, amor, Qualche ristoro Al mio duolo A′miei sospir! O …
Porgi, amor (Le nozze di Figaro) Porgi, amor, qualche ristoro al mio duolo a'miei sospir! O …
Queen Of The Night Aria Der Hölle Rache kocht in meinem herzen Tot und verzweiflung …
Recordare Recordare Jesu pie, quod sum causa tuae viae, ne me perdas…
Requiem 1. Requiem Requiem aeternam dona eis, Domine, et lux…
Requiem Dies irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Requiem in D minor K 626: 3. Sequentia: "Recordare" Recordare, Jesu pie, Quod sum causa tuae viae, Ne me perdas …
Requiem in D minor K. 626: I. Introitus: "Requiem aeternam" INTROITUS Requiem aeternam dona ets, Domine, et lux perpetu…
Requiem in D minor K.626 Dies iræ, dies illa Solvet sæclum in favilla Teste David cum…
Requiem in D Minor K.626: 1. Introitus: Requiem Requiem aeternam dona eis, Domine, Et lux perpetua luceat ei…
Requiem in D Minor K.626: 3. Sequentia: Lacrimosa La crimosa Dies illa Qua Re sur get est fa vi lla Iudicandus…
Requiem in D Minor K.626: 4. Offertorium: Domine Jesu Domine, Jesu Christe, Rex gloriae, rex gloriae Libera animas…
Requiem in D Minor K.626: 4. Offertorium: Hostias Hostias et preces, tibi, Domine, Laudis offerimus: Tu suscip…
Requiem Introitus Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
Requiem Rex Tremendae Majestatis CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Requiem%3A Dies irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Requiem, Dies irae Dies iræ, dies illa Solvet sæclum en favilla Teste davidcum …
Requiem: Agnus Dei CHORUS AGNUS DEI, qui tollis peccata …
Requiem: Dies irae Dies iræ, dies illa Solvet sæclum en favilla Teste davidcum …
Requiem: Domine Jesu DOMINE Jesu Christie, Rex Gloriaee, libera …
Requiem: Introitus: Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
Requiem: IV. Offertorium: Domine Jesu Christe DOMINE Jesu Christie, Rex Gloriaee, libera …
Requiem: Lacrimosa Requiem aeternam dona eis, Domine, et lux perpetua luceat ei…
Requiem: Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
Requiem: Rex tremendae CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Requiem: VII. Agnus Dei Agnus Dei, qui tollis peccata mundi Dona eis requiem sempite…
Requiem: VIII. Communio: Lux aeterna SOPRANO SOLO AND CHORUS LUX eterna …
Rex Tremendae Rex tremandae maiestatis, qui salvandos salvas gratis, sal…
Rex Tremendae Majestatis CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Ridente la calma K.152 Ridente la calma nell′alma si desti Né resti più segno di…
Sanctus Sanctus, sanctus, sanctus Dominus Deus Sabaoth! Pleni sunt…
Sequentia Dies Irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Sequentia Rex tremendae CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Sequentia%3A Dies Irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Time To Say Goodbye cutumn roams silently through the streets, You'll be gone, a…
Tuba Mirum Tuba mirum spargens sonum per sepulchra regionum, coget om…
Turkish March Issa Issa Issa Issa Issa Issa Issa Issa Issa Issa Issa Issa …
V. Sanctus SANCTUS, Domine Deus Sabaoth. Pleni sunt …
VII. Agnus Dei Agnus Dei, qui tollis peccata mundi, dona eis requiem Agnus…
VII. Communio: Lux aeterna SOPRANO SOLO AND CHORUS LUX eterna …



Voi che sapete che cosa è amor Voi che sapete Che cosa è amor, Donne, vedete S′io l'ho nel …


The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Most interesting comments from YouTube:

@gunterangel

Exactly ! Actually Mozart did only compose the first eight bars himself, then he pretty quickly died on december, the 05 th.,1791.

That is until the crescendo to the word "reus", sung in forte, ( until 0:44 ) !

Franz Xaver Süßmayr,
Mozart's pupil and assistent,
and also Godfather of his youngest son, Franz Xaver, who had just been born in the same year 1791, would complete the work at the behest of Mozart's widow, Constanze.

( Yes, another composer, who helped in completing the work, was Joseph Eybler, who btw. had been highly estimated by Mozart especially as a composer of sacral music, but he only contributed to the orchestrations of the previous movements after the Kyrie-fugue, and his contributions were rather small, as he seemed less enthusiastic about this job at Constanze's plea, hence Constanze went to Süßmayr soon.)

