Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific … Read Full Bio ↴Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every Western classical genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture".

Born in Salzburg, then in the Holy Roman Empire and currently in Austria, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court but grew restless and traveled in search of a better position.

While visiting Vienna in 1781, Mozart was dismissed from his Salzburg position. He stayed in Vienna, where he achieved fame but little financial security. During his final years there, he composed many of his best-known symphonies, concertos, and operas. His Requiem was largely unfinished by the time of his death at the age of 35, the circumstances of which are uncertain and much mythologized.

Piano Quintet in E-Flat Major K. 452: I. Largo
Wolfgang Amadeus Mozart Lyrics

We have lyrics for these tracks by Wolfgang Amadeus Mozart:

Agnus Dei Agnus Dei, qui tollis peccata mundi, dona eis requiem. Agn…
Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte Erzeugt von heißer Phantasie, In einer schwärmerischen Stund…
Ave Maria Ave, ave verum corpus natum De Maria virgine Vere passum imm…
Ave Verum Ave ave verum corpus natum de Maria Virgine Vere passum, imm…
Ave Verum Corpus K.618 Ave verum corpus, natum De Maria Virgine Vere passum, immola…
Ave verum corpus, K. 618 Ave verum corpus natum de Maria Virgine Vere passum, immolat…
Ave Verum K.618 Ave verum corpus, natum De Maria Virgine Vere passum, immola…
Batti Batti O Bel Masetto Batti, batti, o bel Masetto, La tua povera Zerlina; Starò qu…
Benedictus Benedictus qui venit in nomine Domine. Hosanna in excelsis!…

