Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific … Read Full Bio ↴Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every Western classical genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture".

Born in Salzburg, then in the Holy Roman Empire and currently in Austria, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court but grew restless and traveled in search of a better position.

While visiting Vienna in 1781, Mozart was dismissed from his Salzburg position. He stayed in Vienna, where he achieved fame but little financial security. During his final years there, he composed many of his best-known symphonies, concertos, and operas. His Requiem was largely unfinished by the time of his death at the age of 35, the circumstances of which are uncertain and much mythologized.

Piano Sonata No.14 In C mMnor K.457: 2. Adagio
Wolfgang Amadeus Mozart Lyrics

We have lyrics for these tracks by Wolfgang Amadeus Mozart:

Agnus Dei Agnus Dei, qui tollis peccata mundi, dona eis requiem. Agn…
Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte Erzeugt von heißer Phantasie, In einer schwärmerischen Stund…
Ave Maria Ave, ave verum corpus natum De Maria virgine Vere passum imm…
Ave Verum Ave ave verum corpus natum de Maria Virgine Vere passum, imm…
Ave Verum Corpus K.618 Ave verum corpus, natum De Maria Virgine Vere passum, immola…
Ave verum corpus, K. 618 Ave verum corpus natum de Maria Virgine Vere passum, immolat…
Ave Verum K.618 Ave verum corpus, natum De Maria Virgine Vere passum, immola…
Batti Batti O Bel Masetto Batti, batti, o bel Masetto, La tua povera Zerlina; Starò qu…
Benedictus Benedictus qui venit in nomine Domine. Hosanna in excelsis!…