Süßmayr would die equally as young as his master, just 37 years old, in 1803.

So from 0:44 onwards it is actually Süßmayr's genius at work !

To give the smoothest cohesion Süßmayr stayed permanently in Mozart's chosen metrum, that swaying 12/8, and also kept Mozart's sighing rhythmic pattern of accompaniment in the first violins throughout the entire piece until the end, which he closed with a simple and humble "A-men!" in form of a simple V-I chord cadence, that he avoided to compose out expandedly for instance in form of a fugue.

But some forty years ago there were indeed some scetches of Mozart discovered, which indicate, that he probably intended to close the Lacrimosa with a real fugue on the word "Amen".

This alternative ending with an "Amen"-fugue was tried in the eighties of the 20th. century by contemporary composer and musicologist, Richard Maunder, who used Mozart's scetches as basis for his fugue.

There is a recording of Christopher Hogwood and The Acadamy of Ancient Music from 1988.

Celebrating the 200th.anniversary
of Mozart's death in 1991 also Duncan Druce and Robert.D.Levin came up with their own reconstructions of the Mozart Requiem and with their own "Amen"-fugues for the Lacrimosa.

Hogwood also recorded the Druce version in 1991.

You can find this alternative versions also here on YT (, if not deleted due to copyright reasons .)

Let's give Süßmayr the credit he deserves !

And he was even ten years younger than his master, Mozart, just aged 25, when he had completed Mozart's Requiem, and by doing so arguably preserved Mozart's last major work for the future.

And isn't it really ominous, that Mozart had died, just when he was writing music for those lyrics of the Latin funeral mass, that deal with the individual judgement by God, which according to the Christian faith each human being has to face immediately after his last breath ?!

" Full of tears that day,
when from the ashes shall rise
a guilty man to be judged... .."

....and gone he was ! ✝️



@gunterangel

@@bboynew
Yeah, it well could be !

What makes this matter even more difficult is that Mozart and Süßmayr had staggering similar handwritings, and Süßmayr, in the manuscript given to Count Walsegg, who had commissioned the work, even intentionally tried to make his own handwriting impossible to differ from Mozart's, probably in order to fool the Count by making him believe he had recieved an one-hundred-percent-Mozart-work.

Also that Süßmayr had picked up Mozart's own notes from the beginning again at the first 'Dona eis requiem', like some sort of "reprise", was very resourceful and empathetic from him.
Hence the 'Lacrimosa' ist really the most difficult part to separate their individual styles.

Whereas the 'Sanctus' and 'Agnus Dei' are easily recognizable NOT Mozart and 100% Süßmayr, especially the counterpoint in the 'Hosanna'-part sounds too unwieldy to be from Mozart imho.

The 'Benedictus' with the soloists-quartet, although assumably 100% Süßmayr, sounds again remarkably "Mozartian" ,
and there are even speculations today, that maybe Süßmayr could have relied on little pieces of paper ( "kleine Zettelchen")
with rough and short scetches from Mozart's hand, which Mozart's widow, Constanze, had occassionally mentioned and which presumably had gone lost.



@sergentgoose8964

Forever set, a precious moon is lost.

The others mourn him, with ceremony grand.

Rising up to heaven, the mighty moon of frost

With a melody from the mourning band.

..

Harvest Barren, wine spilled, lover slumber

beside the bloody scarlet eyes.

Though cut in half, shall be your number

'tis not lost, wherein your advantage lies.

..

Amuse yourself with the entr'acte.

Seek out new friends once in a bind.

Perhaps to the east one can be tracked

the one most needed, you're sure to find.



@iWorkYuhurd

“The calendar loses a precious component.
The remaining months gather to mourn.
The mourners play a melody,
While the eleventh moon quietly rises.

The chrysanthemum withers and falls,
To lie on the ground beside bloody Scarlet Eyes.
But you will remain supreme.
Even after losing half your limbs.

Enjoy the interlude.
Search out new allies.
East is the direction to go.
You will find one who awaits you."



@gunterangel

Actually Mozart did only compose the first eight bars himself, then he pretty quickly died on december, the 05 th.,1791.

That is until the crescendo to the word "reus", sung in forte, ( until 0:44 ) !

Franz Xaver Süßmayr,
Mozart's pupil and assistent,
and also Godfather of his youngest son, Franz Xaver, who was just born in the same year 1791, would complete the work at the behest of Mozart's widow, Constanze.

( Another composer, who helped in completing the work, was Joseph Eybler, but he only contributed to the orchestrations of the previous movements after the Kyrie-Fugue.)

Süßmayr would die equally as young as his master, just 37 years old, in 1803.