Communio Lux Aeterna SOPRANO SOLO AND CHORUS LUX eterna …
Confutatis Confutatis maledictis, flammis acribus addictis, voca me c…
Der Hölle Rache kocht in meinem Herzen Der Hölle Rache kocht in meinem Herzen Tod und Verzweiflung…
Der Vogelfänger bin ich ja Der Vogelfänger bin ich ja Stets lustig heissa hopsasa! Ic…
Die Zauberflöte K. 620 Act 2: Der Hölle Rache kocht in meinem Herzen, Tod und Verzweiflung…
Die Zauberflöte: Der Hölle Rache kocht in meinem Herzen Der Hölle Rache kocht in meinem Herzen, Hells Revenge cooks …
Dies Irae Dies irae Dies illa Solvet saeclum en favilla Teste david…
Domine Jesu Domine, Jesu Christe, Rex gloriae, libera animas omnium fid…
Domine Jesu Christe DOMINE Jesu Christie, Rex Gloriaee, libera …
Hostias Hostias et preces tibi, Domine laudis offerimus tu suscipe…
I Introitus : Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
III CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
III. Dies Irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
III. Sequentia: / Rex Tremendae Majestatis CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Introitus Requiem aeternam dona eis, Domine, Et lux perpetua luceat ei…
Introitus Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
iv HOSTIAS et preces tibi, Domine, laudis…
IV. Offertorium: / Domine Jesu Christe DOMINE Jesu Christie, Rex Gloriaee, libera …
Kyrie Kyrie eleison. Christe eleison. Kyrie eleison.…
La' ci darem la mano (Don Giovanni): Là ci darem la mano, Là mi dirai di sì, Vedi…
Lacrimosa Lacrymosa dies illa, qua resurget ex favilla judicandus ho…
Laudate Laudate Dominum omnes gentes Laudate eum, omnes populi Quon…
Le Nozze di Figaro: Che soave zeffiretto Sull'aria... Che soave zeffiretto... Zeffiretto... Questa se…
Le nozze di Figaro: Cinque... dieci... venti... trenta... Cinque... dieci... venti... trenta... Trentasei... quarantat…
Lux aeterna SOPRANO SOLO AND CHORUS LUX eterna …
O Fortuna O Fortuna, velut Luna statu variabilis, semper crescis a…
Offertorium Domine Jesu DOMINE Jesu Christie, Rex Gloriaee, libera …
Offertorium Hostias HOSTIAS et preces tibi, Domine, laudis…
Offertorium: Domine Jesu DOMINE Jesu Christie, Rex Gloriaee, libera …
Porgi amor Porgi, amor, Qualche ristoro Al mio duolo A′miei sospir! O …
Porgi, amor (Le nozze di Figaro) Porgi, amor, qualche ristoro al mio duolo a'miei sospir! O …
Queen Of The Night Aria Der Hölle Rache kocht in meinem herzen Tot und verzweiflung …
Recordare Recordare Jesu pie, quod sum causa tuae viae, ne me perdas…
Requiem 1. Requiem Requiem aeternam dona eis, Domine, et lux…
Requiem Dies irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Requiem in D minor K 626: 3. Sequentia: "Recordare" Recordare, Jesu pie, Quod sum causa tuae viae, Ne me perdas …
Requiem in D minor K. 626: I. Introitus: "Requiem aeternam" INTROITUS Requiem aeternam dona ets, Domine, et lux perpetu…
Requiem in D minor K.626 Dies iræ, dies illa Solvet sæclum in favilla Teste David cum…
Requiem in D Minor K.626: 1. Introitus: Requiem Requiem aeternam dona eis, Domine, Et lux perpetua luceat ei…
Requiem in D Minor K.626: 3. Sequentia: Lacrimosa La crimosa Dies illa Qua Re sur get est fa vi lla Iudicandus…
Requiem in D Minor K.626: 4. Offertorium: Domine Jesu Domine, Jesu Christe, Rex gloriae, rex gloriae Libera animas…
Requiem in D Minor K.626: 4. Offertorium: Hostias Hostias et preces, tibi, Domine, Laudis offerimus: Tu suscip…
Requiem Introitus Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
Requiem Rex Tremendae Majestatis CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Requiem%2C Dies irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Requiem, Dies irae Dies iræ, dies illa Solvet sæclum en favilla Teste davidcum …
Requiem: Agnus Dei CHORUS AGNUS DEI, qui tollis peccata …
Requiem: Dies irae Dies iræ, dies illa Solvet sæclum en favilla Teste davidcum …
Requiem: Domine Jesu DOMINE Jesu Christie, Rex Gloriaee, libera …
Requiem: Introitus: Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
Requiem: IV. Offertorium: Domine Jesu Christe DOMINE Jesu Christie, Rex Gloriaee, libera …
Requiem: Lacrimosa Requiem aeternam dona eis, Domine, et lux perpetua luceat ei…
Requiem: Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
Requiem: Rex tremendae CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Requiem: VII. Agnus Dei Agnus Dei, qui tollis peccata mundi Dona eis requiem sempite…
Requiem: VIII. Communio: Lux aeterna SOPRANO SOLO AND CHORUS LUX eterna …
Rex Tremendae Rex tremandae maiestatis, qui salvandos salvas gratis, sal…
Rex Tremendae Majestatis CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Ridente la calma K.152 Ridente la calma nell′alma si desti Né resti più segno di…
Sanctus Sanctus, sanctus, sanctus Dominus Deus Sabaoth! Pleni sunt…
Sequentia Dies Irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Sequentia Rex tremendae CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Sequentia%3A Dies Irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Sequentia: Rex tremendae majestatis CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Time To Say Goodbye cutumn roams silently through the streets, You'll be gone, a…
Tuba Mirum Tuba mirum spargens sonum per sepulchra regionum, coget om…
Turkish March Issa Issa Issa Issa Issa Issa Issa Issa Issa Issa Issa Issa …
V. Sanctus SANCTUS, Domine Deus Sabaoth. Pleni sunt …
VII. Agnus Dei Agnus Dei, qui tollis peccata mundi, dona eis requiem Agnus…
VII. Communio: Lux aeterna SOPRANO SOLO AND CHORUS LUX eterna …

Voi che sapete che cosa è amor Voi che sapete Che cosa è amor, Donne, vedete S′io l'ho nel …

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Comments from YouTube:

@_gilmusica

1y↑18

The tiny horn melody at 0:53 and the section after it with that unbelievably simple but so so very much beautiful piano part and decending scales on the winds is for me, one of the most beautiful moments in music

@TheStealthDawg

35w

The horn gives me chills. The voice of God :)

@TheStealthDawg

14w↑2

The tiny horn melody at 0:53 is one of the most beautiful parts of any piece I’ve ever heard

@brianbernstein3826

3y↑17

One of the single greatest compositions in all classical music. Impeccable architecture, sublime melodies, ingenious interplay between the instruments.. and the story unfolds so effortlessly and so naturally.