Communio Lux Aeterna SOPRANO SOLO AND CHORUS LUX eterna …
Confutatis Confutatis maledictis, flammis acribus addictis, voca me c…
Der Hölle Rache kocht in meinem Herzen Der Hölle Rache kocht in meinem Herzen Tod und Verzweiflung…
Der Vogelfänger bin ich ja Der Vogelfänger bin ich ja Stets lustig heissa hopsasa! Ic…
Die Zauberflöte K. 620 Act 2: Der Hölle Rache kocht in meinem Herzen, Tod und Verzweiflung…
Die Zauberflöte: Der Hölle Rache kocht in meinem Herzen Der Hölle Rache kocht in meinem Herzen, Hells Revenge cooks …
Dies Irae Dies irae Dies illa Solvet saeclum en favilla Teste david…
Domine Jesu Domine, Jesu Christe, Rex gloriae, libera animas omnium fid…
Domine Jesu Christe DOMINE Jesu Christie, Rex Gloriaee, libera …
Hostias Hostias et preces tibi, Domine laudis offerimus tu suscipe…
I Introitus : Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
III CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
III. Dies Irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
III. Sequentia: / Rex Tremendae Majestatis CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Introitus Requiem aeternam dona eis, Domine, Et lux perpetua luceat ei…
Introitus Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
iv HOSTIAS et preces tibi, Domine, laudis…
IV. Offertorium: / Domine Jesu Christe DOMINE Jesu Christie, Rex Gloriaee, libera …
Kyrie Kyrie eleison. Christe eleison. Kyrie eleison.…
La' ci darem la mano (Don Giovanni): Là ci darem la mano, Là mi dirai di sì, Vedi…
Lacrimosa Lacrymosa dies illa, qua resurget ex favilla judicandus ho…
Laudate Laudate Dominum omnes gentes Laudate eum, omnes populi Quon…
Le Nozze di Figaro: Che soave zeffiretto Sull'aria... Che soave zeffiretto... Zeffiretto... Questa se…
Le nozze di Figaro: Cinque... dieci... venti... trenta... Cinque... dieci... venti... trenta... Trentasei... quarantat…
Lux aeterna SOPRANO SOLO AND CHORUS LUX eterna …
O Fortuna O Fortuna, velut Luna statu variabilis, semper crescis a…
Offertorium Domine Jesu DOMINE Jesu Christie, Rex Gloriaee, libera …
Offertorium Hostias HOSTIAS et preces tibi, Domine, laudis…
Offertorium%3A Domine Jesu DOMINE Jesu Christie, Rex Gloriaee, libera …
Porgi amor Porgi, amor, Qualche ristoro Al mio duolo A′miei sospir! O …
Porgi, amor (Le nozze di Figaro) Porgi, amor, qualche ristoro al mio duolo a'miei sospir! O …
Queen Of The Night Aria Der Hölle Rache kocht in meinem herzen Tot und verzweiflung …
Recordare Recordare Jesu pie, quod sum causa tuae viae, ne me perdas…
Requiem 1. Requiem Requiem aeternam dona eis, Domine, et lux…
Requiem Dies irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Requiem in D minor K 626: 3. Sequentia: "Recordare" Recordare, Jesu pie, Quod sum causa tuae viae, Ne me perdas …
Requiem in D minor K. 626: I. Introitus: "Requiem aeternam" INTROITUS Requiem aeternam dona ets, Domine, et lux perpetu…
Requiem in D minor K.626 Dies iræ, dies illa Solvet sæclum in favilla Teste David cum…
Requiem in D Minor K.626: 1. Introitus: Requiem Requiem aeternam dona eis, Domine, Et lux perpetua luceat ei…
Requiem in D Minor K.626: 3. Sequentia: Lacrimosa La crimosa Dies illa Qua Re sur get est fa vi lla Iudicandus…
Requiem in D Minor K.626: 4. Offertorium: Domine Jesu Domine, Jesu Christe, Rex gloriae, rex gloriae Libera animas…
Requiem in D Minor K.626: 4. Offertorium: Hostias Hostias et preces, tibi, Domine, Laudis offerimus: Tu suscip…
Requiem Introitus Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
Requiem Rex Tremendae Majestatis CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Requiem%2C Dies irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Requiem, Dies irae Dies iræ, dies illa Solvet sæclum en favilla Teste davidcum …
Requiem: Agnus Dei CHORUS AGNUS DEI, qui tollis peccata …
Requiem: Dies irae Dies iræ, dies illa Solvet sæclum en favilla Teste davidcum …
Requiem: Domine Jesu DOMINE Jesu Christie, Rex Gloriaee, libera …
Requiem: Introitus: Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
Requiem: IV. Offertorium: Domine Jesu Christe DOMINE Jesu Christie, Rex Gloriaee, libera …
Requiem: Lacrimosa Requiem aeternam dona eis, Domine, et lux perpetua luceat ei…
Requiem: Requiem Requiem aeternam dona eis, Domine; et lux perpetua luceat ei…
Requiem: Rex tremendae CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Requiem: VII. Agnus Dei Agnus Dei, qui tollis peccata mundi Dona eis requiem sempite…
Requiem: VIII. Communio: Lux aeterna SOPRANO SOLO AND CHORUS LUX eterna …
Rex Tremendae Rex tremandae maiestatis, qui salvandos salvas gratis, sal…
Rex Tremendae Majestatis CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Ridente la calma K.152 Ridente la calma nell′alma si desti Né resti più segno di…
Sanctus Sanctus, sanctus, sanctus Dominus Deus Sabaoth! Pleni sunt…
Sequentia Dies Irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Sequentia Rex tremendae CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Sequentia%3A Dies Irae CHORUS Dies irae, dies illa Solvet saeclum in favilla, Teste…
Sequentia: Rex tremendae majestatis CHORUS Rex tremende majestatis, Qui salvandos salvas gratis …
Time To Say Goodbye cutumn roams silently through the streets, You'll be gone, a…
Tuba Mirum Tuba mirum spargens sonum per sepulchra regionum, coget om…
Turkish March Issa Issa Issa Issa Issa Issa Issa Issa Issa Issa Issa Issa …
V. Sanctus SANCTUS, Domine Deus Sabaoth. Pleni sunt …
VII. Agnus Dei Agnus Dei, qui tollis peccata mundi, dona eis requiem Agnus…
VII. Communio: Lux aeterna SOPRANO SOLO AND CHORUS LUX eterna …

Voi che sapete che cosa è amor Voi che sapete Che cosa è amor, Donne, vedete S′io l'ho nel …

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Comments from YouTube:

labémolmineur

14y↑3

Such a gorgeous interpretation of this movement! I didn't love her first movement as much, but this one is just beautiful. So clean and expressive.