So from 0:44 onwards it is actually Süßmayr's genius at work !

To give the smoothest cohesion Süßmayr stayed permanently in Mozart's chosen metrum, 12/8, and also kept Mozart's rhythmic pattern of accompaniment in the first violins throughout the entire piece until the end, which he closed with a simple and humble "A-men!", that he avoided to compose out expandedly for instance in form of a fugue.

But some forty years ago there were indeed some scetches of Mozart dicovered, that indicates, that he probably intended to close the Lacrimosa with a real fugue on the word "Amen".

This alternative ending with an "Amen"-fugue was tried in the eighties of the 20th. century by contemporary composer and musicologist, Richard Maunder, who used Mozart's scetches as basis for his fugue.

There is a recording of Christopher Hogwood and The Acadamy of Ancient Music from 1988.

Celebrating the 200th.anniversary a
of Mozart's death in 1991 also Duncan Druce and Robert.D.Levin came up with their own reconstructions of the Mozart Requiem and with their own "Amen"-fugues for the Lacrimosa.

Hogwood also recorded the Druce version in 1991.

You can find this alternative versions also here on YT (, if not deleted due to copyright reasons .)

Let's give Süßmayr the credit he deserves !

And he was even ten years younger than his master, Mozart, just aged 25, when he had completed Mozart's Requiem, and by doing so arguably preserved Mozart's last work for the future.

And isn't it really ominous, that Mozart had died, just when he was writing about the individual judgement by God, that each human, who had died, has to face immediately after his last breath ?!

" Full of tears that day,
when from the ashes shall rise
a guilty man to be judged... .."

....and gone he was ! ✝️



@gunterangel

Actually Mozart did only compose the first eight bars himself, then he pretty quickly died on december, the 05 th.,1791.

That is until the crescendo to the word "reus", sung in forte, ( until 0:44 ) !

Franz Xaver Süßmayr,
Mozart's pupil and assistent,
and also Godfather of his youngest son, Franz Xaver, who was just born in the same year 1791, would complete the work at the behest of Mozart's widow, Constanze.

Süßmayr would die equally as young as his master, just 37 years old, in 1803.

So from 0:44 onwards it is actually Süßmayr's genius at work !

To give the smoothest cohesion Süßmayr stayed permanently in Mozart's chosen metrum, 12/8, and also kept Mozart's rhythmic pattern of accompaniment in the first violins throughout the entire piece until the end, which he closed with a simple and humble "A-men!", that he avoided to compose out expandedly for instance in form of a fugue.

But some forty years ago there were indeed some scetches of Mozart dicovered, that indicates, that he probably intended to close the Lacrimosa with a real fugue on the word "Amen".

This alternative ending with an "Amen"-fugue was tried in the eighties of the 20th. century by contemporary composer and musicologist, Richard Maunder, who used Mozart's scetches as basis for his fugue.

There is a recording of Christopher Hogwood and The Acadamy of Ancient Music from 1988.

Celebrating the 200th.anniversary a
of Mozart's death in 1991 also Duncan Druce and Robert.D.Levin came up with their own reconstructions of the Mozart Requiem and with their own "Amen"-fugues for the Lacrimosa.

Hogwood also recorded the Druce version in 1991.

You can find this alternative versions also here on YT (, if not deleted due to copyright reasons .)

Let's give Süßmayr the credit he deserves !

And he was even ten years younger than his master, Mozart, just aged 25, when he had completed Mozart's Requiem, and by doing so arguably preserved Mozart's last work for the future.

And isn't it really ominous, that Mozart had died, just when he was writing about the individual judgement by God, that each human, who had died, has to face immediately after his last breath ?!

" Full of tears that day,
when from the ashes shall rise
a guilty man to be judged... .."

....and gone he was ! ✝️



All comments from YouTube:

@moisttowelettes3640

“Damn that test was hard”
“Yeah especially the back”
“Th- the back”

@natestathes

😂🤣😂🤣😂

@thephilosopher7173

whats the reference?

@gabrielalejandrodoldan4722

Oh no...
No, noo, nooo, Noooo!!!

@4f52

@@thephilosopher7173 School

@theOGsavage

@@thephilosopher7173 the student forgot the last page of the test/exam

112 More Replies...

@user-vb6rp4ys8x

I can't believe it. I listened to this song first when I was 17 when it had come out. Now I am 232 years old and it still hits my heart.

@gabers_123

💀

@Eltenshi_exe

I wanted to go to the concert in the Louis XV castle at Versailles, but the leprosy hits me so hard 💀😭

@joshuatrue2856

Real. Still hits hard to this day.

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