@jacobbullock2070

1y↑7

All of the performers are incredible of course, but I’m so impressed by the precision and delicacy of the pianist, and the articulation and blend of the hornist. It’s clear they spent a lot of time playing with woodwinds - their articulation matches that unique crispness of the reeds so well.

@ElSmusso

6y↑81

Mozart wrote in a letter to that this was the best he had composed :) it’s beautiful 😍

@kiren3168

6y↑9

ElSmusso its very beautiful but I doubt he meant it literally. I don't think we should take a single personal letter too seriously. It may be but I don't believe so.

@topquark22

4y↑4

It truly is. One of my favourite works by Mozart.

@Anton-lk5tm

4y↑4

It is one of the best pieces written by Mozart. I compare it with the beatiful ouvertures to the operas.

@thomassieg666

3y↑6

Yes but it was before Figaro and the 1791 masterpieces

@auscomvic9900

3y↑1

Anyone proffer why he thought that?

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@maniak1768

1y↑8

1:00 That 5-6-consecutive is just pure heaven. All those nice little suspension notes in the piano accompaniment are really spicy and just make this incredibly mellow sound. I also love how Mozart gives all of the lines in that section their own unique identities with their respective dramaturgical arcs as opposed to just using vocabulary from the theoretical phrase book. Yes, there are canonic entrances, but all those little deviations are the proof of this being a masterwork. E.g. that difficult chromatic horn part in the second bar which supports that wonderful quinte superflue. It just gets richer and richer the longer the sequence lasts. Each detail, however minor it may seem, is utterly important to the whole. Just wow.

@andreamazzucato8046

7y↑53

Mozart considerava questo quintetto il suo capolavoro assoluto...in effetti è di un equilibrio, una perfezione stilistica e formale e di una classe infiniti... è musica di pura trasparenza e cristallina bellezza...vi è inoltre tanto tantissimo sentimento in questo pezzo... è come un Dipinto di Raffaello o una scultura del Canova...

@andrealussignoli2976

Come tutti i lavori di mozart...

@hobodawg9364

7y↑28

This piece never fails to make me smile...
Thanks, Wolfie!

@bpage4132

5y↑10

This is one my all-time favourite Mozart`s chamber works,because I love the wind instruments as well as the piano,especially the second movement is so beautifully well-performed and well played.

@StanObirek

4y↑4

Music not from this world. Thanks for publishing!

@Jalapablo

6y↑8

Mozart's lovely, miraculous music. Perfect and divine and borne of love. He put his entire heart and soul into this quintet!

@windstorm1000

He told his father it was best thing hed done!

@noelaruldas1152

3y↑4

The present musicians can't beat Mozart.

@lokmanmerican6889

4y↑4

Fabulous playing from a truly all-star cast.

@jimbus2982

3y↑1

Brendan on piano, Heinz holliger on oboe!!!

@user-tuba9527

5y↑4

The most beautiful piece that Mozart ever write!

@rossini9mozart10

5y↑10

24:02 absolutely amazing thing ! The winds crescendo result to the chord on the piano next measure, chord who sound naturally diminuendo, with the same timbre and colour than the winds...EVVIVA TRAZOM !

@user-vg1gb6zz2w

1y↑3

Невероятно! Потрясающе!

@marcvincenti6624

8y↑16

Gosh, what lovely music, and played by this group with such attention to nuances of dynamics. As for the writing, I especially love how, in the middle movement, the development in the development section is almost not as intricate as the "development" that he cooks up for the recapitulation!
Marc Vincenti

@olla-vogala4090

8y↑7

Yes, Mozart always had little 'tricks' like this up his sleeve :)

@LouieTaylorMusic

6y↑10

Firstly, impressive, very nice. let's see Paul Alan's card. Secondly 0:42 amazing oboe note, literally the best way to voice a diminished 7th . thirdly 0:54 - 1:18 is absolutely blissful, an underused moment in the piece which is thoroughly beautiful.

@user-vg1gb6zz2w

С 0.54 до 1.18 мне с первого раза понравился также! Этот фрагмент совершенно невероятный!