Jim Tomasko

5y↑1

Uchida playing Mozart is otherworldly. Such a fabulous middle movement to one of his two minor piano sonatas (my favorite of the two). You just gotta love C minor.

Timothy Thorne

Sublime music played beautifully by Mitsuko Uchida.

james alden

14y↑6

I'm simply so moved, that there cannot be any words to describe this experience. This is best.

Giangra92

13y↑2

Forse quanto di piu' bello Mozart abbia mai scritto... difficile da dire comunque, che dire dei magnifici concerti per pianoforte? stupendi l'uno piu' dell'altro! BRAVISSIMO MAGNIFICO ETERNO

LUIS LONDONO

5y↑1

Que melodiosa !!!

Yankee Slim

13y↑6

the greatest of all, mozart is an unexplainable phenomenon

Christine Calaya Tan

8y↑3

Thanks for uploading such an amazing piece, it is extremely relaxing, wanna sleep already

kjwj67 J

6y↑2

엄청 노래하고 진짜 따뜻하게 치신다 ..와 good !

Faty’s World

13y↑4

It's beautiful!!!!!! I truli enjoy hear Mrs Uchida. My 7 year old son takes piano lesson and I wish one day he would meet Mrs Uchida to get some inspiration from someone so amazing. Thank you for sharing your music Mrs Uchida.

Thomas Hobson

9y↑54

At around 3:25-- measure 24 to 25-- you can hear the seed from which beethoven produced the second movement of his Pathetique sonata!

Dan Johnson

8y↑4

And later at 5:39, (m41) the opening melody from Beethoven's Song Cycle "An Die Ferne Geliebte"

recklesswhisper

7y↑7

Yes, absolutely. It's there, the 'seed' as you describe it. These days Beethoven would've been in court defending a plagiarism case! lol! ^..^~~

Sophia Su

7y↑2

Thomas Hobson 3:19

Linh Vu

7y↑3

Mozart is always Mozart after all.

kwastormayt

7y↑1

and Chopin ballad 1 on 2:03

7 More Replies...

Myriel Pádua

4y↑2

Soothing modulations covering all thru the musical arches .So evolving spiritually! Incredible HOW MOTION RHYTHM EDUCATIVE PIANO MUSIC NOTATIVE ... THE SONATAS CAN BE TO OUR HEARING AND LISTENING CAPACITIES MOZART OUR GREATEST RIZOMATIC MUSIC TOP MASTER.It makes me feel an ENDOWED HUMAN BEING BY OUR MASTERS FROM THE HISTORY OF WORLD.⭐⭐⭐⭐⭐ MUSIC

silvia pavani

She is a fantastic pianist, no doubt. But what I do not understand is why most of modern pianists do not apply the forte and piano dramatic effects that Mozart music demands. It's opera after all. One could imagine characters exchanging love phrases. Or jealousy, or anger, or extreme pain or delight. Whatever, except for this almost even or too delicate way of playing Mozart.

saori y

癒されます

Jesús Manríquez Santana

3y↑2

3:19 SUBLIME 🥰

hymnofashes

14y

The first question is: Is MrGrevy's assertion that the income from live performance, merchandising, and such, sufficient to motivate artists to produce 'enough' art even if recordings of the music are free? That's an empirical claim. Get data. Second question: If no, then do we use a patent system or a bounty system, where persons or groups pay in beforehand into a fund and then art that becomes popular gets paid from that fund on the basis of its popularity? That's what I'd do.