@kwastormayt

7y↑5

that larghetto is inexplicably beautiful

@chipichipichapachapa733

6y↑80

This is like the cutest and most innocent thing ever

@metroidfoosion73

6y↑26

If that’s all you hear I recommend another listen

@bagochipsmusic5687

4y↑6

Mozart was far from innocent!

@chipichipichapachapa733

4y↑13

@@bagochipsmusic5687 that's true :D but it doesn't mean that his music can't sound like that

@bagochipsmusic5687

4y↑7

@@chipichipichapachapa733 You're right! Like, if you don't understand German, Leck mich im Arsch is a beautiful innocent tune!

@DanielFahimi

4y↑5

@@bagochipsmusic5687 This humour was prevalent back then. Even Chopin the INTROVERT had scatology in his letter. Children's lullabies were filled with poop jokes.

8 More Replies...

@agathenaamani1518

3y↑1

Merveilleux échange entre le piano les cordes et les vents... de bout en bout la grâce, l’élégance et la beauté

@jesusmanriquezsantana1590

2y↑1

There is no stringed instrument here
only the piano and wind instruments

@agathenaamani1518

@@jesusmanriquezsantana1590
Thanks for the précision Jesus

@JuanManuelSanchez_JMComposer

8y↑45

couldn't agree more with Mozart himself... One of the best opus he have ever written

@timothythorne9464

4y↑1

Juan Manuel Sanchez and yet it's less attractive than the similarly scored Beethoven op. 16

@brianr.3085

4y↑5

@@timothythorne9464 Less attractive to whom? Critical opinion seems more favorably disposed to this work compared to the Beethoven.

@timothythorne9464

4y↑1

Brian R. I prefer the Beethoven work, op. 16, particularly when scored as a piano quartet (piano w/ violin, viola and cello). This work is the best of its kind IMO

@brianr.3085

4y↑5

@@timothythorne9464 Hmm. I guess that's one of the main reasons I like this work more, then. The woodwind parts seem more essential to the piece as a whole, as a truly integrated chamber work. The themes written for them are idiomatic, with Mozart's ear for the timbral/sonoral capabilities of each woodwind instrument that he perfected from writing all those woodwind divertimenti. The Beethoven seems like a small scale piano concerto where the woodwind parts can be exchanged for other instruments.

@timothythorne9464

4y↑2

Brian R. I'm giving the Mozart quintet another listen. Maybe I'm missing something. It's just the Beethoven piece really appeals to me, and the finale is so animated and catchy. But I'll run through the Mozart again before determining one is "better" than the other.

4 More Replies...

@Alessandro90933

4y↑6

The second movement is one of the most profound, mysterious and strangely beautiful pieces ever written.

@timothythorne9464

4y↑4

Zac it is nice. It's amazing how the whole piece has an operatic character to it, similar to Carl Maria von Weber's pieces for clarinet and piano, and his own opus 34.

@Kasi23

3y↑2

Thanks for uploading these masterpieces! ❤

@MrRon-lw1ri

The definitive performance of this work.

@MrRon-lw1ri

1y↑1

I reiterate Brian Bernstein's statement below: "One of the single greatest compositions in all classical music" ~~-and that is not an exaggeration! That any human being could put together something so immeasurably intricate without sounding intricate --as if composed by a child-~~ boggles the mind. Yet that is the least of it. Beneath that classical veneer lies a singularly incomparable quality ~~-how can i put it?-~~ YES: a divine naiveté --the defining characteristic of Mozart which is expressed "a la perfección" by this grand ensemble.

@gamingmusicandjokesandabit1240

4y↑1

What did an impressed person have to say about this piece? I'm blown away by this.

@GSHAPIROY

7y↑17

The modulation from B♭ major to e minor and back is amazing. (Development of second movement.)

@gerardbegni2806

6y↑4

I fully agrree with you.

@qweuio

3y↑3

Definitely one of the highlights from the whole piece. The transition from E minor to B-flat especially is supposed to be difficult (since they are literally farthest keys to each other) but he did it in a matter of several bars, during which the music still sounds all natural and flawless....like a champ. Pretty sure that's a part of why he is so proud of this particular piece.

@brianbernstein3826

3y↑3

He isn't B flat major, he's in E flat major starting at 15:33 when section "Q" starts. He uses C7 as a pivot chord, which is V/ii in E flat major and the augmented 6th chord of E minor. Our ears are expecting the C7 chord to resolve to F minor, the ii chord of E flat major, instead we get a cadential 64 chord in E minor. Not trying to rain on anyone's parade, but this is incredibly standard modulation up a minor 2nd interval. We'd expect E major to follow the dominant B chord, as E is the Neapolitan of E flat and would allow a very easy transition back to E flat major if desired. Following a B major chord with E minor instead of E major is as easy as 123, though I agree it provides a nice surprise.

@brianbernstein3826

3y↑2

The modulation from E minor back to B flat is pretty cool though... using C major and D minor as little islands to jump on, sandwiched in between dual functioning diminished chords. C major even sounds like fresh harmony here, even though he used it to modulate to E minor literally five seconds earlier.

@gerardbegni2806

6y↑3

Only famous intrprets (Brendel, Holliger !!!) have contributed to this recording of the very beautiful and elegant quintet of Mozart for piano and winds. The invention and the sense of tones of Mozart ids very rich, as we can hear in that awesome rrecording.

@brynjarhoff-lr6hw

45w↑1

Here we have my Topp team,only to say to olla-vogala,You have a very good taste!!

@beamoorefrank5194

8y↑19

So sublime. This is my favorite version of this beautiful piece.

@yairgil4250

Bea,

how many versions did you actually heard that you can state that this is your favorite version?---there are the catalog about 25 recordings, if not more, for this wonderful piece ...( see Amazon)

@edwardweaver1467

Cool.

@SOBIESKI_freedom

6y↑3

Magnificent!

@jeanclaudelibert6614

7y↑4

Beauté de ... W.A.Mozart et de ses interprètes ici.

@nancyvizza4967

5y↑1

Exquisite performance!

@markmassare7786

SIMPLY LOVE AND BEAUTY

@AC-dl5yh

4y↑1

Thank you. This is beautiful.

@marcosPRATA918

2y↑1

Instrumentistas de peso. Esse quinteto é uma das criações em que Mozart nos legou belas melodias, ricas sonoridades.

@ilpaul8073

4y↑1

Even without a great recording (clarinet is always "far"), great interpretation and great listening!

@yem2287

27w

An absolute beauty

@danyu8374

4y↑1

sublime creativity🌠

@augustuscaesar7846

8y↑50

It was said that this was his (Mozart's) favorite. Hence, that is the reason for my being here.

@olla-vogala4090

8y↑9

Yes indeed! You can read it in my video description :)

@toninho7307

6y↑1

He really thought so and so he was right !

@Primalrage76

Maybe he was drunk af

@Alessandro90933

4y↑1

@@Primalrage76 Maybe he was just absolutely right.

@knuthaakenaasen1880

4y↑3

In a letter to his father he confessed proudly that he considered this piece his best UNTIL THEN (1784)

2 More Replies...

@tortuedelanuit2299

4y↑10

I wouldn't be surprised that Mozart thought this his best piece yet if the performers in the premiere also did such an exhilarating accelerando al fine.

@windstorm1000

Yes the composer wrote his father best thing he'd done so far. Thats saying a LOT given the composers already massive oevre

@fflambeauutube

6y↑5

A masterpiece! Beethoven wrote a piece for the same instruments and it was a paean to Mozart but this is, at least in my opinion, far better. The horn melodies are sumptuous. And this is an all star group performing. Mozart also wrote amazing music for the clarinet.

@malaysabolehpsy

This seems like a good photoshoot music. This and a flowing river.

@indialavoyce95

4y↑15

“"I have composed a Quintet for Oboe, Clarinet, Horn, Bassoon and Pianoforte, which has been received with extraordinary favor. (Kochel, No. 452.) I myself think it the best thing I ever wrote in my life."”

— Mozart: the man and the artist, as revealed in his own words by Wolfgang Amadeus Mozart
http://a.co/01CZgT7

@emanuel_soundtrack

4y↑1

Great comment, thanks! check my channel

@thomasfisher-york4230

4y↑2

A wonderful piece indeed, one of my all-time favorites, and an excellent performance here. But - I wonder how many time Mozart made a similarly enthusiastic statement about a piece he had just written?

@user-il1vr9lu9e

3y↑1

作曲した本人が、最高傑作というものがコレです。

@visiondemago1993

8y↑8

que belleza dios mio !!