polymath7

14y

II. ...alternative product on offer, and there is either no transaction at all or a transaction in which someone's labor is sold by someone else with absolutely no claim to it. What could possibly be less capitalistic? This also an appeal to the rule of law, which is being flagrantly violated. What is happening not that a product is becoming obsolete or even that a market model is failing but that a perfectly legitimate law is becoming unenforceable. Please answer my earlier question:

annikap213

13y↑6

Why can't people stop arguing and listen to the beautiful piano?

polymath7

14y

Much as I love free music, I understand that musicians must pay rent. Why exactly is it "disgusting nonsense" that people defend their intellectual property rights? Do you think copyright law is unjust nonsense, or does it suddenly cease to apply when information is transmitted via cable rather than radio waves or ink? Perhaps there's an argument to be made, but it certainly isn't obvious to me. Yes, yes, I'm listening to this recording too; what baffles me is the sense of enlightenment.

Gary Citro

I think you are going for the word "entitlement" there. It CERTAINLY is a lousy time for musicians to make a living. Even pop artists have to get extremely lucky, and most make ZERO from recordings, and only on live performance and merchandising.
The other side of the coin is that it's the best time for amateurs, students and listeners. When I used to learn a classical piano piece, I would either have to spend a lot of money on recordings, or go to a music library for hours and pull records to hear differing interpretations.
I've been working on Chopin's Black Key Etude this past year. There are about 30 different interpretations only a few clicks away to get a fountain of inspiration, including a video of Horowitz playing it at home!. It's phenomenal, but thank goodness I have a job..

Marwa Fawzy

13y↑2

Soft & Sweet.

Kelvin 462

This pieces Too relax

Aivlis Silvia

8y↑5

I love him.

Sophia Su

7y↑3

Unbelievably sensitive playing.

Minh Vu

8y↑3

around 3:25 sounds very similar to Beethoven 's pathetique 2nd movement

Maximus Frank

7y↑6

Mozart came first;)

Linh Vu

7y↑5

Mozart clearly inspired Beethoven. He had already passed away before Beethoven wrote his sonatas.

David Martinez

7y↑1

si es igualito .mira bien la partitura ok?

sciencmath

6y↑3

The theme from Beethoven's first piano sonata is straight up lifted from Mozart's Symphony No. 25

John Eldon

3y↑1

@Linh Vu Beethoven greatly admired Mozart and built on many of his themes with increased layers of harmonization and variation.

Dave P

Why does it say pianist: Mitsuko Uchida. But then under music it says Karl Engel??? Who is actually performing?

polymath7

14y↑1

@MrGrevy Who has copyrights to the music of a dead artist? No one indeed (if that music was written before 1920). Where classical music is concerned, what is usually protected are not compositions but specific *recordings*. Like this one. I care absolutely nothing for the financial interests of the record companies themselves; I care about musicians, and I am *vastly* more sympathetic to their financial woes than those who pirate their music.

thesir27

13y↑3

@okicuru12 ''There are just as many notes as there should be." -M

Lawrence Jacinto

13y

How did this argument even originate???? o.o

Полина Черкасова

2y↑2

03:19 середина

polymath7

14y↑1

@MrGrevy What solutions are companies supposed to come up with? How does one develop a market model to compete with *free*? Again I stress that I don't give a *damn* about the record companies. I care whether musicians can make a living from their art, and I care from my own self interest as well as theirs. Depend upon it my friend, if musicians cannot make living, new music will all but cease to appear.

hymnofashes

14y

You two are making no progress. The problem is: How do you maintain an incentive structure for artistic production while preserving the enormous value creation that comes of everyone being able to access hundreds of thousands of dollars worth of music on this website, for free? Poly, his analogy is bad, but so is yours. If I steal your loaf of bread, you don't have it anymore, but that's not the case with music, so its not exactly 'theft.'

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