@edwardweaver1467

Yes!

@user-no3pr8nk6i

8y↑6

+olla-vogala
Thank you for sharing. Beautiful!

@olla-vogala4090

8y↑2

My pleasure!

@windmillwilly

3y↑15

Having listened to both this and Beethoven’s opus 16, the former definitely surpasses the latter. Mozart’s seems so much more subtle, and texturally pleasant.

@will8026

Is there some reason these two pieces should compare?

@windmillwilly

2y↑1

@@will8026 Yeah bitch. They're both quintets for piano and wind. Send me your skull measurements... NOW!

@TaeminChung

Amazing

@jsaavedr1

5y↑11

The melody played by the oboe @1:34 coincidentally sounds like the beginning of Beethoven's 7th symphony with the melody also played by oboe.

@Alkadondon

4y↑3

Yes there are a lot of elements from this piece that we can find in several concertos of Beethoven !

@jesusmanriquezsantana1590

3y↑2

0:53 Está parte parece compuesta por el mismísimo Dios 🥰🥰🥰

@WilfriedBerk

7y↑9

La crème de la crème - R.I.P. Eduard Brunner

@hobodawg9364

So sad...

@memedreams8558

7y↑4

Yo I actually want to learn this it sounds really cool

@hobodawg9364

On which instrument?
I ask because I frequently play it on clarinet.

@patrickmacneil6432

4y↑2

Mozart for President!

@gerardbegni2806

4y↑10

In terms of musical "deepness", this quintet was writtten rather for friends and aristocratic sociaty. So, it does not have the "deepness" of the string quintets or the piano quartets. Nevertehelss, this is by no ways a "weak" point but a deliberate choice of a genius, and the outcome is nothing else than a top level work, much better thazn for instance Beethoven's similar work op. 16.The 'dialectic use' of piano and winds is unprecedented in my opinion before XXth century (Stravinsky, Hindemith, Webern, French music by Milhaud and Poulenc). The genuis of Mozart had many faces: you can hear it for uinstance in his operars 'Don Giovanni' or 'Die Zauberflöte'. One of the most outstanding harmonic analysis books which I know (in French or English) is the (unfortunalmtely) poorly known 'Antitraité d'Harmonie' by Mrs Andreani, ranging from Monteverdi to Debussy and Ravel. In a key section, one of the leading scores that she chose as a guideline through the entire section is this score and no else by Mozart. When I was younger, this book brought me a lot in getting a high level vision of tonal harmony as a whole - rather than Schoenberg's of Schrecker's books. .

@goldenmiddledistanceraces5929

1y↑1

It amuses me that Beethoven at an early stage in his career attempted a homage to this piece.

@eberhard9039

Neither cute nor innocent. Particularly the 2nd movement is the heaven on earth.

@lgoedert165

3y↑1

Why is the Clarinet in Bb not written as "Clarinetto in Sib/Bs" in the score (at the very beginning) ? I feel like there should be an 's' after the 'B' instead of "Clarinetto in Sib/B." I'm trying to get better at orchestration and I want to make sure that I am not missing something. Thank you so much ! :)

@duga3325

3y↑2

It’s because In Germany, the note 'B' is called 'H', while 'B flat' is called 'B' ;)

@posamsaso

6y↑1

Divine

@alexshih3747

5y↑7

This is basically a Mozart piano concerto without strings.

@brianr.3085

5y↑6

I think that would better describe Beethoven's quintet for piano and winds where the piano is dominant throughout. This composition is a true ensemble piece for 5 instruments. Even in the cadenza of the last movement, the woodwinds enter first.

@timothythorne9464

4y↑2

This is basically a Mozart opera without the vocal parts

@TobyHonest420

4y↑2

This is basically a Mozart mass without the church.

@LockFryer

Is this written for an Eb horn as opposed to an F horn?

@gerardbegni2806

I think so because in the score as usual the horn is written without accidents.

@posamsaso

6y↑1

Absulte beauty...😭

@TempodiPiano

7y↑2

The effect is not the same after a Berg's opus and another Mozart's.

@LouisGuillotYT

To me Berg's music is beautiful in an other way.

@noabaak

5y↑1

Sweet Dreams~ - NYC, 3/23/2019

@normanbates429

1y↑2

una delle composizioni più pallose della storia della musica

@SethNoorzad

20w

The first movement feels more beethoven-like in structure than anything else I've heard from mozart

@diegomezzasalma9719

4y↑7

10:46 sounds so pop music

@DanielFahimi

How?

@cmrmusic4998

3y↑1

Yeah cause it hints at a pop V - IV - I progression (though actually it's just an ornamental device since there's very little melody over it and the bass remains on scale degree 1).

@wolframsteindl2712

I think the piece would sound a lot better if it wasn't played on a modern grand piano, but on a historically appropriate one, for which it was written.
The modern grand piano just stands out too much compared to the other instruments, which at times makes the piece sound almost... clumsy.
One of the many reasons I don't like historical music played on modern instruments.

@davidvicente2954

4y↑1

A 15:35, que cette phrase est belle...

@howardchasnoff208

2nd movement horn solo starts the development at 15:32.

@howardchasnoff208

2y↑1

3rd movement development starts at 21:90

@howardchasnoff208

2y↑1

22:00 actually

@a1gold176

8y↑3

ugh!! beauty

@pixy8979

5y↑5

10:11 Mvt II

@cesarepierozzi-oboe7981

Vi prego.... restituiteci Mozart!

@alanleoneldavid1787

11:40 14:09 18:20

@jormalicon5314

6y↑1

waaaaahhhhu

@sayantandutta7284

8y↑4

Can anyone give me any information about the score used here?? I searches through internet, and IMSLP, but found no usable full score.

@olla-vogala4090

8y↑4

+Sayantan Dutta This is the score I used, from IMSLP: http://javanese.imslp.info/files/imglnks/usimg/1/11/IMSLP135968-PMLP51439-Mozart_Quintet_K452_score.pdf

@sayantandutta7284

8y↑2

Yes I just found it...It is titled just Piano Score, I thought it is just the piano part...but when I found the Beethoven Quintet OP 16, in full score named Piano Part, I found it too...
Thank you.

@ulfutstrand

6y↑8

but play it over and over again

@maxgregorycompositions6216

27w

SInce when is a horn a wind instrument? I've never got this.

@YouTubeChannel-nf2nw

3y↑2

0:53

@alvarocorominas13

4y↑1

11:51

@mauricechavez9879

2y↑1

Es lebe Sarastro!

@claremcgowan8719

3y↑1

2:22

@sousafan100

maybe not his best but it's up there...

@sungpackhong4144

3y↑1

Is horn a wind?

@jesusmanriquezsantana1590

3y↑2

Yessss

@HelloooThere

Oh Fritz!please fetch me water and a plate of onions your heiness

@GSHAPIROY

6y↑1

Third movement is a little fast?

@cassianblackburn-enever9662

10:11

@_Athanos

11:10

@WilfriedBerk

3y↑2

Mozärtich gespielt ...

@franckmousset4022

Ce serait encore mieux si les musiciens respectaient davantage le texte. Pourquoi ce changement de tempo dans la conclusion du finale ?

@AaronHe

5:30 Bach mass in B minor?

@gianlucabassi1803

8y↑6

Il pollice in giù è uno scherzo.

@edwardweaver1467

Scherzinger, as In the "super charged waltz"?

@marco-ez6xb

Che nervi la pubblicità che parte un secondo prima dell'accordo finale. Maledetti.

@antoniotommasini5501

29w

Io l'ho appena ascoltato e non c'è stata nessuna interruzione.
Mi ero lamentato per lo stesso motivo con un releaser.
Mi ha risposto che non dipendeva da lui la scelta del momento e la quantità delle interruzioni pubblicitarie. Si è anche scusato.

@ulfutstrand

6y↑5

Isnt good music as its best when you almost dont notice it......

@jmisolis

2y↑1

It would be better without the freaking stupid and noisy ads...

@roykaufmann702

4y↑1

Boring. This interpretation has no drama

@flyingdutchman773

4y↑3

your comment is very, very boring. no drama! boring.

@Alkadondon

3y↑3

@@flyingdutchman773 This a comment section, everyone has the right to give his opinion.

@stravinskyfan

3y↑1

@@Alkadondon well he just did give his opinion so what's your point, smartass?

@Alkadondon

3y↑2

@@stravinskyfan Are we going on YT to comment videos or other comments ? I don't know.